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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8D287 it is the complementary color #372D78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8D287. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8D287 shade: #CDD282, #DEE495, #EFF6A8, #FFFFBB and #FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8D287. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8D287 shade: #C8D287, #B7C074, #A6AE61, #959C4E and #848A3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8D287 shade: #C8D288, #D2C888, #D2B488, #D2A088 and #D28C88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8D287 shade: #C8D288, #B4D288, #A0D288, #8CD288 and #88D298

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8D287 shade matches the following richer shades: #C8D288, #D2DF7B, #DBEC6E and #E5F961

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8D287 shade: #C8D288, #BEC495, #B4B7A3, #ABAAB0 and #A19DBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8D287 shade: #D2B488, #D2C888, #C8D288, #B4D288 and #A1D288

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8D287 shade: #ACBB4C, #BAC66A, #C8D288, #D6DDA6 and #E3E8C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8D287 shade: #C8D287, #88D2A1 and #BE88D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8D287 shade: #C8D287, #88C8D2 and #D288C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8D287 shade: #C8D287, #88D2A1, #9288D2 and #D288B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8D287 shade: #C8D287, #88D2B7, #9288D2 and #D288A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 36 / 18

HEX #C8D287

RGB 200 210 135

HSL 68, 0.45%, 0.68%

LAB 81.9, -15.07, 36.07

 

Complementary color

CMYK 54 / 63 / 0 / 53

HEX #372D78

RGB 55 45 120

HSL 248, 0.45%, 0.32%

LAB 23.82, 26.38, -41.59

 

CMYK 2 / 0 / 38 / 18

HEX #CDD282

RGB 205 210 130

HSL 63.75, 0.47%, 0.67%

LAB 82.21, -13.71, 39.07

 

CMYK 3 / 0 / 35 / 11

HEX #DEE495

RGB 222 228 149

HSL 64.56, 0.59%, 0.74%

LAB 88.54, -13.96, 37.93

 

CMYK 3 / 0 / 32 / 4

HEX #EFF6A8

RGB 239 246 168

HSL 65.38, 0.81%, 0.81%

LAB 94.78, -14.18, 36.83

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 5 / 0 / 36 / 18

HEX #C8D287

RGB 200 210 135

HSL 68, 0.45%, 0.68%

LAB 81.9, -15.07, 36.07

 

CMYK 5 / 0 / 40 / 25

HEX #B7C074

RGB 183 192 116

HSL 67.11, 0.38%, 0.6%

LAB 75.47, -14.85, 37.23

 

CMYK 5 / 0 / 44 / 32

HEX #A6AE61

RGB 166 174 97

HSL 66.23, 0.32%, 0.53%

LAB 68.93, -14.57, 38.43

 

CMYK 4 / 0 / 50 / 39

HEX #959C4E

RGB 149 156 78

HSL 65.38, 0.33%, 0.46%

LAB 62.27, -14.21, 39.63

 

CMYK 4 / 0 / 57 / 46

HEX #848A3B

RGB 132 138 59

HSL 64.56, 0.4%, 0.39%

LAB 55.48, -13.75, 40.78

 

CMYK 5 / 0 / 35 / 18

HEX #C8D288

RGB 200 210 136

HSL 68.11, 0.45%, 0.68%

LAB 81.92, -14.95, 35.58

 

CMYK 0 / 5 / 35 / 18

HEX #D2C888

RGB 210 200 136

HSL 51.89, 0.45%, 0.68%

LAB 80.06, -5.96, 33.3

 

CMYK 0 / 14 / 35 / 18

HEX #D2B488

RGB 210 180 136

HSL 35.68, 0.45%, 0.68%

LAB 74.9, 4.53, 26.46

 

CMYK 0 / 24 / 35 / 18

HEX #D2A088

RGB 210 160 136

HSL 19.46, 0.45%, 0.68%

LAB 69.91, 15.29, 19.68

 

CMYK 0 / 33 / 35 / 18

HEX #D28C88

RGB 210 140 136

HSL 3.24, 0.45%, 0.68%

LAB 65.15, 26.16, 13.08

 

CMYK 5 / 0 / 35 / 18

HEX #C8D288

RGB 200 210 136

HSL 68.11, 0.45%, 0.68%

LAB 81.92, -14.95, 35.58

 

CMYK 14 / 0 / 35 / 18

HEX #B4D288

RGB 180 210 136

HSL 84.32, 0.45%, 0.68%

LAB 80.5, -22.5, 33.46

 

CMYK 24 / 0 / 35 / 18

HEX #A0D288

RGB 160 210 136

HSL 100.54, 0.45%, 0.68%

LAB 79.24, -29.71, 31.56

 

CMYK 33 / 0 / 35 / 18

HEX #8CD288

RGB 140 210 136

HSL 116.76, 0.45%, 0.68%

LAB 78.14, -36.44, 29.91

 

CMYK 35 / 0 / 28 / 18

HEX #88D298

RGB 136 210 152

HSL 132.97, 0.45%, 0.68%

LAB 78.22, -35.02, 21.64

 

CMYK 5 / 0 / 35 / 18

HEX #C8D288

RGB 200 210 136

HSL 68.11, 0.45%, 0.68%

LAB 81.92, -14.95, 35.58

 

CMYK 6 / 0 / 45 / 13

HEX #D2DF7B

RGB 210 223 123

HSL 67.8, 0.61%, 0.68%

LAB 85.96, -18.97, 47.31

 

CMYK 7 / 0 / 53 / 7

HEX #DBEC6E

RGB 219 236 110

HSL 68.1, 0.77%, 0.68%

LAB 89.94, -22.96, 58.28

 

CMYK 8 / 0 / 61 / 2

HEX #E5F961

RGB 229 249 97

HSL 67.89, 0.93%, 0.68%

LAB 94, -26.19, 68.56

 

CMYK 5 / 0 / 35 / 18

HEX #C8D288

RGB 200 210 136

HSL 68.11, 0.45%, 0.68%

LAB 81.92, -14.95, 35.58

 

CMYK 3 / 0 / 24 / 23

HEX #BEC495

RGB 190 196 149

HSL 67.66, 0.28%, 0.68%

LAB 77.64, -9.91, 22.97

 

CMYK 2 / 0 / 11 / 28

HEX #B4B7A3

RGB 180 183 163

HSL 69, 0.12%, 0.68%

LAB 73.68, -4.63, 9.81

 

CMYK 3 / 3 / 0 / 31

HEX #ABAAB0

RGB 171 170 176

HSL 250, 0.04%, 0.68%

LAB 69.85, 1.5, -2.96

 

CMYK 15 / 17 / 0 / 26

HEX #A19DBD

RGB 161 157 189

HSL 247.5, 0.2%, 0.68%

LAB 66.03, 7.98, -15.97

 

CMYK 0 / 14 / 35 / 18

HEX #D2B488

RGB 210 180 136

HSL 35.68, 0.45%, 0.68%

LAB 74.9, 4.53, 26.46

 

CMYK 0 / 5 / 35 / 18

HEX #D2C888

RGB 210 200 136

HSL 51.89, 0.45%, 0.68%

LAB 80.06, -5.96, 33.3

 

CMYK 5 / 0 / 35 / 18

HEX #C8D288

RGB 200 210 136

HSL 68.11, 0.45%, 0.68%

LAB 81.92, -14.95, 35.58

 

CMYK 14 / 0 / 35 / 18

HEX #B4D288

RGB 180 210 136

HSL 84.32, 0.45%, 0.68%

LAB 80.5, -22.5, 33.46

 

CMYK 23 / 0 / 35 / 18

HEX #A1D288

RGB 161 210 136

HSL 99.73, 0.45%, 0.68%

LAB 79.3, -29.36, 31.65

 

CMYK 8 / 0 / 59 / 27

HEX #ACBB4C

RGB 172 187 76

HSL 68.11, 0.45%, 0.52%

LAB 72.78, -20.62, 53.12

 

CMYK 6 / 0 / 46 / 22

HEX #BAC66A

RGB 186 198 106

HSL 67.83, 0.45%, 0.6%

LAB 77.2, -17.76, 44.45

 

CMYK 5 / 0 / 35 / 18

HEX #C8D288

RGB 200 210 136

HSL 68.11, 0.45%, 0.68%

LAB 81.92, -14.95, 35.58

 

CMYK 3 / 0 / 25 / 13

HEX #D6DDA6

RGB 214 221 166

HSL 67.64, 0.45%, 0.76%

LAB 86.39, -11.28, 26.28

 

CMYK 2 / 0 / 16 / 9

HEX #E3E8C4

RGB 227 232 196

HSL 68.33, 0.44%, 0.84%

LAB 90.79, -7.71, 16.97

 

CMYK 5 / 0 / 36 / 18

HEX #C8D287

RGB 200 210 135

HSL 68, 0.45%, 0.68%

LAB 81.9, -15.07, 36.07

 

CMYK 35 / 0 / 23 / 18

HEX #88D2A1

RGB 136 210 161

HSL 140.27, 0.45%, 0.68%

LAB 78.4, -33.37, 17.14

 

CMYK 10 / 35 / 0 / 18

HEX #BE88D2

RGB 190 136 210

HSL 283.78, 0.45%, 0.68%

LAB 64.33, 33.6, -30.06

 

CMYK 5 / 0 / 36 / 18

HEX #C8D287

RGB 200 210 135

HSL 68, 0.45%, 0.68%

LAB 81.9, -15.07, 36.07

 

CMYK 35 / 5 / 0 / 18

HEX #88C8D2

RGB 136 200 210

HSL 188.11, 0.45%, 0.68%

LAB 76.8, -17.82, -11.47

 

CMYK 0 / 35 / 5 / 18

HEX #D288C8

RGB 210 136 200

HSL 308.11, 0.45%, 0.68%

LAB 66.12, 38.05, -21.54

 

CMYK 5 / 0 / 36 / 18

HEX #C8D287

RGB 200 210 135

HSL 68, 0.45%, 0.68%

LAB 81.9, -15.07, 36.07

 

CMYK 35 / 0 / 23 / 18

HEX #88D2A1

RGB 136 210 161

HSL 140.27, 0.45%, 0.68%

LAB 78.4, -33.37, 17.14

 

CMYK 30 / 35 / 0 / 18

HEX #9288D2

RGB 146 136 210

HSL 248.11, 0.45%, 0.68%

LAB 60.22, 20.34, -36.76

 

CMYK 0 / 35 / 12 / 18

HEX #D288B9

RGB 210 136 185

HSL 320.27, 0.45%, 0.68%

LAB 65.6, 35.46, -13.91

 

CMYK 5 / 0 / 36 / 18

HEX #C8D287

RGB 200 210 135

HSL 68, 0.45%, 0.68%

LAB 81.9, -15.07, 36.07

 

CMYK 35 / 0 / 13 / 18

HEX #88D2B7

RGB 136 210 183

HSL 158.11, 0.45%, 0.68%

LAB 78.89, -28.96, 6.12

 

CMYK 30 / 35 / 0 / 18

HEX #9288D2

RGB 146 136 210

HSL 248.11, 0.45%, 0.68%

LAB 60.22, 20.34, -36.76

 

CMYK 0 / 35 / 22 / 18

HEX #D288A3

RGB 210 136 163

HSL 338.11, 0.45%, 0.68%

LAB 64.93, 32, -2.5

 

Description

Color code: HEX #C8D287 | qconv.com Color code: HEX #C8D287 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 210 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 210 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 36 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 36% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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