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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8E59F it is the complementary color #371A60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8E59F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8E59F shade: #CDE59A, #DEF7AD, #EFFFC0, #FFFFD3 and #FFFFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8E59F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8E59F shade: #C8E59F, #B7D38C, #A6C179, #95AF66 and #849D53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8E59F shade: #C7E49E, #DAE49E, #E4DB9E, #E4C99E and #E4B69E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8E59F shade: #C7E49E, #B4E49E, #A2E49E, #9EE4AE and #9EE4C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8E59F shade matches the following richer shades: #C7E49E, #C9EE95 and #CBF88B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8E59F shade: #C7E49E, #C6DAA8, #C4D0B2, #C2C6BC and #C0BDC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8E59F shade: #E4DB9E, #DBE49E, #C8E49E, #B6E49E and #A3E49E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8E59F shade: #A2D25E, #B5DB7E, #C7E49E, #DAEDBF and #EDF6DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8E59F shade: #C8E59F, #9EE4C8 and #E49EE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8E59F shade: #C8E59F, #9EC8E4 and #E49EC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8E59F shade: #C8E59F, #9EE4C8, #BA9EE4 and #E49EBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8E59F shade: #C8E59F, #9EE4DD, #BA9EE4 and #E49EA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 31 / 10

HEX #C8E59F

RGB 200 229 159

HSL 84.86, 0.57%, 0.76%

LAB 87.4, -21.35, 31.07

 

Complementary color

CMYK 43 / 73 / 0 / 62

HEX #371A60

RGB 55 26 96

HSL 264.86, 0.57%, 0.24%

LAB 17.44, 30.59, -36.37

 

CMYK 10 / 0 / 33 / 10

HEX #CDE59A

RGB 205 229 154

HSL 79.2, 0.59%, 0.75%

LAB 87.66, -20.2, 34.02

 

CMYK 10 / 0 / 30 / 3

HEX #DEF7AD

RGB 222 247 173

HSL 80.27, 0.82%, 0.82%

LAB 93.91, -20.24, 32.96

 

CMYK 6 / 0 / 25 / 0

HEX #EFFFC0

RGB 239 255 192

HSL 75.24, 1%, 0.88%

LAB 97.5, -15.44, 28.43

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

 

CMYK 13 / 0 / 31 / 10

HEX #C8E59F

RGB 200 229 159

HSL 84.86, 0.57%, 0.76%

LAB 87.4, -21.35, 31.07

 

CMYK 13 / 0 / 34 / 17

HEX #B7D38C

RGB 183 211 140

HSL 83.66, 0.45%, 0.69%

LAB 81.04, -21.35, 32.16

 

CMYK 14 / 0 / 37 / 24

HEX #A6C179

RGB 166 193 121

HSL 82.5, 0.37%, 0.62%

LAB 74.59, -21.33, 33.29

 

CMYK 15 / 0 / 42 / 31

HEX #95AF66

RGB 149 175 102

HSL 81.37, 0.31%, 0.54%

LAB 68.03, -21.29, 34.46

 

CMYK 16 / 0 / 47 / 38

HEX #849D53

RGB 132 157 83

HSL 80.27, 0.31%, 0.47%

LAB 61.35, -21.21, 35.67

 

CMYK 13 / 0 / 31 / 11

HEX #C7E49E

RGB 199 228 158

HSL 84.86, 0.56%, 0.76%

LAB 87.04, -21.36, 31.1

 

CMYK 4 / 0 / 31 / 11

HEX #DAE49E

RGB 218 228 158

HSL 68.57, 0.56%, 0.76%

LAB 88.38, -14.36, 33.12

 

CMYK 0 / 4 / 31 / 11

HEX #E4DB9E

RGB 228 219 158

HSL 52.29, 0.56%, 0.76%

LAB 86.81, -6.06, 31.17

 

CMYK 0 / 12 / 31 / 11

HEX #E4C99E

RGB 228 201 158

HSL 36.86, 0.56%, 0.76%

LAB 82.24, 3.22, 25

 

CMYK 0 / 20 / 31 / 11

HEX #E4B69E

RGB 228 182 158

HSL 20.57, 0.56%, 0.76%

LAB 77.53, 13.24, 18.53

 

CMYK 13 / 0 / 31 / 11

HEX #C7E49E

RGB 199 228 158

HSL 84.86, 0.56%, 0.76%

LAB 87.04, -21.36, 31.1

 

CMYK 21 / 0 / 31 / 11

HEX #B4E49E

RGB 180 228 158

HSL 101.14, 0.56%, 0.76%

LAB 85.84, -28.08, 29.27

 

CMYK 29 / 0 / 31 / 11

HEX #A2E49E

RGB 162 228 158

HSL 116.57, 0.56%, 0.76%

LAB 84.81, -34.12, 27.71

 

CMYK 31 / 0 / 24 / 11

HEX #9EE4AE

RGB 158 228 174

HSL 133.71, 0.56%, 0.76%

LAB 84.9, -32.68, 19.52

 

CMYK 31 / 0 / 15 / 11

HEX #9EE4C1

RGB 158 228 193

HSL 150, 0.56%, 0.76%

LAB 85.3, -29.11, 10.15

 

CMYK 13 / 0 / 31 / 11

HEX #C7E49E

RGB 199 228 158

HSL 84.86, 0.56%, 0.76%

LAB 87.04, -21.36, 31.1

 

CMYK 16 / 0 / 37 / 7

HEX #C9EE95

RGB 201 238 149

HSL 84.94, 0.72%, 0.76%

LAB 89.74, -26.64, 39.2

 

CMYK 18 / 0 / 44 / 3

HEX #CBF88B

RGB 203 248 139

HSL 84.77, 0.89%, 0.76%

LAB 92.44, -31.8, 47.55

 

CMYK 13 / 0 / 31 / 11

HEX #C7E49E

RGB 199 228 158

HSL 84.86, 0.56%, 0.76%

LAB 87.04, -21.36, 31.1

 

CMYK 9 / 0 / 23 / 15

HEX #C6DAA8

RGB 198 218 168

HSL 84, 0.4%, 0.76%

LAB 84.47, -15.33, 22.43

 

CMYK 6 / 0 / 14 / 18

HEX #C4D0B2

RGB 196 208 178

HSL 84, 0.24%, 0.76%

LAB 81.87, -9.4, 13.52

 

CMYK 2 / 0 / 5 / 22

HEX #C2C6BC

RGB 194 198 188

HSL 84, 0.08%, 0.76%

LAB 79.32, -3.19, 4.52

 

CMYK 3 / 5 / 0 / 22

HEX #C0BDC6

RGB 192 189 198

HSL 260, 0.07%, 0.76%

LAB 77.09, 2.73, -4.16

 

CMYK 0 / 4 / 31 / 11

HEX #E4DB9E

RGB 228 219 158

HSL 52.29, 0.56%, 0.76%

LAB 86.81, -6.06, 31.17

 

CMYK 4 / 0 / 31 / 11

HEX #DBE49E

RGB 219 228 158

HSL 67.71, 0.56%, 0.76%

LAB 88.46, -13.99, 33.23

 

CMYK 12 / 0 / 31 / 11

HEX #C8E49E

RGB 200 228 158

HSL 84, 0.56%, 0.76%

LAB 87.11, -21, 31.2

 

CMYK 20 / 0 / 31 / 11

HEX #B6E49E

RGB 182 228 158

HSL 99.43, 0.56%, 0.76%

LAB 85.96, -27.39, 29.45

 

CMYK 29 / 0 / 31 / 11

HEX #A3E49E

RGB 163 228 158

HSL 115.71, 0.56%, 0.76%

LAB 84.86, -33.79, 27.79

 

CMYK 23 / 0 / 55 / 18

HEX #A2D25E

RGB 162 210 94

HSL 84.83, 0.56%, 0.6%

LAB 78.8, -34.03, 51.65

 

CMYK 17 / 0 / 42 / 14

HEX #B5DB7E

RGB 181 219 126

HSL 84.52, 0.56%, 0.68%

LAB 82.91, -27.74, 41.61

 

CMYK 13 / 0 / 31 / 11

HEX #C7E49E

RGB 199 228 158

HSL 84.86, 0.56%, 0.76%

LAB 87.04, -21.36, 31.1

 

CMYK 8 / 0 / 19 / 7

HEX #DAEDBF

RGB 218 237 191

HSL 84.78, 0.56%, 0.84%

LAB 91.34, -14.17, 20.22

 

CMYK 4 / 0 / 9 / 4

HEX #EDF6DF

RGB 237 246 223

HSL 83.48, 0.56%, 0.92%

LAB 95.68, -6.95, 10.03

 

CMYK 13 / 0 / 31 / 10

HEX #C8E59F

RGB 200 229 159

HSL 84.86, 0.57%, 0.76%

LAB 87.4, -21.35, 31.07

 

CMYK 31 / 0 / 12 / 11

HEX #9EE4C8

RGB 158 228 200

HSL 156, 0.56%, 0.76%

LAB 85.47, -27.71, 6.71

 

CMYK 0 / 31 / 0 / 11

HEX #E49EE4

RGB 228 158 228

HSL 300, 0.56%, 0.76%

LAB 73.9, 37.14, -24.95

 

CMYK 13 / 0 / 31 / 10

HEX #C8E59F

RGB 200 229 159

HSL 84.86, 0.57%, 0.76%

LAB 87.4, -21.35, 31.07

 

CMYK 31 / 12 / 0 / 11

HEX #9EC8E4

RGB 158 200 228

HSL 204, 0.56%, 0.76%

LAB 78.57, -7.35, -18.39

 

CMYK 0 / 31 / 12 / 11

HEX #E49EC8

RGB 228 158 200

HSL 324, 0.56%, 0.76%

LAB 72.97, 32.27, -11

 

CMYK 13 / 0 / 31 / 10

HEX #C8E59F

RGB 200 229 159

HSL 84.86, 0.57%, 0.76%

LAB 87.4, -21.35, 31.07

 

CMYK 31 / 0 / 12 / 11

HEX #9EE4C8

RGB 158 228 200

HSL 156, 0.56%, 0.76%

LAB 85.47, -27.71, 6.71

 

CMYK 18 / 31 / 0 / 11

HEX #BA9EE4

RGB 186 158 228

HSL 264, 0.56%, 0.76%

LAB 69.82, 24.01, -31.57

 

CMYK 0 / 31 / 18 / 11

HEX #E49EBA

RGB 228 158 186

HSL 336, 0.56%, 0.76%

LAB 72.56, 30.05, -3.89

 

CMYK 13 / 0 / 31 / 10

HEX #C8E59F

RGB 200 229 159

HSL 84.86, 0.57%, 0.76%

LAB 87.4, -21.35, 31.07

 

CMYK 31 / 0 / 3 / 11

HEX #9EE4DD

RGB 158 228 221

HSL 174, 0.56%, 0.76%

LAB 85.99, -23.24, -3.58

 

CMYK 18 / 31 / 0 / 11

HEX #BA9EE4

RGB 186 158 228

HSL 264, 0.56%, 0.76%

LAB 69.82, 24.01, -31.57

 

CMYK 0 / 31 / 28 / 11

HEX #E49EA5

RGB 228 158 165

HSL 354, 0.56%, 0.76%

LAB 72, 27.01, 6.91

 

Description

Color code: HEX #C8E59F | qconv.com Color code: HEX #C8E59F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 229 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 229 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 31 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 31% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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