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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C99753 it is the complementary color #3668AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C99753. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C99753 shade: #CE974E, #DFA961, #F0BB74, #FFCD87 and #FFDF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C99753. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C99753 shade: #C99753, #B88540, #A7732D, #96611A and #854F07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C99753 shade: #C99754, #C97854, #C95854 and #C95454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C99753 shade: #C99754, #C9B754, #BBC954, #9CC954 and #7CC954

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C99753 shade matches the following richer shades: #C99754, #DB9A42 and #ED9D30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C99753 shade: #C99754, #B69466, #A49278, #928F8A and #808C9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C99753 shade: #C95854, #C97754, #C99654, #C9B554 and #BDC954

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C99753 shade: #9A6D30, #B9833A, #C99754, #D3AA73 and #DCBD93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C99753 shade: #C99753, #6FC954 and #6754C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C99753 shade: #C99753, #54C996 and #9654C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C99753 shade: #C99753, #6FC954, #5487C9 and #AD54C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C99753 shade: #C99753, #54C95C, #5487C9 and #C954C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 59 / 21

HEX #C99753

RGB 201 151 83

HSL 34.58, 0.52%, 0.56%

LAB 65.88, 11.19, 42.6

 

Complementary color

CMYK 69 / 40 / 0 / 33

HEX #3668AC

RGB 54 104 172

HSL 214.58, 0.52%, 0.44%

LAB 43.75, 6.01, -41.33

 

CMYK 0 / 27 / 62 / 19

HEX #CE974E

RGB 206 151 78

HSL 34.22, 0.57%, 0.56%

LAB 66.37, 12.96, 45.81

 

CMYK 0 / 24 / 57 / 13

HEX #DFA961

RGB 223 169 97

HSL 34.29, 0.66%, 0.63%

LAB 72.84, 11.81, 44.41

 

CMYK 0 / 22 / 52 / 6

HEX #F0BB74

RGB 240 187 116

HSL 34.35, 0.81%, 0.7%

LAB 79.23, 10.83, 43.03

 

CMYK 0 / 20 / 47 / 0

HEX #FFCD87

RGB 255 205 135

HSL 35, 1%, 0.76%

LAB 85.34, 9.17, 41.42

 

CMYK 0 / 13 / 40 / 0

HEX #FFDF9A

RGB 255 223 154

HSL 40.99, 1%, 0.8%

LAB 90.03, 1.83, 37.87

 

CMYK 0 / 25 / 59 / 21

HEX #C99753

RGB 201 151 83

HSL 34.58, 0.52%, 0.56%

LAB 65.88, 11.19, 42.6

 

CMYK 0 / 28 / 65 / 28

HEX #B88540

RGB 184 133 64

HSL 34.5, 0.48%, 0.49%

LAB 59.28, 12.42, 44.01

 

CMYK 0 / 31 / 73 / 35

HEX #A7732D

RGB 167 115 45

HSL 34.43, 0.58%, 0.42%

LAB 52.58, 13.88, 45.3

 

CMYK 0 / 35 / 83 / 41

HEX #96611A

RGB 150 97 26

HSL 34.35, 0.7%, 0.35%

LAB 45.78, 15.63, 46.14

 

CMYK 0 / 41 / 95 / 48

HEX #854F07

RGB 133 79 7

HSL 34.29, 0.9%, 0.27%

LAB 38.89, 17.73, 45.78

 

CMYK 0 / 25 / 58 / 21

HEX #C99754

RGB 201 151 84

HSL 34.36, 0.52%, 0.56%

LAB 65.9, 11.27, 42.11

 

CMYK 0 / 40 / 58 / 21

HEX #C97854

RGB 201 120 84

HSL 18.46, 0.52%, 0.56%

LAB 58.5, 28.17, 33.11

 

CMYK 0 / 56 / 58 / 21

HEX #C95854

RGB 201 88 84

HSL 2.05, 0.52%, 0.56%

LAB 51.88, 44.71, 24.69

 

CMYK 0 / 58 / 58 / 21

HEX #C95454

RGB 201 84 84

HSL 0, 0.52%, 0.56%

LAB 51.15, 46.62, 23.74

 

CMYK 0 / 25 / 58 / 21

HEX #C99754

RGB 201 151 84

HSL 34.36, 0.52%, 0.56%

LAB 65.9, 11.27, 42.11

 

CMYK 0 / 9 / 58 / 21

HEX #C9B754

RGB 201 183 84

HSL 50.77, 0.52%, 0.56%

LAB 74.14, -5.83, 51.67

 

CMYK 7 / 0 / 58 / 21

HEX #BBC954

RGB 187 201 84

HSL 67.18, 0.52%, 0.56%

LAB 77.86, -20.8, 55.53

 

CMYK 22 / 0 / 58 / 21

HEX #9CC954

RGB 156 201 84

HSL 83.08, 0.52%, 0.56%

LAB 75.75, -33.05, 52.58

 

CMYK 38 / 0 / 58 / 21

HEX #7CC954

RGB 124 201 84

HSL 99.49, 0.52%, 0.56%

LAB 74, -44.49, 50.12

 

CMYK 0 / 25 / 58 / 21

HEX #C99754

RGB 201 151 84

HSL 34.36, 0.52%, 0.56%

LAB 65.9, 11.27, 42.11

 

CMYK 0 / 30 / 70 / 14

HEX #DB9A42

RGB 219 154 66

HSL 34.51, 0.68%, 0.56%

LAB 68.43, 16.15, 54.16

 

CMYK 0 / 34 / 80 / 7

HEX #ED9D30

RGB 237 157 48

HSL 34.6, 0.84%, 0.56%

LAB 71.1, 21.4, 64.82

 

CMYK 0 / 25 / 58 / 21

HEX #C99754

RGB 201 151 84

HSL 34.36, 0.52%, 0.56%

LAB 65.9, 11.27, 42.11

 

CMYK 0 / 19 / 44 / 29

HEX #B69466

RGB 182 148 102

HSL 34.5, 0.35%, 0.56%

LAB 63.41, 6.55, 29.09

 

CMYK 0 / 11 / 27 / 36

HEX #A49278

RGB 164 146 120

HSL 35.45, 0.19%, 0.56%

LAB 61.49, 2.53, 16.25

 

CMYK 0 / 2 / 5 / 43

HEX #928F8A

RGB 146 143 138

HSL 37.5, 0.04%, 0.56%

LAB 59.52, 0.16, 3.04

 

CMYK 18 / 11 / 0 / 38

HEX #808C9D

RGB 128 140 157

HSL 215.17, 0.13%, 0.56%

LAB 57.83, -0.59, -10.48

 

CMYK 0 / 56 / 58 / 21

HEX #C95854

RGB 201 88 84

HSL 2.05, 0.52%, 0.56%

LAB 51.88, 44.71, 24.69

 

CMYK 0 / 41 / 58 / 21

HEX #C97754

RGB 201 119 84

HSL 17.95, 0.52%, 0.56%

LAB 58.27, 28.71, 32.83

 

CMYK 0 / 25 / 58 / 21

HEX #C99654

RGB 201 150 84

HSL 33.85, 0.52%, 0.56%

LAB 65.65, 11.81, 41.81

 

CMYK 0 / 10 / 58 / 21

HEX #C9B554

RGB 201 181 84

HSL 49.74, 0.52%, 0.56%

LAB 73.61, -4.79, 51.07

 

CMYK 6 / 0 / 58 / 21

HEX #BDC954

RGB 189 201 84

HSL 66.15, 0.52%, 0.56%

LAB 78.01, -19.98, 55.74

 

CMYK 0 / 29 / 69 / 40

HEX #9A6D30

RGB 154 109 48

HSL 34.53, 0.52%, 0.4%

LAB 49.52, 11.61, 40.15

 

CMYK 0 / 29 / 69 / 27

HEX #B9833A

RGB 185 131 58

HSL 34.49, 0.52%, 0.48%

LAB 58.84, 13.6, 46.45

 

CMYK 0 / 25 / 58 / 21

HEX #C99754

RGB 201 151 84

HSL 34.36, 0.52%, 0.56%

LAB 65.9, 11.27, 42.11

 

CMYK 0 / 19 / 45 / 17

HEX #D3AA73

RGB 211 170 115

HSL 34.38, 0.52%, 0.64%

LAB 72.12, 7.94, 33.96

 

CMYK 0 / 14 / 33 / 14

HEX #DCBD93

RGB 220 189 147

HSL 34.52, 0.51%, 0.72%

LAB 78.3, 5.04, 25.34

 

CMYK 0 / 25 / 59 / 21

HEX #C99753

RGB 201 151 83

HSL 34.58, 0.52%, 0.56%

LAB 65.88, 11.19, 42.6

 

CMYK 45 / 0 / 58 / 21

HEX #6FC954

RGB 111 201 84

HSL 106.15, 0.52%, 0.56%

LAB 73.41, -48.62, 49.29

 

CMYK 49 / 58 / 0 / 21

HEX #6754C9

RGB 103 84 201

HSL 249.74, 0.52%, 0.56%

LAB 43.42, 37.79, -58.58

 

CMYK 0 / 25 / 59 / 21

HEX #C99753

RGB 201 151 83

HSL 34.58, 0.52%, 0.56%

LAB 65.88, 11.19, 42.6

 

CMYK 58 / 0 / 25 / 21

HEX #54C996

RGB 84 201 150

HSL 153.85, 0.52%, 0.56%

LAB 73.45, -44.97, 15.78

 

CMYK 25 / 58 / 0 / 21

HEX #9654C9

RGB 150 84 201

HSL 273.85, 0.52%, 0.56%

LAB 48.31, 48.57, -50.46

 

CMYK 0 / 25 / 59 / 21

HEX #C99753

RGB 201 151 83

HSL 34.58, 0.52%, 0.56%

LAB 65.88, 11.19, 42.6

 

CMYK 45 / 0 / 58 / 21

HEX #6FC954

RGB 111 201 84

HSL 106.15, 0.52%, 0.56%

LAB 73.41, -48.62, 49.29

 

CMYK 58 / 33 / 0 / 21

HEX #5487C9

RGB 84 135 201

HSL 213.85, 0.52%, 0.56%

LAB 55.51, 2.71, -39.36

 

CMYK 14 / 58 / 0 / 21

HEX #AD54C9

RGB 173 84 201

HSL 285.64, 0.52%, 0.56%

LAB 51.2, 54.32, -45.68

 

CMYK 0 / 25 / 59 / 21

HEX #C99753

RGB 201 151 83

HSL 34.58, 0.52%, 0.56%

LAB 65.88, 11.19, 42.6

 

CMYK 58 / 0 / 54 / 21

HEX #54C95C

RGB 84 201 92

HSL 124.1, 0.52%, 0.56%

LAB 72.52, -54.99, 44.28

 

CMYK 58 / 33 / 0 / 21

HEX #5487C9

RGB 84 135 201

HSL 213.85, 0.52%, 0.56%

LAB 55.51, 2.71, -39.36

 

CMYK 0 / 58 / 4 / 21

HEX #C954C1

RGB 201 84 193

HSL 304.1, 0.52%, 0.56%

LAB 54.67, 60.1, -35.36

 

Description

Color code: HEX #C99753 | qconv.com Color code: HEX #C99753 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 151 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 151 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 59 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 59% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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