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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C985C8 it is the complementary color #367A37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C985C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C985C8 shade: #CE85C3, #DF97D6, #F0A9E9, #FFBBFC and #FFCDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C985C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C985C8 shade: #C985C8, #B873B5, #A761A2, #964F8F and #853D7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C985C8 shade: #C882C7, #C882B4, #C882A1, #C8828F and #C88282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C985C8 shade: #C882C7, #B682C8, #A482C8, #9182C8 and #8282C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C985C8 shade matches the following richer shades: #C882C7, #D674D5, #E566E3 and #F357F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C985C8 shade: #C882C7, #BA91B9, #AB9FAB, #9DAE9D and #8EBC8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C985C8 shade: #A382C8, #B582C8, #C882C8, #C882B5 and #C882A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C985C8 shade: #AD4BAB, #BB66BA, #C882C7, #D59FD4 and #E1BCE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C985C8 shade: #C985C8, #C89082 and #82C8AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C985C8 shade: #C985C8, #C8C882 and #82C8C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C985C8 shade: #C985C8, #C89082, #82C882 and #82BAC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C985C8 shade: #C985C8, #C8A582, #82C882 and #82A5C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 0 / 21

HEX #C985C8

RGB 201 133 200

HSL 300.88, 0.39%, 0.65%

LAB 64.45, 36.76, -24.18

 

Complementary color

CMYK 56 / 0 / 55 / 52

HEX #367A37

RGB 54 122 55

HSL 120.88, 0.39%, 0.35%

LAB 45.61, -36.22, 30.01

 

CMYK 0 / 35 / 5 / 19

HEX #CE85C3

RGB 206 133 195

HSL 309.04, 0.43%, 0.66%

LAB 64.83, 37.47, -20.74

 

CMYK 0 / 32 / 4 / 13

HEX #DF97D6

RGB 223 151 214

HSL 307.5, 0.53%, 0.73%

LAB 71.33, 36.74, -21.23

 

CMYK 0 / 30 / 3 / 6

HEX #F0A9E9

RGB 240 169 233

HSL 305.92, 0.7%, 0.8%

LAB 77.75, 36.05, -21.7

 

CMYK 0 / 27 / 1 / 0

HEX #FFBBFC

RGB 255 187 252

HSL 302.65, 1%, 0.87%

LAB 83.88, 34.76, -22.45

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 0 / 34 / 0 / 21

HEX #C985C8

RGB 201 133 200

HSL 300.88, 0.39%, 0.65%

LAB 64.45, 36.76, -24.18

 

CMYK 0 / 38 / 2 / 28

HEX #B873B5

RGB 184 115 181

HSL 302.61, 0.33%, 0.59%

LAB 57.84, 37.51, -23.73

 

CMYK 0 / 42 / 3 / 35

HEX #A761A2

RGB 167 97 162

HSL 304.29, 0.28%, 0.52%

LAB 51.12, 38.28, -23.22

 

CMYK 0 / 47 / 5 / 41

HEX #964F8F

RGB 150 79 143

HSL 305.92, 0.31%, 0.45%

LAB 44.32, 39.04, -22.62

 

CMYK 0 / 54 / 7 / 48

HEX #853D7C

RGB 133 61 124

HSL 307.5, 0.37%, 0.38%

LAB 37.44, 39.72, -21.86

 

CMYK 0 / 35 / 0 / 22

HEX #C882C7

RGB 200 130 199

HSL 300.86, 0.39%, 0.65%

LAB 63.65, 37.87, -24.86

 

CMYK 0 / 35 / 10 / 22

HEX #C882B4

RGB 200 130 180

HSL 317.14, 0.39%, 0.65%

LAB 62.96, 34.47, -15.18

 

CMYK 0 / 35 / 20 / 22

HEX #C882A1

RGB 200 130 161

HSL 333.43, 0.39%, 0.65%

LAB 62.35, 31.37, -5.29

 

CMYK 0 / 35 / 29 / 22

HEX #C8828F

RGB 200 130 143

HSL 348.86, 0.39%, 0.65%

LAB 61.85, 28.73, 4.25

 

CMYK 0 / 35 / 35 / 22

HEX #C88282

RGB 200 130 130

HSL 0, 0.39%, 0.65%

LAB 61.53, 27.02, 11.22

 

CMYK 0 / 35 / 0 / 22

HEX #C882C7

RGB 200 130 199

HSL 300.86, 0.39%, 0.65%

LAB 63.65, 37.87, -24.86

 

CMYK 9 / 35 / 0 / 22

HEX #B682C8

RGB 182 130 200

HSL 284.57, 0.39%, 0.65%

LAB 61.72, 32.35, -28.55

 

CMYK 18 / 35 / 0 / 22

HEX #A482C8

RGB 164 130 200

HSL 269.14, 0.39%, 0.65%

LAB 59.91, 26.74, -31.5

 

CMYK 28 / 35 / 0 / 22

HEX #9182C8

RGB 145 130 200

HSL 252.86, 0.39%, 0.65%

LAB 58.18, 21, -34.32

 

CMYK 35 / 35 / 0 / 22

HEX #8282C8

RGB 130 130 200

HSL 240, 0.39%, 0.65%

LAB 56.96, 16.68, -36.33

 

CMYK 0 / 35 / 0 / 22

HEX #C882C7

RGB 200 130 199

HSL 300.86, 0.39%, 0.65%

LAB 63.65, 37.87, -24.86

 

CMYK 0 / 46 / 0 / 16

HEX #D674D5

RGB 214 116 213

HSL 300.61, 0.54%, 0.65%

LAB 63, 51.99, -33.58

 

CMYK 0 / 55 / 1 / 10

HEX #E566E3

RGB 229 102 227

HSL 300.94, 0.71%, 0.65%

LAB 63.1, 65.17, -41.12

 

CMYK 0 / 64 / 1 / 5

HEX #F357F1

RGB 243 87 241

HSL 300.77, 0.87%, 0.65%

LAB 63.53, 77, -48.1

 

CMYK 0 / 35 / 0 / 22

HEX #C882C7

RGB 200 130 199

HSL 300.86, 0.39%, 0.65%

LAB 63.65, 37.87, -24.86

 

CMYK 0 / 22 / 1 / 27

HEX #BA91B9

RGB 186 145 185

HSL 301.46, 0.23%, 0.65%

LAB 65.12, 22.33, -14.89

 

CMYK 0 / 7 / 0 / 33

HEX #AB9FAB

RGB 171 159 171

HSL 300, 0.07%, 0.65%

LAB 66.82, 6.59, -4.65

 

CMYK 10 / 0 / 10 / 32

HEX #9DAE9D

RGB 157 174 157

HSL 120, 0.09%, 0.65%

LAB 69.38, -9.2, 6.71

 

CMYK 24 / 0 / 24 / 26

HEX #8EBC8F

RGB 142 188 143

HSL 121.3, 0.26%, 0.65%

LAB 72.03, -24.16, 17.94

 

CMYK 19 / 35 / 0 / 22

HEX #A382C8

RGB 163 130 200

HSL 268.29, 0.39%, 0.65%

LAB 59.82, 26.43, -31.65

 

CMYK 10 / 35 / 0 / 22

HEX #B582C8

RGB 181 130 200

HSL 283.71, 0.39%, 0.65%

LAB 61.62, 32.04, -28.72

 

CMYK 0 / 35 / 0 / 22

HEX #C882C8

RGB 200 130 200

HSL 300, 0.39%, 0.65%

LAB 63.68, 38.06, -25.37

 

CMYK 0 / 35 / 10 / 22

HEX #C882B5

RGB 200 130 181

HSL 316.29, 0.39%, 0.65%

LAB 62.99, 34.64, -15.69

 

CMYK 0 / 35 / 19 / 22

HEX #C882A3

RGB 200 130 163

HSL 331.71, 0.39%, 0.65%

LAB 62.41, 31.68, -6.34

 

CMYK 0 / 57 / 1 / 32

HEX #AD4BAB

RGB 173 75 171

HSL 301.22, 0.4%, 0.49%

LAB 48.08, 52.89, -33.18

 

CMYK 0 / 45 / 1 / 27

HEX #BB66BA

RGB 187 102 186

HSL 300.71, 0.38%, 0.57%

LAB 55.7, 46.27, -29.87

 

CMYK 0 / 35 / 0 / 22

HEX #C882C7

RGB 200 130 199

HSL 300.86, 0.39%, 0.65%

LAB 63.65, 37.87, -24.86

 

CMYK 0 / 25 / 0 / 16

HEX #D59FD4

RGB 213 159 212

HSL 301.11, 0.39%, 0.73%

LAB 72.02, 28.79, -19.18

 

CMYK 0 / 16 / 0 / 12

HEX #E1BCE1

RGB 225 188 225

HSL 300, 0.38%, 0.81%

LAB 80.41, 19.52, -13.5

 

CMYK 0 / 34 / 0 / 21

HEX #C985C8

RGB 201 133 200

HSL 300.88, 0.39%, 0.65%

LAB 64.45, 36.76, -24.18

 

CMYK 0 / 28 / 35 / 22

HEX #C89082

RGB 200 144 130

HSL 12, 0.39%, 0.65%

LAB 64.83, 19.35, 15.84

 

CMYK 35 / 0 / 14 / 22

HEX #82C8AC

RGB 130 200 172

HSL 156, 0.39%, 0.65%

LAB 75.47, -28.19, 7.07

 

CMYK 0 / 34 / 0 / 21

HEX #C985C8

RGB 201 133 200

HSL 300.88, 0.39%, 0.65%

LAB 64.45, 36.76, -24.18

 

CMYK 0 / 0 / 35 / 22

HEX #C8C882

RGB 200 200 130

HSL 60, 0.39%, 0.65%

LAB 79.16, -10.6, 35.06

 

CMYK 35 / 0 / 0 / 22

HEX #82C8C8

RGB 130 200 200

HSL 180, 0.39%, 0.65%

LAB 76.21, -21.86, -6.98

 

CMYK 0 / 34 / 0 / 21

HEX #C985C8

RGB 201 133 200

HSL 300.88, 0.39%, 0.65%

LAB 64.45, 36.76, -24.18

 

CMYK 0 / 28 / 35 / 22

HEX #C89082

RGB 200 144 130

HSL 12, 0.39%, 0.65%

LAB 64.83, 19.35, 15.84

 

CMYK 35 / 0 / 35 / 22

HEX #82C882

RGB 130 200 130

HSL 120, 0.39%, 0.65%

LAB 74.61, -36.03, 28.25

 

CMYK 35 / 7 / 0 / 22

HEX #82BAC8

RGB 130 186 200

HSL 192, 0.39%, 0.65%

LAB 72.25, -14.69, -12.88

 

CMYK 0 / 34 / 0 / 21

HEX #C985C8

RGB 201 133 200

HSL 300.88, 0.39%, 0.65%

LAB 64.45, 36.76, -24.18

 

CMYK 0 / 18 / 35 / 22

HEX #C8A582

RGB 200 165 130

HSL 30, 0.39%, 0.65%

LAB 70.04, 7.88, 22.97

 

CMYK 35 / 0 / 35 / 22

HEX #82C882

RGB 130 200 130

HSL 120, 0.39%, 0.65%

LAB 74.61, -36.03, 28.25

 

CMYK 35 / 18 / 0 / 22

HEX #82A5C8

RGB 130 165 200

HSL 210, 0.39%, 0.65%

LAB 66.39, -3.39, -21.75

 

Description

Color code: HEX #C985C8 | qconv.com Color code: HEX #C985C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 133 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 133 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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