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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C95986 it is the complementary color #36A679. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C95986. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C95986 shade: #CE5981, #DF6B94, #F07DA7, #FF8FBA and #FFA1CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C95986. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C95986 shade: #C95986, #B84773, #A73560, #96234D and #85113A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C95986 shade: #C95986, #C95968 and #C95959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C95986 shade: #C95986, #C959A4, #C959C2, #B159C9 and #9359C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C95986 shade matches the following richer shades: #C95986, #DB4782, #EC357F and #FE247B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C95986 shade: #C95986, #B76B89, #A57C8D, #948E90 and #82A094

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C95986 shade: #C959C3, #C959A5, #C95988, #C9596A and #C96659

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C95986 shade: #9D335D, #BC3D70, #C95986, #D3789D and #DD97B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C95986 shade: #C95986, #C9B159 and #59B4C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C95986 shade: #C95986, #88C959 and #5988C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C95986 shade: #C95986, #C9B159, #59C99A and #5971C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C95986 shade: #C95986, #BFC959, #59C99A and #6259C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 33 / 21

HEX #C95986

RGB 201 89 134

HSL 335.89, 0.51%, 0.57%

LAB 53.26, 49.17, -3.02

 

Complementary color

CMYK 67 / 0 / 27 / 35

HEX #36A679

RGB 54 166 121

HSL 155.89, 0.51%, 0.43%

LAB 61.17, -42.28, 14.3

 

CMYK 0 / 57 / 37 / 19

HEX #CE5981

RGB 206 89 129

HSL 339.49, 0.54%, 0.58%

LAB 53.87, 50.22, 0.93

 

CMYK 0 / 52 / 34 / 13

HEX #DF6B94

RGB 223 107 148

HSL 338.79, 0.64%, 0.65%

LAB 60.2, 49.47, -0.66

 

CMYK 0 / 48 / 30 / 6

HEX #F07DA7

RGB 240 125 167

HSL 338.09, 0.79%, 0.72%

LAB 66.51, 48.65, -2

 

CMYK 0 / 44 / 27 / 0

HEX #FF8FBA

RGB 255 143 186

HSL 336.96, 1%, 0.78%

LAB 72.53, 47.15, -3.57

 

CMYK 0 / 37 / 20 / 0

HEX #FFA1CD

RGB 255 161 205

HSL 331.91, 1%, 0.82%

LAB 76.77, 40.64, -7.76

 

CMYK 0 / 56 / 33 / 21

HEX #C95986

RGB 201 89 134

HSL 335.89, 0.51%, 0.57%

LAB 53.26, 49.17, -3.02

 

CMYK 0 / 61 / 38 / 28

HEX #B84773

RGB 184 71 115

HSL 336.64, 0.44%, 0.5%

LAB 46.89, 49.78, -1.28

 

CMYK 0 / 68 / 43 / 35

HEX #A73560

RGB 167 53 96

HSL 337.37, 0.52%, 0.43%

LAB 40.58, 50.1, 0.91

 

CMYK 0 / 77 / 49 / 41

HEX #96234D

RGB 150 35 77

HSL 338.09, 0.62%, 0.36%

LAB 34.44, 49.86, 3.75

 

CMYK 0 / 87 / 56 / 48

HEX #85113A

RGB 133 17 58

HSL 338.79, 0.77%, 0.29%

LAB 28.62, 48.61, 7.58

 

CMYK 0 / 56 / 33 / 21

HEX #C95986

RGB 201 89 134

HSL 335.89, 0.51%, 0.57%

LAB 53.26, 49.17, -3.02

 

CMYK 0 / 56 / 48 / 21

HEX #C95968

RGB 201 89 104

HSL 351.96, 0.51%, 0.57%

LAB 52.47, 45.92, 13.67

 

CMYK 0 / 56 / 56 / 21

HEX #C95959

RGB 201 89 89

HSL 0, 0.51%, 0.57%

LAB 52.16, 44.61, 22.12

 

CMYK 0 / 56 / 33 / 21

HEX #C95986

RGB 201 89 134

HSL 335.89, 0.51%, 0.57%

LAB 53.26, 49.17, -3.02

 

CMYK 0 / 56 / 18 / 21

HEX #C959A4

RGB 201 89 164

HSL 319.82, 0.51%, 0.57%

LAB 54.28, 53.24, -19.14

 

CMYK 0 / 56 / 3 / 21

HEX #C959C2

RGB 201 89 194

HSL 303.75, 0.51%, 0.57%

LAB 55.54, 58.02, -34.57

 

CMYK 12 / 56 / 0 / 21

HEX #B159C9

RGB 177 89 201

HSL 287.14, 0.51%, 0.57%

LAB 52.63, 52.91, -43.38

 

CMYK 27 / 56 / 0 / 21

HEX #9359C9

RGB 147 89 201

HSL 271.07, 0.51%, 0.57%

LAB 48.96, 45.17, -49.44

 

CMYK 0 / 56 / 33 / 21

HEX #C95986

RGB 201 89 134

HSL 335.89, 0.51%, 0.57%

LAB 53.26, 49.17, -3.02

 

CMYK 0 / 68 / 41 / 14

HEX #DB4782

RGB 219 71 130

HSL 336.08, 0.67%, 0.57%

LAB 53.14, 62.03, -0.47

 

CMYK 0 / 78 / 46 / 7

HEX #EC357F

RGB 236 53 127

HSL 335.74, 0.83%, 0.57%

LAB 53.93, 72.31, 2.83

 

CMYK 0 / 86 / 52 / 0

HEX #FE247B

RGB 254 36 123

HSL 336.06, 0.99%, 0.57%

LAB 55.85, 80.23, 8.42

 

CMYK 0 / 56 / 33 / 21

HEX #C95986

RGB 201 89 134

HSL 335.89, 0.51%, 0.57%

LAB 53.26, 49.17, -3.02

 

CMYK 0 / 42 / 25 / 28

HEX #B76B89

RGB 183 107 137

HSL 336.32, 0.35%, 0.57%

LAB 54.44, 34.16, -3.34

 

CMYK 0 / 25 / 15 / 35

HEX #A57C8D

RGB 165 124 141

HSL 335.12, 0.19%, 0.57%

LAB 56.42, 18.66, -2.98

 

CMYK 0 / 4 / 3 / 42

HEX #948E90

RGB 148 142 144

HSL 340, 0.03%, 0.57%

LAB 59.58, 2.6, -0.28

 

CMYK 19 / 0 / 7 / 37

HEX #82A094

RGB 130 160 148

HSL 156, 0.14%, 0.57%

LAB 63.36, -12.91, 2.81

 

CMYK 0 / 56 / 3 / 21

HEX #C959C3

RGB 201 89 195

HSL 303.21, 0.51%, 0.57%

LAB 55.59, 58.19, -35.07

 

CMYK 0 / 56 / 18 / 21

HEX #C959A5

RGB 201 89 165

HSL 319.29, 0.51%, 0.57%

LAB 54.32, 53.39, -19.67

 

CMYK 0 / 56 / 32 / 21

HEX #C95988

RGB 201 89 136

HSL 334.82, 0.51%, 0.57%

LAB 53.32, 49.42, -4.12

 

CMYK 0 / 56 / 47 / 21

HEX #C9596A

RGB 201 89 106

HSL 350.89, 0.51%, 0.57%

LAB 52.51, 46.11, 12.55

 

CMYK 0 / 49 / 56 / 21

HEX #C96659

RGB 201 102 89

HSL 6.96, 0.51%, 0.57%

LAB 54.7, 38.1, 25.46

 

CMYK 0 / 68 / 41 / 38

HEX #9D335D

RGB 157 51 93

HSL 336.23, 0.51%, 0.41%

LAB 38.42, 47.49, -0.57

 

CMYK 0 / 68 / 40 / 26

HEX #BC3D70

RGB 188 61 112

HSL 335.91, 0.51%, 0.49%

LAB 45.91, 54.94, -0.81

 

CMYK 0 / 56 / 33 / 21

HEX #C95986

RGB 201 89 134

HSL 335.89, 0.51%, 0.57%

LAB 53.26, 49.17, -3.02

 

CMYK 0 / 43 / 26 / 17

HEX #D3789D

RGB 211 120 157

HSL 335.6, 0.51%, 0.65%

LAB 61.41, 39.99, -4.25

 

CMYK 0 / 32 / 19 / 13

HEX #DD97B3

RGB 221 151 179

HSL 336, 0.51%, 0.73%

LAB 70.01, 30.26, -3.85

 

CMYK 0 / 56 / 33 / 21

HEX #C95986

RGB 201 89 134

HSL 335.89, 0.51%, 0.57%

LAB 53.26, 49.17, -3.02

 

CMYK 0 / 12 / 56 / 21

HEX #C9B159

RGB 201 177 89

HSL 47.14, 0.51%, 0.57%

LAB 72.62, -2.3, 47.55

 

CMYK 56 / 10 / 0 / 21

HEX #59B4C9

RGB 89 180 201

HSL 191.25, 0.51%, 0.57%

LAB 68.74, -21.14, -18.91

 

CMYK 0 / 56 / 33 / 21

HEX #C95986

RGB 201 89 134

HSL 335.89, 0.51%, 0.57%

LAB 53.26, 49.17, -3.02

 

CMYK 32 / 0 / 56 / 21

HEX #88C959

RGB 136 201 89

HSL 94.82, 0.51%, 0.57%

LAB 74.65, -39.88, 48.75

 

CMYK 56 / 32 / 0 / 21

HEX #5988C9

RGB 89 136 201

HSL 214.82, 0.51%, 0.57%

LAB 56.04, 3.17, -38.52

 

CMYK 0 / 56 / 33 / 21

HEX #C95986

RGB 201 89 134

HSL 335.89, 0.51%, 0.57%

LAB 53.26, 49.17, -3.02

 

CMYK 0 / 12 / 56 / 21

HEX #C9B159

RGB 201 177 89

HSL 47.14, 0.51%, 0.57%

LAB 72.62, -2.3, 47.55

 

CMYK 56 / 0 / 23 / 21

HEX #59C99A

RGB 89 201 154

HSL 154.82, 0.51%, 0.57%

LAB 73.69, -43.04, 14

 

CMYK 56 / 44 / 0 / 21

HEX #5971C9

RGB 89 113 201

HSL 227.14, 0.51%, 0.57%

LAB 49.68, 17.08, -48.59

 

CMYK 0 / 56 / 33 / 21

HEX #C95986

RGB 201 89 134

HSL 335.89, 0.51%, 0.57%

LAB 53.26, 49.17, -3.02

 

CMYK 5 / 0 / 56 / 21

HEX #BFC959

RGB 191 201 89

HSL 65.36, 0.51%, 0.57%

LAB 78.21, -18.78, 53.77

 

CMYK 56 / 0 / 23 / 21

HEX #59C99A

RGB 89 201 154

HSL 154.82, 0.51%, 0.57%

LAB 73.69, -43.04, 14

 

CMYK 51 / 56 / 0 / 21

HEX #6259C9

RGB 98 89 201

HSL 244.82, 0.51%, 0.57%

LAB 44.17, 33.76, -57.39

 

Description

Color code: HEX #C95986 | qconv.com Color code: HEX #C95986 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 89 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 89 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 33 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 33% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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