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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C981A4 it is the complementary color #367E5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C981A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C981A4 shade: #CE819F, #DF93B2, #F0A5C5, #FFB7D8 and #FFC9EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C981A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C981A4 shade: #C981A4, #B86F91, #A75D7E, #964B6B and #853958

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C981A4 shade: #C982A4, #C98291 and #C98282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C981A4 shade: #C982A4, #C982B8, #C782C9, #B482C9 and #A182C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C981A4 shade matches the following richer shades: #C982A4, #D773A4, #E665A3 and #F456A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C981A4 shade: #C982A4, #BB90A5, #AC9EA5, #9EADA5 and #8FBBA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C981A4 shade: #C782C9, #C982B8, #C982A5, #C98292 and #C98482

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C981A4 shade: #AE4A7B, #BD658F, #C982A4, #D59EB9 and #E2BBCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C981A4 shade: #C981A4, #C9B482 and #82C2C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C981A4 shade: #C981A4, #A5C982 and #82A5C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C981A4 shade: #C981A4, #C9B482, #82C9A5 and #8297C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C981A4 shade: #C981A4, #C9C982, #82C9A5 and #8282C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 18 / 21

HEX #C981A4

RGB 201 129 164

HSL 330.83, 0.4%, 0.65%

LAB 62.34, 32.73, -7.01

 

Complementary color

CMYK 57 / 0 / 28 / 51

HEX #367E5B

RGB 54 126 91

HSL 150.83, 0.4%, 0.35%

LAB 47.57, -31.32, 12.4

 

CMYK 0 / 37 / 23 / 19

HEX #CE819F

RGB 206 129 159

HSL 336.62, 0.44%, 0.66%

LAB 62.78, 33.75, -3.44

 

CMYK 0 / 34 / 20 / 13

HEX #DF93B2

RGB 223 147 178

HSL 335.53, 0.54%, 0.73%

LAB 69.31, 32.95, -4.31

 

CMYK 0 / 31 / 18 / 6

HEX #F0A5C5

RGB 240 165 197

HSL 334.4, 0.71%, 0.79%

LAB 75.74, 32.21, -5.1

 

CMYK 0 / 28 / 15 / 0

HEX #FFB7D8

RGB 255 183 216

HSL 332.5, 1%, 0.86%

LAB 81.88, 30.84, -6.15

 

CMYK 0 / 21 / 8 / 0

HEX #FFC9EB

RGB 255 201 235

HSL 322.22, 1%, 0.89%

LAB 86.52, 24.46, -9.44

 

CMYK 0 / 36 / 18 / 21

HEX #C981A4

RGB 201 129 164

HSL 330.83, 0.4%, 0.65%

LAB 62.34, 32.73, -7.01

 

CMYK 0 / 40 / 21 / 28

HEX #B86F91

RGB 184 111 145

HSL 332.05, 0.34%, 0.58%

LAB 55.69, 33.54, -6.15

 

CMYK 0 / 44 / 25 / 35

HEX #A75D7E

RGB 167 93 126

HSL 333.24, 0.3%, 0.51%

LAB 48.95, 34.4, -5.17

 

CMYK 0 / 50 / 29 / 41

HEX #964B6B

RGB 150 75 107

HSL 334.4, 0.33%, 0.44%

LAB 42.12, 35.27, -4

 

CMYK 0 / 57 / 34 / 48

HEX #853958

RGB 133 57 88

HSL 335.53, 0.4%, 0.37%

LAB 35.24, 36.09, -2.54

 

CMYK 0 / 35 / 18 / 21

HEX #C982A4

RGB 201 130 164

HSL 331.27, 0.4%, 0.65%

LAB 62.56, 32.19, -6.68

 

CMYK 0 / 35 / 28 / 21

HEX #C98291

RGB 201 130 145

HSL 347.32, 0.4%, 0.65%

LAB 62.02, 29.38, 3.37

 

CMYK 0 / 35 / 35 / 21

HEX #C98282

RGB 201 130 130

HSL 0, 0.4%, 0.65%

LAB 61.65, 27.4, 11.4

 

CMYK 0 / 35 / 18 / 21

HEX #C982A4

RGB 201 130 164

HSL 331.27, 0.4%, 0.65%

LAB 62.56, 32.19, -6.68

 

CMYK 0 / 35 / 8 / 21

HEX #C982B8

RGB 201 130 184

HSL 314.37, 0.4%, 0.65%

LAB 63.21, 35.5, -17.05

 

CMYK 1 / 35 / 0 / 21

HEX #C782C9

RGB 199 130 201

HSL 298.31, 0.4%, 0.65%

LAB 63.61, 37.93, -26.05

 

CMYK 10 / 35 / 0 / 21

HEX #B482C9

RGB 180 130 201

HSL 282.25, 0.4%, 0.65%

LAB 61.56, 31.93, -29.39

 

CMYK 20 / 35 / 0 / 21

HEX #A182C9

RGB 161 130 201

HSL 266.2, 0.4%, 0.65%

LAB 59.67, 26.05, -32.46

 

CMYK 0 / 35 / 18 / 21

HEX #C982A4

RGB 201 130 164

HSL 331.27, 0.4%, 0.65%

LAB 62.56, 32.19, -6.68

 

CMYK 0 / 47 / 24 / 16

HEX #D773A4

RGB 215 115 164

HSL 330.6, 0.56%, 0.65%

LAB 61.12, 44.92, -8.63

 

CMYK 0 / 56 / 29 / 10

HEX #E665A3

RGB 230 101 163

HSL 331.16, 0.72%, 0.65%

LAB 60.58, 56.39, -8.64

 

CMYK 0 / 65 / 33 / 4

HEX #F456A3

RGB 244 86 163

HSL 330.76, 0.88%, 0.65%

LAB 60.37, 66.91, -8.73

 

CMYK 0 / 35 / 18 / 21

HEX #C982A4

RGB 201 130 164

HSL 331.27, 0.4%, 0.65%

LAB 62.56, 32.19, -6.68

 

CMYK 0 / 23 / 12 / 27

HEX #BB90A5

RGB 187 144 165

HSL 330.7, 0.24%, 0.65%

LAB 64.35, 19.62, -4.77

 

CMYK 0 / 8 / 4 / 33

HEX #AC9EA5

RGB 172 158 165

HSL 330, 0.08%, 0.65%

LAB 66.47, 6.37, -1.8

 

CMYK 9 / 0 / 5 / 32

HEX #9EADA5

RGB 158 173 165

HSL 148, 0.08%, 0.65%

LAB 69.38, -6.8, 2.31

 

CMYK 24 / 0 / 11 / 27

HEX #8FBBA6

RGB 143 187 166

HSL 151.36, 0.24%, 0.65%

LAB 72.32, -18.98, 5.88

 

CMYK 1 / 35 / 0 / 21

HEX #C782C9

RGB 199 130 201

HSL 298.31, 0.4%, 0.65%

LAB 63.61, 37.93, -26.05

 

CMYK 0 / 35 / 8 / 21

HEX #C982B8

RGB 201 130 184

HSL 314.37, 0.4%, 0.65%

LAB 63.21, 35.5, -17.05

 

CMYK 0 / 35 / 18 / 21

HEX #C982A5

RGB 201 130 165

HSL 330.42, 0.4%, 0.65%

LAB 62.59, 32.35, -7.2

 

CMYK 0 / 35 / 27 / 21

HEX #C98292

RGB 201 130 146

HSL 346.48, 0.4%, 0.65%

LAB 62.05, 29.52, 2.84

 

CMYK 0 / 34 / 35 / 21

HEX #C98482

RGB 201 132 130

HSL 1.69, 0.4%, 0.65%

LAB 62.11, 26.31, 12.05

 

CMYK 0 / 57 / 29 / 32

HEX #AE4A7B

RGB 174 74 123

HSL 330.6, 0.4%, 0.49%

LAB 46.08, 46.15, -7.52

 

CMYK 0 / 47 / 24 / 26

HEX #BD658F

RGB 189 101 143

HSL 331.36, 0.4%, 0.57%

LAB 54.14, 40.34, -7.21

 

CMYK 0 / 35 / 18 / 21

HEX #C982A4

RGB 201 130 164

HSL 331.27, 0.4%, 0.65%

LAB 62.56, 32.19, -6.68

 

CMYK 0 / 26 / 13 / 16

HEX #D59EB9

RGB 213 158 185

HSL 330.55, 0.4%, 0.73%

LAB 70.94, 24.59, -5.9

 

CMYK 0 / 17 / 9 / 11

HEX #E2BBCE

RGB 226 187 206

HSL 330.77, 0.4%, 0.81%

LAB 79.71, 17.04, -4.3

 

CMYK 0 / 36 / 18 / 21

HEX #C981A4

RGB 201 129 164

HSL 330.83, 0.4%, 0.65%

LAB 62.34, 32.73, -7.01

 

CMYK 0 / 10 / 35 / 21

HEX #C9B482

RGB 201 180 130

HSL 42.25, 0.4%, 0.65%

LAB 73.98, 0.23, 28.28

 

CMYK 35 / 3 / 0 / 21

HEX #82C2C9

RGB 130 194 201

HSL 185.92, 0.4%, 0.65%

LAB 74.54, -18.58, -10.01

 

CMYK 0 / 36 / 18 / 21

HEX #C981A4

RGB 201 129 164

HSL 330.83, 0.4%, 0.65%

LAB 62.34, 32.73, -7.01

 

CMYK 18 / 0 / 35 / 21

HEX #A5C982

RGB 165 201 130

HSL 90.42, 0.4%, 0.65%

LAB 76.91, -24.44, 31.65

 

CMYK 35 / 18 / 0 / 21

HEX #82A5C9

RGB 130 165 201

HSL 210.42, 0.4%, 0.65%

LAB 66.42, -3.13, -22.25

 

CMYK 0 / 36 / 18 / 21

HEX #C981A4

RGB 201 129 164

HSL 330.83, 0.4%, 0.65%

LAB 62.34, 32.73, -7.01

 

CMYK 0 / 10 / 35 / 21

HEX #C9B482

RGB 201 180 130

HSL 42.25, 0.4%, 0.65%

LAB 73.98, 0.23, 28.28

 

CMYK 35 / 0 / 18 / 21

HEX #82C9A5

RGB 130 201 165

HSL 149.58, 0.4%, 0.65%

LAB 75.6, -30.12, 11.01

 

CMYK 35 / 25 / 0 / 21

HEX #8297C9

RGB 130 151 201

HSL 222.25, 0.4%, 0.65%

LAB 62.59, 4.74, -28.14

 

CMYK 0 / 36 / 18 / 21

HEX #C981A4

RGB 201 129 164

HSL 330.83, 0.4%, 0.65%

LAB 62.34, 32.73, -7.01

 

CMYK 0 / 0 / 35 / 21

HEX #C9C982

RGB 201 201 130

HSL 60, 0.4%, 0.65%

LAB 79.5, -10.72, 35.52

 

CMYK 35 / 0 / 18 / 21

HEX #82C9A5

RGB 130 201 165

HSL 149.58, 0.4%, 0.65%

LAB 75.6, -30.12, 11.01

 

CMYK 35 / 35 / 0 / 21

HEX #8282C9

RGB 130 130 201

HSL 240, 0.4%, 0.65%

LAB 57.01, 16.95, -36.82

 

Description

Color code: HEX #C981A4 | qconv.com Color code: HEX #C981A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 129 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 129 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 18 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 18% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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