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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9BC3C it is the complementary color #3643C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9BC3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9BC3C shade: #CEBC37, #DFCE4A, #F0E05D, #FFF270 and #FFFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9BC3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9BC3C shade: #C9BC3C, #B8AA29, #A79816, #968603 and #857400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9BC3C shade: #C9BC3A, #C9953A, #C96F3A, #C9483A and #C93A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9BC3C shade: #C9BC3A, #AFC93A, #89C93A, #63C93A and #3CC93A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9BC3C shade matches the following richer shades: #C9BC3A, #DDCC26 and #F1DD12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9BC3C shade: #C9BC3A, #B5AB4F, #A09B63, #8C8A77 and #787A8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9BC3C shade: #C96F3A, #C9953A, #C9BB3A, #B1C93A and #8BC93A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9BC3C shade: #8B8226, #ABA02F, #C9BC3A, #D2C75B and #DBD27B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9BC3C shade: #C9BC3C, #3AC949 and #823AC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9BC3C shade: #C9BC3C, #3AC9BB and #BB3AC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9BC3C shade: #C9BC3C, #3AC949, #3A49C9 and #C93ABB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9BC3C shade: #C9BC3C, #3AC973, #3A49C9 and #C93A90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 70 / 21

HEX #C9BC3C

RGB 201 188 60

HSL 54.47, 0.57%, 0.51%

LAB 75.27, -9.91, 63.05

 

Complementary color

CMYK 72 / 66 / 0 / 24

HEX #3643C3

RGB 54 67 195

HSL 234.47, 0.57%, 0.49%

LAB 35.48, 38.21, -68.19

 

CMYK 0 / 9 / 73 / 19

HEX #CEBC37

RGB 206 188 55

HSL 52.85, 0.61%, 0.51%

LAB 75.68, -8, 65.44

 

CMYK 0 / 8 / 67 / 13

HEX #DFCE4A

RGB 223 206 74

HSL 53.15, 0.7%, 0.58%

LAB 82.01, -9.03, 65.04

 

CMYK 0 / 7 / 61 / 6

HEX #F0E05D

RGB 240 224 93

HSL 53.47, 0.83%, 0.65%

LAB 88.27, -9.9, 64.27

 

CMYK 0 / 5 / 56 / 0

HEX #FFF270

RGB 255 242 112

HSL 54.55, 1%, 0.72%

LAB 94.28, -11.45, 63.09

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 6 / 70 / 21

HEX #C9BC3C

RGB 201 188 60

HSL 54.47, 0.57%, 0.51%

LAB 75.27, -9.91, 63.05

 

CMYK 0 / 8 / 78 / 28

HEX #B8AA29

RGB 184 170 41

HSL 54.13, 0.64%, 0.44%

LAB 68.82, -8.81, 63.1

 

CMYK 0 / 9 / 87 / 35

HEX #A79816

RGB 167 152 22

HSL 53.79, 0.77%, 0.37%

LAB 62.28, -7.47, 62.16

 

CMYK 0 / 11 / 98 / 41

HEX #968603

RGB 150 134 3

HSL 53.47, 0.96%, 0.3%

LAB 55.63, -5.89, 59.8

 

CMYK 0 / 13 / 100 / 48

HEX #857400

RGB 133 116 0

HSL 52.33, 1%, 0.26%

LAB 48.86, -3.95, 54.72

 

CMYK 0 / 6 / 71 / 21

HEX #C9BC3A

RGB 201 188 58

HSL 54.55, 0.57%, 0.51%

LAB 75.26, -10.01, 63.79

 

CMYK 0 / 26 / 71 / 21

HEX #C9953A

RGB 201 149 58

HSL 38.18, 0.57%, 0.51%

LAB 65.14, 10.69, 53.64

 

CMYK 0 / 45 / 71 / 21

HEX #C96F3A

RGB 201 111 58

HSL 22.24, 0.57%, 0.51%

LAB 56.18, 31.33, 44.16

 

CMYK 0 / 64 / 71 / 21

HEX #C9483A

RGB 201 72 58

HSL 5.87, 0.57%, 0.51%

LAB 48.71, 50.45, 35.79

 

CMYK 0 / 71 / 71 / 21

HEX #C93A3A

RGB 201 58 58

HSL 0, 0.57%, 0.51%

LAB 46.64, 56.07, 33.39

 

CMYK 0 / 6 / 71 / 21

HEX #C9BC3A

RGB 201 188 58

HSL 54.55, 0.57%, 0.51%

LAB 75.26, -10.01, 63.79

 

CMYK 13 / 0 / 71 / 21

HEX #AFC93A

RGB 175 201 58

HSL 70.91, 0.57%, 0.51%

LAB 76.8, -27.39, 64.61

 

CMYK 32 / 0 / 71 / 21

HEX #89C93A

RGB 137 201 58

HSL 86.85, 0.57%, 0.51%

LAB 74.44, -42.13, 61.49

 

CMYK 51 / 0 / 71 / 21

HEX #63C93A

RGB 99 201 58

HSL 102.8, 0.57%, 0.51%

LAB 72.71, -54.54, 59.18

 

CMYK 70 / 0 / 71 / 21

HEX #3CC93A

RGB 60 201 58

HSL 119.16, 0.57%, 0.51%

LAB 71.58, -63.63, 57.65

 

CMYK 0 / 6 / 71 / 21

HEX #C9BC3A

RGB 201 188 58

HSL 54.55, 0.57%, 0.51%

LAB 75.26, -10.01, 63.79

 

CMYK 0 / 8 / 83 / 13

HEX #DDCC26

RGB 221 204 38

HSL 54.43, 0.73%, 0.51%

LAB 81.13, -10.33, 75.93

 

CMYK 0 / 8 / 93 / 5

HEX #F1DD12

RGB 241 221 18

HSL 54.62, 0.89%, 0.51%

LAB 87.22, -10.72, 85.13

 

CMYK 0 / 6 / 71 / 21

HEX #C9BC3A

RGB 201 188 58

HSL 54.55, 0.57%, 0.51%

LAB 75.26, -10.01, 63.79

 

CMYK 0 / 6 / 56 / 29

HEX #B5AB4F

RGB 181 171 79

HSL 54.12, 0.41%, 0.51%

LAB 69.12, -8.42, 47.83

 

CMYK 0 / 3 / 38 / 37

HEX #A09B63

RGB 160 155 99

HSL 55.08, 0.24%, 0.51%

LAB 63.19, -6.8, 30.03

 

CMYK 0 / 1 / 15 / 45

HEX #8C8A77

RGB 140 138 119

HSL 54.29, 0.08%, 0.51%

LAB 57.16, -2.71, 10.45

 

CMYK 14 / 12 / 0 / 45

HEX #787A8B

RGB 120 122 139

HSL 233.68, 0.08%, 0.51%

LAB 51.58, 2.91, -9.47

 

CMYK 0 / 45 / 71 / 21

HEX #C96F3A

RGB 201 111 58

HSL 22.24, 0.57%, 0.51%

LAB 56.18, 31.33, 44.16

 

CMYK 0 / 26 / 71 / 21

HEX #C9953A

RGB 201 149 58

HSL 38.18, 0.57%, 0.51%

LAB 65.14, 10.69, 53.64

 

CMYK 0 / 7 / 71 / 21

HEX #C9BB3A

RGB 201 187 58

HSL 54.13, 0.57%, 0.51%

LAB 74.99, -9.5, 63.53

 

CMYK 12 / 0 / 71 / 21

HEX #B1C93A

RGB 177 201 58

HSL 70.07, 0.57%, 0.51%

LAB 76.94, -26.58, 64.79

 

CMYK 31 / 0 / 71 / 21

HEX #8BC93A

RGB 139 201 58

HSL 86.01, 0.57%, 0.51%

LAB 74.55, -41.4, 61.63

 

CMYK 0 / 6 / 73 / 45

HEX #8B8226

RGB 139 130 38

HSL 54.65, 0.57%, 0.35%

LAB 53.59, -7.72, 48.36

 

CMYK 0 / 6 / 73 / 33

HEX #ABA02F

RGB 171 160 47

HSL 54.68, 0.57%, 0.43%

LAB 64.97, -9.02, 56.97

 

CMYK 0 / 6 / 71 / 21

HEX #C9BC3A

RGB 201 188 58

HSL 54.55, 0.57%, 0.51%

LAB 75.26, -10.01, 63.79

 

CMYK 0 / 5 / 57 / 18

HEX #D2C75B

RGB 210 199 91

HSL 54.45, 0.57%, 0.59%

LAB 79.22, -9.8, 54.41

 

CMYK 0 / 4 / 44 / 14

HEX #DBD27B

RGB 219 210 123

HSL 54.38, 0.57%, 0.67%

LAB 83.22, -8.93, 44.08

 

CMYK 0 / 6 / 70 / 21

HEX #C9BC3C

RGB 201 188 60

HSL 54.47, 0.57%, 0.51%

LAB 75.27, -9.91, 63.05

 

CMYK 71 / 0 / 64 / 21

HEX #3AC949

RGB 58 201 73

HSL 126.29, 0.57%, 0.51%

LAB 71.66, -62.54, 51.71

 

CMYK 35 / 71 / 0 / 21

HEX #823AC9

RGB 130 58 201

HSL 270.21, 0.57%, 0.51%

LAB 41.2, 56.98, -62.05

 

CMYK 0 / 6 / 70 / 21

HEX #C9BC3C

RGB 201 188 60

HSL 54.47, 0.57%, 0.51%

LAB 75.27, -9.91, 63.05

 

CMYK 71 / 0 / 7 / 21

HEX #3AC9BB

RGB 58 201 187

HSL 174.13, 0.57%, 0.51%

LAB 73.71, -40.32, -3.9

 

CMYK 7 / 71 / 0 / 21

HEX #BB3AC9

RGB 187 58 201

HSL 294.13, 0.57%, 0.51%

LAB 49.26, 68.51, -48.65

 

CMYK 0 / 6 / 70 / 21

HEX #C9BC3C

RGB 201 188 60

HSL 54.47, 0.57%, 0.51%

LAB 75.27, -9.91, 63.05

 

CMYK 71 / 0 / 64 / 21

HEX #3AC949

RGB 58 201 73

HSL 126.29, 0.57%, 0.51%

LAB 71.66, -62.54, 51.71

 

CMYK 71 / 64 / 0 / 21

HEX #3A49C9

RGB 58 73 201

HSL 233.71, 0.57%, 0.51%

LAB 37.63, 37.05, -68.15

 

CMYK 0 / 71 / 7 / 21

HEX #C93ABB

RGB 201 58 187

HSL 305.87, 0.57%, 0.51%

LAB 50.72, 69.31, -38.08

 

CMYK 0 / 6 / 70 / 21

HEX #C9BC3C

RGB 201 188 60

HSL 54.47, 0.57%, 0.51%

LAB 75.27, -9.91, 63.05

 

CMYK 71 / 0 / 43 / 21

HEX #3AC973

RGB 58 201 115

HSL 143.92, 0.57%, 0.51%

LAB 72.17, -56.61, 32.32

 

CMYK 71 / 64 / 0 / 21

HEX #3A49C9

RGB 58 73 201

HSL 233.71, 0.57%, 0.51%

LAB 37.63, 37.05, -68.15

 

CMYK 0 / 71 / 28 / 21

HEX #C93A90

RGB 201 58 144

HSL 323.92, 0.57%, 0.51%

LAB 48.83, 63.37, -15.62

 

Description

Color code: HEX #C9BC3C | qconv.com Color code: HEX #C9BC3C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 188 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 188 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 70 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 70% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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