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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C99396 it is the complementary color #366C69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C99396. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C99396 shade: #CE9391, #DFA5A4, #F0B7B7, #FFC9CA and #FFDBDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C99396. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C99396 shade: #C99396, #B88183, #A76F70, #965D5D and #854B4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C99396 shade: #C89295 and #C89292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C99396 shade: #C89295, #C892A3, #C892B2, #C892C1 and #C192C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C99396 shade matches the following richer shades: #C89295, #D58589, #E2787D, #EF6A72 and #FD5D66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C99396 shade: #C89295, #BB9FA1, #ADACAC, #A0BAB8 and #93C7C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C99396 shade: #C892B2, #C892A4, #C89296, #C89D92 and #C8AB92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C99396 shade: #AC5B60, #BA777A, #C89295, #D6ADB0 and #E3C9CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C99396 shade: #C99396, #C1C892 and #92ABC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C99396 shade: #C99396, #96C892 and #9296C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C99396 shade: #C99396, #C1C892, #92C8C4 and #9992C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C99396 shade: #C99396, #B0C892, #92C8C4 and #A992C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 25 / 21

HEX #C99396

RGB 201 147 150

HSL 356.67, 0.33%, 0.68%

LAB 66.13, 20.78, 6.45

 

Complementary color

CMYK 50 / 0 / 3 / 58

HEX #366C69

RGB 54 108 105

HSL 176.67, 0.33%, 0.32%

LAB 42.05, -18.7, -3.87

 

CMYK 0 / 29 / 30 / 19

HEX #CE9391

RGB 206 147 145

HSL 1.97, 0.38%, 0.69%

LAB 66.55, 21.99, 9.93

 

CMYK 0 / 26 / 26 / 13

HEX #DFA5A4

RGB 223 165 164

HSL 1.02, 0.48%, 0.76%

LAB 73.07, 21.26, 8.92

 

CMYK 0 / 24 / 24 / 6

HEX #F0B7B7

RGB 240 183 183

HSL 0, 0.66%, 0.83%

LAB 79.51, 20.6, 8

 

CMYK 0 / 21 / 21 / 0

HEX #FFC9CA

RGB 255 201 202

HSL 358.89, 1%, 0.89%

LAB 85.65, 19.28, 6.84

 

CMYK 0 / 14 / 13 / 0

HEX #FFDBDD

RGB 255 219 221

HSL 356.67, 1%, 0.93%

LAB 90.39, 12.77, 3.64

 

CMYK 0 / 27 / 25 / 21

HEX #C99396

RGB 201 147 150

HSL 356.67, 0.33%, 0.68%

LAB 66.13, 20.78, 6.45

 

CMYK 0 / 30 / 29 / 28

HEX #B88183

RGB 184 129 131

HSL 357.82, 0.28%, 0.61%

LAB 59.46, 21.53, 7.45

 

CMYK 0 / 34 / 33 / 35

HEX #A76F70

RGB 167 111 112

HSL 358.93, 0.24%, 0.55%

LAB 52.68, 22.37, 8.56

 

CMYK 0 / 38 / 38 / 41

HEX #965D5D

RGB 150 93 93

HSL 0, 0.23%, 0.48%

LAB 45.78, 23.33, 9.83

 

CMYK 0 / 44 / 44 / 48

HEX #854B4A

RGB 133 75 74

HSL 1.02, 0.29%, 0.41%

LAB 38.75, 24.41, 11.33

 

CMYK 0 / 27 / 26 / 22

HEX #C89295

RGB 200 146 149

HSL 356.67, 0.33%, 0.68%

LAB 65.75, 20.81, 6.47

 

CMYK 0 / 27 / 27 / 22

HEX #C89292

RGB 200 146 146

HSL 0, 0.33%, 0.68%

LAB 65.68, 20.38, 8.05

 

CMYK 0 / 27 / 26 / 22

HEX #C89295

RGB 200 146 149

HSL 356.67, 0.33%, 0.68%

LAB 65.75, 20.81, 6.47

 

CMYK 0 / 27 / 19 / 22

HEX #C892A3

RGB 200 146 163

HSL 341.11, 0.33%, 0.68%

LAB 66.12, 22.92, -0.87

 

CMYK 0 / 27 / 11 / 22

HEX #C892B2

RGB 200 146 178

HSL 324.44, 0.33%, 0.68%

LAB 66.56, 25.38, -8.65

 

CMYK 0 / 27 / 4 / 22

HEX #C892C1

RGB 200 146 193

HSL 307.78, 0.33%, 0.68%

LAB 67.04, 28.04, -16.33

 

CMYK 4 / 27 / 0 / 22

HEX #C192C8

RGB 193 146 200

HSL 292.22, 0.33%, 0.68%

LAB 66.57, 27.03, -21.02

 

CMYK 0 / 27 / 26 / 22

HEX #C89295

RGB 200 146 149

HSL 356.67, 0.33%, 0.68%

LAB 65.75, 20.81, 6.47

 

CMYK 0 / 38 / 36 / 16

HEX #D58589

RGB 213 133 137

HSL 357, 0.49%, 0.68%

LAB 63.94, 31.2, 10.86

 

CMYK 0 / 47 / 45 / 11

HEX #E2787D

RGB 226 120 125

HSL 357.17, 0.65%, 0.68%

LAB 62.58, 41.48, 16.02

 

CMYK 0 / 56 / 52 / 6

HEX #EF6A72

RGB 239 106 114

HSL 356.39, 0.81%, 0.68%

LAB 61.55, 51.92, 21.2

 

CMYK 0 / 63 / 60 / 1

HEX #FD5D66

RGB 253 93 102

HSL 356.63, 0.98%, 0.68%

LAB 61.37, 61.4, 28.23

 

CMYK 0 / 27 / 26 / 22

HEX #C89295

RGB 200 146 149

HSL 356.67, 0.33%, 0.68%

LAB 65.75, 20.81, 6.47

 

CMYK 0 / 15 / 14 / 27

HEX #BB9FA1

RGB 187 159 161

HSL 355.71, 0.17%, 0.68%

LAB 67.97, 10.62, 2.78

 

CMYK 0 / 1 / 1 / 32

HEX #ADACAC

RGB 173 172 172

HSL 0, 0.01%, 0.68%

LAB 70.43, 0.36, 0.12

 

CMYK 14 / 0 / 1 / 27

HEX #A0BAB8

RGB 160 186 184

HSL 175.38, 0.16%, 0.68%

LAB 73.58, -9.23, -1.97

 

CMYK 26 / 0 / 2 / 22

HEX #93C7C4

RGB 147 199 196

HSL 176.54, 0.32%, 0.68%

LAB 76.7, -17.47, -3.99

 

CMYK 0 / 27 / 11 / 22

HEX #C892B2

RGB 200 146 178

HSL 324.44, 0.33%, 0.68%

LAB 66.56, 25.38, -8.65

 

CMYK 0 / 27 / 18 / 22

HEX #C892A4

RGB 200 146 164

HSL 340, 0.33%, 0.68%

LAB 66.15, 23.08, -1.4

 

CMYK 0 / 27 / 25 / 22

HEX #C89296

RGB 200 146 150

HSL 355.56, 0.33%, 0.68%

LAB 65.78, 20.96, 5.94

 

CMYK 0 / 22 / 27 / 22

HEX #C89D92

RGB 200 157 146

HSL 12.22, 0.33%, 0.68%

LAB 68.36, 14.35, 11.86

 

CMYK 0 / 15 / 27 / 22

HEX #C8AB92

RGB 200 171 146

HSL 27.78, 0.33%, 0.68%

LAB 71.88, 6.73, 16.78

 

CMYK 0 / 47 / 44 / 33

HEX #AC5B60

RGB 172 91 96

HSL 356.3, 0.33%, 0.52%

LAB 48.38, 33.46, 12.12

 

CMYK 0 / 36 / 34 / 27

HEX #BA777A

RGB 186 119 122

HSL 357.31, 0.33%, 0.6%

LAB 57.11, 26.65, 9.33

 

CMYK 0 / 27 / 26 / 22

HEX #C89295

RGB 200 146 149

HSL 356.67, 0.33%, 0.68%

LAB 65.75, 20.81, 6.47

 

CMYK 0 / 19 / 18 / 16

HEX #D6ADB0

RGB 214 173 176

HSL 355.61, 0.33%, 0.76%

LAB 74.39, 15.38, 4.12

 

CMYK 0 / 11 / 11 / 11

HEX #E3C9CA

RGB 227 201 202

HSL 357.69, 0.32%, 0.84%

LAB 83.11, 9.28, 2.84

 

CMYK 0 / 27 / 25 / 21

HEX #C99396

RGB 201 147 150

HSL 356.67, 0.33%, 0.68%

LAB 66.13, 20.78, 6.45

 

CMYK 4 / 0 / 27 / 22

HEX #C1C892

RGB 193 200 146

HSL 67.78, 0.33%, 0.68%

LAB 78.88, -11.25, 26.28

 

CMYK 27 / 15 / 0 / 22

HEX #92ABC8

RGB 146 171 200

HSL 212.22, 0.33%, 0.68%

LAB 69.05, -2.01, -17.62

 

CMYK 0 / 27 / 25 / 21

HEX #C99396

RGB 201 147 150

HSL 356.67, 0.33%, 0.68%

LAB 66.13, 20.78, 6.45

 

CMYK 25 / 0 / 27 / 22

HEX #96C892

RGB 150 200 146

HSL 115.56, 0.33%, 0.68%

LAB 75.99, -26.81, 21.86

 

CMYK 27 / 25 / 0 / 22

HEX #9296C8

RGB 146 150 200

HSL 235.56, 0.33%, 0.68%

LAB 63.42, 9.75, -26.2

 

CMYK 0 / 27 / 25 / 21

HEX #C99396

RGB 201 147 150

HSL 356.67, 0.33%, 0.68%

LAB 66.13, 20.78, 6.45

 

CMYK 4 / 0 / 27 / 22

HEX #C1C892

RGB 193 200 146

HSL 67.78, 0.33%, 0.68%

LAB 78.88, -11.25, 26.28

 

CMYK 27 / 0 / 2 / 22

HEX #92C8C4

RGB 146 200 196

HSL 175.56, 0.33%, 0.68%

LAB 76.92, -18.27, -3.67

 

CMYK 24 / 27 / 0 / 22

HEX #9992C8

RGB 153 146 200

HSL 247.78, 0.33%, 0.68%

LAB 62.93, 14.18, -26.92

 

CMYK 0 / 27 / 25 / 21

HEX #C99396

RGB 201 147 150

HSL 356.67, 0.33%, 0.68%

LAB 66.13, 20.78, 6.45

 

CMYK 12 / 0 / 27 / 22

HEX #B0C892

RGB 176 200 146

HSL 86.67, 0.33%, 0.68%

LAB 77.65, -17.6, 24.4

 

CMYK 27 / 0 / 2 / 22

HEX #92C8C4

RGB 146 200 196

HSL 175.56, 0.33%, 0.68%

LAB 76.92, -18.27, -3.67

 

CMYK 16 / 27 / 0 / 22

HEX #A992C8

RGB 169 146 200

HSL 265.56, 0.33%, 0.68%

LAB 64.29, 19.21, -24.7

 

Description

Color code: HEX #C99396 | qconv.com Color code: HEX #C99396 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 147 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 147 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 25 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 25% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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