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Color name
HEX #C98F6A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C98F6A it is the complementary color #367095. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C98F6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C98F6A shade: #CE8F65, #DFA178, #F0B38B, #FFC59E and #FFD7B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C98F6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C98F6A shade: #C98F6A, #B87D57, #A76B44, #965931 and #85471E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C98F6A shade: #C88E69, #C87469 and #C86969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C98F6A shade: #C88E69, #C8A869, #C8C269, #B5C869 and #9CC869

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C98F6A shade matches the following richer shades: #C88E69, #D98A58, #E98748 and #FA8337

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C98F6A shade: #C88E69, #B89279, #A7958A, #97999A and #869CAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C98F6A shade: #C86977, #C87469, #C88D69, #C8A769 and #C8C069

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C98F6A shade: #A4643B, #BE774A, #C88E69, #D3A587 and #DEBBA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C98F6A shade: #C98F6A, #91C869 and #696AC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C98F6A shade: #C98F6A, #69C88D and #8D69C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C98F6A shade: #C98F6A, #91C869, #69A4C8 and #A069C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C98F6A shade: #C98F6A, #74C869, #69A4C8 and #BD69C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 47 / 21

HEX #C98F6A

RGB 201 143 106

HSL 23.37, 0.47%, 0.6%

LAB 64.24, 17.59, 28.38

 

Complementary color

CMYK 64 / 25 / 0 / 42

HEX #367095

RGB 54 112 149

HSL 203.37, 0.47%, 0.4%

LAB 45, -7.05, -25.79

 

CMYK 0 / 31 / 51 / 19

HEX #CE8F65

RGB 206 143 101

HSL 24, 0.52%, 0.6%

LAB 64.73, 19.16, 31.84

 

CMYK 0 / 28 / 46 / 13

HEX #DFA178

RGB 223 161 120

HSL 23.88, 0.62%, 0.67%

LAB 71.24, 18.15, 30.4

 

CMYK 0 / 25 / 42 / 6

HEX #F0B38B

RGB 240 179 139

HSL 23.76, 0.77%, 0.74%

LAB 77.66, 17.26, 29.07

 

CMYK 0 / 23 / 38 / 0

HEX #FFC59E

RGB 255 197 158

HSL 24.12, 1%, 0.81%

LAB 83.79, 15.7, 27.53

 

CMYK 0 / 16 / 31 / 0

HEX #FFD7B1

RGB 255 215 177

HSL 29.23, 1%, 0.85%

LAB 88.46, 8.61, 23.96

 

CMYK 0 / 29 / 47 / 21

HEX #C98F6A

RGB 201 143 106

HSL 23.37, 0.47%, 0.6%

LAB 64.24, 17.59, 28.38

 

CMYK 0 / 32 / 53 / 28

HEX #B87D57

RGB 184 125 87

HSL 23.51, 0.41%, 0.53%

LAB 57.6, 18.66, 29.88

 

CMYK 0 / 36 / 59 / 35

HEX #A76B44

RGB 167 107 68

HSL 23.64, 0.42%, 0.46%

LAB 50.86, 19.91, 31.53

 

CMYK 0 / 41 / 67 / 41

HEX #965931

RGB 150 89 49

HSL 23.76, 0.51%, 0.39%

LAB 44.02, 21.37, 33.33

 

CMYK 0 / 47 / 77 / 48

HEX #85471E

RGB 133 71 30

HSL 23.88, 0.63%, 0.32%

LAB 37.09, 23.11, 35.17

 

CMYK 0 / 29 / 48 / 22

HEX #C88E69

RGB 200 142 105

HSL 23.37, 0.46%, 0.6%

LAB 63.87, 17.63, 28.42

 

CMYK 0 / 42 / 48 / 22

HEX #C87469

RGB 200 116 105

HSL 6.95, 0.46%, 0.6%

LAB 57.84, 31.78, 20.41

 

CMYK 0 / 48 / 48 / 22

HEX #C86969

RGB 200 105 105

HSL 0, 0.46%, 0.6%

LAB 55.48, 37.6, 17.22

 

CMYK 0 / 29 / 48 / 22

HEX #C88E69

RGB 200 142 105

HSL 23.37, 0.46%, 0.6%

LAB 63.87, 17.63, 28.42

 

CMYK 0 / 16 / 48 / 22

HEX #C8A869

RGB 200 168 105

HSL 39.79, 0.46%, 0.6%

LAB 70.39, 3.49, 36.78

 

CMYK 0 / 3 / 48 / 22

HEX #C8C269

RGB 200 194 105

HSL 56.21, 0.46%, 0.6%

LAB 77.21, -10.17, 45.21

 

CMYK 10 / 0 / 48 / 22

HEX #B5C869

RGB 181 200 105

HSL 72, 0.46%, 0.6%

LAB 77.37, -20.84, 45.06

 

CMYK 22 / 0 / 48 / 22

HEX #9CC869

RGB 156 200 105

HSL 87.79, 0.46%, 0.6%

LAB 75.7, -30.45, 42.63

 

CMYK 0 / 29 / 48 / 22

HEX #C88E69

RGB 200 142 105

HSL 23.37, 0.46%, 0.6%

LAB 63.87, 17.63, 28.42

 

CMYK 0 / 36 / 59 / 15

HEX #D98A58

RGB 217 138 88

HSL 23.26, 0.63%, 0.6%

LAB 64.67, 25.3, 39

 

CMYK 0 / 42 / 69 / 9

HEX #E98748

RGB 233 135 72

HSL 23.48, 0.79%, 0.6%

LAB 65.84, 32.37, 49.04

 

CMYK 0 / 48 / 78 / 2

HEX #FA8337

RGB 250 131 55

HSL 23.38, 0.95%, 0.6%

LAB 67.15, 40.4, 58.97

 

CMYK 0 / 29 / 48 / 22

HEX #C88E69

RGB 200 142 105

HSL 23.37, 0.46%, 0.6%

LAB 63.87, 17.63, 28.42

 

CMYK 0 / 21 / 34 / 28

HEX #B89279

RGB 184 146 121

HSL 23.81, 0.31%, 0.6%

LAB 63.45, 10.73, 18.7

 

CMYK 0 / 11 / 17 / 35

HEX #A7958A

RGB 167 149 138

HSL 22.76, 0.14%, 0.6%

LAB 62.97, 4.81, 8.23

 

CMYK 2 / 1 / 0 / 40

HEX #97999A

RGB 151 153 154

HSL 200, 0.01%, 0.6%

LAB 63.09, -0.52, -0.78

 

CMYK 22 / 9 / 0 / 33

HEX #869CAB

RGB 134 156 171

HSL 204.32, 0.18%, 0.6%

LAB 63.17, -4.35, -10.39

 

CMYK 0 / 48 / 41 / 22

HEX #C86977

RGB 200 105 119

HSL 351.16, 0.46%, 0.6%

LAB 55.8, 39.08, 9.48

 

CMYK 0 / 42 / 48 / 22

HEX #C87469

RGB 200 116 105

HSL 6.95, 0.46%, 0.6%

LAB 57.84, 31.78, 20.41

 

CMYK 0 / 30 / 48 / 22

HEX #C88D69

RGB 200 141 105

HSL 22.74, 0.46%, 0.6%

LAB 63.63, 18.17, 28.11

 

CMYK 0 / 17 / 48 / 22

HEX #C8A769

RGB 200 167 105

HSL 39.16, 0.46%, 0.6%

LAB 70.13, 4.02, 36.45

 

CMYK 0 / 4 / 48 / 22

HEX #C8C069

RGB 200 192 105

HSL 54.95, 0.46%, 0.6%

LAB 76.68, -9.15, 44.56

 

CMYK 0 / 39 / 64 / 36

HEX #A4643B

RGB 164 100 59

HSL 23.43, 0.47%, 0.44%

LAB 48.66, 21.89, 33.76

 

CMYK 0 / 37 / 61 / 25

HEX #BE774A

RGB 190 119 74

HSL 23.28, 0.47%, 0.52%

LAB 56.72, 23.43, 36.05

 

CMYK 0 / 29 / 48 / 22

HEX #C88E69

RGB 200 142 105

HSL 23.37, 0.46%, 0.6%

LAB 63.87, 17.63, 28.42

 

CMYK 0 / 22 / 36 / 17

HEX #D3A587

RGB 211 165 135

HSL 23.68, 0.46%, 0.68%

LAB 71.22, 12.86, 22.04

 

CMYK 0 / 16 / 26 / 13

HEX #DEBBA5

RGB 222 187 165

HSL 23.16, 0.46%, 0.76%

LAB 78.34, 9.24, 15.81

 

CMYK 0 / 29 / 47 / 21

HEX #C98F6A

RGB 201 143 106

HSL 23.37, 0.47%, 0.6%

LAB 64.24, 17.59, 28.38

 

CMYK 28 / 0 / 48 / 22

HEX #91C869

RGB 145 200 105

HSL 94.74, 0.46%, 0.6%

LAB 75.04, -34.46, 41.68

 

CMYK 48 / 47 / 0 / 22

HEX #696AC8

RGB 105 106 200

HSL 239.37, 0.46%, 0.6%

LAB 48.86, 24.63, -49.26

 

CMYK 0 / 29 / 47 / 21

HEX #C98F6A

RGB 201 143 106

HSL 23.37, 0.47%, 0.6%

LAB 64.24, 17.59, 28.38

 

CMYK 48 / 0 / 30 / 22

HEX #69C88D

RGB 105 200 141

HSL 142.74, 0.46%, 0.6%

LAB 73.7, -41.39, 21.03

 

CMYK 30 / 48 / 0 / 22

HEX #8D69C8

RGB 141 105 200

HSL 262.74, 0.46%, 0.6%

LAB 51.76, 34.39, -44.44

 

CMYK 0 / 29 / 47 / 21

HEX #C98F6A

RGB 201 143 106

HSL 23.37, 0.47%, 0.6%

LAB 64.24, 17.59, 28.38

 

CMYK 28 / 0 / 48 / 22

HEX #91C869

RGB 145 200 105

HSL 94.74, 0.46%, 0.6%

LAB 75.04, -34.46, 41.68

 

CMYK 48 / 18 / 0 / 22

HEX #69A4C8

RGB 105 164 200

HSL 202.74, 0.46%, 0.6%

LAB 64.74, -9.4, -24.39

 

CMYK 20 / 48 / 0 / 22

HEX #A069C8

RGB 160 105 200

HSL 274.74, 0.46%, 0.6%

LAB 53.76, 39.66, -41.16

 

CMYK 0 / 29 / 47 / 21

HEX #C98F6A

RGB 201 143 106

HSL 23.37, 0.47%, 0.6%

LAB 64.24, 17.59, 28.38

 

CMYK 42 / 0 / 48 / 22

HEX #74C869

RGB 116 200 105

HSL 113.05, 0.46%, 0.6%

LAB 73.57, -44.12, 39.53

 

CMYK 48 / 18 / 0 / 22

HEX #69A4C8

RGB 105 164 200

HSL 202.74, 0.46%, 0.6%

LAB 64.74, -9.4, -24.39

 

CMYK 5 / 48 / 0 / 22

HEX #BD69C8

RGB 189 105 200

HSL 293.05, 0.46%, 0.6%

LAB 57.17, 47.94, -35.57

 

Description

Color code: HEX #C98F6A | qconv.com Color code: HEX #C98F6A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 143 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 143 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 47 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 47% 21% C M Y K

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Provide designers and agencies with accurate color values.

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