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Color name
HEX #C9A95E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9A95E it is the complementary color #3656A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9A95E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9A95E shade: #CEA959, #DFBB6C, #F0CD7F, #FFDF92 and #FFF1A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9A95E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9A95E shade: #C9A95E, #B8974B, #A78538, #967325 and #856112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9A95E shade: #C9A95E, #C98C5E, #C96F5E and #C95E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9A95E shade: #C9A95E, #C9C65E, #AFC95E, #92C95E and #75C95E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9A95E shade matches the following richer shades: #C9A95E, #DAB04D, #ECB73B and #FDBE2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9A95E shade: #C9A95E, #B8A26F, #A69B81, #959492 and #848DA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9A95E shade: #C9705E, #C98C5E, #C9A95E, #C9C55E and #B0C95E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9A95E shade: #9F8035, #BE983F, #C9A95E, #D3B97D and #DECA9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9A95E shade: #C9A95E, #69C95E and #7E5EC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9A95E shade: #C9A95E, #5EC9A9 and #A95EC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9A95E shade: #C9A95E, #69C95E, #5E7EC9 and #BE5EC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9A95E shade: #C9A95E, #5EC973, #5E7EC9 and #C95EB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 53 / 21

HEX #C9A95E

RGB 201 169 94

HSL 42.06, 0.5%, 0.58%

LAB 70.6, 2.36, 42.68

 

Complementary color

CMYK 66 / 47 / 0 / 37

HEX #3656A1

RGB 54 86 161

HSL 222.06, 0.5%, 0.42%

LAB 37.87, 13.55, -44.21

 

CMYK 0 / 18 / 57 / 19

HEX #CEA959

RGB 206 169 89

HSL 41.03, 0.54%, 0.58%

LAB 71.02, 4.06, 45.8

 

CMYK 0 / 16 / 52 / 13

HEX #DFBB6C

RGB 223 187 108

HSL 41.22, 0.64%, 0.65%

LAB 77.47, 3.18, 44.5

 

CMYK 0 / 15 / 47 / 6

HEX #F0CD7F

RGB 240 205 127

HSL 41.42, 0.79%, 0.72%

LAB 83.82, 2.43, 43.23

 

CMYK 0 / 13 / 43 / 0

HEX #FFDF92

RGB 255 223 146

HSL 42.39, 1%, 0.79%

LAB 89.91, 1, 41.74

 

CMYK 0 / 5 / 35 / 0

HEX #FFF1A5

RGB 255 241 165

HSL 50.67, 1%, 0.82%

LAB 94.69, -6.04, 38.44

 

CMYK 0 / 16 / 53 / 21

HEX #C9A95E

RGB 201 169 94

HSL 42.06, 0.5%, 0.58%

LAB 70.6, 2.36, 42.68

 

CMYK 0 / 18 / 59 / 28

HEX #B8974B

RGB 184 151 75

HSL 41.83, 0.43%, 0.51%

LAB 64.02, 3.28, 43.98

 

CMYK 0 / 20 / 66 / 35

HEX #A78538

RGB 167 133 56

HSL 41.62, 0.5%, 0.44%

LAB 57.34, 4.38, 45.2

 

CMYK 0 / 23 / 75 / 41

HEX #967325

RGB 150 115 37

HSL 41.42, 0.6%, 0.37%

LAB 50.55, 5.74, 46.15

 

CMYK 0 / 27 / 86 / 48

HEX #856112

RGB 133 97 18

HSL 41.22, 0.76%, 0.3%

LAB 43.62, 7.42, 46.32

 

CMYK 0 / 16 / 53 / 21

HEX #C9A95E

RGB 201 169 94

HSL 42.06, 0.5%, 0.58%

LAB 70.6, 2.36, 42.68

 

CMYK 0 / 30 / 53 / 21

HEX #C98C5E

RGB 201 140 94

HSL 25.79, 0.5%, 0.58%

LAB 63.33, 18.1, 33.73

 

CMYK 0 / 45 / 53 / 21

HEX #C96F5E

RGB 201 111 94

HSL 9.53, 0.5%, 0.58%

LAB 56.68, 33.81, 25.18

 

CMYK 0 / 53 / 53 / 21

HEX #C95E5E

RGB 201 94 94

HSL 0, 0.5%, 0.58%

LAB 53.2, 42.57, 20.58

 

CMYK 0 / 16 / 53 / 21

HEX #C9A95E

RGB 201 169 94

HSL 42.06, 0.5%, 0.58%

LAB 70.6, 2.36, 42.68

 

CMYK 0 / 1 / 53 / 21

HEX #C9C65E

RGB 201 198 94

HSL 58.32, 0.5%, 0.58%

LAB 78.24, -12.77, 51.71

 

CMYK 13 / 0 / 53 / 21

HEX #AFC95E

RGB 175 201 94

HSL 74.58, 0.5%, 0.58%

LAB 77.1, -24.77, 49.88

 

CMYK 27 / 0 / 53 / 21

HEX #92C95E

RGB 146 201 94

HSL 90.84, 0.5%, 0.58%

LAB 75.26, -35.8, 47.26

 

CMYK 42 / 0 / 53 / 21

HEX #75C95E

RGB 117 201 94

HSL 107.1, 0.5%, 0.58%

LAB 73.78, -45.64, 45.14

 

CMYK 0 / 16 / 53 / 21

HEX #C9A95E

RGB 201 169 94

HSL 42.06, 0.5%, 0.58%

LAB 70.6, 2.36, 42.68

 

CMYK 0 / 19 / 65 / 15

HEX #DAB04D

RGB 218 176 77

HSL 42.13, 0.66%, 0.58%

LAB 73.86, 4.59, 55.01

 

CMYK 0 / 22 / 75 / 7

HEX #ECB73B

RGB 236 183 59

HSL 42.03, 0.82%, 0.58%

LAB 77.29, 7.65, 66.53

 

CMYK 0 / 25 / 83 / 1

HEX #FDBE2A

RGB 253 190 42

HSL 42.09, 0.98%, 0.58%

LAB 80.67, 10.66, 75.74

 

CMYK 0 / 16 / 53 / 21

HEX #C9A95E

RGB 201 169 94

HSL 42.06, 0.5%, 0.58%

LAB 70.6, 2.36, 42.68

 

CMYK 0 / 12 / 40 / 28

HEX #B8A26F

RGB 184 162 111

HSL 41.92, 0.34%, 0.58%

LAB 67.41, 0.74, 29.48

 

CMYK 0 / 7 / 22 / 35

HEX #A69B81

RGB 166 155 129

HSL 42.16, 0.17%, 0.58%

LAB 64.27, -0.31, 15.1

 

CMYK 0 / 1 / 2 / 42

HEX #959492

RGB 149 148 146

HSL 40, 0.01%, 0.58%

LAB 61.35, -0.01, 1.18

 

CMYK 19 / 13 / 0 / 36

HEX #848DA3

RGB 132 141 163

HSL 222.58, 0.14%, 0.58%

LAB 58.6, 1.56, -12.72

 

CMYK 0 / 44 / 53 / 21

HEX #C9705E

RGB 201 112 94

HSL 10.09, 0.5%, 0.58%

LAB 56.89, 33.28, 25.47

 

CMYK 0 / 30 / 53 / 21

HEX #C98C5E

RGB 201 140 94

HSL 25.79, 0.5%, 0.58%

LAB 63.33, 18.1, 33.73

 

CMYK 0 / 16 / 53 / 21

HEX #C9A95E

RGB 201 169 94

HSL 42.06, 0.5%, 0.58%

LAB 70.6, 2.36, 42.68

 

CMYK 0 / 2 / 53 / 21

HEX #C9C55E

RGB 201 197 94

HSL 57.76, 0.5%, 0.58%

LAB 77.97, -12.26, 51.4

 

CMYK 12 / 0 / 53 / 21

HEX #B0C95E

RGB 176 201 94

HSL 74.02, 0.5%, 0.58%

LAB 77.17, -24.37, 49.98

 

CMYK 0 / 19 / 67 / 38

HEX #9F8035

RGB 159 128 53

HSL 42.45, 0.5%, 0.42%

LAB 55.14, 3.39, 43.99

 

CMYK 0 / 20 / 67 / 25

HEX #BE983F

RGB 190 152 63

HSL 42.05, 0.5%, 0.5%

LAB 64.77, 4.54, 50.68

 

CMYK 0 / 16 / 53 / 21

HEX #C9A95E

RGB 201 169 94

HSL 42.06, 0.5%, 0.58%

LAB 70.6, 2.36, 42.68

 

CMYK 0 / 12 / 41 / 17

HEX #D3B97D

RGB 211 185 125

HSL 41.86, 0.49%, 0.66%

LAB 76.09, 1.01, 33.85

 

CMYK 0 / 9 / 30 / 13

HEX #DECA9C

RGB 222 202 156

HSL 41.82, 0.5%, 0.74%

LAB 81.93, 0.13, 25.55

 

CMYK 0 / 16 / 53 / 21

HEX #C9A95E

RGB 201 169 94

HSL 42.06, 0.5%, 0.58%

LAB 70.6, 2.36, 42.68

 

CMYK 48 / 0 / 53 / 21

HEX #69C95E

RGB 105 201 94

HSL 113.83, 0.5%, 0.58%

LAB 73.28, -49.24, 44.41

 

CMYK 37 / 53 / 0 / 21

HEX #7E5EC9

RGB 126 94 201

HSL 257.94, 0.5%, 0.58%

LAB 47.83, 37.14, -51.38

 

CMYK 0 / 16 / 53 / 21

HEX #C9A95E

RGB 201 169 94

HSL 42.06, 0.5%, 0.58%

LAB 70.6, 2.36, 42.68

 

CMYK 53 / 0 / 16 / 21

HEX #5EC9A9

RGB 94 201 169

HSL 162.06, 0.5%, 0.58%

LAB 74.2, -38.57, 6.67

 

CMYK 16 / 53 / 0 / 21

HEX #A95EC9

RGB 169 94 201

HSL 282.06, 0.5%, 0.58%

LAB 52.57, 48.26, -43.54

 

CMYK 0 / 16 / 53 / 21

HEX #C9A95E

RGB 201 169 94

HSL 42.06, 0.5%, 0.58%

LAB 70.6, 2.36, 42.68

 

CMYK 48 / 0 / 53 / 21

HEX #69C95E

RGB 105 201 94

HSL 113.83, 0.5%, 0.58%

LAB 73.28, -49.24, 44.41

 

CMYK 53 / 37 / 0 / 21

HEX #5E7EC9

RGB 94 126 201

HSL 222.06, 0.5%, 0.58%

LAB 53.51, 10.23, -42.48

 

CMYK 5 / 53 / 0 / 21

HEX #BE5EC9

RGB 190 94 201

HSL 293.83, 0.5%, 0.58%

LAB 55.25, 53.93, -39.14

 

CMYK 0 / 16 / 53 / 21

HEX #C9A95E

RGB 201 169 94

HSL 42.06, 0.5%, 0.58%

LAB 70.6, 2.36, 42.68

 

CMYK 53 / 0 / 43 / 21

HEX #5EC973

RGB 94 201 115

HSL 131.78, 0.5%, 0.58%

LAB 73.15, -49.22, 33.78

 

CMYK 53 / 37 / 0 / 21

HEX #5E7EC9

RGB 94 126 201

HSL 222.06, 0.5%, 0.58%

LAB 53.51, 10.23, -42.48

 

CMYK 0 / 53 / 10 / 21

HEX #C95EB4

RGB 201 94 180

HSL 311.78, 0.5%, 0.58%

LAB 55.8, 53.36, -26.1

 

Description

Color code: HEX #C9A95E | qconv.com Color code: HEX #C9A95E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 169 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 169 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 53 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 53% 21% C M Y K

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Provide designers and agencies with accurate color values.

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