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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C96D63 it is the complementary color #36929C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C96D63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C96D63 shade: #CE6D5E, #DF7F71, #F09184, #FFA397 and #FFB5AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C96D63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C96D63 shade: #C96D63, #B85B50, #A7493D, #96372A and #852517

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C96D63 shade: #C96D63 and #C96363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C96D63 shade: #C96D63, #C98863, #C9A463, #C9C063 and #B7C963

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C96D63 shade matches the following richer shades: #C96D63, #DA5F52, #EB5241 and #FC4430

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C96D63 shade: #C96D63, #B87A74, #A78885, #969695 and #86A3A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C96D63 shade: #C96391, #C96376, #C96B63, #C98763 and #C9A263

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C96D63 shade: #A24237, #BF5044, #C96D63, #D48A81 and #DEA6A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C96D63 shade: #C96D63, #ACC963 and #6383C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C96D63 shade: #C96D63, #63C96B and #6B63C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C96D63 shade: #C96D63, #ACC963, #63C1C9 and #8063C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C96D63 shade: #C96D63, #8DC963, #63C1C9 and #9E63C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 51 / 21

HEX #C96D63

RGB 201 109 99

HSL 5.88, 0.49%, 0.59%

LAB 56.34, 35.32, 21.87

 

Complementary color

CMYK 65 / 6 / 0 / 39

HEX #36929C

RGB 54 146 156

HSL 185.88, 0.49%, 0.41%

LAB 55.83, -23.54, -13.29

 

CMYK 0 / 47 / 54 / 19

HEX #CE6D5E

RGB 206 109 94

HSL 8.04, 0.53%, 0.59%

LAB 56.95, 36.8, 25.66

 

CMYK 0 / 43 / 49 / 13

HEX #DF7F71

RGB 223 127 113

HSL 7.64, 0.63%, 0.66%

LAB 63.39, 35.59, 23.86

 

CMYK 0 / 40 / 45 / 6

HEX #F09184

RGB 240 145 132

HSL 7.22, 0.78%, 0.73%

LAB 69.78, 34.48, 22.27

 

CMYK 0 / 36 / 41 / 0

HEX #FFA397

RGB 255 163 151

HSL 6.92, 1%, 0.8%

LAB 75.88, 32.71, 20.49

 

CMYK 0 / 29 / 33 / 0

HEX #FFB5AA

RGB 255 181 170

HSL 7.76, 1%, 0.83%

LAB 80.3, 25.48, 16.35

 

CMYK 0 / 46 / 51 / 21

HEX #C96D63

RGB 201 109 99

HSL 5.88, 0.49%, 0.59%

LAB 56.34, 35.32, 21.87

 

CMYK 0 / 51 / 57 / 28

HEX #B85B50

RGB 184 91 80

HSL 6.35, 0.42%, 0.52%

LAB 49.8, 36.55, 23.83

 

CMYK 0 / 56 / 63 / 35

HEX #A7493D

RGB 167 73 61

HSL 6.79, 0.46%, 0.45%

LAB 43.24, 37.84, 26.13

 

CMYK 0 / 63 / 72 / 41

HEX #96372A

RGB 150 55 42

HSL 7.22, 0.56%, 0.38%

LAB 36.71, 39.1, 28.88

 

CMYK 0 / 72 / 83 / 48

HEX #852517

RGB 133 37 23

HSL 7.64, 0.71%, 0.31%

LAB 30.33, 40.13, 32.07

 

CMYK 0 / 46 / 51 / 21

HEX #C96D63

RGB 201 109 99

HSL 5.88, 0.49%, 0.59%

LAB 56.34, 35.32, 21.87

 

CMYK 0 / 51 / 51 / 21

HEX #C96363

RGB 201 99 99

HSL 0, 0.49%, 0.59%

LAB 54.28, 40.49, 19.11

 

CMYK 0 / 46 / 51 / 21

HEX #C96D63

RGB 201 109 99

HSL 5.88, 0.49%, 0.59%

LAB 56.34, 35.32, 21.87

 

CMYK 0 / 32 / 51 / 21

HEX #C98863

RGB 201 136 99

HSL 21.76, 0.49%, 0.59%

LAB 62.45, 20.74, 29.88

 

CMYK 0 / 18 / 51 / 21

HEX #C9A463

RGB 201 164 99

HSL 38.24, 0.49%, 0.59%

LAB 69.38, 5.49, 38.64

 

CMYK 0 / 4 / 51 / 21

HEX #C9C063

RGB 201 192 99

HSL 54.71, 0.49%, 0.59%

LAB 76.69, -9.28, 47.52

 

CMYK 9 / 0 / 51 / 21

HEX #B7C963

RGB 183 201 99

HSL 70.59, 0.49%, 0.59%

LAB 77.72, -21.13, 48.4

 

CMYK 0 / 46 / 51 / 21

HEX #C96D63

RGB 201 109 99

HSL 5.88, 0.49%, 0.59%

LAB 56.34, 35.32, 21.87

 

CMYK 0 / 56 / 62 / 15

HEX #DA5F52

RGB 218 95 82

HSL 5.74, 0.65%, 0.59%

LAB 55.79, 47.35, 31.37

 

CMYK 0 / 65 / 72 / 8

HEX #EB5241

RGB 235 82 65

HSL 6, 0.81%, 0.59%

LAB 56.17, 58.03, 41.96

 

CMYK 0 / 73 / 81 / 1

HEX #FC4430

RGB 252 68 48

HSL 5.88, 0.97%, 0.59%

LAB 57.12, 67.92, 52.69

 

CMYK 0 / 46 / 51 / 21

HEX #C96D63

RGB 201 109 99

HSL 5.88, 0.49%, 0.59%

LAB 56.34, 35.32, 21.87

 

CMYK 0 / 34 / 37 / 28

HEX #B87A74

RGB 184 122 116

HSL 5.29, 0.32%, 0.59%

LAB 57.43, 23.45, 13.22

 

CMYK 0 / 19 / 20 / 35

HEX #A78885

RGB 167 136 133

HSL 5.29, 0.16%, 0.59%

LAB 59.45, 11.29, 6.05

 

CMYK 0 / 0 / 1 / 41

HEX #969695

RGB 150 150 149

HSL 60, 0%, 0.59%

LAB 62.05, -0.19, 0.52

 

CMYK 19 / 2 / 0 / 35

HEX #86A3A6

RGB 134 163 166

HSL 185.63, 0.15%, 0.59%

LAB 64.98, -9.31, -4.89

 

CMYK 0 / 51 / 28 / 21

HEX #C96391

RGB 201 99 145

HSL 332.94, 0.49%, 0.59%

LAB 55.47, 45.7, -6.24

 

CMYK 0 / 51 / 41 / 21

HEX #C96376

RGB 201 99 118

HSL 348.82, 0.49%, 0.59%

LAB 54.71, 42.4, 8.54

 

CMYK 0 / 47 / 51 / 21

HEX #C96B63

RGB 201 107 99

HSL 4.71, 0.49%, 0.59%

LAB 55.92, 36.37, 21.31

 

CMYK 0 / 33 / 51 / 21

HEX #C98763

RGB 201 135 99

HSL 21.18, 0.49%, 0.59%

LAB 62.21, 21.29, 29.58

 

CMYK 0 / 19 / 51 / 21

HEX #C9A263

RGB 201 162 99

HSL 37.06, 0.49%, 0.59%

LAB 68.87, 6.57, 38.01

 

CMYK 0 / 59 / 66 / 36

HEX #A24237

RGB 162 66 55

HSL 6.17, 0.49%, 0.43%

LAB 40.98, 39.04, 26.73

 

CMYK 0 / 58 / 64 / 25

HEX #BF5044

RGB 191 80 68

HSL 5.85, 0.49%, 0.51%

LAB 48.55, 43.82, 29.47

 

CMYK 0 / 46 / 51 / 21

HEX #C96D63

RGB 201 109 99

HSL 5.88, 0.49%, 0.59%

LAB 56.34, 35.32, 21.87

 

CMYK 0 / 35 / 39 / 17

HEX #D48A81

RGB 212 138 129

HSL 6.51, 0.49%, 0.67%

LAB 64.77, 27.17, 16.52

 

CMYK 0 / 25 / 28 / 13

HEX #DEA6A0

RGB 222 166 160

HSL 5.81, 0.48%, 0.75%

LAB 73.12, 19.79, 11.17

 

CMYK 0 / 46 / 51 / 21

HEX #C96D63

RGB 201 109 99

HSL 5.88, 0.49%, 0.59%

LAB 56.34, 35.32, 21.87

 

CMYK 14 / 0 / 51 / 21

HEX #ACC963

RGB 172 201 99

HSL 77.06, 0.49%, 0.59%

LAB 76.95, -25.47, 47.29

 

CMYK 51 / 35 / 0 / 21

HEX #6383C9

RGB 99 131 201

HSL 221.18, 0.49%, 0.59%

LAB 55.18, 8.37, -39.84

 

CMYK 0 / 46 / 51 / 21

HEX #C96D63

RGB 201 109 99

HSL 5.88, 0.49%, 0.59%

LAB 56.34, 35.32, 21.87

 

CMYK 51 / 0 / 47 / 21

HEX #63C96B

RGB 99 201 107

HSL 124.71, 0.49%, 0.59%

LAB 73.21, -49.15, 37.93

 

CMYK 47 / 51 / 0 / 21

HEX #6B63C9

RGB 107 99 201

HSL 244.71, 0.49%, 0.59%

LAB 47.32, 29.66, -52.28

 

CMYK 0 / 46 / 51 / 21

HEX #C96D63

RGB 201 109 99

HSL 5.88, 0.49%, 0.59%

LAB 56.34, 35.32, 21.87

 

CMYK 14 / 0 / 51 / 21

HEX #ACC963

RGB 172 201 99

HSL 77.06, 0.49%, 0.59%

LAB 76.95, -25.47, 47.29

 

CMYK 51 / 4 / 0 / 21

HEX #63C1C9

RGB 99 193 201

HSL 184.71, 0.49%, 0.59%

LAB 72.9, -25.63, -12.6

 

CMYK 36 / 51 / 0 / 21

HEX #8063C9

RGB 128 99 201

HSL 257.06, 0.49%, 0.59%

LAB 49.17, 34.73, -49.23

 

CMYK 0 / 46 / 51 / 21

HEX #C96D63

RGB 201 109 99

HSL 5.88, 0.49%, 0.59%

LAB 56.34, 35.32, 21.87

 

CMYK 30 / 0 / 51 / 21

HEX #8DC963

RGB 141 201 99

HSL 95.29, 0.49%, 0.59%

LAB 75.04, -37.04, 44.54

 

CMYK 51 / 4 / 0 / 21

HEX #63C1C9

RGB 99 193 201

HSL 184.71, 0.49%, 0.59%

LAB 72.9, -25.63, -12.6

 

CMYK 21 / 51 / 0 / 21

HEX #9E63C9

RGB 158 99 201

HSL 274.71, 0.49%, 0.59%

LAB 52.3, 42.63, -44.06

 

Description

Color code: HEX #C96D63 | qconv.com Color code: HEX #C96D63 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 109 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 109 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 51 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 51% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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