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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C97036 it is the complementary color #368FC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C97036. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C97036 shade: #CE7031, #DF8244, #F09457, #FFA66A and #FFB87D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C97036. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C97036 shade: #C97036, #B85E23, #A74C10, #963A00 and #852800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C97036 shade: #C96F35, #C94835 and #C93535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C97036 shade: #C96F35, #C99735, #C9BF35, #ABC935 and #83C935

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C97036 shade matches the following richer shades: #C96F35, #DE6B20 and #F2670C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C97036 shade: #C96F35, #B4744A, #A0785E, #8B7C73 and #768188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C97036 shade: #C9354B, #C94635, #C96E35, #C99535 and #C9BD35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C97036 shade: #884B24, #A85D2C, #C96F35, #D28756 and #DA9E76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C97036 shade: #C97036, #73C935 and #3538C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C97036 shade: #C97036, #35C96E and #6E35C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C97036 shade: #C97036, #73C935, #3590C9 and #8B35C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C97036 shade: #C97036, #46C935, #3590C9 and #B835C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 73 / 21

HEX #C97036

RGB 201 112 54

HSL 23.67, 0.58%, 0.5%

LAB 56.36, 30.6, 46.33

 

Complementary color

CMYK 73 / 29 / 0 / 21

HEX #368FC9

RGB 54 143 201

HSL 203.67, 0.58%, 0.5%

LAB 56.73, -7.02, -37.53

 

CMYK 0 / 46 / 76 / 19

HEX #CE7031

RGB 206 112 49

HSL 24.08, 0.62%, 0.5%

LAB 57.01, 32.42, 49.59

 

CMYK 0 / 42 / 70 / 13

HEX #DF8244

RGB 223 130 68

HSL 24, 0.71%, 0.57%

LAB 63.4, 30.75, 47.95

 

CMYK 0 / 38 / 64 / 6

HEX #F09457

RGB 240 148 87

HSL 23.92, 0.84%, 0.64%

LAB 69.75, 29.24, 46.25

 

CMYK 0 / 35 / 58 / 0

HEX #FFA66A

RGB 255 166 106

HSL 24.16, 1%, 0.71%

LAB 75.81, 27.1, 44.27

 

CMYK 0 / 28 / 51 / 0

HEX #FFB87D

RGB 255 184 125

HSL 27.23, 1%, 0.75%

LAB 80.19, 19.2, 39.99

 

CMYK 0 / 44 / 73 / 21

HEX #C97036

RGB 201 112 54

HSL 23.67, 0.58%, 0.5%

LAB 56.36, 30.6, 46.33

 

CMYK 0 / 49 / 81 / 28

HEX #B85E23

RGB 184 94 35

HSL 23.76, 0.68%, 0.43%

LAB 49.88, 32.39, 47.9

 

CMYK 0 / 54 / 90 / 35

HEX #A74C10

RGB 167 76 16

HSL 23.84, 0.83%, 0.36%

LAB 43.39, 34.36, 48.77

 

CMYK 0 / 61 / 100 / 41

HEX #963A00

RGB 150 58 0

HSL 23.2, 1%, 0.29%

LAB 36.95, 36.4, 48.15

 

CMYK 0 / 70 / 100 / 48

HEX #852800

RGB 133 40 0

HSL 18.05, 1%, 0.26%

LAB 30.65, 38.31, 42.75

 

CMYK 0 / 45 / 74 / 21

HEX #C96F35

RGB 201 111 53

HSL 23.51, 0.58%, 0.5%

LAB 56.13, 31.08, 46.58

 

CMYK 0 / 64 / 74 / 21

HEX #C94835

RGB 201 72 53

HSL 7.7, 0.58%, 0.5%

LAB 48.65, 50.22, 38.51

 

CMYK 0 / 74 / 74 / 21

HEX #C93535

RGB 201 53 53

HSL 0, 0.58%, 0.5%

LAB 45.94, 57.63, 35.47

 

CMYK 0 / 45 / 74 / 21

HEX #C96F35

RGB 201 111 53

HSL 23.51, 0.58%, 0.5%

LAB 56.13, 31.08, 46.58

 

CMYK 0 / 25 / 74 / 21

HEX #C99735

RGB 201 151 53

HSL 39.73, 0.58%, 0.5%

LAB 65.6, 9.36, 56.23

 

CMYK 0 / 5 / 74 / 21

HEX #C9BF35

RGB 201 191 53

HSL 55.95, 0.58%, 0.5%

LAB 76.03, -11.77, 66.32

 

CMYK 15 / 0 / 74 / 21

HEX #ABC935

RGB 171 201 53

HSL 72.16, 0.58%, 0.5%

LAB 76.49, -29.28, 65.95

 

CMYK 35 / 0 / 74 / 21

HEX #83C935

RGB 131 201 53

HSL 88.38, 0.58%, 0.5%

LAB 74.1, -44.59, 62.81

 

CMYK 0 / 45 / 74 / 21

HEX #C96F35

RGB 201 111 53

HSL 23.51, 0.58%, 0.5%

LAB 56.13, 31.08, 46.58

 

CMYK 0 / 52 / 86 / 13

HEX #DE6B20

RGB 222 107 32

HSL 23.68, 0.75%, 0.5%

LAB 58.18, 40.83, 58.57

 

CMYK 0 / 57 / 95 / 5

HEX #F2670C

RGB 242 103 12

HSL 23.74, 0.91%, 0.5%

LAB 60.43, 49.98, 67.11

 

CMYK 0 / 45 / 74 / 21

HEX #C96F35

RGB 201 111 53

HSL 23.51, 0.58%, 0.5%

LAB 56.13, 31.08, 46.58

 

CMYK 0 / 36 / 59 / 29

HEX #B4744A

RGB 180 116 74

HSL 23.77, 0.42%, 0.5%

LAB 54.75, 20.88, 33.37

 

CMYK 0 / 25 / 41 / 37

HEX #A0785E

RGB 160 120 94

HSL 23.64, 0.26%, 0.5%

LAB 53.72, 12.1, 20.34

 

CMYK 0 / 11 / 17 / 45

HEX #8B7C73

RGB 139 124 115

HSL 22.5, 0.09%, 0.5%

LAB 53.1, 4.16, 7

 

CMYK 13 / 5 / 0 / 47

HEX #768188

RGB 118 129 136

HSL 203.33, 0.07%, 0.5%

LAB 53.31, -2.52, -5.16

 

CMYK 0 / 74 / 63 / 21

HEX #C9354B

RGB 201 53 75

HSL 351.08, 0.58%, 0.5%

LAB 46.27, 58.76, 22.77

 

CMYK 0 / 65 / 74 / 21

HEX #C94635

RGB 201 70 53

HSL 6.89, 0.58%, 0.5%

LAB 48.33, 51.08, 38.16

 

CMYK 0 / 45 / 74 / 21

HEX #C96E35

RGB 201 110 53

HSL 23.11, 0.58%, 0.5%

LAB 55.91, 31.61, 46.35

 

CMYK 0 / 26 / 74 / 21

HEX #C99535

RGB 201 149 53

HSL 38.92, 0.58%, 0.5%

LAB 65.1, 10.45, 55.73

 

CMYK 0 / 6 / 74 / 21

HEX #C9BD35

RGB 201 189 53

HSL 55.14, 0.58%, 0.5%

LAB 75.49, -10.75, 65.81

 

CMYK 0 / 45 / 74 / 47

HEX #884B24

RGB 136 75 36

HSL 23.4, 0.58%, 0.34%

LAB 38.54, 22.45, 33.69

 

CMYK 0 / 45 / 74 / 34

HEX #A85D2C

RGB 168 93 44

HSL 23.71, 0.58%, 0.42%

LAB 47.41, 26.61, 40.42

 

CMYK 0 / 45 / 74 / 21

HEX #C96F35

RGB 201 111 53

HSL 23.51, 0.58%, 0.5%

LAB 56.13, 31.08, 46.58

 

CMYK 0 / 36 / 59 / 18

HEX #D28756

RGB 210 135 86

HSL 23.71, 0.58%, 0.58%

LAB 63.1, 23.9, 37.95

 

CMYK 0 / 28 / 46 / 15

HEX #DA9E76

RGB 218 158 118

HSL 24, 0.57%, 0.66%

LAB 69.94, 17.55, 29.67

 

CMYK 0 / 44 / 73 / 21

HEX #C97036

RGB 201 112 54

HSL 23.67, 0.58%, 0.5%

LAB 56.36, 30.6, 46.33

 

CMYK 43 / 0 / 74 / 21

HEX #73C935

RGB 115 201 53

HSL 94.86, 0.58%, 0.5%

LAB 73.33, -50.01, 61.8

 

CMYK 74 / 72 / 0 / 21

HEX #3538C9

RGB 53 56 201

HSL 238.78, 0.58%, 0.5%

LAB 33.57, 46.74, -74.83

 

CMYK 0 / 44 / 73 / 21

HEX #C97036

RGB 201 112 54

HSL 23.67, 0.58%, 0.5%

LAB 56.36, 30.6, 46.33

 

CMYK 74 / 0 / 45 / 21

HEX #35C96E

RGB 53 201 110

HSL 143.11, 0.58%, 0.5%

LAB 72, -58.22, 34.63

 

CMYK 45 / 74 / 0 / 21

HEX #6E35C9

RGB 110 53 201

HSL 263.11, 0.58%, 0.5%

LAB 37.98, 55.75, -67.4

 

CMYK 0 / 44 / 73 / 21

HEX #C97036

RGB 201 112 54

HSL 23.67, 0.58%, 0.5%

LAB 56.36, 30.6, 46.33

 

CMYK 43 / 0 / 74 / 21

HEX #73C935

RGB 115 201 53

HSL 94.86, 0.58%, 0.5%

LAB 73.33, -50.01, 61.8

 

CMYK 74 / 28 / 0 / 21

HEX #3590C9

RGB 53 144 201

HSL 203.11, 0.58%, 0.5%

LAB 57, -7.72, -37.11

 

CMYK 31 / 74 / 0 / 21

HEX #8B35C9

RGB 139 53 201

HSL 274.86, 0.58%, 0.5%

LAB 41.61, 60.8, -61.32

 

CMYK 0 / 44 / 73 / 21

HEX #C97036

RGB 201 112 54

HSL 23.67, 0.58%, 0.5%

LAB 56.36, 30.6, 46.33

 

CMYK 65 / 0 / 74 / 21

HEX #46C935

RGB 70 201 53

HSL 113.11, 0.58%, 0.5%

LAB 71.78, -62.09, 59.73

 

CMYK 74 / 28 / 0 / 21

HEX #3590C9

RGB 53 144 201

HSL 203.11, 0.58%, 0.5%

LAB 57, -7.72, -37.11

 

CMYK 8 / 74 / 0 / 21

HEX #B835C9

RGB 184 53 201

HSL 293.11, 0.58%, 0.5%

LAB 48.2, 69.59, -50.37

 

Description

Color code: HEX #C97036 | qconv.com Color code: HEX #C97036 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 112 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 112 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 73 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 73% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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