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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9A069 it is the complementary color #365F96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9A069. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9A069 shade: #CEA064, #DFB277, #F0C48A, #FFD69D and #FFE8B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9A069. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9A069 shade: #C9A069, #B88E56, #A77C43, #966A30 and #85581D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9A069 shade: #C89F69, #C88669, #C86C69 and #C86969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9A069 shade: #C89F69, #C8B969, #BEC869, #A4C869 and #8AC869

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9A069 shade matches the following richer shades: #C89F69, #D9A258, #E9A448 and #FAA737

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9A069 shade: #C89F69, #B89D79, #A79B8A, #97989A and #8696AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9A069 shade: #C86C69, #C88569, #C89F69, #C8B869 and #BFC869

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9A069 shade: #A4773B, #BE8C4A, #C89F69, #D3B387 and #DEC6A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9A069 shade: #C9A069, #7FC869 and #7969C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9A069 shade: #C9A069, #69C89F and #9F69C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9A069 shade: #C9A069, #7FC869, #6992C8 and #B269C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9A069 shade: #C9A069, #69C86F, #6992C8 and #C869C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 48 / 21

HEX #C9A069

RGB 201 160 105

HSL 34.38, 0.47%, 0.6%

LAB 68.45, 8.22, 34.34

 

Complementary color

CMYK 64 / 37 / 0 / 41

HEX #365F96

RGB 54 95 150

HSL 214.38, 0.47%, 0.4%

LAB 39.87, 3.73, -34.43

 

CMYK 0 / 22 / 51 / 19

HEX #CEA064

RGB 206 160 100

HSL 33.96, 0.52%, 0.6%

LAB 68.88, 9.83, 37.62

 

CMYK 0 / 20 / 47 / 13

HEX #DFB277

RGB 223 178 119

HSL 34.04, 0.62%, 0.67%

LAB 75.36, 8.96, 36.27

 

CMYK 0 / 18 / 43 / 6

HEX #F0C48A

RGB 240 196 138

HSL 34.12, 0.77%, 0.74%

LAB 81.75, 8.2, 34.99

 

CMYK 0 / 16 / 38 / 0

HEX #FFD69D

RGB 255 214 157

HSL 34.9, 1%, 0.81%

LAB 87.87, 6.77, 33.5

 

CMYK 0 / 9 / 31 / 0

HEX #FFE8B0

RGB 255 232 176

HSL 42.53, 1%, 0.85%

LAB 92.62, -0.22, 30.14

 

CMYK 0 / 20 / 48 / 21

HEX #C9A069

RGB 201 160 105

HSL 34.38, 0.47%, 0.6%

LAB 68.45, 8.22, 34.34

 

CMYK 0 / 23 / 53 / 28

HEX #B88E56

RGB 184 142 86

HSL 34.29, 0.41%, 0.53%

LAB 61.83, 9.13, 35.73

 

CMYK 0 / 26 / 60 / 35

HEX #A77C43

RGB 167 124 67

HSL 34.2, 0.43%, 0.46%

LAB 55.11, 10.21, 37.18

 

CMYK 0 / 29 / 68 / 41

HEX #966A30

RGB 150 106 48

HSL 34.12, 0.52%, 0.39%

LAB 48.27, 11.52, 38.64

 

CMYK 0 / 34 / 78 / 48

HEX #85581D

RGB 133 88 29

HSL 34.04, 0.64%, 0.32%

LAB 41.3, 13.13, 39.88

 

CMYK 0 / 21 / 48 / 22

HEX #C89F69

RGB 200 159 105

HSL 34.11, 0.46%, 0.6%

LAB 68.09, 8.34, 33.86

 

CMYK 0 / 33 / 48 / 22

HEX #C88669

RGB 200 134 105

HSL 18.32, 0.46%, 0.6%

LAB 61.95, 22.01, 25.91

 

CMYK 0 / 46 / 48 / 22

HEX #C86C69

RGB 200 108 105

HSL 1.89, 0.46%, 0.6%

LAB 56.11, 36.03, 18.07

 

CMYK 0 / 48 / 48 / 22

HEX #C86969

RGB 200 105 105

HSL 0, 0.46%, 0.6%

LAB 55.48, 37.6, 17.22

 

CMYK 0 / 21 / 48 / 22

HEX #C89F69

RGB 200 159 105

HSL 34.11, 0.46%, 0.6%

LAB 68.09, 8.34, 33.86

 

CMYK 0 / 8 / 48 / 22

HEX #C8B969

RGB 200 185 105

HSL 50.53, 0.46%, 0.6%

LAB 74.82, -5.52, 42.29

 

CMYK 5 / 0 / 48 / 22

HEX #BEC869

RGB 190 200 105

HSL 66.32, 0.46%, 0.6%

LAB 78.04, -17.26, 46.02

 

CMYK 18 / 0 / 48 / 22

HEX #A4C869

RGB 164 200 105

HSL 82.74, 0.46%, 0.6%

LAB 76.2, -27.44, 43.37

 

CMYK 31 / 0 / 48 / 22

HEX #8AC869

RGB 138 200 105

HSL 99.16, 0.46%, 0.6%

LAB 74.66, -36.92, 41.11

 

CMYK 0 / 21 / 48 / 22

HEX #C89F69

RGB 200 159 105

HSL 34.11, 0.46%, 0.6%

LAB 68.09, 8.34, 33.86

 

CMYK 0 / 25 / 59 / 15

HEX #D9A258

RGB 217 162 88

HSL 34.42, 0.63%, 0.6%

LAB 70.38, 12.38, 45.82

 

CMYK 0 / 30 / 69 / 9

HEX #E9A448

RGB 233 164 72

HSL 34.29, 0.79%, 0.6%

LAB 72.46, 17.03, 56.21

 

CMYK 0 / 33 / 78 / 2

HEX #FAA737

RGB 250 167 55

HSL 34.46, 0.95%, 0.6%

LAB 74.97, 21.81, 66.37

 

CMYK 0 / 21 / 48 / 22

HEX #C89F69

RGB 200 159 105

HSL 34.11, 0.46%, 0.6%

LAB 68.09, 8.34, 33.86

 

CMYK 0 / 15 / 34 / 28

HEX #B89D79

RGB 184 157 121

HSL 34.29, 0.31%, 0.6%

LAB 66.28, 4.67, 22.55

 

CMYK 0 / 7 / 17 / 35

HEX #A79B8A

RGB 167 155 138

HSL 35.17, 0.14%, 0.6%

LAB 64.56, 1.49, 10.5

 

CMYK 2 / 1 / 0 / 40

HEX #97989A

RGB 151 152 154

HSL 220, 0.01%, 0.6%

LAB 62.82, 0.03, -1.18

 

CMYK 22 / 12 / 0 / 33

HEX #8696AB

RGB 134 150 171

HSL 214.05, 0.18%, 0.6%

LAB 61.5, -1.01, -12.89

 

CMYK 0 / 46 / 48 / 22

HEX #C86C69

RGB 200 108 105

HSL 1.89, 0.46%, 0.6%

LAB 56.11, 36.03, 18.07

 

CMYK 0 / 34 / 48 / 22

HEX #C88569

RGB 200 133 105

HSL 17.68, 0.46%, 0.6%

LAB 61.72, 22.56, 25.59

 

CMYK 0 / 21 / 48 / 22

HEX #C89F69

RGB 200 159 105

HSL 34.11, 0.46%, 0.6%

LAB 68.09, 8.34, 33.86

 

CMYK 0 / 8 / 48 / 22

HEX #C8B869

RGB 200 184 105

HSL 49.89, 0.46%, 0.6%

LAB 74.56, -4.99, 41.97

 

CMYK 5 / 0 / 48 / 22

HEX #BFC869

RGB 191 200 105

HSL 65.68, 0.46%, 0.6%

LAB 78.11, -16.86, 46.13

 

CMYK 0 / 27 / 64 / 36

HEX #A4773B

RGB 164 119 59

HSL 34.29, 0.47%, 0.44%

LAB 53.39, 11.12, 39.24

 

CMYK 0 / 26 / 61 / 25

HEX #BE8C4A

RGB 190 140 74

HSL 34.14, 0.47%, 0.52%

LAB 61.82, 11.84, 42.09

 

CMYK 0 / 21 / 48 / 22

HEX #C89F69

RGB 200 159 105

HSL 34.11, 0.46%, 0.6%

LAB 68.09, 8.34, 33.86

 

CMYK 0 / 15 / 36 / 17

HEX #D3B387

RGB 211 179 135

HSL 34.74, 0.46%, 0.68%

LAB 74.72, 5.34, 26.77

 

CMYK 0 / 11 / 26 / 13

HEX #DEC6A5

RGB 222 198 165

HSL 34.74, 0.46%, 0.76%

LAB 81.09, 3.43, 19.64

 

CMYK 0 / 20 / 48 / 21

HEX #C9A069

RGB 201 160 105

HSL 34.38, 0.47%, 0.6%

LAB 68.45, 8.22, 34.34

 

CMYK 37 / 0 / 48 / 22

HEX #7FC869

RGB 127 200 105

HSL 106.11, 0.46%, 0.6%

LAB 74.09, -40.63, 40.28

 

CMYK 40 / 48 / 0 / 22

HEX #7969C8

RGB 121 105 200

HSL 250.11, 0.46%, 0.6%

LAB 49.9, 29.14, -47.52

 

CMYK 0 / 20 / 48 / 21

HEX #C9A069

RGB 201 160 105

HSL 34.38, 0.47%, 0.6%

LAB 68.45, 8.22, 34.34

 

CMYK 48 / 0 / 21 / 22

HEX #69C89F

RGB 105 200 159

HSL 154.11, 0.46%, 0.6%

LAB 74.07, -37.75, 11.92

 

CMYK 21 / 48 / 0 / 22

HEX #9F69C8

RGB 159 105 200

HSL 274.11, 0.46%, 0.6%

LAB 53.65, 39.37, -41.34

 

CMYK 0 / 20 / 48 / 21

HEX #C9A069

RGB 201 160 105

HSL 34.38, 0.47%, 0.6%

LAB 68.45, 8.22, 34.34

 

CMYK 37 / 0 / 48 / 22

HEX #7FC869

RGB 127 200 105

HSL 106.11, 0.46%, 0.6%

LAB 74.09, -40.63, 40.28

 

CMYK 48 / 27 / 0 / 22

HEX #6992C8

RGB 105 146 200

HSL 214.11, 0.46%, 0.6%

LAB 59.65, 0.71, -32.26

 

CMYK 11 / 48 / 0 / 22

HEX #B269C8

RGB 178 105 200

HSL 286.11, 0.46%, 0.6%

LAB 55.82, 44.78, -37.77

 

CMYK 0 / 20 / 48 / 21

HEX #C9A069

RGB 201 160 105

HSL 34.38, 0.47%, 0.6%

LAB 68.45, 8.22, 34.34

 

CMYK 48 / 0 / 45 / 22

HEX #69C86F

RGB 105 200 111

HSL 123.79, 0.46%, 0.6%

LAB 73.19, -46.5, 35.95

 

CMYK 48 / 27 / 0 / 22

HEX #6992C8

RGB 105 146 200

HSL 214.11, 0.46%, 0.6%

LAB 59.65, 0.71, -32.26

 

CMYK 0 / 48 / 3 / 22

HEX #C869C2

RGB 200 105 194

HSL 303.79, 0.46%, 0.6%

LAB 58.3, 50.04, -30.28

 

Description

Color code: HEX #C9A069 | qconv.com Color code: HEX #C9A069 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 160 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 160 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 48 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 48% 21% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - Hungaricum Bolt - Hu...
Link: http://hungaricumbolt.hu

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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