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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9836D it is the complementary color #367C92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9836D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9836D shade: #CE8368, #DF957B, #F0A78E, #FFB9A1 and #FFCBB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9836D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9836D shade: #C9836D, #B8715A, #A75F47, #964D34 and #853B21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9836D shade: #C9836D and #C96D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9836D shade: #C9836D, #C99C6D, #C9B56D, #C4C96D and #ACC96D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9836D shade matches the following richer shades: #C9836D, #D97B5D, #E9724D and #F96A3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9836D shade: #C9836D, #B98C7D, #A9948D, #999C9E and #88A5AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9836D shade: #C96D89, #C96D70, #C9836D, #C99B6D and #C9B36D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9836D shade: #A6563D, #BE6A4F, #C9836D, #D49D8B and #DFB6AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9836D shade: #C9836D, #A1C96D and #6D7DC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9836D shade: #C9836D, #6DC983 and #836DC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9836D shade: #C9836D, #A1C96D, #6DB3C9 and #956DC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9836D shade: #C9836D, #86C96D, #6DB3C9 and #B06DC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 46 / 21

HEX #C9836D

RGB 201 131 109

HSL 14.35, 0.46%, 0.61%

LAB 61.44, 24.46, 23.01

 

Complementary color

CMYK 63 / 15 / 0 / 43

HEX #367C92

RGB 54 124 146

HSL 194.35, 0.46%, 0.39%

LAB 48.6, -14.93, -18.46

 

CMYK 0 / 36 / 50 / 19

HEX #CE8368

RGB 206 131 104

HSL 15.88, 0.51%, 0.61%

LAB 61.96, 25.97, 26.6

 

CMYK 0 / 33 / 45 / 13

HEX #DF957B

RGB 223 149 123

HSL 15.6, 0.61%, 0.68%

LAB 68.47, 24.89, 25.11

 

CMYK 0 / 30 / 41 / 6

HEX #F0A78E

RGB 240 167 142

HSL 15.31, 0.77%, 0.75%

LAB 74.9, 23.94, 23.75

 

CMYK 0 / 27 / 37 / 0

HEX #FFB9A1

RGB 255 185 161

HSL 15.32, 1%, 0.82%

LAB 81.03, 22.32, 22.19

 

CMYK 0 / 20 / 29 / 0

HEX #FFCBB4

RGB 255 203 180

HSL 18.4, 1%, 0.85%

LAB 85.64, 15.22, 18.48

 

CMYK 0 / 35 / 46 / 21

HEX #C9836D

RGB 201 131 109

HSL 14.35, 0.46%, 0.61%

LAB 61.44, 24.46, 23.01

 

CMYK 0 / 39 / 51 / 28

HEX #B8715A

RGB 184 113 90

HSL 14.68, 0.4%, 0.54%

LAB 54.8, 25.59, 24.58

 

CMYK 0 / 43 / 57 / 35

HEX #A75F47

RGB 167 95 71

HSL 15, 0.4%, 0.47%

LAB 48.08, 26.87, 26.37

 

CMYK 0 / 49 / 65 / 41

HEX #964D34

RGB 150 77 52

HSL 15.31, 0.49%, 0.4%

LAB 41.28, 28.33, 28.41

 

CMYK 0 / 56 / 75 / 48

HEX #853B21

RGB 133 59 33

HSL 15.6, 0.6%, 0.33%

LAB 34.45, 29.94, 30.75

 

CMYK 0 / 35 / 46 / 21

HEX #C9836D

RGB 201 131 109

HSL 14.35, 0.46%, 0.61%

LAB 61.44, 24.46, 23.01

 

CMYK 0 / 46 / 46 / 21

HEX #C96D6D

RGB 201 109 109

HSL 0, 0.46%, 0.61%

LAB 56.54, 36.29, 16.37

 

CMYK 0 / 35 / 46 / 21

HEX #C9836D

RGB 201 131 109

HSL 14.35, 0.46%, 0.61%

LAB 61.44, 24.46, 23.01

 

CMYK 0 / 22 / 46 / 21

HEX #C99C6D

RGB 201 156 109

HSL 30.65, 0.46%, 0.61%

LAB 67.5, 10.79, 30.99

 

CMYK 0 / 10 / 46 / 21

HEX #C9B56D

RGB 201 181 109

HSL 46.96, 0.46%, 0.61%

LAB 73.91, -2.62, 39.16

 

CMYK 2 / 0 / 46 / 21

HEX #C4C96D

RGB 196 201 109

HSL 63.26, 0.46%, 0.61%

LAB 78.82, -14.97, 45.13

 

CMYK 14 / 0 / 46 / 21

HEX #ACC96D

RGB 172 201 109

HSL 78.91, 0.46%, 0.61%

LAB 77.07, -24.42, 42.59

 

CMYK 0 / 35 / 46 / 21

HEX #C9836D

RGB 201 131 109

HSL 14.35, 0.46%, 0.61%

LAB 61.44, 24.46, 23.01

 

CMYK 0 / 43 / 57 / 15

HEX #D97B5D

RGB 217 123 93

HSL 14.52, 0.62%, 0.61%

LAB 61.4, 33.66, 32.25

 

CMYK 0 / 51 / 67 / 9

HEX #E9724D

RGB 233 114 77

HSL 14.23, 0.78%, 0.61%

LAB 61.56, 43.35, 41.63

 

CMYK 0 / 57 / 76 / 2

HEX #F96A3D

RGB 249 106 61

HSL 14.36, 0.94%, 0.61%

LAB 62.33, 52.27, 51.34

 

CMYK 0 / 35 / 46 / 21

HEX #C9836D

RGB 201 131 109

HSL 14.35, 0.46%, 0.61%

LAB 61.44, 24.46, 23.01

 

CMYK 0 / 24 / 32 / 27

HEX #B98C7D

RGB 185 140 125

HSL 15, 0.3%, 0.61%

LAB 62.13, 14.98, 14.64

 

CMYK 0 / 12 / 17 / 34

HEX #A9948D

RGB 169 148 141

HSL 15, 0.14%, 0.61%

LAB 62.96, 6.62, 6.56

 

CMYK 3 / 1 / 0 / 38

HEX #999C9E

RGB 153 156 158

HSL 204, 0.03%, 0.61%

LAB 64.18, -0.68, -1.43

 

CMYK 22 / 5 / 0 / 32

HEX #88A5AE

RGB 136 165 174

HSL 194.21, 0.19%, 0.61%

LAB 65.9, -7.95, -7.97

 

CMYK 0 / 46 / 32 / 21

HEX #C96D89

RGB 201 109 137

HSL 341.74, 0.46%, 0.61%

LAB 57.23, 39.53, 1.04

 

CMYK 0 / 46 / 44 / 21

HEX #C96D70

RGB 201 109 112

HSL 358.04, 0.46%, 0.61%

LAB 56.61, 36.6, 14.71

 

CMYK 0 / 35 / 46 / 21

HEX #C9836D

RGB 201 131 109

HSL 14.35, 0.46%, 0.61%

LAB 61.44, 24.46, 23.01

 

CMYK 0 / 23 / 46 / 21

HEX #C99B6D

RGB 201 155 109

HSL 30, 0.46%, 0.61%

LAB 67.25, 11.33, 30.67

 

CMYK 0 / 11 / 46 / 21

HEX #C9B36D

RGB 201 179 109

HSL 45.65, 0.46%, 0.61%

LAB 73.39, -1.56, 38.5

 

CMYK 0 / 48 / 63 / 35

HEX #A6563D

RGB 166 86 61

HSL 14.29, 0.46%, 0.45%

LAB 45.77, 30.63, 29.22

 

CMYK 0 / 44 / 58 / 25

HEX #BE6A4F

RGB 190 106 79

HSL 14.59, 0.46%, 0.53%

LAB 53.84, 30.89, 29.74

 

CMYK 0 / 35 / 46 / 21

HEX #C9836D

RGB 201 131 109

HSL 14.35, 0.46%, 0.61%

LAB 61.44, 24.46, 23.01

 

CMYK 0 / 26 / 34 / 17

HEX #D49D8B

RGB 212 157 139

HSL 14.79, 0.46%, 0.69%

LAB 69.45, 18.08, 17.44

 

CMYK 0 / 18 / 24 / 13

HEX #DFB6AA

RGB 223 182 170

HSL 13.58, 0.45%, 0.77%

LAB 77.31, 12.98, 11.67

 

CMYK 0 / 35 / 46 / 21

HEX #C9836D

RGB 201 131 109

HSL 14.35, 0.46%, 0.61%

LAB 61.44, 24.46, 23.01

 

CMYK 20 / 0 / 46 / 21

HEX #A1C96D

RGB 161 201 109

HSL 86.09, 0.46%, 0.61%

LAB 76.35, -28.6, 41.53

 

CMYK 46 / 38 / 0 / 21

HEX #6D7DC9

RGB 109 125 201

HSL 229.57, 0.46%, 0.61%

LAB 54.17, 14.37, -41.38

 

CMYK 0 / 35 / 46 / 21

HEX #C9836D

RGB 201 131 109

HSL 14.35, 0.46%, 0.61%

LAB 61.44, 24.46, 23.01

 

CMYK 46 / 0 / 35 / 21

HEX #6DC983

RGB 109 201 131

HSL 134.35, 0.46%, 0.61%

LAB 73.97, -42.57, 26.7

 

CMYK 35 / 46 / 0 / 21

HEX #836DC9

RGB 131 109 201

HSL 254.35, 0.46%, 0.61%

LAB 51.81, 29.64, -45

 

CMYK 0 / 35 / 46 / 21

HEX #C9836D

RGB 201 131 109

HSL 14.35, 0.46%, 0.61%

LAB 61.44, 24.46, 23.01

 

CMYK 20 / 0 / 46 / 21

HEX #A1C96D

RGB 161 201 109

HSL 86.09, 0.46%, 0.61%

LAB 76.35, -28.6, 41.53

 

CMYK 46 / 11 / 0 / 21

HEX #6DB3C9

RGB 109 179 201

HSL 194.35, 0.46%, 0.61%

LAB 69.26, -16.19, -18.04

 

CMYK 26 / 46 / 0 / 21

HEX #956DC9

RGB 149 109 201

HSL 266.09, 0.46%, 0.61%

LAB 53.54, 34.55, -42.16

 

CMYK 0 / 35 / 46 / 21

HEX #C9836D

RGB 201 131 109

HSL 14.35, 0.46%, 0.61%

LAB 61.44, 24.46, 23.01

 

CMYK 33 / 0 / 46 / 21

HEX #86C96D

RGB 134 201 109

HSL 103.7, 0.46%, 0.61%

LAB 74.79, -38.23, 39.25

 

CMYK 46 / 11 / 0 / 21

HEX #6DB3C9

RGB 109 179 201

HSL 194.35, 0.46%, 0.61%

LAB 69.26, -16.19, -18.04

 

CMYK 12 / 46 / 0 / 21

HEX #B06DC9

RGB 176 109 201

HSL 283.7, 0.46%, 0.61%

LAB 56.47, 42.27, -37.34

 

Description

Color code: HEX #C9836D | qconv.com Color code: HEX #C9836D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 131 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 131 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 46 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 46% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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