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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C913E6 it is the complementary color #36EC19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C913E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C913E6 shade: #CE13E1, #DF25F4, #F037FF, #FF49FF and #FF5BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C913E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C913E6 shade: #C913E6, #B801D3, #A700C0, #9600AD and #85009A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C913E6 shade: #C912E7, #E712CB, #E71291, #E71258 and #E7121F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C913E6 shade: #C912E7, #9012E7, #5712E7, #1E12E7 and #1212E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C913E6 shade matches the following richer shades: #C912E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C913E6 shade: #C912E7, #BB26D2, #AC3BBE, #9D4FAA and #8F6396

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C913E6 shade: #5612E7, #8E12E7, #C712E7, #E712CE and #E71295

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C913E6 shade: #870C9A, #A80FC0, #C912E7, #D534EE and #DC5AF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C913E6 shade: #C913E6, #E71D12 and #12E772

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C913E6 shade: #C913E6, #E7C712 and #12E7C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C913E6 shade: #C913E6, #E71D12, #32E712 and #12DCE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C913E6 shade: #C913E6, #E75D12, #32E712 and #129CE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 92 / 0 / 10

HEX #C913E6

RGB 201 19 230

HSL 291.75, 0.85%, 0.49%

LAB 50.21, 84.89, -63.58

 

Complementary color

CMYK 77 / 0 / 89 / 7

HEX #36EC19

RGB 54 236 25

HSL 111.75, 0.85%, 0.51%

LAB 82.3, -76.97, 76.34

 

CMYK 8 / 92 / 0 / 12

HEX #CE13E1

RGB 206 19 225

HSL 294.47, 0.84%, 0.48%

LAB 50.72, 84.86, -59.89

 

CMYK 9 / 85 / 0 / 4

HEX #DF25F4

RGB 223 37 244

HSL 293.91, 0.9%, 0.55%

LAB 55.63, 87.83, -62.54

 

CMYK 6 / 78 / 0 / 0

HEX #F037FF

RGB 240 55 255

HSL 295.5, 1%, 0.61%

LAB 60.32, 88.59, -60.98

 

CMYK 0 / 71 / 0 / 0

HEX #FF49FF

RGB 255 73 255

HSL 300, 1%, 0.64%

LAB 64.36, 86.49, -54.4

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 13 / 92 / 0 / 10

HEX #C913E6

RGB 201 19 230

HSL 291.75, 0.85%, 0.49%

LAB 50.21, 84.89, -63.58

 

CMYK 13 / 100 / 0 / 17

HEX #B801D3

RGB 184 1 211

HSL 292.29, 0.99%, 0.42%

LAB 45.52, 80.98, -60.45

 

CMYK 13 / 100 / 0 / 25

HEX #A700C0

RGB 167 0 192

HSL 292.19, 1%, 0.38%

LAB 41.25, 75.51, -56.46

 

CMYK 13 / 100 / 0 / 32

HEX #9600AD

RGB 150 0 173

HSL 292.02, 1%, 0.34%

LAB 36.93, 69.84, -52.35

 

CMYK 14 / 100 / 0 / 40

HEX #85009A

RGB 133 0 154

HSL 291.82, 1%, 0.3%

LAB 32.52, 64.05, -48.15

 

CMYK 13 / 92 / 0 / 9

HEX #C912E7

RGB 201 18 231

HSL 291.55, 0.86%, 0.49%

LAB 50.24, 85.16, -64.1

 

CMYK 0 / 92 / 12 / 9

HEX #E712CB

RGB 231 18 203

HSL 307.89, 0.86%, 0.49%

LAB 53.74, 86.03, -42.23

 

CMYK 0 / 92 / 37 / 9

HEX #E71291

RGB 231 18 145

HSL 324.23, 0.86%, 0.49%

LAB 51.23, 79.48, -12.07

 

CMYK 0 / 92 / 62 / 9

HEX #E71258

RGB 231 18 88

HSL 340.28, 0.86%, 0.49%

LAB 49.65, 75.18, 20.35

 

CMYK 0 / 92 / 87 / 9

HEX #E7121F

RGB 231 18 31

HSL 356.34, 0.86%, 0.49%

LAB 48.91, 73.12, 52.07

 

CMYK 13 / 92 / 0 / 9

HEX #C912E7

RGB 201 18 231

HSL 291.55, 0.86%, 0.49%

LAB 50.24, 85.16, -64.1

 

CMYK 38 / 92 / 0 / 9

HEX #9012E7

RGB 144 18 231

HSL 275.49, 0.86%, 0.49%

LAB 41.42, 77.65, -78.84

 

CMYK 62 / 92 / 0 / 9

HEX #5712E7

RGB 87 18 231

HSL 259.44, 0.86%, 0.49%

LAB 34.45, 72.66, -90.59

 

CMYK 87 / 92 / 0 / 9

HEX #1E12E7

RGB 30 18 231

HSL 243.38, 0.86%, 0.49%

LAB 30.59, 70.44, -97.13

 

CMYK 92 / 92 / 0 / 9

HEX #1212E7

RGB 18 18 231

HSL 240, 0.86%, 0.49%

LAB 30.23, 70.26, -97.73

 

CMYK 13 / 92 / 0 / 9

HEX #C912E7

RGB 201 18 231

HSL 291.55, 0.86%, 0.49%

LAB 50.24, 85.16, -64.1

 

CMYK 13 / 92 / 0 / 9

HEX #C912E7

RGB 201 18 231

HSL 291.55, 0.86%, 0.49%

LAB 50.24, 85.16, -64.1

 

CMYK 11 / 82 / 0 / 18

HEX #BB26D2

RGB 187 38 210

HSL 291.98, 0.69%, 0.49%

LAB 47.76, 75.96, -56.24

 

CMYK 9 / 69 / 0 / 25

HEX #AC3BBE

RGB 172 59 190

HSL 291.76, 0.53%, 0.49%

LAB 46.47, 62.93, -46.87

 

CMYK 8 / 54 / 0 / 33

HEX #9D4FAA

RGB 157 79 170

HSL 291.43, 0.37%, 0.49%

LAB 46.53, 46.32, -35.18

 

CMYK 5 / 34 / 0 / 41

HEX #8F6396

RGB 143 99 150

HSL 291.76, 0.2%, 0.49%

LAB 48.22, 26.88, -20.86

 

CMYK 63 / 92 / 0 / 9

HEX #5612E7

RGB 86 18 231

HSL 259.15, 0.86%, 0.49%

LAB 34.36, 72.6, -90.75

 

CMYK 39 / 92 / 0 / 9

HEX #8E12E7

RGB 142 18 231

HSL 274.93, 0.86%, 0.49%

LAB 41.14, 77.42, -79.32

 

CMYK 14 / 92 / 0 / 9

HEX #C712E7

RGB 199 18 231

HSL 290.99, 0.86%, 0.49%

LAB 49.91, 84.87, -64.65

 

CMYK 0 / 92 / 11 / 9

HEX #E712CE

RGB 231 18 206

HSL 307.04, 0.86%, 0.49%

LAB 53.9, 86.42, -43.71

 

CMYK 0 / 92 / 35 / 9

HEX #E71295

RGB 231 18 149

HSL 323.1, 0.86%, 0.49%

LAB 51.37, 79.86, -14.24

 

CMYK 12 / 92 / 0 / 40

HEX #870C9A

RGB 135 12 154

HSL 291.97, 0.86%, 0.33%

LAB 33.45, 62.68, -46.63

 

CMYK 13 / 92 / 0 / 25

HEX #A80FC0

RGB 168 15 192

HSL 291.86, 0.86%, 0.41%

LAB 41.96, 74.07, -55.31

 

CMYK 13 / 92 / 0 / 9

HEX #C912E7

RGB 201 18 231

HSL 291.55, 0.86%, 0.49%

LAB 50.24, 85.16, -64.1

 

CMYK 11 / 78 / 0 / 7

HEX #D534EE

RGB 213 52 238

HSL 291.94, 0.85%, 0.57%

LAB 54.84, 81.74, -60.53

 

CMYK 9 / 63 / 0 / 5

HEX #DC5AF1

RGB 220 90 241

HSL 291.66, 0.84%, 0.65%

LAB 60.67, 70.56, -52.83

 

CMYK 13 / 92 / 0 / 10

HEX #C913E6

RGB 201 19 230

HSL 291.75, 0.85%, 0.49%

LAB 50.21, 84.89, -63.58

 

CMYK 0 / 87 / 92 / 9

HEX #E71D12

RGB 231 29 18

HSL 3.1, 0.86%, 0.49%

LAB 49.39, 71.35, 57.74

 

CMYK 92 / 0 / 51 / 9

HEX #12E772

RGB 18 231 114

HSL 147.04, 0.86%, 0.49%

LAB 81.01, -70.82, 43.94

 

CMYK 13 / 92 / 0 / 10

HEX #C913E6

RGB 201 19 230

HSL 291.75, 0.85%, 0.49%

LAB 50.21, 84.89, -63.58

 

CMYK 0 / 14 / 92 / 9

HEX #E7C712

RGB 231 199 18

HSL 50.99, 0.86%, 0.49%

LAB 80.67, -3.89, 79.8

 

CMYK 92 / 0 / 14 / 9

HEX #12E7C7

RGB 18 231 199

HSL 170.99, 0.86%, 0.49%

LAB 82.6, -53.01, 2.61

 

CMYK 13 / 92 / 0 / 10

HEX #C913E6

RGB 201 19 230

HSL 291.75, 0.85%, 0.49%

LAB 50.21, 84.89, -63.58

 

CMYK 0 / 87 / 92 / 9

HEX #E71D12

RGB 231 29 18

HSL 3.1, 0.86%, 0.49%

LAB 49.39, 71.35, 57.74

 

CMYK 78 / 0 / 92 / 9

HEX #32E712

RGB 50 231 18

HSL 110.99, 0.86%, 0.49%

LAB 80.67, -76.24, 75.95

 

CMYK 92 / 5 / 0 / 9

HEX #12DCE7

RGB 18 220 231

HSL 183.1, 0.86%, 0.49%

LAB 80.23, -39.25, -17.88

 

CMYK 13 / 92 / 0 / 10

HEX #C913E6

RGB 201 19 230

HSL 291.75, 0.85%, 0.49%

LAB 50.21, 84.89, -63.58

 

CMYK 0 / 60 / 92 / 9

HEX #E75D12

RGB 231 93 18

HSL 21.13, 0.86%, 0.49%

LAB 56.94, 50.62, 62.64

 

CMYK 78 / 0 / 92 / 9

HEX #32E712

RGB 50 231 18

HSL 110.99, 0.86%, 0.49%

LAB 80.67, -76.24, 75.95

 

CMYK 92 / 32 / 0 / 9

HEX #129CE7

RGB 18 156 231

HSL 201.13, 0.86%, 0.49%

LAB 61.37, -6.61, -47.02

 

Description

Color code: HEX #C913E6 | qconv.com Color code: HEX #C913E6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 19 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 19 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 92 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 92% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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