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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9AA6D it is the complementary color #365592. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9AA6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9AA6D shade: #CEAA68, #DFBC7B, #F0CE8E, #FFE0A1 and #FFF2B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9AA6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9AA6D shade: #C9AA6D, #B8985A, #A78647, #967434 and #856221

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9AA6D shade: #C9AA6D, #C9916D, #C9796D and #C96D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9AA6D shade: #C9AA6D, #C9C36D, #B6C96D, #9EC96D and #85C96D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9AA6D shade matches the following richer shades: #C9AA6D, #D9AF5D, #E9B44D and #F9BA3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9AA6D shade: #C9AA6D, #B9A57D, #A99F8D, #999A9E and #8895AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9AA6D shade: #C9786D, #C9906D, #C9A96D, #C9C16D and #B8C96D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9AA6D shade: #A6833D, #BE984F, #C9AA6D, #D4BB8B and #DFCDAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9AA6D shade: #C9AA6D, #7BC96D and #846DC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9AA6D shade: #C9AA6D, #6DC9A9 and #A96DC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9AA6D shade: #C9AA6D, #7BC96D, #6D8DC9 and #BB6DC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9AA6D shade: #C9AA6D, #6DC97B, #6D8DC9 and #C96DBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 46 / 21

HEX #C9AA6D

RGB 201 170 109

HSL 39.78, 0.46%, 0.61%

LAB 71.06, 3.23, 35.55

 

Complementary color

CMYK 63 / 42 / 0 / 43

HEX #365592

RGB 54 85 146

HSL 219.78, 0.46%, 0.39%

LAB 36.66, 8.72, -37.1

 

CMYK 0 / 17 / 50 / 19

HEX #CEAA68

RGB 206 170 104

HSL 38.82, 0.51%, 0.61%

LAB 71.47, 4.81, 38.77

 

CMYK 0 / 16 / 45 / 13

HEX #DFBC7B

RGB 223 188 123

HSL 39, 0.61%, 0.68%

LAB 77.92, 4.06, 37.47

 

CMYK 0 / 14 / 41 / 6

HEX #F0CE8E

RGB 240 206 142

HSL 39.18, 0.77%, 0.75%

LAB 84.29, 3.42, 36.23

 

CMYK 0 / 12 / 37 / 0

HEX #FFE0A1

RGB 255 224 161

HSL 40.21, 1%, 0.82%

LAB 90.39, 2.09, 34.79

 

CMYK 0 / 5 / 29 / 0

HEX #FFF2B4

RGB 255 242 180

HSL 49.6, 1%, 0.85%

LAB 95.19, -4.76, 31.56

 

CMYK 0 / 15 / 46 / 21

HEX #C9AA6D

RGB 201 170 109

HSL 39.78, 0.46%, 0.61%

LAB 71.06, 3.23, 35.55

 

CMYK 0 / 17 / 51 / 28

HEX #B8985A

RGB 184 152 90

HSL 39.57, 0.4%, 0.54%

LAB 64.47, 4, 36.88

 

CMYK 0 / 20 / 57 / 35

HEX #A78647

RGB 167 134 71

HSL 39.38, 0.4%, 0.47%

LAB 57.77, 4.92, 38.25

 

CMYK 0 / 23 / 65 / 41

HEX #967434

RGB 150 116 52

HSL 39.18, 0.49%, 0.4%

LAB 50.95, 6.04, 39.6

 

CMYK 0 / 26 / 75 / 48

HEX #856221

RGB 133 98 33

HSL 39, 0.6%, 0.33%

LAB 43.99, 7.44, 40.74

 

CMYK 0 / 15 / 46 / 21

HEX #C9AA6D

RGB 201 170 109

HSL 39.78, 0.46%, 0.61%

LAB 71.06, 3.23, 35.55

 

CMYK 0 / 28 / 46 / 21

HEX #C9916D

RGB 201 145 109

HSL 23.48, 0.46%, 0.61%

LAB 64.78, 16.8, 27.44

 

CMYK 0 / 40 / 46 / 21

HEX #C9796D

RGB 201 121 109

HSL 7.83, 0.46%, 0.61%

LAB 59.16, 29.89, 19.93

 

CMYK 0 / 46 / 46 / 21

HEX #C96D6D

RGB 201 109 109

HSL 0, 0.46%, 0.61%

LAB 56.54, 36.29, 16.37

 

CMYK 0 / 15 / 46 / 21

HEX #C9AA6D

RGB 201 170 109

HSL 39.78, 0.46%, 0.61%

LAB 71.06, 3.23, 35.55

 

CMYK 0 / 3 / 46 / 21

HEX #C9C36D

RGB 201 195 109

HSL 56.09, 0.46%, 0.61%

LAB 77.61, -9.9, 43.74

 

CMYK 9 / 0 / 46 / 21

HEX #B6C96D

RGB 182 201 109

HSL 72.39, 0.46%, 0.61%

LAB 77.77, -20.53, 43.61

 

CMYK 21 / 0 / 46 / 21

HEX #9EC96D

RGB 158 201 109

HSL 88.04, 0.46%, 0.61%

LAB 76.16, -29.71, 41.26

 

CMYK 34 / 0 / 46 / 21

HEX #85C96D

RGB 133 201 109

HSL 104.35, 0.46%, 0.61%

LAB 74.74, -38.56, 39.18

 

CMYK 0 / 15 / 46 / 21

HEX #C9AA6D

RGB 201 170 109

HSL 39.78, 0.46%, 0.61%

LAB 71.06, 3.23, 35.55

 

CMYK 0 / 19 / 57 / 15

HEX #D9AF5D

RGB 217 175 93

HSL 39.68, 0.62%, 0.61%

LAB 73.68, 5.8, 47.23

 

CMYK 0 / 23 / 67 / 9

HEX #E9B44D

RGB 233 180 77

HSL 39.62, 0.78%, 0.61%

LAB 76.38, 8.83, 58.16

 

CMYK 0 / 25 / 76 / 2

HEX #F9BA3D

RGB 249 186 61

HSL 39.89, 0.94%, 0.61%

LAB 79.38, 11.67, 68.25

 

CMYK 0 / 15 / 46 / 21

HEX #C9AA6D

RGB 201 170 109

HSL 39.78, 0.46%, 0.61%

LAB 71.06, 3.23, 35.55

 

CMYK 0 / 11 / 32 / 27

HEX #B9A57D

RGB 185 165 125

HSL 40, 0.3%, 0.61%

LAB 68.54, 1.24, 23.43

 

CMYK 0 / 6 / 17 / 34

HEX #A99F8D

RGB 169 159 141

HSL 38.57, 0.14%, 0.61%

LAB 65.87, 0.54, 10.7

 

CMYK 3 / 3 / 0 / 38

HEX #999A9E

RGB 153 154 158

HSL 228, 0.03%, 0.61%

LAB 63.63, 0.42, -2.22

 

CMYK 22 / 14 / 0 / 32

HEX #8895AE

RGB 136 149 174

HSL 219.47, 0.19%, 0.61%

LAB 61.47, 0.91, -14.62

 

CMYK 0 / 40 / 46 / 21

HEX #C9786D

RGB 201 120 109

HSL 7.17, 0.46%, 0.61%

LAB 58.93, 30.43, 19.63

 

CMYK 0 / 28 / 46 / 21

HEX #C9906D

RGB 201 144 109

HSL 22.83, 0.46%, 0.61%

LAB 64.54, 17.35, 27.12

 

CMYK 0 / 16 / 46 / 21

HEX #C9A96D

RGB 201 169 109

HSL 39.13, 0.46%, 0.61%

LAB 70.8, 3.76, 35.23

 

CMYK 0 / 4 / 46 / 21

HEX #C9C16D

RGB 201 193 109

HSL 54.78, 0.46%, 0.61%

LAB 77.08, -8.87, 43.09

 

CMYK 8 / 0 / 46 / 21

HEX #B8C96D

RGB 184 201 109

HSL 71.09, 0.46%, 0.61%

LAB 77.91, -19.74, 43.82

 

CMYK 0 / 21 / 63 / 35

HEX #A6833D

RGB 166 131 61

HSL 40, 0.46%, 0.45%

LAB 56.76, 5.39, 42.11

 

CMYK 0 / 20 / 58 / 25

HEX #BE984F

RGB 190 152 79

HSL 39.46, 0.46%, 0.53%

LAB 64.94, 5.63, 43.21

 

CMYK 0 / 15 / 46 / 21

HEX #C9AA6D

RGB 201 170 109

HSL 39.78, 0.46%, 0.61%

LAB 71.06, 3.23, 35.55

 

CMYK 0 / 12 / 34 / 17

HEX #D4BB8B

RGB 212 187 139

HSL 39.45, 0.46%, 0.69%

LAB 76.92, 1.97, 27.61

 

CMYK 0 / 8 / 24 / 13

HEX #DFCDAA

RGB 223 205 170

HSL 39.62, 0.45%, 0.77%

LAB 83.05, 0.84, 19.72

 

CMYK 0 / 15 / 46 / 21

HEX #C9AA6D

RGB 201 170 109

HSL 39.78, 0.46%, 0.61%

LAB 71.06, 3.23, 35.55

 

CMYK 39 / 0 / 46 / 21

HEX #7BC96D

RGB 123 201 109

HSL 110.87, 0.46%, 0.61%

LAB 74.25, -41.83, 38.45

 

CMYK 34 / 46 / 0 / 21

HEX #846DC9

RGB 132 109 201

HSL 255, 0.46%, 0.61%

LAB 51.9, 29.9, -44.85

 

CMYK 0 / 15 / 46 / 21

HEX #C9AA6D

RGB 201 170 109

HSL 39.78, 0.46%, 0.61%

LAB 71.06, 3.23, 35.55

 

CMYK 46 / 0 / 16 / 21

HEX #6DC9A9

RGB 109 201 169

HSL 159.13, 0.46%, 0.61%

LAB 74.75, -35.02, 7.53

 

CMYK 16 / 46 / 0 / 21

HEX #A96DC9

RGB 169 109 201

HSL 279.13, 0.46%, 0.61%

LAB 55.67, 40.24, -38.65

 

CMYK 0 / 15 / 46 / 21

HEX #C9AA6D

RGB 201 170 109

HSL 39.78, 0.46%, 0.61%

LAB 71.06, 3.23, 35.55

 

CMYK 39 / 0 / 46 / 21

HEX #7BC96D

RGB 123 201 109

HSL 110.87, 0.46%, 0.61%

LAB 74.25, -41.83, 38.45

 

CMYK 46 / 30 / 0 / 21

HEX #6D8DC9

RGB 109 141 201

HSL 219.13, 0.46%, 0.61%

LAB 58.53, 4.89, -34.55

 

CMYK 7 / 46 / 0 / 21

HEX #BB6DC9

RGB 187 109 201

HSL 290.87, 0.46%, 0.61%

LAB 57.77, 45.47, -35.21

 

CMYK 0 / 15 / 46 / 21

HEX #C9AA6D

RGB 201 170 109

HSL 39.78, 0.46%, 0.61%

LAB 71.06, 3.23, 35.55

 

CMYK 46 / 0 / 39 / 21

HEX #6DC97B

RGB 109 201 123

HSL 129.13, 0.46%, 0.61%

LAB 73.84, -43.92, 30.68

 

CMYK 46 / 30 / 0 / 21

HEX #6D8DC9

RGB 109 141 201

HSL 219.13, 0.46%, 0.61%

LAB 58.53, 4.89, -34.55

 

CMYK 0 / 46 / 7 / 21

HEX #C96DBB

RGB 201 109 187

HSL 309.13, 0.46%, 0.61%

LAB 58.92, 47.1, -25.31

 

Description

Color code: HEX #C9AA6D | qconv.com Color code: HEX #C9AA6D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 170 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 170 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 46 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 46% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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