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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C980B6 it is the complementary color #367F49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C980B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C980B6 shade: #CE80B1, #DF92C4, #F0A4D7, #FFB6EA and #FFC8FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C980B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C980B6 shade: #C980B6, #B86EA3, #A75C90, #964A7D and #85386A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C980B6 shade: #C982B6, #C982A3, #C98290 and #C98282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C980B6 shade: #C982B6, #C882C9, #B582C9, #A282C9 and #8F82C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C980B6 shade matches the following richer shades: #C982B6, #D773BD, #E665C4 and #F456CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C980B6 shade: #C982B6, #BB90AF, #AC9EA9, #9EADA2 and #8FBB9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C980B6 shade: #B582C9, #C882C9, #C982B7, #C982A4 and #C98291

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C980B6 shade: #AE4A94, #BD65A6, #C982B6, #D59EC7 and #E2BBD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C980B6 shade: #C980B6, #C9A282 and #82C9BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C980B6 shade: #C980B6, #B7C982 and #82B7C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C980B6 shade: #C980B6, #C9A282, #82C993 and #82A9C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C980B6 shade: #C980B6, #C9B782, #82C993 and #8293C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 9 / 21

HEX #C980B6

RGB 201 128 182

HSL 315.62, 0.4%, 0.65%

LAB 62.7, 36.23, -16.69

 

Complementary color

CMYK 57 / 0 / 43 / 50

HEX #367F49

RGB 54 127 73

HSL 135.62, 0.4%, 0.35%

LAB 47.55, -35.45, 22.66

 

CMYK 0 / 38 / 14 / 19

HEX #CE80B1

RGB 206 128 177

HSL 322.31, 0.44%, 0.65%

LAB 63.12, 37.08, -13.17

 

CMYK 0 / 35 / 12 / 13

HEX #DF92C4

RGB 223 146 196

HSL 321.04, 0.55%, 0.72%

LAB 69.63, 36.32, -13.84

 

CMYK 0 / 32 / 10 / 6

HEX #F0A4D7

RGB 240 164 215

HSL 319.74, 0.72%, 0.79%

LAB 76.06, 35.6, -14.46

 

CMYK 0 / 29 / 8 / 0

HEX #FFB6EA

RGB 255 182 234

HSL 317.26, 1%, 0.86%

LAB 82.19, 34.27, -15.37

 

CMYK 0 / 22 / 1 / 0

HEX #FFC8FD

RGB 255 200 253

HSL 302.18, 1%, 0.89%

LAB 86.83, 28.11, -18.51

 

CMYK 0 / 36 / 9 / 21

HEX #C980B6

RGB 201 128 182

HSL 315.62, 0.4%, 0.65%

LAB 62.7, 36.23, -16.69

 

CMYK 0 / 40 / 11 / 28

HEX #B86EA3

RGB 184 110 163

HSL 317.03, 0.34%, 0.58%

LAB 56.07, 37, -16.04

 

CMYK 0 / 45 / 14 / 35

HEX #A75C90

RGB 167 92 144

HSL 318.4, 0.3%, 0.51%

LAB 49.35, 37.79, -15.3

 

CMYK 0 / 51 / 17 / 41

HEX #964A7D

RGB 150 74 125

HSL 319.74, 0.34%, 0.44%

LAB 42.55, 38.56, -14.41

 

CMYK 0 / 58 / 20 / 48

HEX #85386A

RGB 133 56 106

HSL 321.04, 0.41%, 0.37%

LAB 35.7, 39.22, -13.28

 

CMYK 0 / 35 / 9 / 21

HEX #C982B6

RGB 201 130 182

HSL 316.06, 0.4%, 0.65%

LAB 63.14, 35.15, -16.02

 

CMYK 0 / 35 / 19 / 21

HEX #C982A3

RGB 201 130 163

HSL 332.11, 0.4%, 0.65%

LAB 62.53, 32.04, -6.15

 

CMYK 0 / 35 / 28 / 21

HEX #C98290

RGB 201 130 144

HSL 348.17, 0.4%, 0.65%

LAB 61.99, 29.24, 3.9

 

CMYK 0 / 35 / 35 / 21

HEX #C98282

RGB 201 130 130

HSL 0, 0.4%, 0.65%

LAB 61.65, 27.4, 11.4

 

CMYK 0 / 35 / 9 / 21

HEX #C982B6

RGB 201 130 182

HSL 316.06, 0.4%, 0.65%

LAB 63.14, 35.15, -16.02

 

CMYK 0 / 35 / 0 / 21

HEX #C882C9

RGB 200 130 201

HSL 299.15, 0.4%, 0.65%

LAB 63.72, 38.24, -25.87

 

CMYK 10 / 35 / 0 / 21

HEX #B582C9

RGB 181 130 201

HSL 283.1, 0.4%, 0.65%

LAB 61.66, 32.25, -29.22

 

CMYK 19 / 35 / 0 / 21

HEX #A282C9

RGB 162 130 201

HSL 267.04, 0.4%, 0.65%

LAB 59.77, 26.35, -32.31

 

CMYK 29 / 35 / 0 / 21

HEX #8F82C9

RGB 143 130 201

HSL 250.99, 0.4%, 0.65%

LAB 58.06, 20.66, -35.1

 

CMYK 0 / 35 / 9 / 21

HEX #C982B6

RGB 201 130 182

HSL 316.06, 0.4%, 0.65%

LAB 63.14, 35.15, -16.02

 

CMYK 0 / 47 / 12 / 16

HEX #D773BD

RGB 215 115 189

HSL 315.6, 0.56%, 0.65%

LAB 61.98, 48.71, -21.6

 

CMYK 0 / 56 / 15 / 10

HEX #E665C4

RGB 230 101 196

HSL 315.81, 0.72%, 0.65%

LAB 61.75, 60.94, -25.75

 

CMYK 0 / 65 / 17 / 4

HEX #F456CB

RGB 244 86 203

HSL 315.57, 0.88%, 0.65%

LAB 61.83, 71.94, -29.44

 

CMYK 0 / 35 / 9 / 21

HEX #C982B6

RGB 201 130 182

HSL 316.06, 0.4%, 0.65%

LAB 63.14, 35.15, -16.02

 

CMYK 0 / 23 / 6 / 27

HEX #BB90AF

RGB 187 144 175

HSL 316.74, 0.24%, 0.65%

LAB 64.65, 21.38, -9.96

 

CMYK 0 / 8 / 2 / 33

HEX #AC9EA9

RGB 172 158 169

HSL 312.86, 0.08%, 0.65%

LAB 66.59, 7.12, -3.87

 

CMYK 9 / 0 / 6 / 32

HEX #9EADA2

RGB 158 173 162

HSL 136, 0.08%, 0.65%

LAB 69.3, -7.38, 3.85

 

CMYK 24 / 0 / 17 / 27

HEX #8FBB9B

RGB 143 187 155

HSL 136.36, 0.24%, 0.65%

LAB 72.06, -21.13, 11.5

 

CMYK 10 / 35 / 0 / 21

HEX #B582C9

RGB 181 130 201

HSL 283.1, 0.4%, 0.65%

LAB 61.66, 32.25, -29.22

 

CMYK 0 / 35 / 0 / 21

HEX #C882C9

RGB 200 130 201

HSL 299.15, 0.4%, 0.65%

LAB 63.72, 38.24, -25.87

 

CMYK 0 / 35 / 9 / 21

HEX #C982B7

RGB 201 130 183

HSL 315.21, 0.4%, 0.65%

LAB 63.18, 35.32, -16.54

 

CMYK 0 / 35 / 18 / 21

HEX #C982A4

RGB 201 130 164

HSL 331.27, 0.4%, 0.65%

LAB 62.56, 32.19, -6.68

 

CMYK 0 / 35 / 28 / 21

HEX #C98291

RGB 201 130 145

HSL 347.32, 0.4%, 0.65%

LAB 62.02, 29.38, 3.37

 

CMYK 0 / 57 / 15 / 32

HEX #AE4A94

RGB 174 74 148

HSL 315.6, 0.4%, 0.49%

LAB 47.02, 49.79, -21.17

 

CMYK 0 / 47 / 12 / 26

HEX #BD65A6

RGB 189 101 166

HSL 315.68, 0.4%, 0.57%

LAB 54.95, 43.91, -19.44

 

CMYK 0 / 35 / 9 / 21

HEX #C982B6

RGB 201 130 182

HSL 316.06, 0.4%, 0.65%

LAB 63.14, 35.15, -16.02

 

CMYK 0 / 26 / 7 / 16

HEX #D59EC7

RGB 213 158 199

HSL 315.27, 0.4%, 0.73%

LAB 71.37, 26.98, -13.01

 

CMYK 0 / 17 / 4 / 11

HEX #E2BBD8

RGB 226 187 216

HSL 315.38, 0.4%, 0.81%

LAB 79.99, 18.77, -9.27

 

CMYK 0 / 36 / 9 / 21

HEX #C980B6

RGB 201 128 182

HSL 315.62, 0.4%, 0.65%

LAB 62.7, 36.23, -16.69

 

CMYK 0 / 19 / 35 / 21

HEX #C9A282

RGB 201 162 130

HSL 27.04, 0.4%, 0.65%

LAB 69.38, 9.9, 22.09

 

CMYK 35 / 0 / 5 / 21

HEX #82C9BE

RGB 130 201 190

HSL 170.7, 0.4%, 0.65%

LAB 76.21, -24.71, -1.57

 

CMYK 0 / 36 / 9 / 21

HEX #C980B6

RGB 201 128 182

HSL 315.62, 0.4%, 0.65%

LAB 62.7, 36.23, -16.69

 

CMYK 9 / 0 / 35 / 21

HEX #B7C982

RGB 183 201 130

HSL 75.21, 0.4%, 0.65%

LAB 78.14, -17.69, 33.49

 

CMYK 35 / 9 / 0 / 21

HEX #82B7C9

RGB 130 183 201

HSL 195.21, 0.4%, 0.65%

LAB 71.44, -12.86, -14.65

 

CMYK 0 / 36 / 9 / 21

HEX #C980B6

RGB 201 128 182

HSL 315.62, 0.4%, 0.65%

LAB 62.7, 36.23, -16.69

 

CMYK 0 / 19 / 35 / 21

HEX #C9A282

RGB 201 162 130

HSL 27.04, 0.4%, 0.65%

LAB 69.38, 9.9, 22.09

 

CMYK 35 / 0 / 27 / 21

HEX #82C993

RGB 130 201 147

HSL 134.37, 0.4%, 0.65%

LAB 75.22, -33.58, 20.1

 

CMYK 35 / 16 / 0 / 21

HEX #82A9C9

RGB 130 169 201

HSL 207.04, 0.4%, 0.65%

LAB 67.53, -5.33, -20.56

 

CMYK 0 / 36 / 9 / 21

HEX #C980B6

RGB 201 128 182

HSL 315.62, 0.4%, 0.65%

LAB 62.7, 36.23, -16.69

 

CMYK 0 / 9 / 35 / 21

HEX #C9B782

RGB 201 183 130

HSL 44.79, 0.4%, 0.65%

LAB 74.76, -1.36, 29.31

 

CMYK 35 / 0 / 27 / 21

HEX #82C993

RGB 130 201 147

HSL 134.37, 0.4%, 0.65%

LAB 75.22, -33.58, 20.1

 

CMYK 35 / 27 / 0 / 21

HEX #8293C9

RGB 130 147 201

HSL 225.63, 0.4%, 0.65%

LAB 61.51, 7.04, -29.81

 

Description

Color code: HEX #C980B6 | qconv.com Color code: HEX #C980B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 128 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 128 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 9 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 9% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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