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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C96E81 it is the complementary color #36917E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C96E81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C96E81 shade: #CE6E7C, #DF808F, #F092A2, #FFA4B5 and #FFB6C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C96E81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C96E81 shade: #C96E81, #B85C6E, #A74A5B, #963848 and #852635

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C96E81 shade: #C96D80 and #C96D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C96E81 shade: #C96D80, #C96D99, #C96DB2, #C76DC9 and #AE6DC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C96E81 shade matches the following richer shades: #C96D80, #D95D77, #E94D6E and #F93D64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C96E81 shade: #C96D80, #B97D8A, #A98D93, #999E9D and #88AEA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C96E81 shade: #C96DB2, #C96D9A, #C96D81, #C9726D and #C98A6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C96E81 shade: #A63D53, #BE4F66, #C96D80, #D48B9B and #DFAAB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C96E81 shade: #C96E81, #C9C76D and #6DA6C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C96E81 shade: #C96E81, #81C96D and #6D81C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C96E81 shade: #C96E81, #C9C76D, #6DC9B5 and #6D6FC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C96E81 shade: #C96E81, #AFC96D, #6DC9B5 and #876DC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 36 / 21

HEX #C96E81

RGB 201 110 129

HSL 347.47, 0.46%, 0.61%

LAB 57.23, 38, 5.69

 

Complementary color

CMYK 63 / 0 / 13 / 43

HEX #36917E

RGB 54 145 126

HSL 167.47, 0.46%, 0.39%

LAB 54.6, -31.64, 2.13

 

CMYK 0 / 47 / 40 / 19

HEX #CE6E7C

RGB 206 110 124

HSL 351.25, 0.49%, 0.62%

LAB 57.78, 39.23, 9.48

 

CMYK 0 / 43 / 36 / 13

HEX #DF808F

RGB 223 128 143

HSL 350.53, 0.6%, 0.69%

LAB 64.25, 38.26, 8.07

 

CMYK 0 / 39 / 33 / 6

HEX #F092A2

RGB 240 146 162

HSL 349.79, 0.76%, 0.76%

LAB 70.66, 37.33, 6.83

 

CMYK 0 / 36 / 29 / 0

HEX #FFA4B5

RGB 255 164 181

HSL 348.79, 1%, 0.82%

LAB 76.77, 35.76, 5.36

 

CMYK 0 / 29 / 22 / 0

HEX #FFB6C8

RGB 255 182 200

HSL 345.21, 1%, 0.86%

LAB 81.23, 28.96, 1.51

 

CMYK 0 / 45 / 36 / 21

HEX #C96E81

RGB 201 110 129

HSL 347.47, 0.46%, 0.61%

LAB 57.23, 38, 5.69

 

CMYK 0 / 50 / 40 / 28

HEX #B85C6E

RGB 184 92 110

HSL 348.26, 0.39%, 0.54%

LAB 50.65, 38.97, 7.18

 

CMYK 0 / 56 / 46 / 35

HEX #A74A5B

RGB 167 74 91

HSL 349.03, 0.39%, 0.47%

LAB 44.04, 39.94, 8.97

 

CMYK 0 / 63 / 52 / 41

HEX #963848

RGB 150 56 72

HSL 349.79, 0.46%, 0.4%

LAB 37.45, 40.8, 11.2

 

CMYK 0 / 71 / 60 / 48

HEX #852635

RGB 133 38 53

HSL 350.53, 0.56%, 0.34%

LAB 30.95, 41.36, 14.09

 

CMYK 0 / 46 / 36 / 21

HEX #C96D80

RGB 201 109 128

HSL 347.61, 0.46%, 0.61%

LAB 56.99, 38.4, 5.93

 

CMYK 0 / 46 / 46 / 21

HEX #C96D6D

RGB 201 109 109

HSL 0, 0.46%, 0.61%

LAB 56.54, 36.29, 16.37

 

CMYK 0 / 46 / 36 / 21

HEX #C96D80

RGB 201 109 128

HSL 347.61, 0.46%, 0.61%

LAB 56.99, 38.4, 5.93

 

CMYK 0 / 46 / 24 / 21

HEX #C96D99

RGB 201 109 153

HSL 331.3, 0.46%, 0.61%

LAB 57.71, 41.72, -7.57

 

CMYK 0 / 46 / 11 / 21

HEX #C96DB2

RGB 201 109 178

HSL 315, 0.46%, 0.61%

LAB 58.57, 45.58, -20.69

 

CMYK 1 / 46 / 0 / 21

HEX #C76DC9

RGB 199 109 201

HSL 298.7, 0.46%, 0.61%

LAB 59.25, 48.99, -32.8

 

CMYK 13 / 46 / 0 / 21

HEX #AE6DC9

RGB 174 109 201

HSL 282.39, 0.46%, 0.61%

LAB 56.24, 41.69, -37.72

 

CMYK 0 / 46 / 36 / 21

HEX #C96D80

RGB 201 109 128

HSL 347.61, 0.46%, 0.61%

LAB 56.99, 38.4, 5.93

 

CMYK 0 / 57 / 45 / 15

HEX #D95D77

RGB 217 93 119

HSL 347.42, 0.62%, 0.61%

LAB 56, 50.95, 10.11

 

CMYK 0 / 67 / 53 / 9

HEX #E94D6E

RGB 233 77 110

HSL 347.31, 0.78%, 0.61%

LAB 55.84, 62.1, 15.59

 

CMYK 0 / 76 / 60 / 2

HEX #F93D64

RGB 249 61 100

HSL 347.55, 0.94%, 0.61%

LAB 56.48, 71.52, 22.84

 

CMYK 0 / 46 / 36 / 21

HEX #C96D80

RGB 201 109 128

HSL 347.61, 0.46%, 0.61%

LAB 56.99, 38.4, 5.93

 

CMYK 0 / 32 / 25 / 27

HEX #B97D8A

RGB 185 125 138

HSL 347, 0.3%, 0.61%

LAB 58.8, 25.15, 2.49

 

CMYK 0 / 17 / 13 / 34

HEX #A98D93

RGB 169 141 147

HSL 347.14, 0.14%, 0.61%

LAB 61.3, 11.55, 0.76

 

CMYK 3 / 0 / 1 / 38

HEX #999E9D

RGB 153 158 157

HSL 168, 0.03%, 0.61%

LAB 64.69, -1.98, -0.11

 

CMYK 22 / 0 / 5 / 32

HEX #88AEA6

RGB 136 174 166

HSL 167.37, 0.19%, 0.61%

LAB 68.21, -14.52, -0.12

 

CMYK 0 / 46 / 11 / 21

HEX #C96DB2

RGB 201 109 178

HSL 315, 0.46%, 0.61%

LAB 58.57, 45.58, -20.69

 

CMYK 0 / 46 / 23 / 21

HEX #C96D9A

RGB 201 109 154

HSL 330.65, 0.46%, 0.61%

LAB 57.74, 41.86, -8.1

 

CMYK 0 / 46 / 36 / 21

HEX #C96D81

RGB 201 109 129

HSL 346.96, 0.46%, 0.61%

LAB 57.02, 38.53, 5.39

 

CMYK 0 / 43 / 46 / 21

HEX #C9726D

RGB 201 114 109

HSL 3.26, 0.46%, 0.61%

LAB 57.61, 33.64, 17.83

 

CMYK 0 / 31 / 46 / 21

HEX #C98A6D

RGB 201 138 109

HSL 18.91, 0.46%, 0.61%

LAB 63.09, 20.63, 25.21

 

CMYK 0 / 63 / 50 / 35

HEX #A63D53

RGB 166 61 83

HSL 347.43, 0.46%, 0.45%

LAB 41.33, 45.03, 10.09

 

CMYK 0 / 58 / 46 / 25

HEX #BE4F66

RGB 190 79 102

HSL 347.57, 0.46%, 0.53%

LAB 48.88, 46.69, 9.6

 

CMYK 0 / 46 / 36 / 21

HEX #C96D80

RGB 201 109 128

HSL 347.61, 0.46%, 0.61%

LAB 56.99, 38.4, 5.93

 

CMYK 0 / 34 / 27 / 17

HEX #D48B9B

RGB 212 139 155

HSL 346.85, 0.46%, 0.69%

LAB 65.62, 29.95, 3.06

 

CMYK 0 / 24 / 19 / 13

HEX #DFAAB5

RGB 223 170 181

HSL 347.55, 0.45%, 0.77%

LAB 74.68, 21.05, 1.91

 

CMYK 0 / 45 / 36 / 21

HEX #C96E81

RGB 201 110 129

HSL 347.47, 0.46%, 0.61%

LAB 57.23, 38, 5.69

 

CMYK 0 / 1 / 46 / 21

HEX #C9C76D

RGB 201 199 109

HSL 58.7, 0.46%, 0.61%

LAB 78.68, -11.94, 45.04

 

CMYK 46 / 17 / 0 / 21

HEX #6DA6C9

RGB 109 166 201

HSL 202.83, 0.46%, 0.61%

LAB 65.55, -9.23, -23.7

 

CMYK 0 / 45 / 36 / 21

HEX #C96E81

RGB 201 110 129

HSL 347.47, 0.46%, 0.61%

LAB 57.23, 38, 5.69

 

CMYK 36 / 0 / 46 / 21

HEX #81C96D

RGB 129 201 109

HSL 106.96, 0.46%, 0.61%

LAB 74.54, -39.89, 38.88

 

CMYK 46 / 36 / 0 / 21

HEX #6D81C9

RGB 109 129 201

HSL 226.96, 0.46%, 0.61%

LAB 55.25, 11.98, -39.69

 

CMYK 0 / 45 / 36 / 21

HEX #C96E81

RGB 201 110 129

HSL 347.47, 0.46%, 0.61%

LAB 57.23, 38, 5.69

 

CMYK 0 / 1 / 46 / 21

HEX #C9C76D

RGB 201 199 109

HSL 58.7, 0.46%, 0.61%

LAB 78.68, -11.94, 45.04

 

CMYK 46 / 0 / 10 / 21

HEX #6DC9B5

RGB 109 201 181

HSL 166.96, 0.46%, 0.61%

LAB 75.05, -32.27, 1.48

 

CMYK 46 / 45 / 0 / 21

HEX #6D6FC9

RGB 109 111 201

HSL 238.7, 0.46%, 0.61%

LAB 50.5, 22.84, -47.2

 

CMYK 0 / 45 / 36 / 21

HEX #C96E81

RGB 201 110 129

HSL 347.47, 0.46%, 0.61%

LAB 57.23, 38, 5.69

 

CMYK 13 / 0 / 46 / 21

HEX #AFC96D

RGB 175 201 109

HSL 76.96, 0.46%, 0.61%

LAB 77.28, -23.26, 42.89

 

CMYK 46 / 0 / 10 / 21

HEX #6DC9B5

RGB 109 201 181

HSL 166.96, 0.46%, 0.61%

LAB 75.05, -32.27, 1.48

 

CMYK 33 / 46 / 0 / 21

HEX #876DC9

RGB 135 109 201

HSL 256.96, 0.46%, 0.61%

LAB 52.18, 30.71, -44.39

 

Description

Color code: HEX #C96E81 | qconv.com Color code: HEX #C96E81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 110 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 110 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 36 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 36% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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