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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C916AC it is the complementary color #36E953. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C916AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C916AC shade: #CE16A7, #DF28BA, #F03ACD, #FF4CE0 and #FF5EF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C916AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C916AC shade: #C916AC, #B80499, #A70086, #960073 and #850060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C916AC shade: #C916AC, #C9167C, #C9164C, #C9161B and #C91616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C916AC shade: #C916AC, #B616C9, #8616C9, #5516C9 and #2516C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C916AC shade matches the following richer shades: #C916AC and #DC04B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C916AC shade: #C916AC, #B728A0, #A53A94, #934C88 and #815F7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C916AC shade: #8516C9, #B516C9, #C916AF, #C9167F and #C9164F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C916AC shade: #7F0E6D, #A4128D, #C916AC, #E623C6 and #EA48D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C916AC shade: #C916AC, #C95516 and #16C99D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C916AC shade: #C916AC, #AFC916 and #16AFC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C916AC shade: #C916AC, #C95516, #16C931 and #168BC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C916AC shade: #C916AC, #C98B16, #16C931 and #1655C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 14 / 21

HEX #C916AC

RGB 201 22 172

HSL 309.72, 0.8%, 0.44%

LAB 46.93, 75.91, -35.25

 

Complementary color

CMYK 77 / 0 / 64 / 9

HEX #36E953

RGB 54 233 83

HSL 129.72, 0.8%, 0.56%

LAB 81.67, -72.34, 58.61

 

CMYK 0 / 89 / 19 / 19

HEX #CE16A7

RGB 206 22 167

HSL 312.72, 0.81%, 0.45%

LAB 47.61, 76.25, -31.17

 

CMYK 0 / 82 / 17 / 13

HEX #DF28BA

RGB 223 40 186

HSL 312.13, 0.74%, 0.52%

LAB 52.68, 78.84, -34.18

 

CMYK 0 / 76 / 15 / 6

HEX #F03ACD

RGB 240 58 205

HSL 311.54, 0.86%, 0.58%

LAB 58, 80.5, -36.58

 

CMYK 0 / 70 / 12 / 0

HEX #FF4CE0

RGB 255 76 224

HSL 310.39, 1%, 0.65%

LAB 63.19, 81.01, -39.03

 

CMYK 0 / 63 / 5 / 0

HEX #FF5EF3

RGB 255 94 243

HSL 304.47, 1%, 0.68%

LAB 66.32, 77.46, -44.69

 

CMYK 0 / 89 / 14 / 21

HEX #C916AC

RGB 201 22 172

HSL 309.72, 0.8%, 0.44%

LAB 46.93, 75.91, -35.25

 

CMYK 0 / 98 / 17 / 28

HEX #B80499

RGB 184 4 153

HSL 310.33, 0.96%, 0.37%

LAB 42.12, 72.22, -31.67

 

CMYK 0 / 100 / 20 / 35

HEX #A70086

RGB 167 0 134

HSL 311.86, 1%, 0.33%

LAB 37.73, 66.99, -27.17

 

CMYK 0 / 100 / 23 / 41

HEX #960073

RGB 150 0 115

HSL 314, 1%, 0.29%

LAB 33.4, 61.26, -22.28

 

CMYK 0 / 100 / 28 / 48

HEX #850060

RGB 133 0 96

HSL 316.69, 1%, 0.26%

LAB 28.98, 55.43, -17.18

 

CMYK 0 / 89 / 14 / 21

HEX #C916AC

RGB 201 22 172

HSL 309.72, 0.8%, 0.44%

LAB 46.93, 75.91, -35.25

 

CMYK 0 / 89 / 38 / 21

HEX #C9167C

RGB 201 22 124

HSL 325.81, 0.8%, 0.44%

LAB 44.87, 70.39, -9.46

 

CMYK 0 / 89 / 62 / 21

HEX #C9164C

RGB 201 22 76

HSL 341.9, 0.8%, 0.44%

LAB 43.53, 66.65, 18.54

 

CMYK 0 / 89 / 87 / 21

HEX #C9161B

RGB 201 22 27

HSL 358.32, 0.8%, 0.44%

LAB 42.87, 64.77, 46.5

 

CMYK 0 / 89 / 89 / 21

HEX #C91616

RGB 201 22 22

HSL 0, 0.8%, 0.44%

LAB 42.84, 64.68, 48.8

 

CMYK 0 / 89 / 14 / 21

HEX #C916AC

RGB 201 22 172

HSL 309.72, 0.8%, 0.44%

LAB 46.93, 75.91, -35.25

 

CMYK 9 / 89 / 0 / 21

HEX #B616C9

RGB 182 22 201

HSL 293.63, 0.8%, 0.44%

LAB 45.27, 76.79, -55.09

 

CMYK 33 / 89 / 0 / 21

HEX #8616C9

RGB 134 22 201

HSL 277.54, 0.8%, 0.44%

LAB 37.59, 69.65, -67.92

 

CMYK 58 / 89 / 0 / 21

HEX #5516C9

RGB 85 22 201

HSL 261.12, 0.8%, 0.44%

LAB 31.17, 64.33, -78.72

 

CMYK 82 / 89 / 0 / 21

HEX #2516C9

RGB 37 22 201

HSL 245.03, 0.8%, 0.44%

LAB 27.25, 61.52, -85.33

 

CMYK 0 / 89 / 14 / 21

HEX #C916AC

RGB 201 22 172

HSL 309.72, 0.8%, 0.44%

LAB 46.93, 75.91, -35.25

 

CMYK 0 / 98 / 16 / 14

HEX #DC04B9

RGB 220 4 185

HSL 309.72, 0.96%, 0.44%

LAB 50.46, 82.9, -37.11

 

CMYK 0 / 89 / 14 / 21

HEX #C916AC

RGB 201 22 172

HSL 309.72, 0.8%, 0.44%

LAB 46.93, 75.91, -35.25

 

CMYK 0 / 78 / 13 / 28

HEX #B728A0

RGB 183 40 160

HSL 309.65, 0.64%, 0.44%

LAB 44.41, 66.8, -32.3

 

CMYK 0 / 65 / 10 / 35

HEX #A53A94

RGB 165 58 148

HSL 309.53, 0.48%, 0.44%

LAB 43.01, 54.38, -27.5

 

CMYK 0 / 48 / 7 / 42

HEX #934C88

RGB 147 76 136

HSL 309.3, 0.32%, 0.44%

LAB 42.99, 38.41, -20.48

 

CMYK 0 / 26 / 5 / 49

HEX #815F7B

RGB 129 95 123

HSL 310.59, 0.15%, 0.44%

LAB 44.63, 18.81, -10.3

 

CMYK 34 / 89 / 0 / 21

HEX #8516C9

RGB 133 22 201

HSL 277.21, 0.8%, 0.44%

LAB 37.44, 69.52, -68.16

 

CMYK 10 / 89 / 0 / 21

HEX #B516C9

RGB 181 22 201

HSL 293.3, 0.8%, 0.44%

LAB 45.1, 76.63, -55.37

 

CMYK 0 / 89 / 13 / 21

HEX #C916AF

RGB 201 22 175

HSL 308.72, 0.8%, 0.44%

LAB 47.09, 76.31, -36.78

 

CMYK 0 / 89 / 37 / 21

HEX #C9167F

RGB 201 22 127

HSL 324.8, 0.8%, 0.44%

LAB 44.97, 70.68, -11.15

 

CMYK 0 / 89 / 61 / 21

HEX #C9164F

RGB 201 22 79

HSL 340.89, 0.8%, 0.44%

LAB 43.59, 66.83, 16.75

 

CMYK 0 / 89 / 14 / 50

HEX #7F0E6D

RGB 127 14 109

HSL 309.56, 0.8%, 0.28%

LAB 29.24, 53.53, -25.3

 

CMYK 0 / 89 / 14 / 36

HEX #A4128D

RGB 164 18 141

HSL 309.45, 0.8%, 0.36%

LAB 38.28, 65.06, -30.65

 

CMYK 0 / 89 / 14 / 21

HEX #C916AC

RGB 201 22 172

HSL 309.72, 0.8%, 0.44%

LAB 46.93, 75.91, -35.25

 

CMYK 0 / 85 / 14 / 10

HEX #E623C6

RGB 230 35 198

HSL 309.85, 0.8%, 0.52%

LAB 54.14, 82.8, -38.75

 

CMYK 0 / 69 / 11 / 8

HEX #EA48D0

RGB 234 72 208

HSL 309.63, 0.79%, 0.6%

LAB 58.68, 75.27, -37.29

 

CMYK 0 / 89 / 14 / 21

HEX #C916AC

RGB 201 22 172

HSL 309.72, 0.8%, 0.44%

LAB 46.93, 75.91, -35.25

 

CMYK 0 / 58 / 89 / 21

HEX #C95516

RGB 201 85 22

HSL 21.12, 0.8%, 0.44%

LAB 50.65, 43.32, 54.7

 

CMYK 89 / 0 / 22 / 21

HEX #16C99D

RGB 22 201 157

HSL 165.25, 0.8%, 0.44%

LAB 72.48, -51.47, 10.49

 

CMYK 0 / 89 / 14 / 21

HEX #C916AC

RGB 201 22 172

HSL 309.72, 0.8%, 0.44%

LAB 46.93, 75.91, -35.25

 

CMYK 13 / 0 / 89 / 21

HEX #AFC916

RGB 175 201 22

HSL 68.72, 0.8%, 0.44%

LAB 76.65, -28.71, 74.08

 

CMYK 89 / 13 / 0 / 21

HEX #16AFC9

RGB 22 175 201

HSL 188.72, 0.8%, 0.44%

LAB 65.79, -27.11, -23.54

 

CMYK 0 / 89 / 14 / 21

HEX #C916AC

RGB 201 22 172

HSL 309.72, 0.8%, 0.44%

LAB 46.93, 75.91, -35.25

 

CMYK 0 / 58 / 89 / 21

HEX #C95516

RGB 201 85 22

HSL 21.12, 0.8%, 0.44%

LAB 50.65, 43.32, 54.7

 

CMYK 89 / 0 / 76 / 21

HEX #16C931

RGB 22 201 49

HSL 129.05, 0.8%, 0.44%

LAB 70.98, -69, 60.05

 

CMYK 89 / 31 / 0 / 21

HEX #168BC9

RGB 22 139 201

HSL 200.78, 0.8%, 0.44%

LAB 54.92, -7.77, -40.42

 

CMYK 0 / 89 / 14 / 21

HEX #C916AC

RGB 201 22 172

HSL 309.72, 0.8%, 0.44%

LAB 46.93, 75.91, -35.25

 

CMYK 0 / 31 / 89 / 21

HEX #C98B16

RGB 201 139 22

HSL 39.22, 0.8%, 0.44%

LAB 62.46, 14.89, 63.81

 

CMYK 89 / 0 / 76 / 21

HEX #16C931

RGB 22 201 49

HSL 129.05, 0.8%, 0.44%

LAB 70.98, -69, 60.05

 

CMYK 89 / 58 / 0 / 21

HEX #1655C9

RGB 22 85 201

HSL 218.88, 0.8%, 0.44%

LAB 39.39, 26.09, -65.33

 

Description

Color code: HEX #C916AC | qconv.com Color code: HEX #C916AC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 22 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 22 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 14 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 14% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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