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Color name
HEX #C9A04A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9A04A it is the complementary color #365FB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9A04A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9A04A shade: #CEA045, #DFB258, #F0C46B, #FFD67E and #FFE891

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9A04A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9A04A shade: #C9A04A, #B88E37, #A77C24, #966A11 and #855800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9A04A shade: #C9A04A, #C97D4A, #C95B4A and #C94A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9A04A shade: #C9A04A, #C9C24A, #ADC94A, #8BC94A and #69C94A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9A04A shade matches the following richer shades: #C9A04A, #DCA637 and #EFAD24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9A04A shade: #C9A04A, #B6995D, #A39270, #908B83 and #7D8596

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9A04A shade: #C95B4A, #C97D4A, #C99E4A, #C9C04A and #AFC94A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9A04A shade: #94722C, #B48B35, #C9A04A, #D2B06A and #DCC189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9A04A shade: #C9A04A, #5BC94A and #6C4AC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9A04A shade: #C9A04A, #4AC99E and #9E4AC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9A04A shade: #C9A04A, #5BC94A, #4A74C9 and #B84AC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9A04A shade: #C9A04A, #4AC95F, #4A74C9 and #C94AB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 63 / 21

HEX #C9A04A

RGB 201 160 74

HSL 40.63, 0.54%, 0.54%

LAB 68.06, 5.67, 49.51

 

Complementary color

CMYK 70 / 48 / 0 / 29

HEX #365FB5

RGB 54 95 181

HSL 220.63, 0.54%, 0.46%

LAB 41.7, 15.08, -49.89

 

CMYK 0 / 22 / 67 / 19

HEX #CEA045

RGB 206 160 69

HSL 39.85, 0.58%, 0.54%

LAB 68.53, 7.51, 52.48

 

CMYK 0 / 20 / 61 / 13

HEX #DFB258

RGB 223 178 88

HSL 40, 0.68%, 0.61%

LAB 74.97, 6.37, 51.29

 

CMYK 0 / 18 / 55 / 6

HEX #F0C46B

RGB 240 196 107

HSL 40.15, 0.82%, 0.68%

LAB 81.33, 5.38, 50.03

 

CMYK 0 / 16 / 51 / 0

HEX #FFD67E

RGB 255 214 126

HSL 40.93, 1%, 0.75%

LAB 87.42, 3.73, 48.49

 

CMYK 0 / 9 / 43 / 0

HEX #FFE891

RGB 255 232 145

HSL 47.45, 1%, 0.78%

LAB 92.14, -3.66, 45.07

 

CMYK 0 / 20 / 63 / 21

HEX #C9A04A

RGB 201 160 74

HSL 40.63, 0.54%, 0.54%

LAB 68.06, 5.67, 49.51

 

CMYK 0 / 23 / 70 / 28

HEX #B88E37

RGB 184 142 55

HSL 40.47, 0.54%, 0.47%

LAB 61.49, 6.91, 50.61

 

CMYK 0 / 26 / 78 / 35

HEX #A77C24

RGB 167 124 36

HSL 40.31, 0.65%, 0.4%

LAB 54.82, 8.38, 51.33

 

CMYK 0 / 29 / 89 / 41

HEX #966A11

RGB 150 106 17

HSL 40.15, 0.8%, 0.33%

LAB 48.05, 10.17, 51.12

 

CMYK 0 / 34 / 100 / 48

HEX #855800

RGB 133 88 0

HSL 39.7, 1%, 0.26%

LAB 41.16, 12.3, 49.41

 

CMYK 0 / 20 / 63 / 21

HEX #C9A04A

RGB 201 160 74

HSL 40.63, 0.54%, 0.54%

LAB 68.06, 5.67, 49.51

 

CMYK 0 / 38 / 63 / 21

HEX #C97D4A

RGB 201 125 74

HSL 24.09, 0.54%, 0.54%

LAB 59.51, 24.74, 39.71

 

CMYK 0 / 55 / 63 / 21

HEX #C95B4A

RGB 201 91 74

HSL 8.03, 0.54%, 0.54%

LAB 52.28, 42.55, 30.98

 

CMYK 0 / 63 / 63 / 21

HEX #C94A4A

RGB 201 74 74

HSL 0, 0.54%, 0.54%

LAB 49.26, 50.48, 27.21

 

CMYK 0 / 20 / 63 / 21

HEX #C9A04A

RGB 201 160 74

HSL 40.63, 0.54%, 0.54%

LAB 68.06, 5.67, 49.51

 

CMYK 0 / 3 / 63 / 21

HEX #C9C24A

RGB 201 194 74

HSL 56.69, 0.54%, 0.54%

LAB 76.98, -12.18, 59.2

 

CMYK 14 / 0 / 63 / 21

HEX #ADC94A

RGB 173 201 74

HSL 73.23, 0.54%, 0.54%

LAB 76.77, -27.2, 58.34

 

CMYK 31 / 0 / 63 / 21

HEX #8BC94A

RGB 139 201 74

HSL 89.29, 0.54%, 0.54%

LAB 74.67, -40.22, 55.46

 

CMYK 48 / 0 / 63 / 21

HEX #69C94A

RGB 105 201 74

HSL 105.35, 0.54%, 0.54%

LAB 73.07, -51.43, 53.24

 

CMYK 0 / 20 / 63 / 21

HEX #C9A04A

RGB 201 160 74

HSL 40.63, 0.54%, 0.54%

LAB 68.06, 5.67, 49.51

 

CMYK 0 / 25 / 75 / 14

HEX #DCA637

RGB 220 166 55

HSL 40.36, 0.7%, 0.54%

LAB 71.39, 9.62, 61.79

 

CMYK 0 / 28 / 85 / 6

HEX #EFAD24

RGB 239 173 36

HSL 40.49, 0.86%, 0.54%

LAB 75.05, 13.45, 72.11

 

CMYK 0 / 20 / 63 / 21

HEX #C9A04A

RGB 201 160 74

HSL 40.63, 0.54%, 0.54%

LAB 68.06, 5.67, 49.51

 

CMYK 0 / 16 / 49 / 29

HEX #B6995D

RGB 182 153 93

HSL 40.45, 0.38%, 0.54%

LAB 64.58, 2.89, 35.4

 

CMYK 0 / 10 / 31 / 36

HEX #A39270

RGB 163 146 112

HSL 40, 0.22%, 0.54%

LAB 61.23, 1.01, 20.36

 

CMYK 0 / 3 / 9 / 44

HEX #908B83

RGB 144 139 131

HSL 36.92, 0.06%, 0.54%

LAB 58.07, 0.37, 4.93

 

CMYK 17 / 11 / 0 / 41

HEX #7D8596

RGB 125 133 150

HSL 220.8, 0.11%, 0.54%

LAB 55.42, 0.78, -10.09

 

CMYK 0 / 55 / 63 / 21

HEX #C95B4A

RGB 201 91 74

HSL 8.03, 0.54%, 0.54%

LAB 52.28, 42.55, 30.98

 

CMYK 0 / 38 / 63 / 21

HEX #C97D4A

RGB 201 125 74

HSL 24.09, 0.54%, 0.54%

LAB 59.51, 24.74, 39.71

 

CMYK 0 / 21 / 63 / 21

HEX #C99E4A

RGB 201 158 74

HSL 39.69, 0.54%, 0.54%

LAB 67.55, 6.75, 48.94

 

CMYK 0 / 4 / 63 / 21

HEX #C9C04A

RGB 201 192 74

HSL 55.75, 0.54%, 0.54%

LAB 76.44, -11.16, 58.63

 

CMYK 13 / 0 / 63 / 21

HEX #AFC94A

RGB 175 201 74

HSL 72.28, 0.54%, 0.54%

LAB 76.91, -26.4, 58.53

 

CMYK 0 / 23 / 70 / 42

HEX #94722C

RGB 148 114 44

HSL 40.38, 0.54%, 0.38%

LAB 50.11, 5.76, 42.5

 

CMYK 0 / 23 / 71 / 29

HEX #B48B35

RGB 180 139 53

HSL 40.63, 0.55%, 0.46%

LAB 60.27, 6.68, 50.1

 

CMYK 0 / 20 / 63 / 21

HEX #C9A04A

RGB 201 160 74

HSL 40.63, 0.54%, 0.54%

LAB 68.06, 5.67, 49.51

 

CMYK 0 / 16 / 50 / 18

HEX #D2B06A

RGB 210 176 106

HSL 40.38, 0.54%, 0.62%

LAB 73.41, 3.45, 40.24

 

CMYK 0 / 12 / 38 / 14

HEX #DCC189

RGB 220 193 137

HSL 40.48, 0.54%, 0.7%

LAB 79.13, 1.74, 31.73

 

CMYK 0 / 20 / 63 / 21

HEX #C9A04A

RGB 201 160 74

HSL 40.63, 0.54%, 0.54%

LAB 68.06, 5.67, 49.51

 

CMYK 55 / 0 / 63 / 21

HEX #5BC94A

RGB 91 201 74

HSL 111.97, 0.54%, 0.54%

LAB 72.56, -55.32, 52.53

 

CMYK 46 / 63 / 0 / 21

HEX #6C4AC9

RGB 108 74 201

HSL 256.06, 0.54%, 0.54%

LAB 41.69, 44.57, -61.36

 

CMYK 0 / 20 / 63 / 21

HEX #C9A04A

RGB 201 160 74

HSL 40.63, 0.54%, 0.54%

LAB 68.06, 5.67, 49.51

 

CMYK 63 / 0 / 21 / 21

HEX #4AC99E

RGB 74 201 158

HSL 159.69, 0.54%, 0.54%

LAB 73.35, -45.14, 11.3

 

CMYK 21 / 63 / 0 / 21

HEX #9E4AC9

RGB 158 74 201

HSL 279.69, 0.54%, 0.54%

LAB 47.47, 55.46, -51.74

 

CMYK 0 / 20 / 63 / 21

HEX #C9A04A

RGB 201 160 74

HSL 40.63, 0.54%, 0.54%

LAB 68.06, 5.67, 49.51

 

CMYK 55 / 0 / 63 / 21

HEX #5BC94A

RGB 91 201 74

HSL 111.97, 0.54%, 0.54%

LAB 72.56, -55.32, 52.53

 

CMYK 63 / 42 / 0 / 21

HEX #4A74C9

RGB 74 116 201

HSL 220.16, 0.54%, 0.54%

LAB 49.69, 12.3, -48.61

 

CMYK 8 / 63 / 0 / 21

HEX #B84AC9

RGB 184 74 201

HSL 291.97, 0.54%, 0.54%

LAB 51.04, 61.59, -45.84

 

CMYK 0 / 20 / 63 / 21

HEX #C9A04A

RGB 201 160 74

HSL 40.63, 0.54%, 0.54%

LAB 68.06, 5.67, 49.51

 

CMYK 63 / 0 / 53 / 21

HEX #4AC95F

RGB 74 201 95

HSL 129.92, 0.54%, 0.54%

LAB 72.27, -56.81, 42.47

 

CMYK 63 / 42 / 0 / 21

HEX #4A74C9

RGB 74 116 201

HSL 220.16, 0.54%, 0.54%

LAB 49.69, 12.3, -48.61

 

CMYK 0 / 63 / 11 / 21

HEX #C94AB3

RGB 201 74 179

HSL 310.39, 0.54%, 0.54%

LAB 52.48, 62.11, -30.68

 

Description

Color code: HEX #C9A04A | qconv.com Color code: HEX #C9A04A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 160 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 160 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 63 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 63% 21% C M Y K

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Provide designers and agencies with accurate color values.

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