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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8EDE0 it is the complementary color #37121F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8EDE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8EDE0 shade: #CDEDDB, #DEFFEE and #EFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8EDE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8EDE0 shade: #C8EDE0, #B7DBCD, #A6C9BA, #95B7A7 and #84A594

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8EDE0 shade: #C9EDE0, #C9EDD6, #C9EDCD, #CEEDC9 and #D8EDC9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8EDE0 shade: #C9EDE0, #C9EDEA, #C9E6ED, #C9DCED and #C9D3ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8EDE0 shade matches the following richer shades: #C9EDE0, #C3F3E2, #BDF9E4 and #B7FEE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8EDE0 shade: #C9EDE0, #CEE7DE, #D4E1DD, #DADCDB and #E0D6D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8EDE0 shade: #C9EDCC, #C9EDD6, #C9EDE0, #C9EDE9 and #C9E7ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8EDE0 shade: #8AD9BD, #A9E3CF, #C9EDE0 and #E8F7F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8EDE0 shade: #C8EDE0, #C9CFED and #EDD1C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8EDE0 shade: #C8EDE0, #E0C9ED and #EDE0C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8EDE0 shade: #C8EDE0, #C9CFED, #EDC9D6 and #EDE7C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8EDE0 shade: #C8EDE0, #CDC9ED, #EDC9D6 and #E8EDC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 5 / 7

HEX #C8EDE0

RGB 200 237 224

HSL 158.92, 0.51%, 0.86%

LAB 90.88, -14.49, 2.28

 

Complementary color

CMYK 0 / 67 / 44 / 78

HEX #37121F

RGB 55 18 31

HSL 338.92, 0.51%, 0.14%

LAB 11.58, 20.06, 0.16

 

CMYK 14 / 0 / 8 / 7

HEX #CDEDDB

RGB 205 237 219

HSL 146.25, 0.47%, 0.87%

LAB 91.08, -13.82, 5.21

 

CMYK 13 / 0 / 7 / 0

HEX #DEFFEE

RGB 222 255 238

HSL 149.09, 1%, 0.94%

LAB 97.32, -13.78, 4.54

 

CMYK 6 / 0 / 0 / 0

HEX #EFFFFF

RGB 239 255 255

HSL 180, 1%, 0.97%

LAB 98.86, -5.2, -1.81

 

CMYK 16 / 0 / 5 / 7

HEX #C8EDE0

RGB 200 237 224

HSL 158.92, 0.51%, 0.86%

LAB 90.88, -14.49, 2.28

 

CMYK 16 / 0 / 6 / 14

HEX #B7DBCD

RGB 183 219 205

HSL 156.67, 0.33%, 0.79%

LAB 84.55, -14.56, 2.93

 

CMYK 17 / 0 / 7 / 21

HEX #A6C9BA

RGB 166 201 186

HSL 154.29, 0.24%, 0.72%

LAB 78.13, -14.65, 3.62

 

CMYK 19 / 0 / 9 / 28

HEX #95B7A7

RGB 149 183 167

HSL 151.76, 0.19%, 0.65%

LAB 71.59, -14.75, 4.33

 

CMYK 20 / 0 / 10 / 35

HEX #84A594

RGB 132 165 148

HSL 149.09, 0.15%, 0.58%

LAB 64.93, -14.88, 5.08

 

CMYK 15 / 0 / 5 / 7

HEX #C9EDE0

RGB 201 237 224

HSL 158.33, 0.5%, 0.86%

LAB 90.95, -14.17, 2.38

 

CMYK 15 / 0 / 10 / 7

HEX #C9EDD6

RGB 201 237 214

HSL 141.67, 0.5%, 0.86%

LAB 90.71, -16.05, 7.24

 

CMYK 15 / 0 / 14 / 7

HEX #C9EDCD

RGB 201 237 205

HSL 126.67, 0.5%, 0.86%

LAB 90.5, -17.66, 11.63

 

CMYK 13 / 0 / 15 / 7

HEX #CEEDC9

RGB 206 237 201

HSL 111.67, 0.5%, 0.86%

LAB 90.74, -16.69, 14.09

 

CMYK 9 / 0 / 15 / 7

HEX #D8EDC9

RGB 216 237 201

HSL 95, 0.5%, 0.86%

LAB 91.41, -13.28, 15.13

 

CMYK 15 / 0 / 5 / 7

HEX #C9EDE0

RGB 201 237 224

HSL 158.33, 0.5%, 0.86%

LAB 90.95, -14.17, 2.38

 

CMYK 15 / 0 / 1 / 7

HEX #C9EDEA

RGB 201 237 234

HSL 175, 0.5%, 0.86%

LAB 91.2, -12.22, -2.47

 

CMYK 15 / 3 / 0 / 7

HEX #C9E6ED

RGB 201 230 237

HSL 191.67, 0.5%, 0.86%

LAB 89.45, -8.07, -6.61

 

CMYK 15 / 7 / 0 / 7

HEX #C9DCED

RGB 201 220 237

HSL 208.33, 0.5%, 0.86%

LAB 86.86, -2.92, -10.46

 

CMYK 15 / 11 / 0 / 7

HEX #C9D3ED

RGB 201 211 237

HSL 223.33, 0.5%, 0.86%

LAB 84.55, 1.8, -13.92

 

CMYK 15 / 0 / 5 / 7

HEX #C9EDE0

RGB 201 237 224

HSL 158.33, 0.5%, 0.86%

LAB 90.95, -14.17, 2.38

 

CMYK 20 / 0 / 7 / 5

HEX #C3F3E2

RGB 195 243 226

HSL 158.75, 0.67%, 0.86%

LAB 92.22, -18.64, 3.14

 

CMYK 24 / 0 / 8 / 2

HEX #BDF9E4

RGB 189 249 228

HSL 159, 0.83%, 0.86%

LAB 93.52, -23.01, 3.95

 

CMYK 28 / 0 / 10 / 0

HEX #B7FEE5

RGB 183 254 229

HSL 158.87, 0.97%, 0.86%

LAB 94.57, -26.98, 4.91

 

CMYK 15 / 0 / 5 / 7

HEX #C9EDE0

RGB 201 237 224

HSL 158.33, 0.5%, 0.86%

LAB 90.95, -14.17, 2.38

 

CMYK 11 / 0 / 4 / 9

HEX #CEE7DE

RGB 206 231 222

HSL 158.4, 0.34%, 0.86%

LAB 89.65, -9.92, 1.57

 

CMYK 6 / 0 / 2 / 12

HEX #D4E1DD

RGB 212 225 221

HSL 161.54, 0.18%, 0.86%

LAB 88.48, -5.07, 0.44

 

CMYK 1 / 0 / 0 / 14

HEX #DADCDB

RGB 218 220 219

HSL 150, 0.03%, 0.86%

LAB 87.59, -0.85, 0.24

 

CMYK 0 / 4 / 3 / 12

HEX #E0D6D9

RGB 224 214 217

HSL 342, 0.14%, 0.86%

LAB 86.48, 3.96, -0.26

 

CMYK 15 / 0 / 14 / 7

HEX #C9EDCC

RGB 201 237 204

HSL 125, 0.5%, 0.86%

LAB 90.48, -17.84, 12.12

 

CMYK 15 / 0 / 10 / 7

HEX #C9EDD6

RGB 201 237 214

HSL 141.67, 0.5%, 0.86%

LAB 90.71, -16.05, 7.24

 

CMYK 15 / 0 / 5 / 7

HEX #C9EDE0

RGB 201 237 224

HSL 158.33, 0.5%, 0.86%

LAB 90.95, -14.17, 2.38

 

CMYK 15 / 0 / 2 / 7

HEX #C9EDE9

RGB 201 237 233

HSL 173.33, 0.5%, 0.86%

LAB 91.18, -12.42, -1.99

 

CMYK 15 / 3 / 0 / 7

HEX #C9E7ED

RGB 201 231 237

HSL 190, 0.5%, 0.86%

LAB 89.71, -8.58, -6.23

 

CMYK 36 / 0 / 13 / 15

HEX #8AD9BD

RGB 138 217 189

HSL 158.73, 0.51%, 0.7%

LAB 81.13, -30.47, 6.15

 

CMYK 26 / 0 / 9 / 11

HEX #A9E3CF

RGB 169 227 207

HSL 159.31, 0.51%, 0.78%

LAB 85.95, -22.53, 3.79

 

CMYK 15 / 0 / 5 / 7

HEX #C9EDE0

RGB 201 237 224

HSL 158.33, 0.5%, 0.86%

LAB 90.95, -14.17, 2.38

 

CMYK 6 / 0 / 2 / 3

HEX #E8F7F2

RGB 232 247 242

HSL 160, 0.48%, 0.94%

LAB 96.03, -5.82, 0.69

 

CMYK 16 / 0 / 5 / 7

HEX #C8EDE0

RGB 200 237 224

HSL 158.92, 0.51%, 0.86%

LAB 90.88, -14.49, 2.28

 

CMYK 15 / 13 / 0 / 7

HEX #C9CFED

RGB 201 207 237

HSL 230, 0.5%, 0.86%

LAB 83.53, 3.91, -15.45

 

CMYK 0 / 12 / 15 / 7

HEX #EDD1C9

RGB 237 209 201

HSL 13.33, 0.5%, 0.86%

LAB 85.92, 8.48, 7.53

 

CMYK 16 / 0 / 5 / 7

HEX #C8EDE0

RGB 200 237 224

HSL 158.92, 0.51%, 0.86%

LAB 90.88, -14.49, 2.28

 

CMYK 5 / 15 / 0 / 7

HEX #E0C9ED

RGB 224 201 237

HSL 278.33, 0.5%, 0.86%

LAB 83.83, 14.5, -14.81

 

CMYK 0 / 5 / 15 / 7

HEX #EDE0C9

RGB 237 224 201

HSL 38.33, 0.5%, 0.86%

LAB 89.64, 0.7, 12.85

 

CMYK 16 / 0 / 5 / 7

HEX #C8EDE0

RGB 200 237 224

HSL 158.92, 0.51%, 0.86%

LAB 90.88, -14.49, 2.28

 

CMYK 15 / 13 / 0 / 7

HEX #C9CFED

RGB 201 207 237

HSL 230, 0.5%, 0.86%

LAB 83.53, 3.91, -15.45

 

CMYK 0 / 15 / 10 / 7

HEX #EDC9D6

RGB 237 201 214

HSL 338.33, 0.5%, 0.86%

LAB 84.29, 14.78, -1.73

 

CMYK 0 / 3 / 15 / 7

HEX #EDE7C9

RGB 237 231 201

HSL 50, 0.5%, 0.86%

LAB 91.4, -2.88, 15.34

 

CMYK 16 / 0 / 5 / 7

HEX #C8EDE0

RGB 200 237 224

HSL 158.92, 0.51%, 0.86%

LAB 90.88, -14.49, 2.28

 

CMYK 14 / 15 / 0 / 7

HEX #CDC9ED

RGB 205 201 237

HSL 246.67, 0.5%, 0.86%

LAB 82.31, 8.37, -17.25

 

CMYK 0 / 15 / 10 / 7

HEX #EDC9D6

RGB 237 201 214

HSL 338.33, 0.5%, 0.86%

LAB 84.29, 14.78, -1.73

 

CMYK 2 / 0 / 15 / 7

HEX #E8EDC9

RGB 232 237 201

HSL 68.33, 0.5%, 0.86%

LAB 92.55, -7.69, 16.9

 

Description

Color code: HEX #C8EDE0 | qconv.com Color code: HEX #C8EDE0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 237 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 237 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 5 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 5% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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