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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9AAAF it is the complementary color #365550. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9AAAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9AAAF shade: #CEAAAA, #DFBCBD, #F0CED0, #FFE0E3 and #FFF2F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9AAAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9AAAF shade: #C9AAAF, #B8989C, #A78689, #967476 and #856263

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9AAAF shade: #C9ABAF and #C9ABAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9AAAF shade: #C9ABAF, #C9ABB8, #C9ABC0, #C9ABC8 and #C2ABC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9AAAF shade matches the following richer shades: #C9ABAF, #D49FA8, #DF94A0, #EA8999 and #F57E91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9AAAF shade: #C9ABAF, #BEB6B7, #B3C1BE, #A7CCC6 and #9CD7CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9AAAF shade: #C9ABC0, #C9ABB8, #C9ABB0, #C9AEAB and #C9B6AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9AAAF shade: #A97880, #B99198, #C9ABAF, #D9C4C7 and #E9DDDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9AAAF shade: #C9AAAF, #C8C9AB and #ABBCC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9AAAF shade: #C9AAAF, #B0C9AB and #ABB0C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9AAAF shade: #C9AAAF, #C8C9AB, #ABC9C4 and #ACABC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9AAAF shade: #C9AAAF, #BFC9AB, #ABC9C4 and #B5ABC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 13 / 21

HEX #C9AAAF

RGB 201 170 175

HSL 350.32, 0.22%, 0.73%

LAB 72.4, 12.08, 1.63

 

Complementary color

CMYK 36 / 0 / 6 / 67

HEX #365550

RGB 54 85 80

HSL 170.32, 0.22%, 0.27%

LAB 33.69, -12.72, -0.73

 

CMYK 0 / 17 / 17 / 19

HEX #CEAAAA

RGB 206 170 170

HSL 0, 0.27%, 0.74%

LAB 72.74, 13.11, 4.93

 

CMYK 0 / 16 / 15 / 13

HEX #DFBCBD

RGB 223 188 189

HSL 358.29, 0.35%, 0.81%

LAB 79.23, 12.65, 4.15

 

CMYK 0 / 14 / 13 / 6

HEX #F0CED0

RGB 240 206 208

HSL 356.47, 0.53%, 0.87%

LAB 85.62, 12.22, 3.42

 

CMYK 0 / 12 / 11 / 0

HEX #FFE0E3

RGB 255 224 227

HSL 354.19, 1%, 0.94%

LAB 91.74, 11.14, 2.45

 

CMYK 0 / 5 / 4 / 0

HEX #FFF2F6

RGB 255 242 246

HSL 341.54, 1%, 0.97%

LAB 96.58, 5.04, -0.37

 

CMYK 0 / 15 / 13 / 21

HEX #C9AAAF

RGB 201 170 175

HSL 350.32, 0.22%, 0.73%

LAB 72.4, 12.08, 1.63

 

CMYK 0 / 17 / 15 / 28

HEX #B8989C

RGB 184 152 156

HSL 352.5, 0.18%, 0.66%

LAB 65.79, 12.55, 2.37

 

CMYK 0 / 20 / 18 / 35

HEX #A78689

RGB 167 134 137

HSL 354.55, 0.16%, 0.59%

LAB 59.04, 13.07, 3.17

 

CMYK 0 / 23 / 21 / 41

HEX #967476

RGB 150 116 118

HSL 356.47, 0.14%, 0.52%

LAB 52.16, 13.65, 4.03

 

CMYK 0 / 26 / 26 / 48

HEX #856263

RGB 133 98 99

HSL 358.29, 0.15%, 0.45%

LAB 45.11, 14.33, 4.98

 

CMYK 0 / 15 / 13 / 21

HEX #C9ABAF

RGB 201 171 175

HSL 352, 0.22%, 0.73%

LAB 72.65, 11.54, 1.99

 

CMYK 0 / 15 / 15 / 21

HEX #C9ABAB

RGB 201 171 171

HSL 0, 0.22%, 0.73%

LAB 72.55, 10.88, 4.04

 

CMYK 0 / 15 / 13 / 21

HEX #C9ABAF

RGB 201 171 175

HSL 352, 0.22%, 0.73%

LAB 72.65, 11.54, 1.99

 

CMYK 0 / 15 / 8 / 21

HEX #C9ABB8

RGB 201 171 184

HSL 334, 0.22%, 0.73%

LAB 72.89, 13.07, -2.6

 

CMYK 0 / 15 / 4 / 21

HEX #C9ABC0

RGB 201 171 192

HSL 318, 0.22%, 0.73%

LAB 73.12, 14.48, -6.66

 

CMYK 0 / 15 / 0 / 21

HEX #C9ABC8

RGB 201 171 200

HSL 302, 0.22%, 0.73%

LAB 73.36, 15.96, -10.7

 

CMYK 3 / 15 / 0 / 21

HEX #C2ABC9

RGB 194 171 201

HSL 286, 0.22%, 0.73%

LAB 72.77, 13.76, -12.2

 

CMYK 0 / 15 / 13 / 21

HEX #C9ABAF

RGB 201 171 175

HSL 352, 0.22%, 0.73%

LAB 72.65, 11.54, 1.99

 

CMYK 0 / 25 / 21 / 17

HEX #D49FA8

RGB 212 159 168

HSL 349.81, 0.38%, 0.73%

LAB 70.61, 21, 3.02

 

CMYK 0 / 34 / 28 / 13

HEX #DF94A0

RGB 223 148 160

HSL 350.4, 0.54%, 0.73%

LAB 69.04, 29.84, 5.36

 

CMYK 0 / 41 / 35 / 8

HEX #EA8999

RGB 234 137 153

HSL 350.1, 0.7%, 0.73%

LAB 67.79, 38.75, 7.66

 

CMYK 0 / 49 / 41 / 4

HEX #F57E91

RGB 245 126 145

HSL 350.42, 0.86%, 0.73%

LAB 66.81, 47.31, 10.97

 

CMYK 0 / 15 / 13 / 21

HEX #C9ABAF

RGB 201 171 175

HSL 352, 0.22%, 0.73%

LAB 72.65, 11.54, 1.99

 

CMYK 0 / 4 / 4 / 25

HEX #BEB6B7

RGB 190 182 183

HSL 352.5, 0.06%, 0.73%

LAB 74.71, 3.01, 0.49

 

CMYK 7 / 0 / 2 / 24

HEX #B3C1BE

RGB 179 193 190

HSL 167.14, 0.1%, 0.73%

LAB 76.95, -5.37, -0.15

 

CMYK 18 / 0 / 3 / 20

HEX #A7CCC6

RGB 167 204 198

HSL 170.27, 0.27%, 0.73%

LAB 79.32, -13.44, -1.09

 

CMYK 27 / 0 / 4 / 16

HEX #9CD7CE

RGB 156 215 206

HSL 170.85, 0.42%, 0.73%

LAB 81.91, -20.68, -1.65

 

CMYK 0 / 15 / 4 / 21

HEX #C9ABC0

RGB 201 171 192

HSL 318, 0.22%, 0.73%

LAB 73.12, 14.48, -6.66

 

CMYK 0 / 15 / 8 / 21

HEX #C9ABB8

RGB 201 171 184

HSL 334, 0.22%, 0.73%

LAB 72.89, 13.07, -2.6

 

CMYK 0 / 15 / 12 / 21

HEX #C9ABB0

RGB 201 171 176

HSL 350, 0.22%, 0.73%

LAB 72.68, 11.7, 1.48

 

CMYK 0 / 13 / 15 / 21

HEX #C9AEAB

RGB 201 174 171

HSL 6, 0.22%, 0.73%

LAB 73.3, 9.26, 5.13

 

CMYK 0 / 9 / 15 / 21

HEX #C9B6AB

RGB 201 182 171

HSL 22, 0.22%, 0.73%

LAB 75.34, 4.94, 8.05

 

CMYK 0 / 29 / 24 / 34

HEX #A97880

RGB 169 120 128

HSL 350.2, 0.22%, 0.57%

LAB 55.51, 20.35, 3.29

 

CMYK 0 / 22 / 18 / 27

HEX #B99198

RGB 185 145 152

HSL 349.5, 0.22%, 0.65%

LAB 64.02, 16.16, 2.08

 

CMYK 0 / 15 / 13 / 21

HEX #C9ABAF

RGB 201 171 175

HSL 352, 0.22%, 0.73%

LAB 72.65, 11.54, 1.99

 

CMYK 0 / 10 / 8 / 15

HEX #D9C4C7

RGB 217 196 199

HSL 351.43, 0.22%, 0.81%

LAB 80.94, 7.88, 1.18

 

CMYK 0 / 5 / 4 / 9

HEX #E9DDDF

RGB 233 221 223

HSL 350, 0.21%, 0.89%

LAB 89.09, 4.44, 0.48

 

CMYK 0 / 15 / 13 / 21

HEX #C9AAAF

RGB 201 170 175

HSL 350.32, 0.22%, 0.73%

LAB 72.4, 12.08, 1.63

 

CMYK 0 / 0 / 15 / 21

HEX #C8C9AB

RGB 200 201 171

HSL 62, 0.22%, 0.73%

LAB 80.18, -5.46, 14.9

 

CMYK 15 / 6 / 0 / 21

HEX #ABBCC9

RGB 171 188 201

HSL 206, 0.22%, 0.73%

LAB 75.35, -3.14, -8.53

 

CMYK 0 / 15 / 13 / 21

HEX #C9AAAF

RGB 201 170 175

HSL 350.32, 0.22%, 0.73%

LAB 72.4, 12.08, 1.63

 

CMYK 12 / 0 / 15 / 21

HEX #B0C9AB

RGB 176 201 171

HSL 110, 0.22%, 0.73%

LAB 78.43, -14.05, 12.19

 

CMYK 15 / 12 / 0 / 21

HEX #ABB0C9

RGB 171 176 201

HSL 230, 0.22%, 0.73%

LAB 72.18, 3.35, -13.27

 

CMYK 0 / 15 / 13 / 21

HEX #C9AAAF

RGB 201 170 175

HSL 350.32, 0.22%, 0.73%

LAB 72.4, 12.08, 1.63

 

CMYK 0 / 0 / 15 / 21

HEX #C8C9AB

RGB 200 201 171

HSL 62, 0.22%, 0.73%

LAB 80.18, -5.46, 14.9

 

CMYK 15 / 0 / 2 / 21

HEX #ABC9C4

RGB 171 201 196

HSL 170, 0.22%, 0.73%

LAB 78.7, -11.02, -0.88

 

CMYK 14 / 15 / 0 / 21

HEX #ACABC9

RGB 172 171 201

HSL 242, 0.22%, 0.73%

LAB 70.95, 6.42, -15.11

 

CMYK 0 / 15 / 13 / 21

HEX #C9AAAF

RGB 201 170 175

HSL 350.32, 0.22%, 0.73%

LAB 72.4, 12.08, 1.63

 

CMYK 5 / 0 / 15 / 21

HEX #BFC9AB

RGB 191 201 171

HSL 80, 0.22%, 0.73%

LAB 79.49, -8.73, 13.84

 

CMYK 15 / 0 / 2 / 21

HEX #ABC9C4

RGB 171 201 196

HSL 170, 0.22%, 0.73%

LAB 78.7, -11.02, -0.88

 

CMYK 10 / 15 / 0 / 21

HEX #B5ABC9

RGB 181 171 201

HSL 260, 0.22%, 0.73%

LAB 71.67, 9.38, -13.96

 

Description

Color code: HEX #C9AAAF | qconv.com Color code: HEX #C9AAAF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 170 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 170 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 13 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 13% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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