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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C98E7D it is the complementary color #367182. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C98E7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C98E7D shade: #CE8E78, #DFA08B, #F0B29E, #FFC4B1 and #FFD6C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C98E7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C98E7D shade: #C98E7D, #B87C6A, #A76A57, #965844 and #854631

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C98E7D shade: #C88E7D and #C87D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C98E7D shade: #C88E7D, #C8A27D, #C8B67D, #C6C87D and #B2C87D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C98E7D shade matches the following richer shades: #C88E7D, #D7866E, #E67D5F and #F57551

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C98E7D shade: #C88E7D, #B9968C, #AB9E9B, #9CA7AA and #8DAFB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C98E7D shade: #C87D95, #C87D81, #C88D7D, #C8A17D and #C8B67D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C98E7D shade: #AB5E47, #BC7560, #C88E7D, #D5A79A and #E1C1B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C98E7D shade: #C98E7D, #A9C87D and #7D8BC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C98E7D shade: #C98E7D, #7DC88D and #8D7DC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C98E7D shade: #C98E7D, #A9C87D, #7DB8C8 and #9C7DC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C98E7D shade: #C98E7D, #92C87D, #7DB8C8 and #B37DC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 38 / 21

HEX #C98E7D

RGB 201 142 125

HSL 13.42, 0.41%, 0.64%

LAB 64.36, 20.22, 18

 

Complementary color

CMYK 58 / 13 / 0 / 49

HEX #367182

RGB 54 113 130

HSL 193.42, 0.41%, 0.36%

LAB 44.53, -13.91, -15.2

 

CMYK 0 / 31 / 42 / 19

HEX #CE8E78

RGB 206 142 120

HSL 15.35, 0.47%, 0.64%

LAB 64.82, 21.63, 21.52

 

CMYK 0 / 28 / 38 / 13

HEX #DFA08B

RGB 223 160 139

HSL 15, 0.57%, 0.71%

LAB 71.35, 20.74, 20.23

 

CMYK 0 / 26 / 34 / 6

HEX #F0B29E

RGB 240 178 158

HSL 14.63, 0.73%, 0.78%

LAB 77.78, 19.95, 19.06

 

CMYK 0 / 23 / 31 / 0

HEX #FFC4B1

RGB 255 196 177

HSL 14.62, 1%, 0.85%

LAB 83.92, 18.5, 17.67

 

CMYK 0 / 16 / 23 / 0

HEX #FFD6C4

RGB 255 214 196

HSL 18.31, 1%, 0.88%

LAB 88.61, 11.65, 14.22

 

CMYK 0 / 29 / 38 / 21

HEX #C98E7D

RGB 201 142 125

HSL 13.42, 0.41%, 0.64%

LAB 64.36, 20.22, 18

 

CMYK 0 / 33 / 42 / 28

HEX #B87C6A

RGB 184 124 106

HSL 13.85, 0.35%, 0.57%

LAB 57.7, 21.15, 19.32

 

CMYK 0 / 37 / 48 / 35

HEX #A76A57

RGB 167 106 87

HSL 14.25, 0.31%, 0.5%

LAB 50.93, 22.21, 20.8

 

CMYK 0 / 41 / 55 / 41

HEX #965844

RGB 150 88 68

HSL 14.63, 0.38%, 0.43%

LAB 44.06, 23.44, 22.51

 

CMYK 0 / 47 / 63 / 48

HEX #854631

RGB 133 70 49

HSL 15, 0.46%, 0.36%

LAB 37.09, 24.86, 24.49

 

CMYK 0 / 29 / 38 / 22

HEX #C88E7D

RGB 200 142 125

HSL 13.6, 0.41%, 0.64%

LAB 64.25, 19.83, 17.83

 

CMYK 0 / 38 / 38 / 22

HEX #C87D7D

RGB 200 125 125

HSL 0, 0.41%, 0.64%

LAB 60.27, 29.12, 12.3

 

CMYK 0 / 29 / 38 / 22

HEX #C88E7D

RGB 200 142 125

HSL 13.6, 0.41%, 0.64%

LAB 64.25, 19.83, 17.83

 

CMYK 0 / 19 / 38 / 22

HEX #C8A27D

RGB 200 162 125

HSL 29.6, 0.41%, 0.64%

LAB 69.18, 8.89, 24.54

 

CMYK 0 / 9 / 38 / 22

HEX #C8B67D

RGB 200 182 125

HSL 45.6, 0.41%, 0.64%

LAB 74.33, -1.83, 31.37

 

CMYK 1 / 0 / 38 / 22

HEX #C6C87D

RGB 198 200 125

HSL 61.6, 0.41%, 0.64%

LAB 78.92, -11.96, 37.29

 

CMYK 11 / 0 / 38 / 22

HEX #B2C87D

RGB 178 200 125

HSL 77.6, 0.41%, 0.64%

LAB 77.43, -19.74, 35.07

 

CMYK 0 / 29 / 38 / 22

HEX #C88E7D

RGB 200 142 125

HSL 13.6, 0.41%, 0.64%

LAB 64.25, 19.83, 17.83

 

CMYK 0 / 38 / 49 / 16

HEX #D7866E

RGB 215 134 110

HSL 13.71, 0.57%, 0.64%

LAB 63.85, 28.5, 25.97

 

CMYK 0 / 46 / 59 / 10

HEX #E67D5F

RGB 230 125 95

HSL 13.33, 0.73%, 0.64%

LAB 63.6, 37.82, 34.3

 

CMYK 0 / 52 / 67 / 4

HEX #F57551

RGB 245 117 81

HSL 13.17, 0.89%, 0.64%

LAB 63.94, 46.57, 42.74

 

CMYK 0 / 29 / 38 / 22

HEX #C88E7D

RGB 200 142 125

HSL 13.6, 0.41%, 0.64%

LAB 64.25, 19.83, 17.83

 

CMYK 0 / 19 / 24 / 27

HEX #B9968C

RGB 185 150 140

HSL 13.33, 0.24%, 0.64%

LAB 64.98, 11.53, 10.21

 

CMYK 0 / 8 / 9 / 33

HEX #AB9E9B

RGB 171 158 155

HSL 11.25, 0.09%, 0.64%

LAB 66.12, 4.21, 3.27

 

CMYK 8 / 2 / 0 / 33

HEX #9CA7AA

RGB 156 167 170

HSL 192.86, 0.08%, 0.64%

LAB 67.73, -3.26, -2.89

 

CMYK 23 / 5 / 0 / 28

HEX #8DAFB8

RGB 141 175 184

HSL 192.56, 0.23%, 0.64%

LAB 69.31, -9.47, -8.41

 

CMYK 0 / 38 / 26 / 22

HEX #C87D95

RGB 200 125 149

HSL 340.8, 0.41%, 0.64%

LAB 60.88, 32.29, -0.59

 

CMYK 0 / 38 / 36 / 22

HEX #C87D81

RGB 200 125 129

HSL 356.8, 0.41%, 0.64%

LAB 60.37, 29.61, 10.14

 

CMYK 0 / 30 / 38 / 22

HEX #C88D7D

RGB 200 141 125

HSL 12.8, 0.41%, 0.64%

LAB 64.01, 20.38, 17.5

 

CMYK 0 / 20 / 38 / 22

HEX #C8A17D

RGB 200 161 125

HSL 28.8, 0.41%, 0.64%

LAB 68.93, 9.44, 24.2

 

CMYK 0 / 9 / 38 / 22

HEX #C8B67D

RGB 200 182 125

HSL 45.6, 0.41%, 0.64%

LAB 74.33, -1.83, 31.37

 

CMYK 0 / 45 / 58 / 33

HEX #AB5E47

RGB 171 94 71

HSL 13.8, 0.41%, 0.47%

LAB 48.41, 29.07, 26.9

 

CMYK 0 / 38 / 49 / 26

HEX #BC7560

RGB 188 117 96

HSL 13.7, 0.41%, 0.56%

LAB 56.35, 25.59, 23.29

 

CMYK 0 / 29 / 38 / 22

HEX #C88E7D

RGB 200 142 125

HSL 13.6, 0.41%, 0.64%

LAB 64.25, 19.83, 17.83

 

CMYK 0 / 22 / 28 / 16

HEX #D5A79A

RGB 213 167 154

HSL 13.22, 0.41%, 0.72%

LAB 72.31, 15.01, 13.19

 

CMYK 0 / 14 / 19 / 12

HEX #E1C1B7

RGB 225 193 183

HSL 14.29, 0.41%, 0.8%

LAB 80.5, 9.79, 9.23

 

CMYK 0 / 29 / 38 / 21

HEX #C98E7D

RGB 201 142 125

HSL 13.42, 0.41%, 0.64%

LAB 64.36, 20.22, 18

 

CMYK 16 / 0 / 38 / 22

HEX #A9C87D

RGB 169 200 125

HSL 84.8, 0.41%, 0.64%

LAB 76.81, -23.14, 34.15

 

CMYK 38 / 31 / 0 / 22

HEX #7D8BC8

RGB 125 139 200

HSL 228.8, 0.41%, 0.64%

LAB 58.97, 10, -33.21

 

CMYK 0 / 29 / 38 / 21

HEX #C98E7D

RGB 201 142 125

HSL 13.42, 0.41%, 0.64%

LAB 64.36, 20.22, 18

 

CMYK 38 / 0 / 30 / 22

HEX #7DC88D

RGB 125 200 141

HSL 132.8, 0.41%, 0.64%

LAB 74.57, -35.72, 22.35

 

CMYK 30 / 38 / 0 / 22

HEX #8D7DC8

RGB 141 125 200

HSL 252.8, 0.41%, 0.64%

LAB 56.59, 22.74, -36.85

 

CMYK 0 / 29 / 38 / 21

HEX #C98E7D

RGB 201 142 125

HSL 13.42, 0.41%, 0.64%

LAB 64.36, 20.22, 18

 

CMYK 16 / 0 / 38 / 22

HEX #A9C87D

RGB 169 200 125

HSL 84.8, 0.41%, 0.64%

LAB 76.81, -23.14, 34.15

 

CMYK 38 / 8 / 0 / 22

HEX #7DB8C8

RGB 125 184 200

HSL 192.8, 0.41%, 0.64%

LAB 71.43, -15, -14.15

 

CMYK 22 / 38 / 0 / 22

HEX #9C7DC8

RGB 156 125 200

HSL 264.8, 0.41%, 0.64%

LAB 57.95, 27.16, -34.62

 

CMYK 0 / 29 / 38 / 21

HEX #C98E7D

RGB 201 142 125

HSL 13.42, 0.41%, 0.64%

LAB 64.36, 20.22, 18

 

CMYK 27 / 0 / 38 / 22

HEX #92C87D

RGB 146 200 125

HSL 103.2, 0.41%, 0.64%

LAB 75.39, -31.45, 32.02

 

CMYK 38 / 8 / 0 / 22

HEX #7DB8C8

RGB 125 184 200

HSL 192.8, 0.41%, 0.64%

LAB 71.43, -15, -14.15

 

CMYK 11 / 38 / 0 / 22

HEX #B37DC8

RGB 179 125 200

HSL 283.2, 0.41%, 0.64%

LAB 60.27, 34.19, -30.83

 

Description

Color code: HEX #C98E7D | qconv.com Color code: HEX #C98E7D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 142 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 142 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 38 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 38% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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