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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C96283 it is the complementary color #369D7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C96283. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C96283 shade: #CE627E, #DF7491, #F086A4, #FF98B7 and #FFAACA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C96283. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C96283 shade: #C96283, #B85070, #A73E5D, #962C4A and #851A37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C96283 shade: #C96384, #C96368 and #C96363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C96283 shade: #C96384, #C9639F, #C963BB, #BC63C9 and #A063C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C96283 shade matches the following richer shades: #C96384, #DA527D, #EB4177 and #FC3071

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C96283 shade: #C96384, #B8748A, #A78590, #969596 and #86A69C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C96283 shade: #C963BC, #C963A0, #C96385, #C9636A and #C97763

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C96283 shade: #A23759, #BF446B, #C96384, #D4819C and #DEA0B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C96283 shade: #C96283, #C9BC63 and #63AEC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C96283 shade: #C96283, #85C963 and #6385C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C96283 shade: #C96283, #C9BC63, #63C9A7 and #6370C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C96283 shade: #C96283, #B8C963, #63C9A7 and #7463C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 35 / 21

HEX #C96283

RGB 201 98 131

HSL 340.78, 0.49%, 0.59%

LAB 54.86, 44.41, 1.09

 

Complementary color

CMYK 66 / 0 / 21 / 38

HEX #369D7C

RGB 54 157 124

HSL 160.78, 0.49%, 0.41%

LAB 58.37, -37.66, 8.69

 

CMYK 0 / 52 / 39 / 19

HEX #CE627E

RGB 206 98 126

HSL 344.44, 0.52%, 0.6%

LAB 55.44, 45.54, 4.98

 

CMYK 0 / 48 / 35 / 13

HEX #DF7491

RGB 223 116 145

HSL 343.74, 0.63%, 0.66%

LAB 61.85, 44.65, 3.47

 

CMYK 0 / 44 / 32 / 6

HEX #F086A4

RGB 240 134 164

HSL 343.02, 0.78%, 0.73%

LAB 68.21, 43.76, 2.18

 

CMYK 0 / 40 / 28 / 0

HEX #FF98B7

RGB 255 152 183

HSL 341.94, 1%, 0.8%

LAB 74.28, 42.2, 0.65

 

CMYK 0 / 33 / 21 / 0

HEX #FFAACA

RGB 255 170 202

HSL 337.41, 1%, 0.83%

LAB 78.62, 35.53, -3.39

 

CMYK 0 / 51 / 35 / 21

HEX #C96283

RGB 201 98 131

HSL 340.78, 0.49%, 0.59%

LAB 54.86, 44.41, 1.09

 

CMYK 0 / 57 / 39 / 28

HEX #B85070

RGB 184 80 112

HSL 341.54, 0.42%, 0.52%

LAB 48.38, 45.22, 2.72

 

CMYK 0 / 63 / 44 / 35

HEX #A73E5D

RGB 167 62 93

HSL 342.29, 0.46%, 0.45%

LAB 41.92, 45.9, 4.72

 

CMYK 0 / 71 / 51 / 41

HEX #962C4A

RGB 150 44 74

HSL 343.02, 0.55%, 0.38%

LAB 35.56, 46.25, 7.28

 

CMYK 0 / 80 / 59 / 48

HEX #851A37

RGB 133 26 55

HSL 343.74, 0.67%, 0.31%

LAB 29.42, 45.91, 10.69

 

CMYK 0 / 51 / 34 / 21

HEX #C96384

RGB 201 99 132

HSL 340.59, 0.49%, 0.59%

LAB 55.08, 44.03, 0.83

 

CMYK 0 / 51 / 48 / 21

HEX #C96368

RGB 201 99 104

HSL 357.06, 0.49%, 0.59%

LAB 54.39, 40.96, 16.32

 

CMYK 0 / 51 / 51 / 21

HEX #C96363

RGB 201 99 99

HSL 0, 0.49%, 0.59%

LAB 54.28, 40.49, 19.11

 

CMYK 0 / 51 / 34 / 21

HEX #C96384

RGB 201 99 132

HSL 340.59, 0.49%, 0.59%

LAB 55.08, 44.03, 0.83

 

CMYK 0 / 51 / 21 / 21

HEX #C9639F

RGB 201 99 159

HSL 324.71, 0.49%, 0.59%

LAB 55.93, 47.67, -13.72

 

CMYK 0 / 51 / 7 / 21

HEX #C963BB

RGB 201 99 187

HSL 308.24, 0.49%, 0.59%

LAB 57.01, 52.1, -28.27

 

CMYK 6 / 51 / 0 / 21

HEX #BC63C9

RGB 188 99 201

HSL 292.35, 0.49%, 0.59%

LAB 55.92, 50.91, -38.1

 

CMYK 20 / 51 / 0 / 21

HEX #A063C9

RGB 160 99 201

HSL 275.88, 0.49%, 0.59%

LAB 52.52, 43.17, -43.68

 

CMYK 0 / 51 / 34 / 21

HEX #C96384

RGB 201 99 132

HSL 340.59, 0.49%, 0.59%

LAB 55.08, 44.03, 0.83

 

CMYK 0 / 62 / 43 / 15

HEX #DA527D

RGB 218 82 125

HSL 341.03, 0.65%, 0.59%

LAB 54.47, 56.78, 4.41

 

CMYK 0 / 72 / 49 / 8

HEX #EB4177

RGB 235 65 119

HSL 340.94, 0.81%, 0.59%

LAB 54.84, 67.72, 8.89

 

CMYK 0 / 81 / 55 / 1

HEX #FC3071

RGB 252 48 113

HSL 340.88, 0.97%, 0.59%

LAB 56.09, 76.59, 14.67

 

CMYK 0 / 51 / 34 / 21

HEX #C96384

RGB 201 99 132

HSL 340.59, 0.49%, 0.59%

LAB 55.08, 44.03, 0.83

 

CMYK 0 / 37 / 25 / 28

HEX #B8748A

RGB 184 116 138

HSL 340.59, 0.32%, 0.59%

LAB 56.6, 29.75, -0.73

 

CMYK 0 / 20 / 14 / 35

HEX #A78590

RGB 167 133 144

HSL 340.59, 0.16%, 0.59%

LAB 58.98, 14.8, -0.94

 

CMYK 0 / 1 / 0 / 41

HEX #969596

RGB 150 149 150

HSL 300, 0%, 0.59%

LAB 61.81, 0.56, -0.4

 

CMYK 19 / 0 / 6 / 35

HEX #86A69C

RGB 134 166 156

HSL 161.25, 0.15%, 0.59%

LAB 65.55, -13.08, 1.53

 

CMYK 0 / 51 / 6 / 21

HEX #C963BC

RGB 201 99 188

HSL 307.65, 0.49%, 0.59%

LAB 57.05, 52.27, -28.78

 

CMYK 0 / 51 / 20 / 21

HEX #C963A0

RGB 201 99 160

HSL 324.12, 0.49%, 0.59%

LAB 55.97, 47.82, -14.25

 

CMYK 0 / 51 / 34 / 21

HEX #C96385

RGB 201 99 133

HSL 340, 0.49%, 0.59%

LAB 55.11, 44.15, 0.28

 

CMYK 0 / 51 / 47 / 21

HEX #C9636A

RGB 201 99 106

HSL 355.88, 0.49%, 0.59%

LAB 54.43, 41.15, 15.2

 

CMYK 0 / 41 / 51 / 21

HEX #C97763

RGB 201 119 99

HSL 11.76, 0.49%, 0.59%

LAB 58.52, 29.99, 24.76

 

CMYK 0 / 66 / 45 / 36

HEX #A23759

RGB 162 55 89

HSL 340.93, 0.49%, 0.43%

LAB 39.81, 46.95, 4.07

 

CMYK 0 / 64 / 44 / 25

HEX #BF446B

RGB 191 68 107

HSL 340.98, 0.49%, 0.51%

LAB 47.33, 52.46, 4.38

 

CMYK 0 / 51 / 34 / 21

HEX #C96384

RGB 201 99 132

HSL 340.59, 0.49%, 0.59%

LAB 55.08, 44.03, 0.83

 

CMYK 0 / 39 / 26 / 17

HEX #D4819C

RGB 212 129 156

HSL 340.48, 0.49%, 0.67%

LAB 63.42, 35.46, -0.7

 

CMYK 0 / 28 / 19 / 13

HEX #DEA0B4

RGB 222 160 180

HSL 340.65, 0.48%, 0.75%

LAB 72.21, 25.92, -1.17

 

CMYK 0 / 51 / 35 / 21

HEX #C96283

RGB 201 98 131

HSL 340.78, 0.49%, 0.59%

LAB 54.86, 44.41, 1.09

 

CMYK 0 / 6 / 51 / 21

HEX #C9BC63

RGB 201 188 99

HSL 52.35, 0.49%, 0.59%

LAB 75.63, -7.22, 46.25

 

CMYK 51 / 13 / 0 / 21

HEX #63AEC9

RGB 99 174 201

HSL 195.88, 0.49%, 0.59%

LAB 67.38, -15.89, -20.93

 

CMYK 0 / 51 / 35 / 21

HEX #C96283

RGB 201 98 131

HSL 340.78, 0.49%, 0.59%

LAB 54.86, 44.41, 1.09

 

CMYK 34 / 0 / 51 / 21

HEX #85C963

RGB 133 201 99

HSL 100, 0.49%, 0.59%

LAB 74.61, -39.81, 43.93

 

CMYK 51 / 34 / 0 / 21

HEX #6385C9

RGB 99 133 201

HSL 220, 0.49%, 0.59%

LAB 55.73, 7.18, -38.97

 

CMYK 0 / 51 / 35 / 21

HEX #C96283

RGB 201 98 131

HSL 340.78, 0.49%, 0.59%

LAB 54.86, 44.41, 1.09

 

CMYK 0 / 6 / 51 / 21

HEX #C9BC63

RGB 201 188 99

HSL 52.35, 0.49%, 0.59%

LAB 75.63, -7.22, 46.25

 

CMYK 51 / 0 / 17 / 21

HEX #63C9A7

RGB 99 201 167

HSL 160, 0.49%, 0.59%

LAB 74.33, -37.9, 7.95

 

CMYK 51 / 44 / 0 / 21

HEX #6370C9

RGB 99 112 201

HSL 232.35, 0.49%, 0.59%

LAB 50.05, 19.88, -47.96

 

CMYK 0 / 51 / 35 / 21

HEX #C96283

RGB 201 98 131

HSL 340.78, 0.49%, 0.59%

LAB 54.86, 44.41, 1.09

 

CMYK 8 / 0 / 51 / 21

HEX #B8C963

RGB 184 201 99

HSL 70, 0.49%, 0.59%

LAB 77.79, -20.73, 48.51

 

CMYK 51 / 0 / 17 / 21

HEX #63C9A7

RGB 99 201 167

HSL 160, 0.49%, 0.59%

LAB 74.33, -37.9, 7.95

 

CMYK 42 / 51 / 0 / 21

HEX #7463C9

RGB 116 99 201

HSL 250, 0.49%, 0.59%

LAB 48.08, 31.77, -51.04

 

Description

Color code: HEX #C96283 | qconv.com Color code: HEX #C96283 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 98 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 98 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 35 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 35% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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