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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8D96C it is the complementary color #372693. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8D96C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8D96C shade: #CDD967, #DEEB7A, #EFFD8D, #FFFFA0 and #FFFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8D96C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8D96C shade: #C8D96C, #B7C759, #A6B546, #95A333 and #849120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8D96C shade: #C8D96D, #D9CD6D, #D9AF6D, #D9926D and #D9756D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8D96C shade: #C8D96D, #ABD96D, #8ED96D, #70D96D and #6DD986

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8D96C shade matches the following richer shades: #C8D96D, #D2E85E and #DCF74F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8D96C shade: #C8D96D, #BECA7B, #B4BB8A, #A9AC99 and #9F9DA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8D96C shade: #D9AF6D, #D9CC6D, #C9D96D, #ACD96D and #8FD96D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8D96C shade: #ABC131, #BCD04C, #C8D96D, #D4E18D and #E0EAAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8D96C shade: #C8D96C, #6DD992 and #BE6DD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8D96C shade: #C8D96C, #6DC9D9 and #D96DC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8D96C shade: #C8D96C, #6DD992, #7D6DD9 and #D96DB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8D96C shade: #C8D96C, #6DD9B3, #7D6DD9 and #D96D92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 50 / 15

HEX #C8D96C

RGB 200 217 108

HSL 69.36, 0.59%, 0.64%

LAB 83.44, -21.4, 51.24

 

Complementary color

CMYK 63 / 74 / 0 / 42

HEX #372693

RGB 55 38 147

HSL 249.36, 0.59%, 0.36%

LAB 24.66, 39.55, -57.14

 

CMYK 6 / 0 / 53 / 15

HEX #CDD967

RGB 205 217 103

HSL 66.32, 0.6%, 0.63%

LAB 83.75, -19.87, 54.02

 

CMYK 6 / 0 / 48 / 8

HEX #DEEB7A

RGB 222 235 122

HSL 66.9, 0.74%, 0.7%

LAB 90.02, -20.25, 52.93

 

CMYK 6 / 0 / 44 / 1

HEX #EFFD8D

RGB 239 253 141

HSL 67.5, 0.97%, 0.77%

LAB 96.21, -20.56, 51.81

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 8 / 0 / 50 / 15

HEX #C8D96C

RGB 200 217 108

HSL 69.36, 0.59%, 0.64%

LAB 83.44, -21.4, 51.24

 

CMYK 8 / 0 / 55 / 22

HEX #B7C759

RGB 183 199 89

HSL 68.73, 0.5%, 0.56%

LAB 77.06, -21.03, 52.3

 

CMYK 8 / 0 / 61 / 29

HEX #A6B546

RGB 166 181 70

HSL 68.11, 0.44%, 0.49%

LAB 70.59, -20.56, 53.23

 

CMYK 9 / 0 / 69 / 36

HEX #95A333

RGB 149 163 51

HSL 67.5, 0.52%, 0.42%

LAB 64.02, -19.96, 53.87

 

CMYK 9 / 0 / 78 / 43

HEX #849120

RGB 132 145 32

HSL 66.9, 0.64%, 0.35%

LAB 57.33, -19.16, 53.9

 

CMYK 8 / 0 / 50 / 15

HEX #C8D96D

RGB 200 217 109

HSL 69.44, 0.59%, 0.64%

LAB 83.45, -21.31, 50.78

 

CMYK 0 / 6 / 50 / 15

HEX #D9CD6D

RGB 217 205 109

HSL 53.33, 0.59%, 0.64%

LAB 81.58, -8.51, 48.86

 

CMYK 0 / 19 / 50 / 15

HEX #D9AF6D

RGB 217 175 109

HSL 36.67, 0.59%, 0.64%

LAB 73.88, 7.15, 39.44

 

CMYK 0 / 33 / 50 / 15

HEX #D9926D

RGB 217 146 109

HSL 20.56, 0.59%, 0.64%

LAB 66.83, 22.74, 30.47

 

CMYK 0 / 46 / 50 / 15

HEX #D9756D

RGB 217 117 109

HSL 4.44, 0.59%, 0.64%

LAB 60.41, 38.15, 21.98

 

CMYK 8 / 0 / 50 / 15

HEX #C8D96D

RGB 200 217 109

HSL 69.44, 0.59%, 0.64%

LAB 83.45, -21.31, 50.78

 

CMYK 21 / 0 / 50 / 15

HEX #ABD96D

RGB 171 217 109

HSL 85.56, 0.59%, 0.64%

LAB 81.5, -32.41, 47.99

 

CMYK 35 / 0 / 50 / 15

HEX #8ED96D

RGB 142 217 109

HSL 101.67, 0.59%, 0.64%

LAB 79.89, -42.62, 45.65

 

CMYK 48 / 0 / 50 / 15

HEX #70D96D

RGB 112 217 109

HSL 118.33, 0.59%, 0.64%

LAB 78.56, -51.78, 43.72

 

CMYK 50 / 0 / 38 / 15

HEX #6DD986

RGB 109 217 134

HSL 133.89, 0.59%, 0.64%

LAB 78.81, -48.84, 31.57

 

CMYK 8 / 0 / 50 / 15

HEX #C8D96D

RGB 200 217 109

HSL 69.44, 0.59%, 0.64%

LAB 83.45, -21.31, 50.78

 

CMYK 9 / 0 / 59 / 9

HEX #D2E85E

RGB 210 232 94

HSL 69.57, 0.75%, 0.64%

LAB 88.08, -25.84, 62.97

 

CMYK 11 / 0 / 68 / 3

HEX #DCF74F

RGB 220 247 79

HSL 69.64, 0.91%, 0.64%

LAB 92.71, -29.9, 73.93

 

CMYK 8 / 0 / 50 / 15

HEX #C8D96D

RGB 200 217 109

HSL 69.44, 0.59%, 0.64%

LAB 83.45, -21.31, 50.78

 

CMYK 6 / 0 / 39 / 21

HEX #BECA7B

RGB 190 202 123

HSL 69.11, 0.43%, 0.64%

LAB 78.82, -16.34, 38.05

 

CMYK 4 / 0 / 26 / 27

HEX #B4BB8A

RGB 180 187 138

HSL 68.57, 0.26%, 0.64%

LAB 74.24, -10.62, 24.07

 

CMYK 2 / 0 / 11 / 33

HEX #A9AC99

RGB 169 172 153

HSL 69.47, 0.1%, 0.64%

LAB 69.64, -4.5, 9.41

 

CMYK 5 / 7 / 0 / 34

HEX #9F9DA8

RGB 159 157 168

HSL 250.91, 0.06%, 0.64%

LAB 65.21, 2.88, -5.46

 

CMYK 0 / 19 / 50 / 15

HEX #D9AF6D

RGB 217 175 109

HSL 36.67, 0.59%, 0.64%

LAB 73.88, 7.15, 39.44

 

CMYK 0 / 6 / 50 / 15

HEX #D9CC6D

RGB 217 204 109

HSL 52.78, 0.59%, 0.64%

LAB 81.31, -8, 48.55

 

CMYK 7 / 0 / 50 / 15

HEX #C9D96D

RGB 201 217 109

HSL 68.89, 0.59%, 0.64%

LAB 83.52, -20.92, 50.88

 

CMYK 21 / 0 / 50 / 15

HEX #ACD96D

RGB 172 217 109

HSL 85, 0.59%, 0.64%

LAB 81.57, -32.04, 48.07

 

CMYK 34 / 0 / 50 / 15

HEX #8FD96D

RGB 143 217 109

HSL 101.11, 0.59%, 0.64%

LAB 79.94, -42.29, 45.72

 

CMYK 11 / 0 / 75 / 24

HEX #ABC131

RGB 171 193 49

HSL 69.17, 0.6%, 0.47%

LAB 74.2, -25.64, 65.1

 

CMYK 10 / 0 / 63 / 18

HEX #BCD04C

RGB 188 208 76

HSL 69.09, 0.58%, 0.56%

LAB 79.8, -24.39, 61.06

 

CMYK 8 / 0 / 50 / 15

HEX #C8D96D

RGB 200 217 109

HSL 69.44, 0.59%, 0.64%

LAB 83.45, -21.31, 50.78

 

CMYK 6 / 0 / 37 / 12

HEX #D4E18D

RGB 212 225 141

HSL 69.29, 0.58%, 0.72%

LAB 86.88, -17.22, 39.65

 

CMYK 4 / 0 / 26 / 8

HEX #E0EAAE

RGB 224 234 174

HSL 70, 0.59%, 0.8%

LAB 90.67, -13, 28.1

 

CMYK 8 / 0 / 50 / 15

HEX #C8D96C

RGB 200 217 108

HSL 69.36, 0.59%, 0.64%

LAB 83.44, -21.4, 51.24

 

CMYK 50 / 0 / 33 / 15

HEX #6DD992

RGB 109 217 146

HSL 140.56, 0.59%, 0.64%

LAB 79.01, -46.75, 25.66

 

CMYK 12 / 50 / 0 / 15

HEX #BE6DD9

RGB 190 109 217

HSL 285, 0.59%, 0.64%

LAB 58.88, 49.53, -42.5

 

CMYK 8 / 0 / 50 / 15

HEX #C8D96C

RGB 200 217 108

HSL 69.36, 0.59%, 0.64%

LAB 83.44, -21.4, 51.24

 

CMYK 50 / 7 / 0 / 15

HEX #6DC9D9

RGB 109 201 217

HSL 188.89, 0.59%, 0.64%

LAB 76.09, -23.13, -16.44

 

CMYK 0 / 50 / 7 / 15

HEX #D96DC9

RGB 217 109 201

HSL 308.89, 0.59%, 0.64%

LAB 61.57, 54.25, -29.01

 

CMYK 8 / 0 / 50 / 15

HEX #C8D96C

RGB 200 217 108

HSL 69.36, 0.59%, 0.64%

LAB 83.44, -21.4, 51.24

 

CMYK 50 / 0 / 33 / 15

HEX #6DD992

RGB 109 217 146

HSL 140.56, 0.59%, 0.64%

LAB 79.01, -46.75, 25.66

 

CMYK 42 / 50 / 0 / 15

HEX #7D6DD9

RGB 125 109 217

HSL 248.89, 0.59%, 0.64%

LAB 52.18, 32.55, -53.54

 

CMYK 0 / 50 / 18 / 15

HEX #D96DB3

RGB 217 109 179

HSL 321.11, 0.59%, 0.64%

LAB 60.73, 50.76, -17.78

 

CMYK 8 / 0 / 50 / 15

HEX #C8D96C

RGB 200 217 108

HSL 69.36, 0.59%, 0.64%

LAB 83.44, -21.4, 51.24

 

CMYK 50 / 0 / 18 / 15

HEX #6DD9B3

RGB 109 217 179

HSL 158.89, 0.59%, 0.64%

LAB 79.69, -40.09, 9.24

 

CMYK 42 / 50 / 0 / 15

HEX #7D6DD9

RGB 125 109 217

HSL 248.89, 0.59%, 0.64%

LAB 52.18, 32.55, -53.54

 

CMYK 0 / 50 / 33 / 15

HEX #D96D92

RGB 217 109 146

HSL 339.44, 0.59%, 0.64%

LAB 59.68, 46.22, -0.36

 

Description

Color code: HEX #C8D96C | qconv.com Color code: HEX #C8D96C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 217 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 217 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 50 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 50% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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