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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9B916 it is the complementary color #3646E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9B916. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9B916 shade: #CEB911, #DFCB24, #F0DD37, #FFEF4A and #FFFF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9B916. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9B916 shade: #C9B916, #B8A703, #A79500, #968300 and #857100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9B916 shade: #C9B916, #C98916, #C95916, #C92816 and #C91616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9B916 shade: #C9B916, #A9C916, #79C916, #48C916 and #18C916

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9B916 shade matches the following richer shades: #C9B916 and #DCC804

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9B916 shade: #C9B916, #B7AB28, #A59C3A, #938D4C and #817E5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9B916 shade: #C95816, #C98816, #C9B816, #ACC916 and #7CC916

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9B916 shade: #7F750E, #A49712, #C9B916, #E6D523 and #EADC48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9B916 shade: #C9B916, #16C928 and #7016C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9B916 shade: #C9B916, #16C9B8 and #B816C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9B916 shade: #C9B916, #16C928, #1628C9 and #C916B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9B916 shade: #C9B916, #16C95E, #1628C9 and #C91682

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 89 / 21

HEX #C9B916

RGB 201 185 22

HSL 54.64, 0.8%, 0.44%

LAB 74.3, -9.66, 73.08

 

Complementary color

CMYK 77 / 70 / 0 / 9

HEX #3646E9

RGB 54 70 233

HSL 234.64, 0.8%, 0.56%

LAB 39.66, 49.43, -83.18

 

CMYK 0 / 10 / 92 / 19

HEX #CEB911

RGB 206 185 17

HSL 53.33, 0.85%, 0.44%

LAB 74.74, -7.56, 74.43

 

CMYK 0 / 9 / 84 / 13

HEX #DFCB24

RGB 223 203 36

HSL 53.58, 0.75%, 0.51%

LAB 81.03, -9.02, 76.4

 

CMYK 0 / 8 / 77 / 6

HEX #F0DD37

RGB 240 221 55

HSL 53.84, 0.86%, 0.58%

LAB 87.25, -10.29, 77.23

 

CMYK 0 / 6 / 71 / 0

HEX #FFEF4A

RGB 255 239 74

HSL 54.7, 1%, 0.65%

LAB 93.23, -12.2, 77.1

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5D

RGB 255 255 93

HSL 60, 1%, 0.68%

LAB 97.46, -18.98, 74.38

 

CMYK 0 / 8 / 89 / 21

HEX #C9B916

RGB 201 185 22

HSL 54.64, 0.8%, 0.44%

LAB 74.3, -9.66, 73.08

 

CMYK 0 / 9 / 98 / 28

HEX #B8A703

RGB 184 167 3

HSL 54.36, 0.97%, 0.37%

LAB 67.9, -8.08, 70.2

 

CMYK 0 / 11 / 100 / 35

HEX #A79500

RGB 167 149 0

HSL 53.53, 1%, 0.33%

LAB 61.4, -6.24, 65.2

 

CMYK 0 / 13 / 100 / 41

HEX #968300

RGB 150 131 0

HSL 52.4, 1%, 0.29%

LAB 54.78, -4.29, 59.71

 

CMYK 0 / 15 / 100 / 48

HEX #857100

RGB 133 113 0

HSL 50.98, 1%, 0.26%

LAB 48, -2.25, 54.11

 

CMYK 0 / 8 / 89 / 21

HEX #C9B916

RGB 201 185 22

HSL 54.64, 0.8%, 0.44%

LAB 74.3, -9.66, 73.08

 

CMYK 0 / 32 / 89 / 21

HEX #C98916

RGB 201 137 22

HSL 38.55, 0.8%, 0.44%

LAB 61.97, 15.98, 63.43

 

CMYK 0 / 56 / 89 / 21

HEX #C95916

RGB 201 89 22

HSL 22.46, 0.8%, 0.44%

LAB 51.41, 41.38, 55.27

 

CMYK 0 / 80 / 89 / 21

HEX #C92816

RGB 201 40 22

HSL 6.03, 0.8%, 0.44%

LAB 44.22, 60.74, 49.84

 

CMYK 0 / 89 / 89 / 21

HEX #C91616

RGB 201 22 22

HSL 0, 0.8%, 0.44%

LAB 42.84, 64.68, 48.8

 

CMYK 0 / 8 / 89 / 21

HEX #C9B916

RGB 201 185 22

HSL 54.64, 0.8%, 0.44%

LAB 74.3, -9.66, 73.08

 

CMYK 16 / 0 / 89 / 21

HEX #A9C916

RGB 169 201 22

HSL 70.73, 0.8%, 0.44%

LAB 76.23, -31.18, 73.58

 

CMYK 40 / 0 / 89 / 21

HEX #79C916

RGB 121 201 22

HSL 86.82, 0.8%, 0.44%

LAB 73.48, -49.4, 70.18

 

CMYK 64 / 0 / 89 / 21

HEX #48C916

RGB 72 201 22

HSL 103.24, 0.8%, 0.44%

LAB 71.7, -63.28, 67.96

 

CMYK 88 / 0 / 89 / 21

HEX #18C916

RGB 24 201 22

HSL 119.33, 0.8%, 0.44%

LAB 70.89, -70.3, 66.95

 

CMYK 0 / 8 / 89 / 21

HEX #C9B916

RGB 201 185 22

HSL 54.64, 0.8%, 0.44%

LAB 74.3, -9.66, 73.08

 

CMYK 0 / 9 / 98 / 14

HEX #DCC804

RGB 220 200 4

HSL 54.44, 0.96%, 0.44%

LAB 79.92, -9.29, 80.29

 

CMYK 0 / 8 / 89 / 21

HEX #C9B916

RGB 201 185 22

HSL 54.64, 0.8%, 0.44%

LAB 74.3, -9.66, 73.08

 

CMYK 0 / 7 / 78 / 28

HEX #B7AB28

RGB 183 171 40

HSL 54.97, 0.64%, 0.44%

LAB 69, -9.81, 63.54

 

CMYK 0 / 5 / 65 / 35

HEX #A59C3A

RGB 165 156 58

HSL 54.95, 0.48%, 0.44%

LAB 63.41, -8.92, 50.74

 

CMYK 0 / 4 / 48 / 42

HEX #938D4C

RGB 147 141 76

HSL 54.93, 0.32%, 0.44%

LAB 57.82, -7.25, 35.25

 

CMYK 0 / 2 / 26 / 49

HEX #817E5F

RGB 129 126 95

HSL 54.71, 0.15%, 0.44%

LAB 52.3, -4.23, 17.33

 

CMYK 0 / 56 / 89 / 21

HEX #C95816

RGB 201 88 22

HSL 22.12, 0.8%, 0.44%

LAB 51.22, 41.87, 55.13

 

CMYK 0 / 32 / 89 / 21

HEX #C98816

RGB 201 136 22

HSL 38.21, 0.8%, 0.44%

LAB 61.73, 16.52, 63.24

 

CMYK 0 / 8 / 89 / 21

HEX #C9B816

RGB 201 184 22

HSL 54.3, 0.8%, 0.44%

LAB 74.03, -9.14, 72.87

 

CMYK 14 / 0 / 89 / 21

HEX #ACC916

RGB 172 201 22

HSL 69.72, 0.8%, 0.44%

LAB 76.44, -29.95, 73.83

 

CMYK 38 / 0 / 89 / 21

HEX #7CC916

RGB 124 201 22

HSL 85.81, 0.8%, 0.44%

LAB 73.62, -48.37, 70.36

 

CMYK 0 / 8 / 89 / 50

HEX #7F750E

RGB 127 117 14

HSL 54.69, 0.8%, 0.28%

LAB 48.59, -7.07, 51.32

 

CMYK 0 / 8 / 89 / 36

HEX #A49712

RGB 164 151 18

HSL 54.66, 0.8%, 0.36%

LAB 61.71, -8.39, 62.46

 

CMYK 0 / 8 / 89 / 21

HEX #C9B916

RGB 201 185 22

HSL 54.64, 0.8%, 0.44%

LAB 74.3, -9.66, 73.08

 

CMYK 0 / 7 / 85 / 10

HEX #E6D523

RGB 230 213 35

HSL 54.77, 0.8%, 0.52%

LAB 84.24, -11.1, 79.53

 

CMYK 0 / 6 / 69 / 8

HEX #EADC48

RGB 234 220 72

HSL 54.81, 0.79%, 0.6%

LAB 86.58, -11.57, 70.71

 

CMYK 0 / 8 / 89 / 21

HEX #C9B916

RGB 201 185 22

HSL 54.64, 0.8%, 0.44%

LAB 74.3, -9.66, 73.08

 

CMYK 89 / 0 / 80 / 21

HEX #16C928

RGB 22 201 40

HSL 126.03, 0.8%, 0.44%

LAB 70.94, -69.61, 62.79

 

CMYK 44 / 89 / 0 / 21

HEX #7016C9

RGB 112 22 201

HSL 270.17, 0.8%, 0.44%

LAB 34.47, 66.97, -73.15

 

CMYK 0 / 8 / 89 / 21

HEX #C9B916

RGB 201 185 22

HSL 54.64, 0.8%, 0.44%

LAB 74.3, -9.66, 73.08

 

CMYK 89 / 0 / 8 / 21

HEX #16C9B8

RGB 22 201 184

HSL 174.3, 0.8%, 0.44%

LAB 73.16, -44.36, -3.15

 

CMYK 8 / 89 / 0 / 21

HEX #B816C9

RGB 184 22 201

HSL 294.3, 0.8%, 0.44%

LAB 45.61, 77.12, -54.53

 

CMYK 0 / 8 / 89 / 21

HEX #C9B916

RGB 201 185 22

HSL 54.64, 0.8%, 0.44%

LAB 74.3, -9.66, 73.08

 

CMYK 89 / 0 / 80 / 21

HEX #16C928

RGB 22 201 40

HSL 126.03, 0.8%, 0.44%

LAB 70.94, -69.61, 62.79

 

CMYK 89 / 80 / 0 / 21

HEX #1628C9

RGB 22 40 201

HSL 233.97, 0.8%, 0.44%

LAB 29.17, 53.54, -82.15

 

CMYK 0 / 89 / 8 / 21

HEX #C916B8

RGB 201 22 184

HSL 305.7, 0.8%, 0.44%

LAB 47.56, 77.54, -41.33

 

CMYK 0 / 8 / 89 / 21

HEX #C9B916

RGB 201 185 22

HSL 54.64, 0.8%, 0.44%

LAB 74.3, -9.66, 73.08

 

CMYK 89 / 0 / 53 / 21

HEX #16C95E

RGB 22 201 94

HSL 144.13, 0.8%, 0.44%

LAB 71.39, -64.02, 41.68

 

CMYK 89 / 80 / 0 / 21

HEX #1628C9

RGB 22 40 201

HSL 233.97, 0.8%, 0.44%

LAB 29.17, 53.54, -82.15

 

CMYK 0 / 89 / 35 / 21

HEX #C91682

RGB 201 22 130

HSL 323.8, 0.8%, 0.44%

LAB 45.09, 70.98, -12.82

 

Description

Color code: HEX #C9B916 | qconv.com Color code: HEX #C9B916 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 185 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 185 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 89 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 89% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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