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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9588C it is the complementary color #36A773. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9588C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9588C shade: #CE5887, #DF6A9A, #F07CAD, #FF8EC0 and #FFA0D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9588C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9588C shade: #C9588C, #B84679, #A73466, #962253 and #851040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9588C shade: #C9598C, #C9596E and #C95959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9588C shade: #C9598C, #C959AB, #C959C9, #AB59C9 and #8D59C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9588C shade matches the following richer shades: #C9598C, #DB478B, #EC358A and #FE2488

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9588C shade: #C9598C, #B76B8E, #A57C8F, #948E91 and #82A092

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9588C shade: #C959C9, #C959AB, #C9598D, #C9596F and #C96059

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9588C shade: #9D3363, #BC3D77, #C9598C, #D378A2 and #DD97B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9588C shade: #C9588C, #C9AB59 and #59BAC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9588C shade: #C9588C, #8DC959 and #598DC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9588C shade: #C9588C, #C9AB59, #59C995 and #5977C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9588C shade: #C9588C, #C5C959, #59C995 and #5D59C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 30 / 21

HEX #C9588C

RGB 201 88 140

HSL 332.39, 0.51%, 0.57%

LAB 53.27, 50.4, -6.56

 

Complementary color

CMYK 68 / 0 / 31 / 35

HEX #36A773

RGB 54 167 115

HSL 152.39, 0.51%, 0.43%

LAB 61.36, -44.02, 17.87

 

CMYK 0 / 57 / 34 / 19

HEX #CE5887

RGB 206 88 135

HSL 336.1, 0.55%, 0.58%

LAB 53.87, 51.39, -2.63

 

CMYK 0 / 52 / 31 / 13

HEX #DF6A9A

RGB 223 106 154

HSL 335.38, 0.65%, 0.65%

LAB 60.18, 50.69, -4.14

 

CMYK 0 / 48 / 28 / 6

HEX #F07CAD

RGB 240 124 173

HSL 334.66, 0.79%, 0.71%

LAB 66.49, 49.91, -5.42

 

CMYK 0 / 44 / 25 / 0

HEX #FF8EC0

RGB 255 142 192

HSL 333.45, 1%, 0.78%

LAB 72.5, 48.46, -6.94

 

CMYK 0 / 37 / 17 / 0

HEX #FFA0D3

RGB 255 160 211

HSL 327.79, 1%, 0.81%

LAB 76.74, 42.05, -11.08

 

CMYK 0 / 56 / 30 / 21

HEX #C9588C

RGB 201 88 140

HSL 332.39, 0.51%, 0.57%

LAB 53.27, 50.4, -6.56

 

CMYK 0 / 62 / 34 / 28

HEX #B84679

RGB 184 70 121

HSL 333.16, 0.45%, 0.5%

LAB 46.91, 50.93, -4.9

 

CMYK 0 / 69 / 39 / 35

HEX #A73466

RGB 167 52 102

HSL 333.91, 0.53%, 0.43%

LAB 40.62, 51.15, -2.8

 

CMYK 0 / 77 / 45 / 41

HEX #962253

RGB 150 34 83

HSL 334.66, 0.63%, 0.36%

LAB 34.5, 50.77, -0.05

 

CMYK 0 / 88 / 52 / 48

HEX #851040

RGB 133 16 64

HSL 335.38, 0.79%, 0.29%

LAB 28.71, 49.32, 3.67

 

CMYK 0 / 56 / 30 / 21

HEX #C9598C

RGB 201 89 140

HSL 332.68, 0.51%, 0.57%

LAB 53.44, 49.92, -6.3

 

CMYK 0 / 56 / 45 / 21

HEX #C9596E

RGB 201 89 110

HSL 348.75, 0.51%, 0.57%

LAB 52.61, 46.5, 10.3

 

CMYK 0 / 56 / 56 / 21

HEX #C95959

RGB 201 89 89

HSL 0, 0.51%, 0.57%

LAB 52.16, 44.61, 22.12

 

CMYK 0 / 56 / 30 / 21

HEX #C9598C

RGB 201 89 140

HSL 332.68, 0.51%, 0.57%

LAB 53.44, 49.92, -6.3

 

CMYK 0 / 56 / 15 / 21

HEX #C959AB

RGB 201 89 171

HSL 316.07, 0.51%, 0.57%

LAB 54.56, 54.3, -22.81

 

CMYK 0 / 56 / 0 / 21

HEX #C959C9

RGB 201 89 201

HSL 300, 0.51%, 0.57%

LAB 55.87, 59.23, -38.06

 

CMYK 15 / 56 / 0 / 21

HEX #AB59C9

RGB 171 89 201

HSL 283.93, 0.51%, 0.57%

LAB 51.86, 51.34, -44.65

 

CMYK 30 / 56 / 0 / 21

HEX #8D59C9

RGB 141 89 201

HSL 267.86, 0.51%, 0.57%

LAB 48.29, 43.67, -50.55

 

CMYK 0 / 56 / 30 / 21

HEX #C9598C

RGB 201 89 140

HSL 332.68, 0.51%, 0.57%

LAB 53.44, 49.92, -6.3

 

CMYK 0 / 68 / 37 / 14

HEX #DB478B

RGB 219 71 139

HSL 332.43, 0.67%, 0.57%

LAB 53.42, 62.97, -5.43

 

CMYK 0 / 78 / 42 / 7

HEX #EC358A

RGB 236 53 138

HSL 332.13, 0.83%, 0.57%

LAB 54.25, 73.29, -3.27

 

CMYK 0 / 86 / 46 / 0

HEX #FE2488

RGB 254 36 136

HSL 332.48, 0.99%, 0.57%

LAB 56.2, 81.22, 1.16

 

CMYK 0 / 56 / 30 / 21

HEX #C9598C

RGB 201 89 140

HSL 332.68, 0.51%, 0.57%

LAB 53.44, 49.92, -6.3

 

CMYK 0 / 42 / 22 / 28

HEX #B76B8E

RGB 183 107 142

HSL 332.37, 0.35%, 0.57%

LAB 54.59, 34.9, -6.04

 

CMYK 0 / 25 / 13 / 35

HEX #A57C8F

RGB 165 124 143

HSL 332.2, 0.19%, 0.57%

LAB 56.48, 19, -4.06

 

CMYK 0 / 4 / 2 / 42

HEX #948E91

RGB 148 142 145

HSL 330, 0.03%, 0.57%

LAB 59.6, 2.79, -0.81

 

CMYK 19 / 0 / 9 / 37

HEX #82A092

RGB 130 160 146

HSL 152, 0.14%, 0.57%

LAB 63.31, -13.32, 3.85

 

CMYK 0 / 56 / 0 / 21

HEX #C959C9

RGB 201 89 201

HSL 300, 0.51%, 0.57%

LAB 55.87, 59.23, -38.06

 

CMYK 0 / 56 / 15 / 21

HEX #C959AB

RGB 201 89 171

HSL 316.07, 0.51%, 0.57%

LAB 54.56, 54.3, -22.81

 

CMYK 0 / 56 / 30 / 21

HEX #C9598D

RGB 201 89 141

HSL 332.14, 0.51%, 0.57%

LAB 53.48, 50.05, -6.84

 

CMYK 0 / 56 / 45 / 21

HEX #C9596F

RGB 201 89 111

HSL 348.21, 0.51%, 0.57%

LAB 52.63, 46.6, 9.74

 

CMYK 0 / 52 / 56 / 21

HEX #C96059

RGB 201 96 89

HSL 3.75, 0.51%, 0.57%

LAB 53.5, 41.15, 23.89

 

CMYK 0 / 68 / 37 / 38

HEX #9D3363

RGB 157 51 99

HSL 332.83, 0.51%, 0.41%

LAB 38.61, 48.17, -4.08

 

CMYK 0 / 68 / 37 / 26

HEX #BC3D77

RGB 188 61 119

HSL 332.6, 0.51%, 0.49%

LAB 46.12, 55.7, -4.77

 

CMYK 0 / 56 / 30 / 21

HEX #C9598C

RGB 201 89 140

HSL 332.68, 0.51%, 0.57%

LAB 53.44, 49.92, -6.3

 

CMYK 0 / 43 / 23 / 17

HEX #D378A2

RGB 211 120 162

HSL 332.31, 0.51%, 0.65%

LAB 61.56, 40.7, -6.89

 

CMYK 0 / 32 / 17 / 13

HEX #DD97B7

RGB 221 151 183

HSL 332.57, 0.51%, 0.73%

LAB 70.12, 30.88, -5.91

 

CMYK 0 / 56 / 30 / 21

HEX #C9588C

RGB 201 88 140

HSL 332.39, 0.51%, 0.57%

LAB 53.27, 50.4, -6.56

 

CMYK 0 / 15 / 56 / 21

HEX #C9AB59

RGB 201 171 89

HSL 43.93, 0.51%, 0.57%

LAB 71.05, 0.88, 45.71

 

CMYK 56 / 7 / 0 / 21

HEX #59BAC9

RGB 89 186 201

HSL 188.04, 0.51%, 0.57%

LAB 70.5, -24.19, -16.25

 

CMYK 0 / 56 / 30 / 21

HEX #C9588C

RGB 201 88 140

HSL 332.39, 0.51%, 0.57%

LAB 53.27, 50.4, -6.56

 

CMYK 30 / 0 / 56 / 21

HEX #8DC959

RGB 141 201 89

HSL 92.14, 0.51%, 0.57%

LAB 74.92, -38.11, 49.13

 

CMYK 56 / 30 / 0 / 21

HEX #598DC9

RGB 89 141 201

HSL 212.14, 0.51%, 0.57%

LAB 57.45, 0.24, -36.3

 

CMYK 0 / 56 / 30 / 21

HEX #C9588C

RGB 201 88 140

HSL 332.39, 0.51%, 0.57%

LAB 53.27, 50.4, -6.56

 

CMYK 0 / 15 / 56 / 21

HEX #C9AB59

RGB 201 171 89

HSL 43.93, 0.51%, 0.57%

LAB 71.05, 0.88, 45.71

 

CMYK 56 / 0 / 26 / 21

HEX #59C995

RGB 89 201 149

HSL 152.14, 0.51%, 0.57%

LAB 73.59, -44.1, 16.52

 

CMYK 56 / 41 / 0 / 21

HEX #5977C9

RGB 89 119 201

HSL 223.93, 0.51%, 0.57%

LAB 51.31, 13.39, -45.99

 

CMYK 0 / 56 / 30 / 21

HEX #C9588C

RGB 201 88 140

HSL 332.39, 0.51%, 0.57%

LAB 53.27, 50.4, -6.56

 

CMYK 2 / 0 / 56 / 21

HEX #C5C959

RGB 197 201 89

HSL 62.14, 0.51%, 0.57%

LAB 78.67, -16.32, 54.42

 

CMYK 56 / 0 / 26 / 21

HEX #59C995

RGB 89 201 149

HSL 152.14, 0.51%, 0.57%

LAB 73.59, -44.1, 16.52

 

CMYK 54 / 56 / 0 / 21

HEX #5D59C9

RGB 93 89 201

HSL 242.14, 0.51%, 0.57%

LAB 43.78, 32.75, -58.04

 

Description

Color code: HEX #C9588C | qconv.com Color code: HEX #C9588C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 88 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 88 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 30 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 30% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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