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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C94D22 it is the complementary color #36B2DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C94D22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C94D22 shade: #CE4D1D, #DF5F30, #F07143, #FF8356 and #FF9569

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C94D22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C94D22 shade: #C94D22, #B83B0F, #A72900, #961700 and #850500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C94D22 shade: #C84C22 and #C82222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C94D22 shade: #C84C22, #C87922, #C8A622, #BDC822 and #90C822

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C94D22 shade matches the following richer shades: #C84C22 and #DB430F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C94D22 shade: #C84C22, #B55634, #A25F47, #8F685A and #7C716D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C94D22 shade: #C82251, #C82224, #C84B22, #C87822 and #C8A422

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C94D22 shade: #823116, #A53F1C, #C84C22, #DD6136 and #E37D5A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C94D22 shade: #C94D22, #7DC822 and #223BC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C94D22 shade: #C94D22, #22C84B and #4B22C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C94D22 shade: #C94D22, #7DC822, #229EC8 and #6C22C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C94D22 shade: #C94D22, #4BC822, #229EC8 and #9E22C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 83 / 21

HEX #C94D22

RGB 201 77 34

HSL 15.45, 0.71%, 0.46%

LAB 49.3, 47.33, 48.8

 

Complementary color

CMYK 76 / 19 / 0 / 13

HEX #36B2DD

RGB 54 178 221

HSL 195.45, 0.71%, 0.54%

LAB 67.91, -19.38, -31.26

 

CMYK 0 / 63 / 86 / 19

HEX #CE4D1D

RGB 206 77 29

HSL 16.27, 0.75%, 0.46%

LAB 50.12, 49, 52

 

CMYK 0 / 57 / 78 / 13

HEX #DF5F30

RGB 223 95 48

HSL 16.11, 0.73%, 0.53%

LAB 56.17, 47.48, 50.07

 

CMYK 0 / 53 / 72 / 6

HEX #F07143

RGB 240 113 67

HSL 15.95, 0.85%, 0.6%

LAB 62.29, 45.95, 47.91

 

CMYK 0 / 49 / 66 / 0

HEX #FF8356

RGB 255 131 86

HSL 15.98, 1%, 0.67%

LAB 68.14, 43.72, 45.39

 

CMYK 0 / 42 / 59 / 0

HEX #FF9569

RGB 255 149 105

HSL 17.6, 1%, 0.71%

LAB 72.08, 35.84, 40.21

 

CMYK 0 / 62 / 83 / 21

HEX #C94D22

RGB 201 77 34

HSL 15.45, 0.71%, 0.46%

LAB 49.3, 47.33, 48.8

 

CMYK 0 / 68 / 92 / 28

HEX #B83B0F

RGB 184 59 15

HSL 15.62, 0.85%, 0.39%

LAB 43.29, 48.7, 50.34

 

CMYK 0 / 75 / 100 / 35

HEX #A72900

RGB 167 41 0

HSL 14.73, 1%, 0.33%

LAB 37.48, 49.68, 50.19

 

CMYK 0 / 85 / 100 / 41

HEX #961700

RGB 150 23 0

HSL 9.2, 1%, 0.29%

LAB 32.03, 49.84, 45.34

 

CMYK 0 / 96 / 100 / 48

HEX #850500

RGB 133 5 0

HSL 2.26, 1%, 0.26%

LAB 27, 48.51, 39.82

 

CMYK 0 / 62 / 83 / 22

HEX #C84C22

RGB 200 76 34

HSL 15.18, 0.71%, 0.46%

LAB 48.96, 47.42, 48.43

 

CMYK 0 / 83 / 83 / 22

HEX #C82222

RGB 200 34 34

HSL 0, 0.71%, 0.46%

LAB 43.56, 62.24, 43.48

 

CMYK 0 / 62 / 83 / 22

HEX #C84C22

RGB 200 76 34

HSL 15.18, 0.71%, 0.46%

LAB 48.96, 47.42, 48.43

 

CMYK 0 / 40 / 83 / 22

HEX #C87922

RGB 200 121 34

HSL 31.45, 0.71%, 0.46%

LAB 58.1, 24.56, 56.56

 

CMYK 0 / 17 / 83 / 22

HEX #C8A622

RGB 200 166 34

HSL 47.71, 0.71%, 0.46%

LAB 69.23, 0.14, 66.15

 

CMYK 5 / 0 / 83 / 22

HEX #BDC822

RGB 189 200 34

HSL 63.98, 0.71%, 0.46%

LAB 77.43, -22.07, 72.73

 

CMYK 28 / 0 / 83 / 22

HEX #90C822

RGB 144 200 34

HSL 80.24, 0.71%, 0.46%

LAB 74.42, -40.28, 68.95

 

CMYK 0 / 62 / 83 / 22

HEX #C84C22

RGB 200 76 34

HSL 15.18, 0.71%, 0.46%

LAB 48.96, 47.42, 48.43

 

CMYK 0 / 69 / 93 / 14

HEX #DB430F

RGB 219 67 15

HSL 15.29, 0.87%, 0.46%

LAB 50.81, 57.31, 58.43

 

CMYK 0 / 62 / 83 / 22

HEX #C84C22

RGB 200 76 34

HSL 15.18, 0.71%, 0.46%

LAB 48.96, 47.42, 48.43

 

CMYK 0 / 52 / 71 / 29

HEX #B55634

RGB 181 86 52

HSL 15.81, 0.55%, 0.46%

LAB 47.91, 36.1, 37.33

 

CMYK 0 / 41 / 56 / 36

HEX #A25F47

RGB 162 95 71

HSL 15.82, 0.39%, 0.46%

LAB 47.39, 24.79, 25.35

 

CMYK 0 / 27 / 37 / 44

HEX #8F685A

RGB 143 104 90

HSL 15.85, 0.23%, 0.46%

LAB 47.6, 13.67, 14.03

 

CMYK 0 / 9 / 12 / 51

HEX #7C716D

RGB 124 113 109

HSL 16, 0.06%, 0.46%

LAB 48.51, 3.53, 3.76

 

CMYK 0 / 83 / 60 / 22

HEX #C82251

RGB 200 34 81

HSL 343.01, 0.71%, 0.46%

LAB 44.26, 64.33, 16.37

 

CMYK 0 / 83 / 82 / 22

HEX #C82224

RGB 200 34 36

HSL 359.28, 0.71%, 0.46%

LAB 43.58, 62.3, 42.44

 

CMYK 0 / 63 / 83 / 22

HEX #C84B22

RGB 200 75 34

HSL 14.82, 0.71%, 0.46%

LAB 48.79, 47.87, 48.28

 

CMYK 0 / 40 / 83 / 22

HEX #C87822

RGB 200 120 34

HSL 31.08, 0.71%, 0.46%

LAB 57.87, 25.1, 56.35

 

CMYK 0 / 18 / 83 / 22

HEX #C8A422

RGB 200 164 34

HSL 46.99, 0.71%, 0.46%

LAB 68.71, 1.2, 65.71

 

CMYK 0 / 62 / 83 / 49

HEX #823116

RGB 130 49 22

HSL 15, 0.71%, 0.3%

LAB 31.81, 33.46, 33.86

 

CMYK 0 / 62 / 83 / 35

HEX #A53F1C

RGB 165 63 28

HSL 15.33, 0.71%, 0.38%

LAB 40.64, 40.35, 41.4

 

CMYK 0 / 62 / 83 / 22

HEX #C84C22

RGB 200 76 34

HSL 15.18, 0.71%, 0.46%

LAB 48.96, 47.42, 48.43

 

CMYK 0 / 56 / 76 / 13

HEX #DD6136

RGB 221 97 54

HSL 15.45, 0.71%, 0.54%

LAB 56.28, 46.03, 47.15

 

CMYK 0 / 45 / 60 / 11

HEX #E37D5A

RGB 227 125 90

HSL 15.33, 0.71%, 0.62%

LAB 63.12, 36.3, 36.34

 

CMYK 0 / 62 / 83 / 21

HEX #C94D22

RGB 201 77 34

HSL 15.45, 0.71%, 0.46%

LAB 49.3, 47.33, 48.8

 

CMYK 38 / 0 / 83 / 22

HEX #7DC822

RGB 125 200 34

HSL 87.11, 0.71%, 0.46%

LAB 73.41, -47.22, 67.67

 

CMYK 83 / 71 / 0 / 22

HEX #223BC8

RGB 34 59 200

HSL 230.96, 0.71%, 0.46%

LAB 33.22, 43.13, -74.86

 

CMYK 0 / 62 / 83 / 21

HEX #C94D22

RGB 201 77 34

HSL 15.45, 0.71%, 0.46%

LAB 49.3, 47.33, 48.8

 

CMYK 83 / 0 / 63 / 22

HEX #22C84B

RGB 34 200 75

HSL 134.82, 0.71%, 0.46%

LAB 70.98, -65.22, 49.98

 

CMYK 63 / 83 / 0 / 22

HEX #4B22C8

RGB 75 34 200

HSL 254.82, 0.71%, 0.46%

LAB 31.37, 59.24, -77.83

 

CMYK 0 / 62 / 83 / 21

HEX #C94D22

RGB 201 77 34

HSL 15.45, 0.71%, 0.46%

LAB 49.3, 47.33, 48.8

 

CMYK 38 / 0 / 83 / 22

HEX #7DC822

RGB 125 200 34

HSL 87.11, 0.71%, 0.46%

LAB 73.41, -47.22, 67.67

 

CMYK 83 / 21 / 0 / 22

HEX #229EC8

RGB 34 158 200

HSL 195.18, 0.71%, 0.46%

LAB 60.75, -17.84, -30.73

 

CMYK 46 / 83 / 0 / 22

HEX #6C22C8

RGB 108 34 200

HSL 266.75, 0.71%, 0.46%

LAB 35.01, 62.85, -71.7

 

CMYK 0 / 62 / 83 / 21

HEX #C94D22

RGB 201 77 34

HSL 15.45, 0.71%, 0.46%

LAB 49.3, 47.33, 48.8

 

CMYK 63 / 0 / 83 / 22

HEX #4BC822

RGB 75 200 34

HSL 105.18, 0.71%, 0.46%

LAB 71.5, -61.81, 65.25

 

CMYK 83 / 21 / 0 / 22

HEX #229EC8

RGB 34 158 200

HSL 195.18, 0.71%, 0.46%

LAB 60.75, -17.84, -30.73

 

CMYK 21 / 83 / 0 / 22

HEX #9E22C8

RGB 158 34 200

HSL 284.82, 0.71%, 0.46%

LAB 42.13, 70.22, -59.78

 

Description

Color code: HEX #C94D22 | qconv.com Color code: HEX #C94D22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 77 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 77 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 83 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 83% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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