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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9826D it is the complementary color #367D92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9826D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9826D shade: #CE8268, #DF947B, #F0A68E, #FFB8A1 and #FFCAB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9826D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9826D shade: #C9826D, #B8705A, #A75E47, #964C34 and #853A21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9826D shade: #C9826D and #C96D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9826D shade: #C9826D, #C99B6D, #C9B46D, #C5C96D and #ADC96D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9826D shade matches the following richer shades: #C9826D, #D9795D, #E9714D and #F9683D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9826D shade: #C9826D, #B98B7D, #A9948D, #999C9E and #88A5AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9826D shade: #C96D8A, #C96D72, #C9816D, #C99A6D and #C9B26D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9826D shade: #A6553D, #BE684F, #C9826D, #D49C8B and #DFB6AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9826D shade: #C9826D, #A3C96D and #6D7EC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9826D shade: #C9826D, #6DC981 and #816DC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9826D shade: #C9826D, #A3C96D, #6DB5C9 and #936DC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9826D shade: #C9826D, #87C96D, #6DB5C9 and #AF6DC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 46 / 21

HEX #C9826D

RGB 201 130 109

HSL 13.7, 0.46%, 0.61%

LAB 61.21, 25.01, 22.7

 

Complementary color

CMYK 63 / 14 / 0 / 43

HEX #367D92

RGB 54 125 146

HSL 193.7, 0.46%, 0.39%

LAB 48.92, -15.49, -17.98

 

CMYK 0 / 37 / 50 / 19

HEX #CE8268

RGB 206 130 104

HSL 15.29, 0.51%, 0.61%

LAB 61.73, 26.51, 26.3

 

CMYK 0 / 34 / 45 / 13

HEX #DF947B

RGB 223 148 123

HSL 15, 0.61%, 0.68%

LAB 68.24, 25.43, 24.8

 

CMYK 0 / 31 / 41 / 6

HEX #F0A68E

RGB 240 166 142

HSL 14.69, 0.77%, 0.75%

LAB 74.67, 24.46, 23.44

 

CMYK 0 / 28 / 37 / 0

HEX #FFB8A1

RGB 255 184 161

HSL 14.68, 1%, 0.82%

LAB 80.8, 22.84, 21.87

 

CMYK 0 / 21 / 29 / 0

HEX #FFCAB4

RGB 255 202 180

HSL 17.6, 1%, 0.85%

LAB 85.4, 15.74, 18.15

 

CMYK 0 / 35 / 46 / 21

HEX #C9826D

RGB 201 130 109

HSL 13.7, 0.46%, 0.61%

LAB 61.21, 25.01, 22.7

 

CMYK 0 / 39 / 51 / 28

HEX #B8705A

RGB 184 112 90

HSL 14.04, 0.4%, 0.54%

LAB 54.57, 26.14, 24.28

 

CMYK 0 / 44 / 57 / 35

HEX #A75E47

RGB 167 94 71

HSL 14.38, 0.4%, 0.47%

LAB 47.85, 27.43, 26.08

 

CMYK 0 / 49 / 65 / 41

HEX #964C34

RGB 150 76 52

HSL 14.69, 0.49%, 0.4%

LAB 41.06, 28.88, 28.15

 

CMYK 0 / 56 / 75 / 48

HEX #853A21

RGB 133 58 33

HSL 15, 0.6%, 0.33%

LAB 34.24, 30.48, 30.52

 

CMYK 0 / 35 / 46 / 21

HEX #C9826D

RGB 201 130 109

HSL 13.7, 0.46%, 0.61%

LAB 61.21, 25.01, 22.7

 

CMYK 0 / 46 / 46 / 21

HEX #C96D6D

RGB 201 109 109

HSL 0, 0.46%, 0.61%

LAB 56.54, 36.29, 16.37

 

CMYK 0 / 35 / 46 / 21

HEX #C9826D

RGB 201 130 109

HSL 13.7, 0.46%, 0.61%

LAB 61.21, 25.01, 22.7

 

CMYK 0 / 23 / 46 / 21

HEX #C99B6D

RGB 201 155 109

HSL 30, 0.46%, 0.61%

LAB 67.25, 11.33, 30.67

 

CMYK 0 / 10 / 46 / 21

HEX #C9B46D

RGB 201 180 109

HSL 46.3, 0.46%, 0.61%

LAB 73.65, -2.09, 38.83

 

CMYK 2 / 0 / 46 / 21

HEX #C5C96D

RGB 197 201 109

HSL 62.61, 0.46%, 0.61%

LAB 78.9, -14.56, 45.24

 

CMYK 14 / 0 / 46 / 21

HEX #ADC96D

RGB 173 201 109

HSL 78.26, 0.46%, 0.61%

LAB 77.14, -24.03, 42.68

 

CMYK 0 / 35 / 46 / 21

HEX #C9826D

RGB 201 130 109

HSL 13.7, 0.46%, 0.61%

LAB 61.21, 25.01, 22.7

 

CMYK 0 / 44 / 57 / 15

HEX #D9795D

RGB 217 121 93

HSL 13.55, 0.62%, 0.61%

LAB 60.97, 34.71, 31.71

 

CMYK 0 / 52 / 67 / 9

HEX #E9714D

RGB 233 113 77

HSL 13.85, 0.78%, 0.61%

LAB 61.37, 43.84, 41.4

 

CMYK 0 / 58 / 76 / 2

HEX #F9683D

RGB 249 104 61

HSL 13.72, 0.94%, 0.61%

LAB 61.98, 53.18, 50.98

 

CMYK 0 / 35 / 46 / 21

HEX #C9826D

RGB 201 130 109

HSL 13.7, 0.46%, 0.61%

LAB 61.21, 25.01, 22.7

 

CMYK 0 / 25 / 32 / 27

HEX #B98B7D

RGB 185 139 125

HSL 14, 0.3%, 0.61%

LAB 61.88, 15.53, 14.29

 

CMYK 0 / 12 / 17 / 34

HEX #A9948D

RGB 169 148 141

HSL 15, 0.14%, 0.61%

LAB 62.96, 6.62, 6.56

 

CMYK 3 / 1 / 0 / 38

HEX #999C9E

RGB 153 156 158

HSL 204, 0.03%, 0.61%

LAB 64.18, -0.68, -1.43

 

CMYK 22 / 5 / 0 / 32

HEX #88A5AE

RGB 136 165 174

HSL 194.21, 0.19%, 0.61%

LAB 65.9, -7.95, -7.97

 

CMYK 0 / 46 / 31 / 21

HEX #C96D8A

RGB 201 109 138

HSL 341.09, 0.46%, 0.61%

LAB 57.26, 39.66, 0.49

 

CMYK 0 / 46 / 43 / 21

HEX #C96D72

RGB 201 109 114

HSL 356.74, 0.46%, 0.61%

LAB 56.65, 36.81, 13.61

 

CMYK 0 / 36 / 46 / 21

HEX #C9816D

RGB 201 129 109

HSL 13.04, 0.46%, 0.61%

LAB 60.98, 25.55, 22.39

 

CMYK 0 / 23 / 46 / 21

HEX #C99A6D

RGB 201 154 109

HSL 29.35, 0.46%, 0.61%

LAB 67, 11.88, 30.34

 

CMYK 0 / 11 / 46 / 21

HEX #C9B26D

RGB 201 178 109

HSL 45, 0.46%, 0.61%

LAB 73.13, -1.03, 38.17

 

CMYK 0 / 49 / 63 / 35

HEX #A6553D

RGB 166 85 61

HSL 13.71, 0.46%, 0.45%

LAB 45.55, 31.17, 28.96

 

CMYK 0 / 45 / 58 / 25

HEX #BE684F

RGB 190 104 79

HSL 13.51, 0.46%, 0.53%

LAB 53.4, 31.96, 29.19

 

CMYK 0 / 35 / 46 / 21

HEX #C9826D

RGB 201 130 109

HSL 13.7, 0.46%, 0.61%

LAB 61.21, 25.01, 22.7

 

CMYK 0 / 26 / 34 / 17

HEX #D49C8B

RGB 212 156 139

HSL 13.97, 0.46%, 0.69%

LAB 69.21, 18.62, 17.1

 

CMYK 0 / 18 / 24 / 13

HEX #DFB6AA

RGB 223 182 170

HSL 13.58, 0.45%, 0.77%

LAB 77.31, 12.98, 11.67

 

CMYK 0 / 35 / 46 / 21

HEX #C9826D

RGB 201 130 109

HSL 13.7, 0.46%, 0.61%

LAB 61.21, 25.01, 22.7

 

CMYK 19 / 0 / 46 / 21

HEX #A3C96D

RGB 163 201 109

HSL 84.78, 0.46%, 0.61%

LAB 76.47, -27.85, 41.72

 

CMYK 46 / 37 / 0 / 21

HEX #6D7EC9

RGB 109 126 201

HSL 228.91, 0.46%, 0.61%

LAB 54.44, 13.77, -40.96

 

CMYK 0 / 35 / 46 / 21

HEX #C9826D

RGB 201 130 109

HSL 13.7, 0.46%, 0.61%

LAB 61.21, 25.01, 22.7

 

CMYK 46 / 0 / 36 / 21

HEX #6DC981

RGB 109 201 129

HSL 133.04, 0.46%, 0.61%

LAB 73.94, -42.92, 27.7

 

CMYK 36 / 46 / 0 / 21

HEX #816DC9

RGB 129 109 201

HSL 253.04, 0.46%, 0.61%

LAB 51.63, 29.11, -45.29

 

CMYK 0 / 35 / 46 / 21

HEX #C9826D

RGB 201 130 109

HSL 13.7, 0.46%, 0.61%

LAB 61.21, 25.01, 22.7

 

CMYK 19 / 0 / 46 / 21

HEX #A3C96D

RGB 163 201 109

HSL 84.78, 0.46%, 0.61%

LAB 76.47, -27.85, 41.72

 

CMYK 46 / 10 / 0 / 21

HEX #6DB5C9

RGB 109 181 201

HSL 193.04, 0.46%, 0.61%

LAB 69.84, -17.24, -17.17

 

CMYK 27 / 46 / 0 / 21

HEX #936DC9

RGB 147 109 201

HSL 264.78, 0.46%, 0.61%

LAB 53.34, 33.99, -42.49

 

CMYK 0 / 35 / 46 / 21

HEX #C9826D

RGB 201 130 109

HSL 13.7, 0.46%, 0.61%

LAB 61.21, 25.01, 22.7

 

CMYK 33 / 0 / 46 / 21

HEX #87C96D

RGB 135 201 109

HSL 103.04, 0.46%, 0.61%

LAB 74.84, -37.89, 39.33

 

CMYK 46 / 10 / 0 / 21

HEX #6DB5C9

RGB 109 181 201

HSL 193.04, 0.46%, 0.61%

LAB 69.84, -17.24, -17.17

 

CMYK 13 / 46 / 0 / 21

HEX #AF6DC9

RGB 175 109 201

HSL 283.04, 0.46%, 0.61%

LAB 56.36, 41.98, -37.53

 

Description

Color code: HEX #C9826D | qconv.com Color code: HEX #C9826D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 130 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 130 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 46 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 46% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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