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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8E4BD it is the complementary color #371B42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8E4BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8E4BD shade: #CDE4B8, #DEF6CB, #EFFFDE and #FFFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8E4BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8E4BD shade: #C8E4BD, #B7D2AA, #A6C097, #95AE84 and #849C71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8E4BD shade: #C8E4BD, #D3E4BD, #DDE4BD, #E4E0BD and #E4D6BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8E4BD shade: #C8E4BD, #BEE4BD, #BDE4C7, #BDE4D2 and #BDE4DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8E4BD shade matches the following richer shades: #C8E4BD, #C5EBB6, #C2F3AE and #BEFAA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8E4BD shade: #C8E4BD, #CBDCC5, #CFD5CC, #D2CED4 and #D5C6DB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8E4BD shade: #DDE4BD, #D3E4BD, #C8E4BD, #BEE4BD and #BDE4C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8E4BD shade: #97CC83, #B0D8A0, #C8E4BD, #E1F0DB and #F9FCF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8E4BD shade: #C8E4BD, #BDE4E1 and #E4BDD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8E4BD shade: #C8E4BD, #BDC8E4 and #E4BDC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8E4BD shade: #C8E4BD, #BDE4E1, #D9BDE4 and #E4BDC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8E4BD shade: #C8E4BD, #BDDCE4, #D9BDE4 and #E4C6BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 17 / 11

HEX #C8E4BD

RGB 200 228 189

HSL 103.08, 0.42%, 0.82%

LAB 87.7, -16.28, 15.99

 

Complementary color

CMYK 17 / 59 / 0 / 74

HEX #371B42

RGB 55 27 66

HSL 283.08, 0.42%, 0.18%

LAB 15.43, 21.67, -19.21

 

CMYK 10 / 0 / 19 / 11

HEX #CDE4B8

RGB 205 228 184

HSL 91.36, 0.45%, 0.81%

LAB 87.93, -15.36, 18.97

 

CMYK 10 / 0 / 17 / 4

HEX #DEF6CB

RGB 222 246 203

HSL 93.49, 0.7%, 0.88%

LAB 94.21, -15.34, 18.09

 

CMYK 6 / 0 / 13 / 0

HEX #EFFFDE

RGB 239 255 222

HSL 89.09, 1%, 0.94%

LAB 98.09, -10.92, 14

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 12 / 0 / 17 / 11

HEX #C8E4BD

RGB 200 228 189

HSL 103.08, 0.42%, 0.82%

LAB 87.7, -16.28, 15.99

 

CMYK 13 / 0 / 19 / 18

HEX #B7D2AA

RGB 183 210 170

HSL 100.5, 0.31%, 0.75%

LAB 81.33, -16.34, 16.86

 

CMYK 14 / 0 / 21 / 25

HEX #A6C097

RGB 166 192 151

HSL 98.05, 0.25%, 0.67%

LAB 74.85, -16.4, 17.79

 

CMYK 14 / 0 / 24 / 32

HEX #95AE84

RGB 149 174 132

HSL 95.71, 0.21%, 0.6%

LAB 68.26, -16.47, 18.77

 

CMYK 15 / 0 / 28 / 39

HEX #849C71

RGB 132 156 113

HSL 93.49, 0.18%, 0.53%

LAB 61.55, -16.54, 19.81

 

CMYK 12 / 0 / 17 / 11

HEX #C8E4BD

RGB 200 228 189

HSL 103.08, 0.42%, 0.82%

LAB 87.7, -16.28, 15.99

 

CMYK 7 / 0 / 17 / 11

HEX #D3E4BD

RGB 211 228 189

HSL 86.15, 0.42%, 0.82%

LAB 88.45, -12.45, 17.15

 

CMYK 3 / 0 / 17 / 11

HEX #DDE4BD

RGB 221 228 189

HSL 70.77, 0.42%, 0.82%

LAB 89.17, -8.91, 18.27

 

CMYK 0 / 2 / 17 / 11

HEX #E4E0BD

RGB 228 224 189

HSL 53.85, 0.42%, 0.82%

LAB 88.68, -4.36, 17.65

 

CMYK 0 / 6 / 17 / 11

HEX #E4D6BD

RGB 228 214 189

HSL 38.46, 0.42%, 0.82%

LAB 86.14, 0.78, 14.08

 

CMYK 12 / 0 / 17 / 11

HEX #C8E4BD

RGB 200 228 189

HSL 103.08, 0.42%, 0.82%

LAB 87.7, -16.28, 15.99

 

CMYK 17 / 0 / 17 / 11

HEX #BEE4BD

RGB 190 228 189

HSL 118.46, 0.42%, 0.82%

LAB 87.05, -19.68, 14.98

 

CMYK 17 / 0 / 13 / 11

HEX #BDE4C7

RGB 189 228 199

HSL 135.38, 0.42%, 0.82%

LAB 87.21, -18.24, 9.96

 

CMYK 17 / 0 / 8 / 11

HEX #BDE4D2

RGB 189 228 210

HSL 152.31, 0.42%, 0.82%

LAB 87.46, -16.19, 4.56

 

CMYK 17 / 0 / 4 / 11

HEX #BDE4DC

RGB 189 228 220

HSL 167.69, 0.42%, 0.82%

LAB 87.71, -14.23, -0.33

 

CMYK 12 / 0 / 17 / 11

HEX #C8E4BD

RGB 200 228 189

HSL 103.08, 0.42%, 0.82%

LAB 87.7, -16.28, 15.99

 

CMYK 16 / 0 / 23 / 8

HEX #C5EBB6

RGB 197 235 182

HSL 103.02, 0.57%, 0.82%

LAB 89.24, -21.9, 21.73

 

CMYK 20 / 0 / 28 / 5

HEX #C2F3AE

RGB 194 243 174

HSL 102.61, 0.74%, 0.82%

LAB 91.07, -28, 28.31

 

CMYK 24 / 0 / 33 / 2

HEX #BEFAA7

RGB 190 250 167

HSL 103.37, 0.89%, 0.82%

LAB 92.62, -33.65, 33.89

 

CMYK 12 / 0 / 17 / 11

HEX #C8E4BD

RGB 200 228 189

HSL 103.08, 0.42%, 0.82%

LAB 87.7, -16.28, 15.99

 

CMYK 8 / 0 / 10 / 14

HEX #CBDCC5

RGB 203 220 197

HSL 104.35, 0.25%, 0.82%

LAB 85.96, -9.87, 9.36

 

CMYK 3 / 0 / 4 / 16

HEX #CFD5CC

RGB 207 213 204

HSL 100, 0.1%, 0.82%

LAB 84.59, -3.66, 3.72

 

CMYK 1 / 3 / 0 / 17

HEX #D2CED4

RGB 210 206 212

HSL 280, 0.07%, 0.82%

LAB 83.23, 2.47, -2.49

 

CMYK 3 / 10 / 0 / 14

HEX #D5C6DB

RGB 213 198 219

HSL 282.86, 0.23%, 0.82%

LAB 81.65, 9.03, -8.54

 

CMYK 3 / 0 / 17 / 11

HEX #DDE4BD

RGB 221 228 189

HSL 70.77, 0.42%, 0.82%

LAB 89.17, -8.91, 18.27

 

CMYK 7 / 0 / 17 / 11

HEX #D3E4BD

RGB 211 228 189

HSL 86.15, 0.42%, 0.82%

LAB 88.45, -12.45, 17.15

 

CMYK 12 / 0 / 17 / 11

HEX #C8E4BD

RGB 200 228 189

HSL 103.08, 0.42%, 0.82%

LAB 87.7, -16.28, 15.99

 

CMYK 17 / 0 / 17 / 11

HEX #BEE4BD

RGB 190 228 189

HSL 118.46, 0.42%, 0.82%

LAB 87.05, -19.68, 14.98

 

CMYK 17 / 0 / 13 / 11

HEX #BDE4C7

RGB 189 228 199

HSL 135.38, 0.42%, 0.82%

LAB 87.21, -18.24, 9.96

 

CMYK 26 / 0 / 36 / 20

HEX #97CC83

RGB 151 204 131

HSL 103.56, 0.42%, 0.66%

LAB 76.92, -30.73, 30.99

 

CMYK 19 / 0 / 26 / 15

HEX #B0D8A0

RGB 176 216 160

HSL 102.86, 0.42%, 0.74%

LAB 82.31, -23.38, 23.42

 

CMYK 12 / 0 / 17 / 11

HEX #C8E4BD

RGB 200 228 189

HSL 103.08, 0.42%, 0.82%

LAB 87.7, -16.28, 15.99

 

CMYK 6 / 0 / 9 / 6

HEX #E1F0DB

RGB 225 240 219

HSL 102.86, 0.41%, 0.9%

LAB 93.21, -8.69, 8.44

 

CMYK 1 / 0 / 2 / 1

HEX #F9FCF8

RGB 249 252 248

HSL 105, 0.4%, 0.98%

LAB 98.65, -1.69, 1.55

 

CMYK 12 / 0 / 17 / 11

HEX #C8E4BD

RGB 200 228 189

HSL 103.08, 0.42%, 0.82%

LAB 87.7, -16.28, 15.99

 

CMYK 17 / 0 / 1 / 11

HEX #BDE4E1

RGB 189 228 225

HSL 175.38, 0.42%, 0.82%

LAB 87.84, -13.23, -2.77

 

CMYK 0 / 17 / 5 / 11

HEX #E4BDD8

RGB 228 189 216

HSL 318.46, 0.42%, 0.82%

LAB 80.65, 18.39, -8.27

 

CMYK 12 / 0 / 17 / 11

HEX #C8E4BD

RGB 200 228 189

HSL 103.08, 0.42%, 0.82%

LAB 87.7, -16.28, 15.99

 

CMYK 17 / 12 / 0 / 11

HEX #BDC8E4

RGB 189 200 228

HSL 223.08, 0.42%, 0.82%

LAB 80.59, 1.95, -15.14

 

CMYK 0 / 17 / 12 / 11

HEX #E4BDC8

RGB 228 189 200

HSL 343.08, 0.42%, 0.82%

LAB 80.21, 15.67, -0.3

 

CMYK 12 / 0 / 17 / 11

HEX #C8E4BD

RGB 200 228 189

HSL 103.08, 0.42%, 0.82%

LAB 87.7, -16.28, 15.99

 

CMYK 17 / 0 / 1 / 11

HEX #BDE4E1

RGB 189 228 225

HSL 175.38, 0.42%, 0.82%

LAB 87.84, -13.23, -2.77

 

CMYK 5 / 17 / 0 / 11

HEX #D9BDE4

RGB 217 189 228

HSL 283.08, 0.42%, 0.82%

LAB 80.04, 16.9, -15.75

 

CMYK 0 / 17 / 15 / 11

HEX #E4BDC1

RGB 228 189 193

HSL 353.85, 0.42%, 0.82%

LAB 80.03, 14.55, 3.21

 

CMYK 12 / 0 / 17 / 11

HEX #C8E4BD

RGB 200 228 189

HSL 103.08, 0.42%, 0.82%

LAB 87.7, -16.28, 15.99

 

CMYK 17 / 4 / 0 / 11

HEX #BDDCE4

RGB 189 220 228

HSL 192.31, 0.42%, 0.82%

LAB 85.81, -8.53, -7.35

 

CMYK 5 / 17 / 0 / 11

HEX #D9BDE4

RGB 217 189 228

HSL 283.08, 0.42%, 0.82%

LAB 80.04, 16.9, -15.75

 

CMYK 0 / 13 / 17 / 11

HEX #E4C6BD

RGB 228 198 189

HSL 13.85, 0.42%, 0.82%

LAB 82.14, 9.15, 8.4

 

Description

Color code: HEX #C8E4BD | qconv.com Color code: HEX #C8E4BD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 228 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 228 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 17 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 17% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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