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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C938D4 it is the complementary color #36C72B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C938D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C938D4 shade: #CE38CF, #DF4AE2, #F05CF5, #FF6EFF and #FF80FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C938D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C938D4 shade: #C938D4, #B826C1, #A714AE, #96029B and #850088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C938D4 shade: #C93AD3, #D33AB5, #D33A8B, #D33A62 and #D33A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C938D4 shade: #C93AD3, #9F3AD3, #763AD3, #4C3AD3 and #3A3AD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C938D4 shade matches the following richer shades: #C93AD3, #D927E7 and #EA13FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C938D4 shade: #C93AD3, #B84DC0, #A761AD, #977499 and #868886

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C938D4 shade: #753AD3, #9E3AD3, #C73AD3, #D33AB7 and #D33A8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C938D4 shade: #912199, #B129BB, #C93AD3, #D25CDB and #DB7EE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C938D4 shade: #C938D4, #D34C3A and #3AD389

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C938D4 shade: #C938D4, #D3C73A and #3AD3C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C938D4 shade: #C938D4, #D34C3A, #47D33A and #3AC1D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C938D4 shade: #C938D4, #D37A3A, #47D33A and #3A93D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 74 / 0 / 17

HEX #C938D4

RGB 201 56 212

HSL 295.77, 0.64%, 0.53%

LAB 51.84, 73.95, -50.73

 

Complementary color

CMYK 73 / 0 / 78 / 22

HEX #36C72B

RGB 54 199 43

HSL 115.77, 0.64%, 0.47%

LAB 70.74, -65.11, 61.86

 

CMYK 0 / 73 / 0 / 19

HEX #CE38CF

RGB 206 56 207

HSL 299.6, 0.61%, 0.52%

LAB 52.35, 74.16, -47.01

 

CMYK 1 / 67 / 0 / 11

HEX #DF4AE2

RGB 223 74 226

HSL 298.82, 0.72%, 0.59%

LAB 58.11, 74.85, -48.48

 

CMYK 2 / 62 / 0 / 4

HEX #F05CF5

RGB 240 92 245

HSL 298.04, 0.88%, 0.66%

LAB 63.98, 75.05, -49.63

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 5 / 74 / 0 / 17

HEX #C938D4

RGB 201 56 212

HSL 295.77, 0.64%, 0.53%

LAB 51.84, 73.95, -50.73

 

CMYK 5 / 80 / 0 / 24

HEX #B826C1

RGB 184 38 193

HSL 296.52, 0.67%, 0.45%

LAB 46.21, 72.6, -48.91

 

CMYK 4 / 89 / 0 / 32

HEX #A714AE

RGB 167 20 174

HSL 297.27, 0.79%, 0.38%

LAB 40.85, 70.22, -46.48

 

CMYK 3 / 99 / 0 / 39

HEX #96029B

RGB 150 2 155

HSL 298.04, 0.97%, 0.31%

LAB 35.78, 66.66, -43.35

 

CMYK 2 / 100 / 0 / 47

HEX #850088

RGB 133 0 136

HSL 298.68, 1%, 0.27%

LAB 31.26, 61.07, -39.08

 

CMYK 5 / 73 / 0 / 17

HEX #C93AD3

RGB 201 58 211

HSL 296.08, 0.63%, 0.53%

LAB 52, 73.14, -49.89

 

CMYK 0 / 73 / 14 / 17

HEX #D33AB5

RGB 211 58 181

HSL 311.76, 0.63%, 0.53%

LAB 52.08, 70.72, -32.35

 

CMYK 0 / 73 / 34 / 17

HEX #D33A8B

RGB 211 58 139

HSL 328.24, 0.63%, 0.53%

LAB 50.38, 65.43, -10.11

 

CMYK 0 / 73 / 54 / 17

HEX #D33A62

RGB 211 58 98

HSL 344.31, 0.63%, 0.53%

LAB 49.2, 61.58, 13

 

CMYK 0 / 73 / 73 / 17

HEX #D33A3A

RGB 211 58 58

HSL 0, 0.63%, 0.53%

LAB 48.49, 59.19, 36

 

CMYK 5 / 73 / 0 / 17

HEX #C93AD3

RGB 201 58 211

HSL 296.08, 0.63%, 0.53%

LAB 52, 73.14, -49.89

 

CMYK 25 / 73 / 0 / 17

HEX #9F3AD3

RGB 159 58 211

HSL 279.61, 0.63%, 0.53%

LAB 45.77, 64.72, -60.23

 

CMYK 44 / 73 / 0 / 17

HEX #763AD3

RGB 118 58 211

HSL 263.53, 0.63%, 0.53%

LAB 40.54, 57.31, -68.97

 

CMYK 64 / 73 / 0 / 17

HEX #4C3AD3

RGB 76 58 211

HSL 247.06, 0.63%, 0.53%

LAB 36.49, 51.26, -75.77

 

CMYK 73 / 73 / 0 / 17

HEX #3A3AD3

RGB 58 58 211

HSL 240, 0.63%, 0.53%

LAB 35.26, 49.35, -77.84

 

CMYK 5 / 73 / 0 / 17

HEX #C93AD3

RGB 201 58 211

HSL 296.08, 0.63%, 0.53%

LAB 52, 73.14, -49.89

 

CMYK 6 / 83 / 0 / 9

HEX #D927E7

RGB 217 39 231

HSL 295.63, 0.8%, 0.53%

LAB 54, 84.38, -57.91

 

CMYK 6 / 92 / 0 / 2

HEX #EA13FA

RGB 234 19 250

HSL 295.84, 0.96%, 0.53%

LAB 56.94, 93.02, -63.68

 

CMYK 5 / 73 / 0 / 17

HEX #C93AD3

RGB 201 58 211

HSL 296.08, 0.63%, 0.53%

LAB 52, 73.14, -49.89

 

CMYK 4 / 60 / 0 / 25

HEX #B84DC0

RGB 184 77 192

HSL 295.83, 0.48%, 0.53%

LAB 51.04, 58.63, -40.65

 

CMYK 3 / 44 / 0 / 32

HEX #A761AD

RGB 167 97 173

HSL 295.26, 0.32%, 0.53%

LAB 51.59, 40.38, -28.93

 

CMYK 1 / 24 / 0 / 40

HEX #977499

RGB 151 116 153

HSL 296.76, 0.15%, 0.53%

LAB 53.35, 20.39, -14.71

 

CMYK 1 / 0 / 1 / 47

HEX #868886

RGB 134 136 134

HSL 120, 0.01%, 0.53%

LAB 56.48, -1.13, 0.81

 

CMYK 45 / 73 / 0 / 17

HEX #753AD3

RGB 117 58 211

HSL 263.14, 0.63%, 0.53%

LAB 40.43, 57.15, -69.16

 

CMYK 25 / 73 / 0 / 17

HEX #9E3AD3

RGB 158 58 211

HSL 279.22, 0.63%, 0.53%

LAB 45.63, 64.53, -60.47

 

CMYK 6 / 73 / 0 / 17

HEX #C73AD3

RGB 199 58 211

HSL 295.29, 0.63%, 0.53%

LAB 51.69, 72.73, -50.41

 

CMYK 0 / 73 / 13 / 17

HEX #D33AB7

RGB 211 58 183

HSL 310.98, 0.63%, 0.53%

LAB 52.17, 71.01, -33.37

 

CMYK 0 / 73 / 33 / 17

HEX #D33A8E

RGB 211 58 142

HSL 327.06, 0.63%, 0.53%

LAB 50.49, 65.77, -11.75

 

CMYK 5 / 78 / 0 / 40

HEX #912199

RGB 145 33 153

HSL 296, 0.65%, 0.36%

LAB 36.76, 59.57, -40.62

 

CMYK 5 / 78 / 0 / 27

HEX #B129BB

RGB 177 41 187

HSL 295.89, 0.64%, 0.45%

LAB 44.97, 69.47, -47.46

 

CMYK 5 / 73 / 0 / 17

HEX #C93AD3

RGB 201 58 211

HSL 296.08, 0.63%, 0.53%

LAB 52, 73.14, -49.89

 

CMYK 4 / 58 / 0 / 14

HEX #D25CDB

RGB 210 92 219

HSL 295.75, 0.64%, 0.61%

LAB 58.48, 63.37, -44.08

 

CMYK 3 / 44 / 0 / 11

HEX #DB7EE2

RGB 219 126 226

HSL 295.8, 0.63%, 0.69%

LAB 66.12, 50.76, -35.94

 

CMYK 5 / 74 / 0 / 17

HEX #C938D4

RGB 201 56 212

HSL 295.77, 0.64%, 0.53%

LAB 51.84, 73.95, -50.73

 

CMYK 0 / 64 / 73 / 17

HEX #D34C3A

RGB 211 76 58

HSL 7.06, 0.63%, 0.53%

LAB 51.06, 52.17, 38.93

 

CMYK 73 / 0 / 35 / 17

HEX #3AD389

RGB 58 211 137

HSL 150.98, 0.63%, 0.53%

LAB 75.63, -56.24, 25.54

 

CMYK 5 / 74 / 0 / 17

HEX #C938D4

RGB 201 56 212

HSL 295.77, 0.64%, 0.53%

LAB 51.84, 73.95, -50.73

 

CMYK 0 / 6 / 73 / 17

HEX #D3C73A

RGB 211 199 58

HSL 55.29, 0.63%, 0.53%

LAB 79.04, -11.35, 67.75

 

CMYK 73 / 0 / 6 / 17

HEX #3AD3C7

RGB 58 211 199

HSL 175.29, 0.63%, 0.53%

LAB 77.05, -41.5, -5.46

 

CMYK 5 / 74 / 0 / 17

HEX #C938D4

RGB 201 56 212

HSL 295.77, 0.64%, 0.53%

LAB 51.84, 73.95, -50.73

 

CMYK 0 / 64 / 73 / 17

HEX #D34C3A

RGB 211 76 58

HSL 7.06, 0.63%, 0.53%

LAB 51.06, 52.17, 38.93

 

CMYK 66 / 0 / 73 / 17

HEX #47D33A

RGB 71 211 58

HSL 114.9, 0.63%, 0.53%

LAB 74.97, -64.84, 61.2

 

CMYK 73 / 9 / 0 / 17

HEX #3AC1D3

RGB 58 193 211

HSL 187.06, 0.63%, 0.53%

LAB 72.06, -29.65, -19.43

 

CMYK 5 / 74 / 0 / 17

HEX #C938D4

RGB 201 56 212

HSL 295.77, 0.64%, 0.53%

LAB 51.84, 73.95, -50.73

 

CMYK 0 / 42 / 73 / 17

HEX #D37A3A

RGB 211 122 58

HSL 25.1, 0.63%, 0.53%

LAB 59.96, 29.58, 48.61

 

CMYK 66 / 0 / 73 / 17

HEX #47D33A

RGB 71 211 58

HSL 114.9, 0.63%, 0.53%

LAB 74.97, -64.84, 61.2

 

CMYK 73 / 30 / 0 / 17

HEX #3A93D3

RGB 58 147 211

HSL 205.1, 0.63%, 0.53%

LAB 58.48, -5.29, -40.4

 

Description

Color code: HEX #C938D4 | qconv.com Color code: HEX #C938D4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 56 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 56 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 74 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 74% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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