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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9ADB5 it is the complementary color #36524A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9ADB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9ADB5 shade: #CEADB0, #DFBFC3, #F0D1D6, #FFE3E9 and #FFF5FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9ADB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9ADB5 shade: #C9ADB5, #B89BA2, #A7898F, #96777C and #856569

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9ADB5 shade: #C8ABB3, #C8ABAC and #C8ABAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9ADB5 shade: #C8ABB3, #C8ABBB, #C8ABC3, #C5ABC8 and #BEABC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9ADB5 shade matches the following richer shades: #C8ABB3, #D3A0AF, #DE95AA, #EA8AA5 and #F57FA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9ADB5 shade: #C8ABB3, #BDB6B8, #B2C1BD, #A7CDC2 and #9CD8C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9ADB5 shade: #C8ABC3, #C8ABBC, #C8ABB4, #C8ABAC and #C8B2AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9ADB5 shade: #A87986, #B8929D, #C8ABB3, #D8C4CA and #E9DDE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9ADB5 shade: #C9ADB5, #C8C5AB and #ABBFC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9ADB5 shade: #C9ADB5, #B4C8AB and #ABB4C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9ADB5 shade: #C9ADB5, #C8C5AB, #ABC8BF and #ABAEC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9ADB5 shade: #C9ADB5, #C2C8AB, #ABC8BF and #B1ABC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 10 / 21

HEX #C9ADB5

RGB 201 173 181

HSL 342.86, 0.21%, 0.73%

LAB 73.31, 11.46, -0.34

 

Complementary color

CMYK 34 / 0 / 10 / 68

HEX #36524A

RGB 54 82 74

HSL 162.86, 0.21%, 0.27%

LAB 32.51, -12.53, 1.34

 

CMYK 0 / 16 / 15 / 19

HEX #CEADB0

RGB 206 173 176

HSL 354.55, 0.25%, 0.74%

LAB 73.64, 12.44, 2.93

 

CMYK 0 / 14 / 13 / 13

HEX #DFBFC3

RGB 223 191 195

HSL 352.5, 0.33%, 0.81%

LAB 80.12, 12.01, 2.2

 

CMYK 0 / 13 / 11 / 6

HEX #F0D1D6

RGB 240 209 214

HSL 350.32, 0.51%, 0.88%

LAB 86.49, 11.62, 1.51

 

CMYK 0 / 11 / 9 / 0

HEX #FFE3E9

RGB 255 227 233

HSL 347.14, 1%, 0.95%

LAB 92.61, 10.56, 0.59

 

CMYK 0 / 4 / 1 / 0

HEX #FFF5FC

RGB 255 245 252

HSL 318, 1%, 0.98%

LAB 97.47, 4.55, -2.17

 

CMYK 0 / 14 / 10 / 21

HEX #C9ADB5

RGB 201 173 181

HSL 342.86, 0.21%, 0.73%

LAB 73.31, 11.46, -0.34

 

CMYK 0 / 16 / 12 / 28

HEX #B89BA2

RGB 184 155 162

HSL 345.52, 0.17%, 0.66%

LAB 66.7, 11.89, 0.35

 

CMYK 0 / 18 / 14 / 35

HEX #A7898F

RGB 167 137 143

HSL 348, 0.15%, 0.6%

LAB 59.97, 12.37, 1.08

 

CMYK 0 / 21 / 17 / 41

HEX #96777C

RGB 150 119 124

HSL 350.32, 0.13%, 0.53%

LAB 53.09, 12.91, 1.87

 

CMYK 0 / 24 / 21 / 48

HEX #856569

RGB 133 101 105

HSL 352.5, 0.14%, 0.46%

LAB 46.06, 13.52, 2.73

 

CMYK 0 / 15 / 11 / 22

HEX #C8ABB3

RGB 200 171 179

HSL 343.45, 0.21%, 0.73%

LAB 72.67, 11.85, -0.2

 

CMYK 0 / 15 / 14 / 22

HEX #C8ABAC

RGB 200 171 172

HSL 357.93, 0.21%, 0.73%

LAB 72.48, 10.68, 3.38

 

CMYK 0 / 15 / 15 / 22

HEX #C8ABAB

RGB 200 171 171

HSL 0, 0.21%, 0.73%

LAB 72.46, 10.51, 3.9

 

CMYK 0 / 15 / 11 / 22

HEX #C8ABB3

RGB 200 171 179

HSL 343.45, 0.21%, 0.73%

LAB 72.67, 11.85, -0.2

 

CMYK 0 / 15 / 7 / 22

HEX #C8ABBB

RGB 200 171 187

HSL 326.9, 0.21%, 0.73%

LAB 72.89, 13.24, -4.27

 

CMYK 0 / 15 / 3 / 22

HEX #C8ABC3

RGB 200 171 195

HSL 310.34, 0.21%, 0.73%

LAB 73.12, 14.68, -8.32

 

CMYK 1 / 15 / 0 / 22

HEX #C5ABC8

RGB 197 171 200

HSL 293.79, 0.21%, 0.73%

LAB 73, 14.59, -11.27

 

CMYK 5 / 15 / 0 / 22

HEX #BEABC8

RGB 190 171 200

HSL 279.31, 0.21%, 0.73%

LAB 72.39, 12.2, -12.25

 

CMYK 0 / 15 / 11 / 22

HEX #C8ABB3

RGB 200 171 179

HSL 343.45, 0.21%, 0.73%

LAB 72.67, 11.85, -0.2

 

CMYK 0 / 24 / 17 / 17

HEX #D3A0AF

RGB 211 160 175

HSL 342.35, 0.37%, 0.73%

LAB 70.93, 21.17, -0.4

 

CMYK 0 / 33 / 23 / 13

HEX #DE95AA

RGB 222 149 170

HSL 342.74, 0.53%, 0.73%

LAB 69.42, 30.35, 0.31

 

CMYK 0 / 41 / 29 / 8

HEX #EA8AA5

RGB 234 138 165

HSL 343.13, 0.7%, 0.73%

LAB 68.3, 39.74, 1.66

 

CMYK 0 / 48 / 35 / 4

HEX #F57FA0

RGB 245 127 160

HSL 343.22, 0.86%, 0.73%

LAB 67.37, 48.49, 3.3

 

CMYK 0 / 15 / 11 / 22

HEX #C8ABB3

RGB 200 171 179

HSL 343.45, 0.21%, 0.73%

LAB 72.67, 11.85, -0.2

 

CMYK 0 / 4 / 3 / 26

HEX #BDB6B8

RGB 189 182 184

HSL 342.86, 0.05%, 0.73%

LAB 74.66, 2.84, -0.14

 

CMYK 8 / 0 / 2 / 24

HEX #B2C1BD

RGB 178 193 189

HSL 164, 0.11%, 0.73%

LAB 76.85, -5.9, 0.24

 

CMYK 19 / 0 / 5 / 20

HEX #A7CDC2

RGB 167 205 194

HSL 162.63, 0.28%, 0.73%

LAB 79.48, -14.77, 1.3

 

CMYK 28 / 0 / 8 / 15

HEX #9CD8C7

RGB 156 216 199

HSL 163, 0.43%, 0.73%

LAB 82, -22.67, 2.21

 

CMYK 0 / 15 / 3 / 22

HEX #C8ABC3

RGB 200 171 195

HSL 310.34, 0.21%, 0.73%

LAB 73.12, 14.68, -8.32

 

CMYK 0 / 15 / 6 / 22

HEX #C8ABBC

RGB 200 171 188

HSL 324.83, 0.21%, 0.73%

LAB 72.92, 13.41, -4.78

 

CMYK 0 / 15 / 10 / 22

HEX #C8ABB4

RGB 200 171 180

HSL 341.38, 0.21%, 0.73%

LAB 72.69, 12.02, -0.71

 

CMYK 0 / 15 / 14 / 22

HEX #C8ABAC

RGB 200 171 172

HSL 357.93, 0.21%, 0.73%

LAB 72.48, 10.68, 3.38

 

CMYK 0 / 11 / 15 / 22

HEX #C8B2AB

RGB 200 178 171

HSL 14.48, 0.21%, 0.73%

LAB 74.23, 6.73, 6.45

 

CMYK 0 / 28 / 20 / 34

HEX #A87986

RGB 168 121 134

HSL 343.4, 0.21%, 0.57%

LAB 55.81, 20.34, 0.21

 

CMYK 0 / 21 / 15 / 28

HEX #B8929D

RGB 184 146 157

HSL 342.63, 0.21%, 0.65%

LAB 64.31, 16.05, -0.34

 

CMYK 0 / 15 / 11 / 22

HEX #C8ABB3

RGB 200 171 179

HSL 343.45, 0.21%, 0.73%

LAB 72.67, 11.85, -0.2

 

CMYK 0 / 9 / 6 / 15

HEX #D8C4CA

RGB 216 196 202

HSL 342, 0.2%, 0.81%

LAB 80.93, 8.05, -0.45

 

CMYK 0 / 5 / 4 / 9

HEX #E9DDE0

RGB 233 221 224

HSL 345, 0.21%, 0.89%

LAB 89.12, 4.61, -0.01

 

CMYK 0 / 14 / 10 / 21

HEX #C9ADB5

RGB 201 173 181

HSL 342.86, 0.21%, 0.73%

LAB 73.31, 11.46, -0.34

 

CMYK 0 / 1 / 15 / 22

HEX #C8C5AB

RGB 200 197 171

HSL 53.79, 0.21%, 0.73%

LAB 79.13, -3.38, 13.43

 

CMYK 15 / 5 / 0 / 22

HEX #ABBFC8

RGB 171 191 200

HSL 198.62, 0.21%, 0.73%

LAB 76.12, -4.95, -6.84

 

CMYK 0 / 14 / 10 / 21

HEX #C9ADB5

RGB 201 173 181

HSL 342.86, 0.21%, 0.73%

LAB 73.31, 11.46, -0.34

 

CMYK 10 / 0 / 15 / 22

HEX #B4C8AB

RGB 180 200 171

HSL 101.38, 0.21%, 0.73%

LAB 78.43, -12.14, 12.23

 

CMYK 15 / 10 / 0 / 22

HEX #ABB4C8

RGB 171 180 200

HSL 221.38, 0.21%, 0.73%

LAB 73.2, 0.95, -11.19

 

CMYK 0 / 14 / 10 / 21

HEX #C9ADB5

RGB 201 173 181

HSL 342.86, 0.21%, 0.73%

LAB 73.31, 11.46, -0.34

 

CMYK 0 / 1 / 15 / 22

HEX #C8C5AB

RGB 200 197 171

HSL 53.79, 0.21%, 0.73%

LAB 79.13, -3.38, 13.43

 

CMYK 15 / 0 / 5 / 22

HEX #ABC8BF

RGB 171 200 191

HSL 161.38, 0.21%, 0.73%

LAB 78.3, -11.5, 1.22

 

CMYK 15 / 13 / 0 / 22

HEX #ABAEC8

RGB 171 174 200

HSL 233.79, 0.21%, 0.73%

LAB 71.62, 4.23, -13.56

 

CMYK 0 / 14 / 10 / 21

HEX #C9ADB5

RGB 201 173 181

HSL 342.86, 0.21%, 0.73%

LAB 73.31, 11.46, -0.34

 

CMYK 3 / 0 / 15 / 22

HEX #C2C8AB

RGB 194 200 171

HSL 72.41, 0.21%, 0.73%

LAB 79.45, -7.13, 13.82

 

CMYK 15 / 0 / 5 / 22

HEX #ABC8BF

RGB 171 200 191

HSL 161.38, 0.21%, 0.73%

LAB 78.3, -11.5, 1.22

 

CMYK 12 / 15 / 0 / 22

HEX #B1ABC8

RGB 177 171 200

HSL 252.41, 0.21%, 0.73%

LAB 71.31, 7.85, -13.98

 

Description

Color code: HEX #C9ADB5 | qconv.com Color code: HEX #C9ADB5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 173 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 173 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 10 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 10% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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