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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9A92A it is the complementary color #3656D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9A92A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9A92A shade: #CEA925, #DFBB38, #F0CD4B, #FFDF5E and #FFF171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9A92A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9A92A shade: #C9A92A, #B89717, #A78504, #967300 and #856100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9A92A shade: #C9A92A, #C97F2A, #C9542A and #C92A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9A92A shade: #C9A92A, #BFC92A, #94C92A, #69C92A and #3EC92A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9A92A shade matches the following richer shades: #C9A92A, #DDB517 and #F1C103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9A92A shade: #C9A92A, #B69E3E, #A29252, #8E8666 and #7A7A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9A92A shade: #C9522A, #C97D2A, #C9A72A, #C2C92A and #97C92A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9A92A shade: #85701C, #A78D23, #C9A92A, #D7BA46 and #DFC768

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9A92A shade: #C9A92A, #2DC92A and #672AC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9A92A shade: #C9A92A, #2AC9A7 and #A72AC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9A92A shade: #C9A92A, #2DC92A, #2A4DC9 and #C72AC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9A92A shade: #C9A92A, #2AC957, #2A4DC9 and #C92A9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 79 / 21

HEX #C9A92A

RGB 201 169 42

HSL 47.92, 0.65%, 0.48%

LAB 70.15, -0.76, 64.56

 

Complementary color

CMYK 75 / 60 / 0 / 16

HEX #3656D5

RGB 54 86 213

HSL 227.92, 0.65%, 0.52%

LAB 41.6, 32.65, -68.59

 

CMYK 0 / 18 / 82 / 19

HEX #CEA925

RGB 206 169 37

HSL 46.86, 0.7%, 0.48%

LAB 70.62, 1.27, 66.71

 

CMYK 0 / 16 / 75 / 13

HEX #DFBB38

RGB 223 187 56

HSL 47.07, 0.72%, 0.55%

LAB 76.99, -0.13, 66.88

 

CMYK 0 / 15 / 69 / 6

HEX #F0CD4B

RGB 240 205 75

HSL 47.27, 0.85%, 0.62%

LAB 83.28, -1.33, 66.42

 

CMYK 0 / 13 / 63 / 0

HEX #FFDF5E

RGB 255 223 94

HSL 48.07, 1%, 0.68%

LAB 89.32, -3.19, 65.37

 

CMYK 0 / 5 / 56 / 0

HEX #FFF171

RGB 255 241 113

HSL 54.08, 1%, 0.72%

LAB 94.04, -10.89, 62.37

 

CMYK 0 / 16 / 79 / 21

HEX #C9A92A

RGB 201 169 42

HSL 47.92, 0.65%, 0.48%

LAB 70.15, -0.76, 64.56

 

CMYK 0 / 18 / 88 / 28

HEX #B89717

RGB 184 151 23

HSL 47.7, 0.78%, 0.41%

LAB 63.66, 0.77, 63.74

 

CMYK 0 / 20 / 98 / 35

HEX #A78504

RGB 167 133 4

HSL 47.48, 0.95%, 0.34%

LAB 57.07, 2.56, 61.46

 

CMYK 0 / 23 / 100 / 41

HEX #967300

RGB 150 115 0

HSL 46, 1%, 0.29%

LAB 50.39, 4.69, 56.63

 

CMYK 0 / 27 / 100 / 48

HEX #856100

RGB 133 97 0

HSL 43.76, 1%, 0.26%

LAB 43.56, 7, 51.02

 

CMYK 0 / 16 / 79 / 21

HEX #C9A92A

RGB 201 169 42

HSL 47.92, 0.65%, 0.48%

LAB 70.15, -0.76, 64.56

 

CMYK 0 / 37 / 79 / 21

HEX #C97F2A

RGB 201 127 42

HSL 32.08, 0.65%, 0.48%

LAB 59.67, 22, 54.97

 

CMYK 0 / 58 / 79 / 21

HEX #C9542A

RGB 201 84 42

HSL 15.85, 0.65%, 0.48%

LAB 50.6, 44.34, 46.27

 

CMYK 0 / 79 / 79 / 21

HEX #C92A2A

RGB 201 42 42

HSL 0, 0.65%, 0.48%

LAB 44.58, 60.67, 40.23

 

CMYK 0 / 16 / 79 / 21

HEX #C9A92A

RGB 201 169 42

HSL 47.92, 0.65%, 0.48%

LAB 70.15, -0.76, 64.56

 

CMYK 5 / 0 / 79 / 21

HEX #BFC92A

RGB 191 201 42

HSL 63.77, 0.65%, 0.48%

LAB 77.88, -21.46, 71.13

 

CMYK 26 / 0 / 79 / 21

HEX #94C92A

RGB 148 201 42

HSL 80, 0.65%, 0.48%

LAB 74.97, -38.88, 67.42

 

CMYK 48 / 0 / 79 / 21

HEX #69C92A

RGB 105 201 42

HSL 96.23, 0.65%, 0.48%

LAB 72.85, -53.78, 64.69

 

CMYK 69 / 0 / 79 / 21

HEX #3EC92A

RGB 62 201 42

HSL 112.45, 0.65%, 0.48%

LAB 71.53, -64.4, 62.98

 

CMYK 0 / 16 / 79 / 21

HEX #C9A92A

RGB 201 169 42

HSL 47.92, 0.65%, 0.48%

LAB 70.15, -0.76, 64.56

 

CMYK 0 / 18 / 90 / 13

HEX #DDB517

RGB 221 181 23

HSL 47.88, 0.81%, 0.48%

LAB 75.13, 1.18, 74.35

 

CMYK 0 / 20 / 99 / 5

HEX #F1C103

RGB 241 193 3

HSL 47.9, 0.98%, 0.48%

LAB 80.09, 3.37, 81.42

 

CMYK 0 / 16 / 79 / 21

HEX #C9A92A

RGB 201 169 42

HSL 47.92, 0.65%, 0.48%

LAB 70.15, -0.76, 64.56

 

CMYK 0 / 13 / 66 / 29

HEX #B69E3E

RGB 182 158 62

HSL 48, 0.49%, 0.48%

LAB 65.55, -2.28, 51.72

 

CMYK 0 / 10 / 49 / 36

HEX #A29252

RGB 162 146 82

HSL 48, 0.33%, 0.48%

LAB 60.65, -2.91, 35.88

 

CMYK 0 / 6 / 28 / 44

HEX #8E8666

RGB 142 134 102

HSL 48, 0.16%, 0.48%

LAB 55.85, -2.32, 18.35

 

CMYK 0 / 0 / 0 / 52

HEX #7A7A7A

RGB 122 122 122

HSL 0, 0%, 0.48%

LAB 51.22, 0, -0.01

 

CMYK 0 / 59 / 79 / 21

HEX #C9522A

RGB 201 82 42

HSL 15.09, 0.65%, 0.48%

LAB 50.24, 45.28, 45.92

 

CMYK 0 / 38 / 79 / 21

HEX #C97D2A

RGB 201 125 42

HSL 31.32, 0.65%, 0.48%

LAB 59.21, 23.08, 54.53

 

CMYK 0 / 17 / 79 / 21

HEX #C9A72A

RGB 201 167 42

HSL 47.17, 0.65%, 0.48%

LAB 69.63, 0.3, 64.1

 

CMYK 3 / 0 / 79 / 21

HEX #C2C92A

RGB 194 201 42

HSL 62.64, 0.65%, 0.48%

LAB 78.12, -20.2, 71.42

 

CMYK 25 / 0 / 79 / 21

HEX #97C92A

RGB 151 201 42

HSL 78.87, 0.65%, 0.48%

LAB 75.15, -37.73, 67.65

 

CMYK 0 / 16 / 79 / 48

HEX #85701C

RGB 133 112 28

HSL 48, 0.65%, 0.32%

LAB 47.83, -0.91, 46.53

 

CMYK 0 / 16 / 79 / 35

HEX #A78D23

RGB 167 141 35

HSL 48.18, 0.65%, 0.4%

LAB 59.33, -1.11, 55.87

 

CMYK 0 / 16 / 79 / 21

HEX #C9A92A

RGB 201 169 42

HSL 47.92, 0.65%, 0.48%

LAB 70.15, -0.76, 64.56

 

CMYK 0 / 13 / 67 / 16

HEX #D7BA46

RGB 215 186 70

HSL 48, 0.64%, 0.56%

LAB 76.07, -2.36, 60.3

 

CMYK 0 / 11 / 53 / 13

HEX #DFC768

RGB 223 199 104

HSL 47.9, 0.65%, 0.64%

LAB 80.48, -3.4, 50.08

 

CMYK 0 / 16 / 79 / 21

HEX #C9A92A

RGB 201 169 42

HSL 47.92, 0.65%, 0.48%

LAB 70.15, -0.76, 64.56

 

CMYK 78 / 0 / 79 / 21

HEX #2DC92A

RGB 45 201 42

HSL 118.87, 0.65%, 0.48%

LAB 71.21, -67.14, 62.56

 

CMYK 49 / 79 / 0 / 21

HEX #672AC9

RGB 103 42 201

HSL 263.02, 0.65%, 0.48%

LAB 35.51, 59.48, -71.48

 

CMYK 0 / 16 / 79 / 21

HEX #C9A92A

RGB 201 169 42

HSL 47.92, 0.65%, 0.48%

LAB 70.15, -0.76, 64.56

 

CMYK 79 / 0 / 17 / 21

HEX #2AC9A7

RGB 42 201 167

HSL 167.17, 0.65%, 0.48%

LAB 72.93, -47.42, 5.76

 

CMYK 17 / 79 / 0 / 21

HEX #A72AC9

RGB 167 42 201

HSL 287.17, 0.65%, 0.48%

LAB 44.36, 69.75, -56.68

 

CMYK 0 / 16 / 79 / 21

HEX #C9A92A

RGB 201 169 42

HSL 47.92, 0.65%, 0.48%

LAB 70.15, -0.76, 64.56

 

CMYK 78 / 0 / 79 / 21

HEX #2DC92A

RGB 45 201 42

HSL 118.87, 0.65%, 0.48%

LAB 71.21, -67.14, 62.56

 

CMYK 79 / 62 / 0 / 21

HEX #2A4DC9

RGB 42 77 201

HSL 226.79, 0.65%, 0.48%

LAB 37.87, 32.8, -67.78

 

CMYK 1 / 79 / 0 / 21

HEX #C72AC9

RGB 199 42 201

HSL 299.25, 0.65%, 0.48%

LAB 49.51, 75.73, -48.13

 

CMYK 0 / 16 / 79 / 21

HEX #C9A92A

RGB 201 169 42

HSL 47.92, 0.65%, 0.48%

LAB 70.15, -0.76, 64.56

 

CMYK 79 / 0 / 57 / 21

HEX #2AC957

RGB 42 201 87

HSL 136.98, 0.65%, 0.48%

LAB 71.52, -63.16, 45.22

 

CMYK 79 / 62 / 0 / 21

HEX #2A4DC9

RGB 42 77 201

HSL 226.79, 0.65%, 0.48%

LAB 37.87, 32.8, -67.78

 

CMYK 0 / 79 / 22 / 21

HEX #C92A9C

RGB 201 42 156

HSL 316.98, 0.65%, 0.48%

LAB 47.59, 69.77, -24.71

 

Description

Color code: HEX #C9A92A | qconv.com Color code: HEX #C9A92A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 169 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 169 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 79 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 79% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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