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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8E663 it is the complementary color #37199C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8E663. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8E663 shade: #CDE65E, #DEF871, #EFFF84, #FFFF97 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8E663. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8E663 shade: #C8E663, #B7D450, #A6C23D, #95B02A and #849E17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8E663 shade: #C8E665, #E6E065, #E6BE65, #E69B65 and #E67865

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8E663 shade: #C8E665, #A5E665, #83E665, #65E66A and #65E68D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8E663 shade matches the following richer shades: #C8E665 and #D0F457

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8E663 shade: #C8E665, #C0D773, #B8C982, #B1BA90 and #A9AC9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8E663 shade: #E6BD65, #E6DF65, #CAE665, #A7E665 and #85E665

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8E663 shade: #ADD622, #BBE042, #C8E665, #D5EB88 and #E1F1AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8E663 shade: #C8E663, #65E69B and #CE65E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8E663 shade: #C8E663, #65CAE6 and #E665CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8E663 shade: #C8E663, #65E69B, #8165E6 and #E665B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8E663 shade: #C8E663, #65E6C1, #8165E6 and #E66589

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 57 / 10

HEX #C8E663

RGB 200 230 99

HSL 73.74, 0.72%, 0.65%

LAB 86.89, -28.42, 59.31

 

Complementary color

CMYK 65 / 84 / 0 / 39

HEX #37199C

RGB 55 25 156

HSL 253.74, 0.72%, 0.35%

LAB 23.36, 48.75, -64.81

 

CMYK 11 / 0 / 59 / 10

HEX #CDE65E

RGB 205 230 94

HSL 71.03, 0.73%, 0.64%

LAB 87.18, -26.86, 61.89

 

CMYK 10 / 0 / 54 / 3

HEX #DEF871

RGB 222 248 113

HSL 71.56, 0.91%, 0.71%

LAB 93.39, -27.24, 60.97

 

CMYK 6 / 0 / 48 / 0

HEX #EFFF84

RGB 239 255 132

HSL 67.8, 1%, 0.76%

LAB 96.63, -22.37, 56.51

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 13 / 0 / 57 / 10

HEX #C8E663

RGB 200 230 99

HSL 73.74, 0.72%, 0.65%

LAB 86.89, -28.42, 59.31

 

CMYK 14 / 0 / 62 / 17

HEX #B7D450

RGB 183 212 80

HSL 73.18, 0.61%, 0.57%

LAB 80.59, -28.03, 60.15

 

CMYK 14 / 0 / 69 / 24

HEX #A6C23D

RGB 166 194 61

HSL 72.63, 0.52%, 0.5%

LAB 74.21, -27.53, 60.71

 

CMYK 15 / 0 / 76 / 31

HEX #95B02A

RGB 149 176 42

HSL 72.09, 0.61%, 0.43%

LAB 67.73, -26.88, 60.75

 

CMYK 16 / 0 / 85 / 38

HEX #849E17

RGB 132 158 23

HSL 71.56, 0.75%, 0.35%

LAB 61.15, -26.03, 59.83

 

CMYK 13 / 0 / 56 / 10

HEX #C8E665

RGB 200 230 101

HSL 73.95, 0.72%, 0.65%

LAB 86.9, -28.25, 58.46

 

CMYK 0 / 3 / 56 / 10

HEX #E6E065

RGB 230 224 101

HSL 57.21, 0.72%, 0.65%

LAB 87.52, -13.43, 59.75

 

CMYK 0 / 17 / 56 / 10

HEX #E6BE65

RGB 230 190 101

HSL 41.4, 0.72%, 0.65%

LAB 78.8, 3.93, 49.7

 

CMYK 0 / 33 / 56 / 10

HEX #E69B65

RGB 230 155 101

HSL 25.12, 0.72%, 0.65%

LAB 70.32, 22.49, 39.46

 

CMYK 0 / 48 / 56 / 10

HEX #E67865

RGB 230 120 101

HSL 8.84, 0.72%, 0.65%

LAB 62.67, 40.82, 29.8

 

CMYK 13 / 0 / 56 / 10

HEX #C8E665

RGB 200 230 101

HSL 73.95, 0.72%, 0.65%

LAB 86.9, -28.25, 58.46

 

CMYK 28 / 0 / 56 / 10

HEX #A5E665

RGB 165 230 101

HSL 90.23, 0.72%, 0.65%

LAB 84.76, -41.27, 55.43

 

CMYK 43 / 0 / 56 / 10

HEX #83E665

RGB 131 230 101

HSL 106.05, 0.72%, 0.65%

LAB 83.1, -52.46, 53.08

 

CMYK 56 / 0 / 54 / 10

HEX #65E66A

RGB 101 230 106

HSL 122.33, 0.72%, 0.65%

LAB 82.06, -60, 49.29

 

CMYK 56 / 0 / 39 / 10

HEX #65E68D

RGB 101 230 141

HSL 138.6, 0.72%, 0.65%

LAB 82.53, -54.84, 32.88

 

CMYK 13 / 0 / 56 / 10

HEX #C8E665

RGB 200 230 101

HSL 73.95, 0.72%, 0.65%

LAB 86.9, -28.25, 58.46

 

CMYK 15 / 0 / 64 / 4

HEX #D0F457

RGB 208 244 87

HSL 73.76, 0.88%, 0.65%

LAB 91.14, -32.71, 69.07

 

CMYK 13 / 0 / 56 / 10

HEX #C8E665

RGB 200 230 101

HSL 73.95, 0.72%, 0.65%

LAB 86.9, -28.25, 58.46

 

CMYK 11 / 0 / 47 / 16

HEX #C0D773

RGB 192 215 115

HSL 73.8, 0.56%, 0.65%

LAB 82.4, -22.87, 46.52

 

CMYK 8 / 0 / 35 / 21

HEX #B8C982

RGB 184 201 130

HSL 74.37, 0.4%, 0.65%

LAB 78.21, -17.31, 33.6

 

CMYK 5 / 0 / 23 / 27

HEX #B1BA90

RGB 177 186 144

HSL 72.86, 0.23%, 0.65%

LAB 73.85, -10.36, 20.29

 

CMYK 2 / 0 / 8 / 33

HEX #A9AC9F

RGB 169 172 159

HSL 73.85, 0.07%, 0.65%

LAB 69.78, -3.45, 6.31

 

CMYK 0 / 18 / 56 / 10

HEX #E6BD65

RGB 230 189 101

HSL 40.93, 0.72%, 0.65%

LAB 78.55, 4.45, 49.41

 

CMYK 0 / 3 / 56 / 10

HEX #E6DF65

RGB 230 223 101

HSL 56.74, 0.72%, 0.65%

LAB 87.26, -12.93, 59.46

 

CMYK 12 / 0 / 56 / 10

HEX #CAE665

RGB 202 230 101

HSL 73.02, 0.72%, 0.65%

LAB 87.04, -27.48, 58.65

 

CMYK 27 / 0 / 56 / 10

HEX #A7E665

RGB 167 230 101

HSL 89.3, 0.72%, 0.65%

LAB 84.87, -40.56, 55.59

 

CMYK 42 / 0 / 56 / 10

HEX #85E665

RGB 133 230 101

HSL 105.12, 0.72%, 0.65%

LAB 83.19, -51.85, 53.21

 

CMYK 19 / 0 / 84 / 16

HEX #ADD622

RGB 173 214 34

HSL 73.67, 0.73%, 0.49%

LAB 80.23, -35.26, 74.66

 

CMYK 17 / 0 / 71 / 12

HEX #BBE042

RGB 187 224 66

HSL 74.05, 0.72%, 0.57%

LAB 84.11, -32.95, 69.25

 

CMYK 13 / 0 / 56 / 10

HEX #C8E665

RGB 200 230 101

HSL 73.95, 0.72%, 0.65%

LAB 86.9, -28.25, 58.46

 

CMYK 9 / 0 / 42 / 8

HEX #D5EB88

RGB 213 235 136

HSL 73.33, 0.71%, 0.73%

LAB 89.55, -22.29, 45.52

 

CMYK 7 / 0 / 29 / 5

HEX #E1F1AC

RGB 225 241 172

HSL 73.91, 0.71%, 0.81%

LAB 92.53, -16.37, 31.64

 

CMYK 13 / 0 / 57 / 10

HEX #C8E663

RGB 200 230 99

HSL 73.74, 0.72%, 0.65%

LAB 86.89, -28.42, 59.31

 

CMYK 56 / 0 / 33 / 10

HEX #65E69B

RGB 101 230 155

HSL 145.12, 0.72%, 0.65%

LAB 82.77, -52.35, 26.06

 

CMYK 10 / 56 / 0 / 10

HEX #CE65E6

RGB 206 101 230

HSL 288.84, 0.72%, 0.65%

LAB 60.02, 60.27, -47.86

 

CMYK 13 / 0 / 57 / 10

HEX #C8E663

RGB 200 230 99

HSL 73.74, 0.72%, 0.65%

LAB 86.89, -28.42, 59.31

 

CMYK 56 / 12 / 0 / 10

HEX #65CAE6

RGB 101 202 230

HSL 193.02, 0.72%, 0.65%

LAB 76.51, -21.66, -22.84

 

CMYK 0 / 56 / 12 / 10

HEX #E665CA

RGB 230 101 202

HSL 313.02, 0.72%, 0.65%

LAB 61.99, 61.85, -28.78

 

CMYK 13 / 0 / 57 / 10

HEX #C8E663

RGB 200 230 99

HSL 73.74, 0.72%, 0.65%

LAB 86.89, -28.42, 59.31

 

CMYK 56 / 0 / 33 / 10

HEX #65E69B

RGB 101 230 155

HSL 145.12, 0.72%, 0.65%

LAB 82.77, -52.35, 26.06

 

CMYK 44 / 56 / 0 / 10

HEX #8165E6

RGB 129 101 230

HSL 253.02, 0.72%, 0.65%

LAB 51.48, 41.78, -61.98

 

CMYK 0 / 56 / 23 / 10

HEX #E665B0

RGB 230 101 176

HSL 325.12, 0.72%, 0.65%

LAB 61.01, 58.09, -15.46

 

CMYK 13 / 0 / 57 / 10

HEX #C8E663

RGB 200 230 99

HSL 73.74, 0.72%, 0.65%

LAB 86.89, -28.42, 59.31

 

CMYK 56 / 0 / 16 / 10

HEX #65E6C1

RGB 101 230 193

HSL 162.79, 0.72%, 0.65%

LAB 83.55, -44.41, 7.34

 

CMYK 44 / 56 / 0 / 10

HEX #8165E6

RGB 129 101 230

HSL 253.02, 0.72%, 0.65%

LAB 51.48, 41.78, -61.98

 

CMYK 0 / 56 / 40 / 10

HEX #E66589

RGB 230 101 137

HSL 343.26, 0.72%, 0.65%

LAB 59.83, 53.38, 5.32

 

Description

Color code: HEX #C8E663 | qconv.com Color code: HEX #C8E663 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 230 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 230 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 57 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 57% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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