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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C91AD1 it is the complementary color #36E52E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C91AD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C91AD1 shade: #CE1ACC, #DF2CDF, #F03EF2, #FF50FF and #FF62FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C91AD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C91AD1 shade: #C91AD1, #B808BE, #A700AB, #960098 and #850085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C91AD1 shade: #C819D0, #D019A7, #D01976, #D01944 and #D01919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C91AD1 shade: #C819D0, #9719D0, #6619D0, #3419D0 and #1919D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C91AD1 shade matches the following richer shades: #C819D0 and #DA06E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C91AD1 shade: #C819D0, #B72CBD, #A63FAA, #945297 and #836584

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C91AD1 shade: #6619D0, #9619D0, #C719D0, #D019A9 and #D01978

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C91AD1 shade: #821087, #A515AC, #C819D0, #DD2EE5 and #E353E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C91AD1 shade: #C91AD1, #D03519 and #19D07E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C91AD1 shade: #C91AD1, #D0C719 and #19D0C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C91AD1 shade: #C91AD1, #D03519, #22D019 and #19B5D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C91AD1 shade: #C91AD1, #D06C19, #22D019 and #197ED0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 88 / 0 / 18

HEX #C91AD1

RGB 201 26 209

HSL 297.38, 0.78%, 0.46%

LAB 49.2, 80.6, -53.22

 

Complementary color

CMYK 76 / 0 / 80 / 10

HEX #36E52E

RGB 54 229 46

HSL 117.38, 0.78%, 0.54%

LAB 80.19, -74.06, 69.94

 

CMYK 0 / 87 / 1 / 19

HEX #CE1ACC

RGB 206 26 204

HSL 300.67, 0.78%, 0.45%

LAB 49.76, 80.71, -49.4

 

CMYK 0 / 80 / 0 / 13

HEX #DF2CDF

RGB 223 44 223

HSL 300, 0.74%, 0.52%

LAB 54.88, 83.16, -51.92

 

CMYK 1 / 74 / 0 / 5

HEX #F03EF2

RGB 240 62 242

HSL 299.33, 0.87%, 0.6%

LAB 60.23, 84.72, -53.91

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FF

RGB 255 80 255

HSL 300, 1%, 0.66%

LAB 65.13, 84.28, -53.17

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 4 / 88 / 0 / 18

HEX #C91AD1

RGB 201 26 209

HSL 297.38, 0.78%, 0.46%

LAB 49.2, 80.6, -53.22

 

CMYK 3 / 96 / 0 / 25

HEX #B808BE

RGB 184 8 190

HSL 298.02, 0.92%, 0.39%

LAB 44.35, 77.05, -50.14

 

CMYK 2 / 100 / 0 / 33

HEX #A700AB

RGB 167 0 171

HSL 298.6, 1%, 0.34%

LAB 39.84, 72.17, -46.31

 

CMYK 1 / 100 / 0 / 40

HEX #960098

RGB 150 0 152

HSL 299.21, 1%, 0.3%

LAB 35.5, 66.44, -41.97

 

CMYK 0 / 100 / 0 / 48

HEX #850085

RGB 133 0 133

HSL 300, 1%, 0.26%

LAB 31.07, 60.59, -37.52

 

CMYK 4 / 88 / 0 / 18

HEX #C819D0

RGB 200 25 208

HSL 297.38, 0.79%, 0.46%

LAB 48.92, 80.43, -53.11

 

CMYK 0 / 88 / 20 / 18

HEX #D019A7

RGB 208 25 167

HSL 313.44, 0.79%, 0.46%

LAB 48.13, 76.19, -30.32

 

CMYK 0 / 88 / 43 / 18

HEX #D01976

RGB 208 25 118

HSL 329.51, 0.79%, 0.46%

LAB 46.19, 70.95, -3.65

 

CMYK 0 / 88 / 67 / 18

HEX #D01944

RGB 208 25 68

HSL 345.9, 0.79%, 0.46%

LAB 44.97, 67.5, 25.67

 

CMYK 0 / 88 / 88 / 18

HEX #D01919

RGB 208 25 25

HSL 0, 0.79%, 0.46%

LAB 44.48, 66.08, 49.34

 

CMYK 4 / 88 / 0 / 18

HEX #C819D0

RGB 200 25 208

HSL 297.38, 0.79%, 0.46%

LAB 48.92, 80.43, -53.11

 

CMYK 27 / 88 / 0 / 18

HEX #9719D0

RGB 151 25 208

HSL 281.31, 0.79%, 0.46%

LAB 40.94, 72.75, -66.4

 

CMYK 51 / 88 / 0 / 18

HEX #6619D0

RGB 102 25 208

HSL 265.25, 0.79%, 0.46%

LAB 34.14, 66.77, -77.82

 

CMYK 75 / 88 / 0 / 18

HEX #3419D0

RGB 52 25 208

HSL 248.85, 0.79%, 0.46%

LAB 29.36, 63.08, -85.88

 

CMYK 88 / 88 / 0 / 18

HEX #1919D0

RGB 25 25 208

HSL 240, 0.79%, 0.46%

LAB 28, 62.12, -88.19

 

CMYK 4 / 88 / 0 / 18

HEX #C819D0

RGB 200 25 208

HSL 297.38, 0.79%, 0.46%

LAB 48.92, 80.43, -53.11

 

CMYK 4 / 97 / 0 / 11

HEX #DA06E3

RGB 218 6 227

HSL 297.56, 0.95%, 0.46%

LAB 52.49, 88.16, -58.06

 

CMYK 4 / 88 / 0 / 18

HEX #C819D0

RGB 200 25 208

HSL 297.38, 0.79%, 0.46%

LAB 48.92, 80.43, -53.11

 

CMYK 3 / 77 / 0 / 26

HEX #B72CBD

RGB 183 44 189

HSL 297.52, 0.62%, 0.46%

LAB 46.37, 70.14, -46.34

 

CMYK 2 / 63 / 0 / 33

HEX #A63FAA

RGB 166 63 170

HSL 297.76, 0.46%, 0.46%

LAB 45.03, 56.26, -37.46

 

CMYK 2 / 46 / 0 / 41

HEX #945297

RGB 148 82 151

HSL 297.39, 0.3%, 0.46%

LAB 45.03, 38.32, -26.33

 

CMYK 1 / 23 / 0 / 48

HEX #836584

RGB 131 101 132

HSL 298.06, 0.13%, 0.46%

LAB 46.71, 17.78, -12.56

 

CMYK 51 / 88 / 0 / 18

HEX #6619D0

RGB 102 25 208

HSL 265.25, 0.79%, 0.46%

LAB 34.14, 66.77, -77.82

 

CMYK 28 / 88 / 0 / 18

HEX #9619D0

RGB 150 25 208

HSL 280.98, 0.79%, 0.46%

LAB 40.79, 72.61, -66.65

 

CMYK 4 / 88 / 0 / 18

HEX #C719D0

RGB 199 25 208

HSL 297.05, 0.79%, 0.46%

LAB 48.75, 80.26, -53.39

 

CMYK 0 / 88 / 19 / 18

HEX #D019A9

RGB 208 25 169

HSL 312.79, 0.79%, 0.46%

LAB 48.22, 76.44, -31.36

 

CMYK 0 / 88 / 42 / 18

HEX #D01978

RGB 208 25 120

HSL 328.85, 0.79%, 0.46%

LAB 46.26, 71.12, -4.78

 

CMYK 4 / 88 / 0 / 47

HEX #821087

RGB 130 16 135

HSL 297.48, 0.79%, 0.3%

LAB 31.5, 57.83, -38.11

 

CMYK 4 / 88 / 0 / 33

HEX #A515AC

RGB 165 21 172

HSL 297.22, 0.78%, 0.38%

LAB 40.43, 69.37, -45.97

 

CMYK 4 / 88 / 0 / 18

HEX #C819D0

RGB 200 25 208

HSL 297.38, 0.79%, 0.46%

LAB 48.92, 80.43, -53.11

 

CMYK 3 / 80 / 0 / 10

HEX #DD2EE5

RGB 221 46 229

HSL 297.38, 0.78%, 0.54%

LAB 55.06, 83.25, -55.06

 

CMYK 3 / 64 / 0 / 9

HEX #E353E9

RGB 227 83 233

HSL 297.6, 0.77%, 0.62%

LAB 60.25, 73.56, -48.98

 

CMYK 4 / 88 / 0 / 18

HEX #C91AD1

RGB 201 26 209

HSL 297.38, 0.78%, 0.46%

LAB 49.2, 80.6, -53.22

 

CMYK 0 / 75 / 88 / 18

HEX #D03519

RGB 208 53 25

HSL 9.18, 0.79%, 0.46%

LAB 47.01, 58.95, 51.3

 

CMYK 88 / 0 / 39 / 18

HEX #19D07E

RGB 25 208 126

HSL 153.11, 0.79%, 0.46%

LAB 74.08, -60.71, 29.09

 

CMYK 4 / 88 / 0 / 18

HEX #C91AD1

RGB 201 26 209

HSL 297.38, 0.78%, 0.46%

LAB 49.2, 80.6, -53.22

 

CMYK 0 / 4 / 88 / 18

HEX #D0C719

RGB 208 199 25

HSL 57.05, 0.79%, 0.46%

LAB 78.65, -13.69, 76.24

 

CMYK 88 / 0 / 4 / 18

HEX #19D0C7

RGB 25 208 199

HSL 177.05, 0.79%, 0.46%

LAB 75.73, -43.01, -7.47

 

CMYK 4 / 88 / 0 / 18

HEX #C91AD1

RGB 201 26 209

HSL 297.38, 0.78%, 0.46%

LAB 49.2, 80.6, -53.22

 

CMYK 0 / 75 / 88 / 18

HEX #D03519

RGB 208 53 25

HSL 9.18, 0.79%, 0.46%

LAB 47.01, 58.95, 51.3

 

CMYK 84 / 0 / 88 / 18

HEX #22D019

RGB 34 208 25

HSL 117.05, 0.79%, 0.46%

LAB 73.23, -71.3, 68.46

 

CMYK 88 / 13 / 0 / 18

HEX #19B5D0

RGB 25 181 208

HSL 188.85, 0.79%, 0.46%

LAB 67.88, -27.63, -24.2

 

CMYK 4 / 88 / 0 / 18

HEX #C91AD1

RGB 201 26 209

HSL 297.38, 0.78%, 0.46%

LAB 49.2, 80.6, -53.22

 

CMYK 0 / 48 / 88 / 18

HEX #D06C19

RGB 208 108 25

HSL 27.21, 0.79%, 0.46%

LAB 56.29, 34.59, 58.55

 

CMYK 84 / 0 / 88 / 18

HEX #22D019

RGB 34 208 25

HSL 117.05, 0.79%, 0.46%

LAB 73.23, -71.3, 68.46

 

CMYK 88 / 39 / 0 / 18

HEX #197ED0

RGB 25 126 208

HSL 206.89, 0.79%, 0.46%

LAB 51.48, 2.77, -49.84

 

Description

Color code: HEX #C91AD1 | qconv.com Color code: HEX #C91AD1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 26 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 26 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 88 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 88% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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