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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9BAC1 it is the complementary color #36453E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9BAC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9BAC1 shade: #CEBABC, #DFCCCF, #F0DEE2 and #FFF0F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9BAC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9BAC1 shade: #C9BAC1, #B8A8AE, #A7969B, #968488 and #857275

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9BAC1 shade: #C9BAC1, #C9BABD and #C9BABA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9BAC1 shade: #C9BAC1, #C9BAC5, #C9BAC9, #C5BAC9 and #C1BAC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9BAC1 shade matches the following richer shades: #C9BAC1, #D3B0C0, #DCA6BF, #E69CBF and #F092BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9BAC1 shade: #C9BAC1, #BFC4C1, #B5CEC2, #ABD8C3 and #A1E2C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9BAC1 shade: #C9BAC9, #C9BAC5, #C9BAC1, #C9BABD and #C9BBBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9BAC1 shade: #A48C97, #B6A3AC, #C9BAC1, #DBD1D6 and #EDE8EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9BAC1 shade: #C9BAC1, #C9C5BA and #BAC7C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9BAC1 shade: #C9BAC1, #C1C9BA and #BAC1C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9BAC1 shade: #C9BAC1, #C9C5BA, #BAC9C2 and #BABEC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9BAC1 shade: #C9BAC1, #C8C9BA, #BAC9C2 and #BABAC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 4 / 21

HEX #C9BAC1

RGB 201 186 193

HSL 332, 0.12%, 0.76%

LAB 76.91, 6.54, -1.62

 

Complementary color

CMYK 22 / 0 / 10 / 73

HEX #36453E

RGB 54 69 62

HSL 152, 0.12%, 0.24%

LAB 27.81, -7.72, 2.24

 

CMYK 0 / 10 / 9 / 19

HEX #CEBABC

RGB 206 186 188

HSL 354, 0.17%, 0.77%

LAB 77.2, 7.44, 1.57

 

CMYK 0 / 9 / 7 / 13

HEX #DFCCCF

RGB 223 204 207

HSL 350.53, 0.23%, 0.84%

LAB 83.64, 7.12, 0.9

 

CMYK 0 / 8 / 6 / 6

HEX #F0DEE2

RGB 240 222 226

HSL 346.67, 0.38%, 0.91%

LAB 89.98, 6.83, 0.26

 

CMYK 0 / 6 / 4 / 0

HEX #FFF0F5

RGB 255 240 245

HSL 340, 1%, 0.97%

LAB 96.07, 5.89, -0.6

 

CMYK 0 / 7 / 4 / 21

HEX #C9BAC1

RGB 201 186 193

HSL 332, 0.12%, 0.76%

LAB 76.91, 6.54, -1.62

 

CMYK 0 / 9 / 5 / 28

HEX #B8A8AE

RGB 184 168 174

HSL 337.5, 0.1%, 0.69%

LAB 70.35, 6.84, -1

 

CMYK 0 / 10 / 7 / 35

HEX #A7969B

RGB 167 150 155

HSL 342.35, 0.09%, 0.62%

LAB 63.67, 7.17, -0.34

 

CMYK 0 / 12 / 9 / 41

HEX #968488

RGB 150 132 136

HSL 346.67, 0.08%, 0.55%

LAB 56.84, 7.53, 0.35

 

CMYK 0 / 14 / 12 / 48

HEX #857275

RGB 133 114 117

HSL 350.53, 0.08%, 0.48%

LAB 49.86, 7.95, 1.08

 

CMYK 0 / 7 / 4 / 21

HEX #C9BAC1

RGB 201 186 193

HSL 332, 0.12%, 0.76%

LAB 76.91, 6.54, -1.62

 

CMYK 0 / 7 / 6 / 21

HEX #C9BABD

RGB 201 186 189

HSL 348, 0.12%, 0.76%

LAB 76.81, 5.83, 0.39

 

CMYK 0 / 7 / 7 / 21

HEX #C9BABA

RGB 201 186 186

HSL 0, 0.12%, 0.76%

LAB 76.73, 5.3, 1.91

 

CMYK 0 / 7 / 4 / 21

HEX #C9BAC1

RGB 201 186 193

HSL 332, 0.12%, 0.76%

LAB 76.91, 6.54, -1.62

 

CMYK 0 / 7 / 2 / 21

HEX #C9BAC5

RGB 201 186 197

HSL 316, 0.12%, 0.76%

LAB 77.02, 7.26, -3.63

 

CMYK 0 / 7 / 0 / 21

HEX #C9BAC9

RGB 201 186 201

HSL 300, 0.12%, 0.76%

LAB 77.13, 8, -5.64

 

CMYK 2 / 7 / 0 / 21

HEX #C5BAC9

RGB 197 186 201

HSL 284, 0.12%, 0.76%

LAB 76.8, 6.63, -6.16

 

CMYK 4 / 7 / 0 / 21

HEX #C1BAC9

RGB 193 186 201

HSL 268, 0.12%, 0.76%

LAB 76.48, 5.26, -6.68

 

CMYK 0 / 7 / 4 / 21

HEX #C9BAC1

RGB 201 186 193

HSL 332, 0.12%, 0.76%

LAB 76.91, 6.54, -1.62

 

CMYK 0 / 17 / 9 / 17

HEX #D3B0C0

RGB 211 176 192

HSL 332.57, 0.28%, 0.76%

LAB 75.27, 15.29, -3.39

 

CMYK 0 / 25 / 13 / 14

HEX #DCA6BF

RGB 220 166 191

HSL 332.22, 0.44%, 0.76%

LAB 73.71, 23.72, -5.04

 

CMYK 0 / 32 / 17 / 10

HEX #E69CBF

RGB 230 156 191

HSL 331.62, 0.6%, 0.76%

LAB 72.47, 32.59, -6.76

 

CMYK 0 / 39 / 21 / 6

HEX #F092BE

RGB 240 146 190

HSL 331.91, 0.76%, 0.76%

LAB 71.42, 41.13, -7.64

 

CMYK 0 / 7 / 4 / 21

HEX #C9BAC1

RGB 201 186 193

HSL 332, 0.12%, 0.76%

LAB 76.91, 6.54, -1.62

 

CMYK 3 / 0 / 2 / 23

HEX #BFC4C1

RGB 191 196 193

HSL 144, 0.04%, 0.76%

LAB 78.7, -2.28, 0.89

 

CMYK 12 / 0 / 6 / 19

HEX #B5CEC2

RGB 181 206 194

HSL 151.2, 0.2%, 0.76%

LAB 80.66, -10.7, 3.12

 

CMYK 21 / 0 / 10 / 15

HEX #ABD8C3

RGB 171 216 195

HSL 152, 0.37%, 0.76%

LAB 82.76, -18.85, 5.54

 

CMYK 29 / 0 / 14 / 11

HEX #A1E2C3

RGB 161 226 195

HSL 151.38, 0.53%, 0.76%

LAB 84.95, -26.86, 8.62

 

CMYK 0 / 7 / 0 / 21

HEX #C9BAC9

RGB 201 186 201

HSL 300, 0.12%, 0.76%

LAB 77.13, 8, -5.64

 

CMYK 0 / 7 / 2 / 21

HEX #C9BAC5

RGB 201 186 197

HSL 316, 0.12%, 0.76%

LAB 77.02, 7.26, -3.63

 

CMYK 0 / 7 / 4 / 21

HEX #C9BAC1

RGB 201 186 193

HSL 332, 0.12%, 0.76%

LAB 76.91, 6.54, -1.62

 

CMYK 0 / 7 / 6 / 21

HEX #C9BABD

RGB 201 186 189

HSL 348, 0.12%, 0.76%

LAB 76.81, 5.83, 0.39

 

CMYK 0 / 7 / 7 / 21

HEX #C9BBBA

RGB 201 187 186

HSL 4, 0.12%, 0.76%

LAB 76.98, 4.77, 2.28

 

CMYK 0 / 15 / 8 / 36

HEX #A48C97

RGB 164 140 151

HSL 332.5, 0.12%, 0.6%

LAB 60.68, 10.96, -2.49

 

CMYK 0 / 10 / 5 / 29

HEX #B6A3AC

RGB 182 163 172

HSL 331.58, 0.12%, 0.68%

LAB 68.84, 8.5, -2.13

 

CMYK 0 / 7 / 4 / 21

HEX #C9BAC1

RGB 201 186 193

HSL 332, 0.12%, 0.76%

LAB 76.91, 6.54, -1.62

 

CMYK 0 / 5 / 2 / 14

HEX #DBD1D6

RGB 219 209 214

HSL 330, 0.12%, 0.84%

LAB 84.75, 4.33, -1.25

 

CMYK 0 / 2 / 1 / 7

HEX #EDE8EA

RGB 237 232 234

HSL 336, 0.12%, 0.92%

LAB 92.42, 2.04, -0.38

 

CMYK 0 / 7 / 4 / 21

HEX #C9BAC1

RGB 201 186 193

HSL 332, 0.12%, 0.76%

LAB 76.91, 6.54, -1.62

 

CMYK 0 / 2 / 7 / 21

HEX #C9C5BA

RGB 201 197 186

HSL 44, 0.12%, 0.76%

LAB 79.55, -0.54, 6

 

CMYK 7 / 1 / 0 / 21

HEX #BAC7C9

RGB 186 199 201

HSL 188, 0.12%, 0.76%

LAB 79.33, -4.03, -2.53

 

CMYK 0 / 7 / 4 / 21

HEX #C9BAC1

RGB 201 186 193

HSL 332, 0.12%, 0.76%

LAB 76.91, 6.54, -1.62

 

CMYK 4 / 0 / 7 / 21

HEX #C1C9BA

RGB 193 201 186

HSL 92, 0.12%, 0.76%

LAB 79.99, -5.47, 6.54

 

CMYK 7 / 4 / 0 / 21

HEX #BAC1C9

RGB 186 193 201

HSL 212, 0.12%, 0.76%

LAB 77.75, -0.86, -4.85

 

CMYK 0 / 7 / 4 / 21

HEX #C9BAC1

RGB 201 186 193

HSL 332, 0.12%, 0.76%

LAB 76.91, 6.54, -1.62

 

CMYK 0 / 2 / 7 / 21

HEX #C9C5BA

RGB 201 197 186

HSL 44, 0.12%, 0.76%

LAB 79.55, -0.54, 6

 

CMYK 7 / 0 / 3 / 21

HEX #BAC9C2

RGB 186 201 194

HSL 152, 0.12%, 0.76%

LAB 79.67, -6.43, 1.73

 

CMYK 7 / 5 / 0 / 21

HEX #BABEC9

RGB 186 190 201

HSL 224, 0.12%, 0.76%

LAB 76.97, 0.74, -6.01

 

CMYK 0 / 7 / 4 / 21

HEX #C9BAC1

RGB 201 186 193

HSL 332, 0.12%, 0.76%

LAB 76.91, 6.54, -1.62

 

CMYK 0 / 0 / 7 / 21

HEX #C8C9BA

RGB 200 201 186

HSL 64, 0.12%, 0.76%

LAB 80.51, -3, 7.37

 

CMYK 7 / 0 / 3 / 21

HEX #BAC9C2

RGB 186 201 194

HSL 152, 0.12%, 0.76%

LAB 79.67, -6.43, 1.73

 

CMYK 7 / 7 / 0 / 21

HEX #BABAC9

RGB 186 186 201

HSL 240, 0.12%, 0.76%

LAB 75.93, 2.89, -7.55

 

Description

Color code: HEX #C9BAC1 | qconv.com Color code: HEX #C9BAC1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 186 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 186 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 4 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 4% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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