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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8EB55 it is the complementary color #3714AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8EB55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8EB55 shade: #CDEB50, #DEFD63, #EFFF76, #FFFF89 and #FFFF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8EB55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8EB55 shade: #C8EB55, #B7D942, #A6C72F, #95B51C and #84A309

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8EB55 shade: #C8EB56, #EBE556, #EBBD56, #EB9556 and #EB6D56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8EB55 shade: #C8EB56, #A0EB56, #78EB56, #56EB5C and #56EB84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8EB55 shade matches the following richer shades: #C8EB56 and #D0FA46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8EB55 shade: #C8EB56, #C0DB65, #B8CC74, #AFBD83 and #A7AE93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8EB55 shade: #EBBE56, #EBE656, #C8EB56, #A0EB56 and #78EB56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8EB55 shade: #A9D519, #BCE631, #C8EB56, #D4EF7B and #E0F39F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8EB55 shade: #C8EB55, #56EB96 and #D256EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8EB55 shade: #C8EB55, #56C8EB and #EB56C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8EB55 shade: #C8EB55, #56EB96, #7856EB and #EB56AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8EB55 shade: #C8EB55, #56EBC3, #7856EB and #EB567D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 64 / 8

HEX #C8EB55

RGB 200 235 85

HSL 74, 0.79%, 0.63%

LAB 88.14, -31.79, 66.52

 

Complementary color

CMYK 68 / 88 / 0 / 33

HEX #3714AA

RGB 55 20 170

HSL 254, 0.79%, 0.37%

LAB 24.37, 54.58, -71.66

 

CMYK 13 / 0 / 66 / 8

HEX #CDEB50

RGB 205 235 80

HSL 71.61, 0.79%, 0.62%

LAB 88.44, -30.16, 68.88

 

CMYK 12 / 0 / 61 / 1

HEX #DEFD63

RGB 222 253 99

HSL 72.08, 0.97%, 0.69%

LAB 94.6, -30.64, 68.26

 

CMYK 6 / 0 / 54 / 0

HEX #EFFF76

RGB 239 255 118

HSL 67.01, 1%, 0.73%

LAB 96.48, -23.57, 62.64

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF89

RGB 255 255 137

HSL 60, 1%, 0.77%

LAB 97.87, -15.76, 55.97

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 15 / 0 / 64 / 8

HEX #C8EB55

RGB 200 235 85

HSL 74, 0.79%, 0.63%

LAB 88.14, -31.79, 66.52

 

CMYK 16 / 0 / 70 / 15

HEX #B7D942

RGB 183 217 66

HSL 73.51, 0.67%, 0.55%

LAB 81.89, -31.29, 66.96

 

CMYK 17 / 0 / 76 / 22

HEX #A6C72F

RGB 166 199 47

HSL 73.03, 0.62%, 0.48%

LAB 75.55, -30.64, 66.88

 

CMYK 18 / 0 / 85 / 29

HEX #95B51C

RGB 149 181 28

HSL 72.55, 0.73%, 0.41%

LAB 69.13, -29.83, 65.93

 

CMYK 19 / 0 / 94 / 36

HEX #84A309

RGB 132 163 9

HSL 72.08, 0.9%, 0.34%

LAB 62.61, -28.78, 63.58

 

CMYK 15 / 0 / 63 / 8

HEX #C8EB56

RGB 200 235 86

HSL 74.09, 0.79%, 0.63%

LAB 88.15, -31.72, 66.13

 

CMYK 0 / 3 / 63 / 8

HEX #EBE556

RGB 235 229 86

HSL 57.58, 0.79%, 0.63%

LAB 89.1, -14.86, 67.92

 

CMYK 0 / 20 / 63 / 8

HEX #EBBD56

RGB 235 189 86

HSL 41.48, 0.79%, 0.63%

LAB 78.89, 5.48, 56.94

 

CMYK 0 / 37 / 63 / 8

HEX #EB9556

RGB 235 149 86

HSL 25.37, 0.79%, 0.63%

LAB 69.35, 26.63, 46.13

 

CMYK 0 / 54 / 63 / 8

HEX #EB6D56

RGB 235 109 86

HSL 9.26, 0.79%, 0.63%

LAB 61.02, 47.06, 36.19

 

CMYK 15 / 0 / 63 / 8

HEX #C8EB56

RGB 200 235 86

HSL 74.09, 0.79%, 0.63%

LAB 88.15, -31.72, 66.13

 

CMYK 32 / 0 / 63 / 8

HEX #A0EB56

RGB 160 235 86

HSL 90.2, 0.79%, 0.63%

LAB 85.79, -46.5, 62.9

 

CMYK 49 / 0 / 63 / 8

HEX #78EB56

RGB 120 235 86

HSL 106.31, 0.79%, 0.63%

LAB 84.01, -59.1, 60.45

 

CMYK 63 / 0 / 61 / 8

HEX #56EB5C

RGB 86 235 92

HSL 122.42, 0.79%, 0.63%

LAB 83, -66.73, 56.52

 

CMYK 63 / 0 / 44 / 8

HEX #56EB84

RGB 86 235 132

HSL 138.52, 0.79%, 0.63%

LAB 83.47, -61.36, 38.52

 

CMYK 15 / 0 / 63 / 8

HEX #C8EB56

RGB 200 235 86

HSL 74.09, 0.79%, 0.63%

LAB 88.15, -31.72, 66.13

 

CMYK 17 / 0 / 72 / 2

HEX #D0FA46

RGB 208 250 70

HSL 74, 0.95%, 0.63%

LAB 92.67, -36.42, 76.73

 

CMYK 15 / 0 / 63 / 8

HEX #C8EB56

RGB 200 235 86

HSL 74.09, 0.79%, 0.63%

LAB 88.15, -31.72, 66.13

 

CMYK 12 / 0 / 54 / 14

HEX #C0DB65

RGB 192 219 101

HSL 73.73, 0.62%, 0.63%

LAB 83.34, -26.14, 54.22

 

CMYK 10 / 0 / 43 / 20

HEX #B8CC74

RGB 184 204 116

HSL 73.64, 0.46%, 0.63%

LAB 78.83, -20.47, 41.49

 

CMYK 7 / 0 / 31 / 26

HEX #AFBD83

RGB 175 189 131

HSL 74.48, 0.31%, 0.63%

LAB 74.28, -14.54, 27.78

 

CMYK 4 / 0 / 16 / 32

HEX #A7AE93

RGB 167 174 147

HSL 75.56, 0.14%, 0.63%

LAB 69.89, -7.32, 13.04

 

CMYK 0 / 19 / 63 / 8

HEX #EBBE56

RGB 235 190 86

HSL 41.88, 0.79%, 0.63%

LAB 79.13, 4.96, 57.21

 

CMYK 0 / 2 / 63 / 8

HEX #EBE656

RGB 235 230 86

HSL 57.99, 0.79%, 0.63%

LAB 89.36, -15.35, 68.19

 

CMYK 15 / 0 / 63 / 8

HEX #C8EB56

RGB 200 235 86

HSL 74.09, 0.79%, 0.63%

LAB 88.15, -31.72, 66.13

 

CMYK 32 / 0 / 63 / 8

HEX #A0EB56

RGB 160 235 86

HSL 90.2, 0.79%, 0.63%

LAB 85.79, -46.5, 62.9

 

CMYK 49 / 0 / 63 / 8

HEX #78EB56

RGB 120 235 86

HSL 106.31, 0.79%, 0.63%

LAB 84.01, -59.1, 60.45

 

CMYK 21 / 0 / 88 / 16

HEX #A9D519

RGB 169 213 25

HSL 74.04, 0.79%, 0.47%

LAB 79.67, -36.63, 75.86

 

CMYK 18 / 0 / 79 / 10

HEX #BCE631

RGB 188 230 49

HSL 73.92, 0.78%, 0.55%

LAB 85.76, -36.1, 76.16

 

CMYK 15 / 0 / 63 / 8

HEX #C8EB56

RGB 200 235 86

HSL 74.09, 0.79%, 0.63%

LAB 88.15, -31.72, 66.13

 

CMYK 11 / 0 / 49 / 6

HEX #D4EF7B

RGB 212 239 123

HSL 73.97, 0.78%, 0.71%

LAB 90.4, -25.92, 52.74

 

CMYK 8 / 0 / 35 / 5

HEX #E0F39F

RGB 224 243 159

HSL 73.57, 0.78%, 0.79%

LAB 92.77, -19.37, 38.48

 

CMYK 15 / 0 / 64 / 8

HEX #C8EB55

RGB 200 235 85

HSL 74, 0.79%, 0.63%

LAB 88.14, -31.79, 66.52

 

CMYK 63 / 0 / 36 / 8

HEX #56EB96

RGB 86 235 150

HSL 145.77, 0.79%, 0.63%

LAB 83.76, -58.27, 29.87

 

CMYK 11 / 63 / 0 / 8

HEX #D256EB

RGB 210 86 235

HSL 289.93, 0.79%, 0.63%

LAB 58.37, 68.84, -53.23

 

CMYK 15 / 0 / 64 / 8

HEX #C8EB55

RGB 200 235 85

HSL 74, 0.79%, 0.63%

LAB 88.14, -31.79, 66.52

 

CMYK 63 / 15 / 0 / 8

HEX #56C8EB

RGB 86 200 235

HSL 194.09, 0.79%, 0.63%

LAB 75.63, -21.86, -26.91

 

CMYK 0 / 63 / 15 / 8

HEX #EB56C8

RGB 235 86 200

HSL 314.09, 0.79%, 0.63%

LAB 60.33, 69.22, -30.17

 

CMYK 15 / 0 / 64 / 8

HEX #C8EB55

RGB 200 235 85

HSL 74, 0.79%, 0.63%

LAB 88.14, -31.79, 66.52

 

CMYK 63 / 0 / 36 / 8

HEX #56EB96

RGB 86 235 150

HSL 145.77, 0.79%, 0.63%

LAB 83.76, -58.27, 29.87

 

CMYK 49 / 63 / 0 / 8

HEX #7856EB

RGB 120 86 235

HSL 253.69, 0.79%, 0.63%

LAB 47.81, 49.81, -70.78

 

CMYK 0 / 63 / 28 / 8

HEX #EB56AA

RGB 235 86 170

HSL 326.17, 0.79%, 0.63%

LAB 59.18, 65.21, -14.71

 

CMYK 15 / 0 / 64 / 8

HEX #C8EB55

RGB 200 235 85

HSL 74, 0.79%, 0.63%

LAB 88.14, -31.79, 66.52

 

CMYK 63 / 0 / 17 / 8

HEX #56EBC3

RGB 86 235 195

HSL 163.89, 0.79%, 0.63%

LAB 84.66, -48.85, 7.82

 

CMYK 49 / 63 / 0 / 8

HEX #7856EB

RGB 120 86 235

HSL 253.69, 0.79%, 0.63%

LAB 47.81, 49.81, -70.78

 

CMYK 0 / 63 / 47 / 8

HEX #EB567D

RGB 235 86 125

HSL 344.3, 0.79%, 0.63%

LAB 57.85, 60.38, 9.6

 

Description

Color code: HEX #C8EB55 | qconv.com Color code: HEX #C8EB55 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 235 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 235 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 64 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 64% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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