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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C99B72 it is the complementary color #36648D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C99B72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C99B72 shade: #CE9B6D, #DFAD80, #F0BF93, #FFD1A6 and #FFE3B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C99B72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C99B72 shade: #C99B72, #B8895F, #A7774C, #966539 and #855326

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C99B72 shade: #C99B72, #C98472 and #C97272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C99B72 shade: #C99B72, #C9B372, #C8C972, #B1C972 and #99C972

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C99B72 shade matches the following richer shades: #C99B72, #D99A62, #E99953 and #F89843

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C99B72 shade: #C99B72, #BA9C82, #AA9D91, #9A9EA1 and #8A9FB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C99B72 shade: #C97278, #C98372, #C99B72, #C9B272 and #C9C972

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C99B72 shade: #A97140, #BE8654, #C99B72, #D5B090 and #E0C5AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C99B72 shade: #C99B72, #8FC972 and #7872C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C99B72 shade: #C99B72, #72C99B and #9B72C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C99B72 shade: #C99B72, #8FC972, #72A1C9 and #AC72C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C99B72 shade: #C99B72, #75C972, #72A1C9 and #C672C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 43 / 21

HEX #C99B72

RGB 201 155 114

HSL 28.28, 0.45%, 0.62%

LAB 67.33, 11.86, 28.07

 

Complementary color

CMYK 62 / 29 / 0 / 45

HEX #36648D

RGB 54 100 141

HSL 208.28, 0.45%, 0.38%

LAB 40.93, -2.57, -27.35

 

CMYK 0 / 25 / 47 / 19

HEX #CE9B6D

RGB 206 155 109

HSL 28.45, 0.5%, 0.62%

LAB 67.78, 13.39, 31.45

 

CMYK 0 / 22 / 43 / 13

HEX #DFAD80

RGB 223 173 128

HSL 28.42, 0.6%, 0.69%

LAB 74.28, 12.54, 30.12

 

CMYK 0 / 20 / 39 / 6

HEX #F0BF93

RGB 240 191 147

HSL 28.39, 0.76%, 0.76%

LAB 80.68, 11.8, 28.87

 

CMYK 0 / 18 / 35 / 0

HEX #FFD1A6

RGB 255 209 166

HSL 28.99, 1%, 0.83%

LAB 86.81, 10.38, 27.43

 

CMYK 0 / 11 / 27 / 0

HEX #FFE3B9

RGB 255 227 185

HSL 36, 1%, 0.86%

LAB 91.55, 3.47, 24.05

 

CMYK 0 / 23 / 43 / 21

HEX #C99B72

RGB 201 155 114

HSL 28.28, 0.45%, 0.62%

LAB 67.33, 11.86, 28.07

 

CMYK 0 / 26 / 48 / 28

HEX #B8895F

RGB 184 137 95

HSL 28.31, 0.39%, 0.55%

LAB 60.7, 12.75, 29.45

 

CMYK 0 / 29 / 54 / 35

HEX #A7774C

RGB 167 119 76

HSL 28.35, 0.37%, 0.48%

LAB 53.95, 13.79, 30.94

 

CMYK 0 / 33 / 62 / 41

HEX #966539

RGB 150 101 57

HSL 28.39, 0.45%, 0.41%

LAB 47.09, 15.04, 32.54

 

CMYK 0 / 38 / 71 / 48

HEX #855326

RGB 133 83 38

HSL 28.42, 0.56%, 0.34%

LAB 40.1, 16.56, 34.21

 

CMYK 0 / 23 / 43 / 21

HEX #C99B72

RGB 201 155 114

HSL 28.28, 0.45%, 0.62%

LAB 67.33, 11.86, 28.07

 

CMYK 0 / 34 / 43 / 21

HEX #C98472

RGB 201 132 114

HSL 12.41, 0.45%, 0.62%

LAB 61.77, 24.44, 20.64

 

CMYK 0 / 43 / 43 / 21

HEX #C97272

RGB 201 114 114

HSL 0, 0.45%, 0.62%

LAB 57.72, 34.17, 15.09

 

CMYK 0 / 23 / 43 / 21

HEX #C99B72

RGB 201 155 114

HSL 28.28, 0.45%, 0.62%

LAB 67.33, 11.86, 28.07

 

CMYK 0 / 11 / 43 / 21

HEX #C9B372

RGB 201 179 114

HSL 44.83, 0.45%, 0.62%

LAB 73.46, -1.05, 36.01

 

CMYK 0 / 0 / 43 / 21

HEX #C8C972

RGB 200 201 114

HSL 60.69, 0.45%, 0.62%

LAB 79.2, -12.86, 43.2

 

CMYK 12 / 0 / 43 / 21

HEX #B1C972

RGB 177 201 114

HSL 76.55, 0.45%, 0.62%

LAB 77.48, -21.93, 40.69

 

CMYK 24 / 0 / 43 / 21

HEX #99C972

RGB 153 201 114

HSL 93.1, 0.45%, 0.62%

LAB 75.92, -30.93, 38.4

 

CMYK 0 / 23 / 43 / 21

HEX #C99B72

RGB 201 155 114

HSL 28.28, 0.45%, 0.62%

LAB 67.33, 11.86, 28.07

 

CMYK 0 / 29 / 55 / 15

HEX #D99A62

RGB 217 154 98

HSL 28.24, 0.61%, 0.62%

LAB 68.57, 17.46, 38.53

 

CMYK 0 / 34 / 64 / 9

HEX #E99953

RGB 233 153 83

HSL 28, 0.77%, 0.62%

LAB 69.99, 23.51, 48.3

 

CMYK 0 / 39 / 73 / 3

HEX #F89843

RGB 248 152 67

HSL 28.18, 0.93%, 0.62%

LAB 71.43, 29.32, 57.91

 

CMYK 0 / 23 / 43 / 21

HEX #C99B72

RGB 201 155 114

HSL 28.28, 0.45%, 0.62%

LAB 67.33, 11.86, 28.07

 

CMYK 0 / 16 / 30 / 27

HEX #BA9C82

RGB 186 156 130

HSL 27.86, 0.29%, 0.62%

LAB 66.39, 7.2, 17.76

 

CMYK 0 / 8 / 15 / 33

HEX #AA9D91

RGB 170 157 145

HSL 28.8, 0.13%, 0.62%

LAB 65.52, 2.68, 7.98

 

CMYK 4 / 2 / 0 / 37

HEX #9A9EA1

RGB 154 158 161

HSL 205.71, 0.04%, 0.62%

LAB 64.88, -0.84, -2.07

 

CMYK 22 / 10 / 0 / 31

HEX #8A9FB1

RGB 138 159 177

HSL 207.69, 0.2%, 0.62%

LAB 64.46, -3.33, -11.79

 

CMYK 0 / 43 / 40 / 21

HEX #C97278

RGB 201 114 120

HSL 355.86, 0.45%, 0.62%

LAB 57.85, 34.83, 11.81

 

CMYK 0 / 35 / 43 / 21

HEX #C98372

RGB 201 131 114

HSL 11.72, 0.45%, 0.62%

LAB 61.54, 24.99, 20.33

 

CMYK 0 / 23 / 43 / 21

HEX #C99B72

RGB 201 155 114

HSL 28.28, 0.45%, 0.62%

LAB 67.33, 11.86, 28.07

 

CMYK 0 / 11 / 43 / 21

HEX #C9B272

RGB 201 178 114

HSL 44.14, 0.45%, 0.62%

LAB 73.2, -0.52, 35.68

 

CMYK 0 / 0 / 43 / 21

HEX #C9C972

RGB 201 201 114

HSL 60, 0.45%, 0.62%

LAB 79.27, -12.46, 43.31

 

CMYK 0 / 33 / 62 / 34

HEX #A97140

RGB 169 113 64

HSL 28, 0.45%, 0.46%

LAB 52.53, 17.07, 35.78

 

CMYK 0 / 29 / 56 / 25

HEX #BE8654

RGB 190 134 84

HSL 28.3, 0.45%, 0.54%

LAB 60.46, 15.93, 35.25

 

CMYK 0 / 23 / 43 / 21

HEX #C99B72

RGB 201 155 114

HSL 28.28, 0.45%, 0.62%

LAB 67.33, 11.86, 28.07

 

CMYK 0 / 17 / 32 / 16

HEX #D5B090

RGB 213 176 144

HSL 27.83, 0.45%, 0.7%

LAB 74.32, 8.84, 21.43

 

CMYK 0 / 12 / 22 / 12

HEX #E0C5AE

RGB 224 197 174

HSL 27.6, 0.45%, 0.78%

LAB 81.2, 5.97, 15.03

 

CMYK 0 / 23 / 43 / 21

HEX #C99B72

RGB 201 155 114

HSL 28.28, 0.45%, 0.62%

LAB 67.33, 11.86, 28.07

 

CMYK 29 / 0 / 43 / 21

HEX #8FC972

RGB 143 201 114

HSL 100, 0.45%, 0.62%

LAB 75.34, -34.49, 37.54

 

CMYK 40 / 43 / 0 / 21

HEX #7872C9

RGB 120 114 201

HSL 244.14, 0.45%, 0.62%

LAB 52.11, 23.78, -44.58

 

CMYK 0 / 23 / 43 / 21

HEX #C99B72

RGB 201 155 114

HSL 28.28, 0.45%, 0.62%

LAB 67.33, 11.86, 28.07

 

CMYK 43 / 0 / 23 / 21

HEX #72C99B

RGB 114 201 155

HSL 148.28, 0.45%, 0.62%

LAB 74.65, -36.68, 14.93

 

CMYK 23 / 43 / 0 / 21

HEX #9B72C9

RGB 155 114 201

HSL 268.28, 0.45%, 0.62%

LAB 55.3, 33.4, -39.34

 

CMYK 0 / 23 / 43 / 21

HEX #C99B72

RGB 201 155 114

HSL 28.28, 0.45%, 0.62%

LAB 67.33, 11.86, 28.07

 

CMYK 29 / 0 / 43 / 21

HEX #8FC972

RGB 143 201 114

HSL 100, 0.45%, 0.62%

LAB 75.34, -34.49, 37.54

 

CMYK 43 / 20 / 0 / 21

HEX #72A1C9

RGB 114 161 201

HSL 207.59, 0.45%, 0.62%

LAB 64.39, -5.22, -25.45

 

CMYK 14 / 43 / 0 / 21

HEX #AC72C9

RGB 172 114 201

HSL 280, 0.45%, 0.62%

LAB 57.1, 38.37, -36.39

 

CMYK 0 / 23 / 43 / 21

HEX #C99B72

RGB 201 155 114

HSL 28.28, 0.45%, 0.62%

LAB 67.33, 11.86, 28.07

 

CMYK 42 / 0 / 43 / 21

HEX #75C972

RGB 117 201 114

HSL 117.93, 0.45%, 0.62%

LAB 74.04, -42.98, 35.62

 

CMYK 43 / 20 / 0 / 21

HEX #72A1C9

RGB 114 161 201

HSL 207.59, 0.45%, 0.62%

LAB 64.39, -5.22, -25.45

 

CMYK 1 / 43 / 0 / 21

HEX #C672C9

RGB 198 114 201

HSL 297.93, 0.45%, 0.62%

LAB 60.12, 46.12, -31.45

 

Description

Color code: HEX #C99B72 | qconv.com Color code: HEX #C99B72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 155 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 155 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 43 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 43% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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