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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9C562 it is the complementary color #363A9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9C562. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9C562 shade: #CEC55D, #DFD770, #F0E983, #FFFB96 and #FFFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9C562. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9C562 shade: #C9C562, #B8B34F, #A7A13C, #968F29 and #857D16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9C562 shade: #C9C563, #C9AA63, #C98E63, #C97263 and #C96363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9C562 shade: #C9C563, #B2C963, #96C963, #7AC963 and #63C967

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9C562 shade matches the following richer shades: #C9C563, #DAD552, #EBE441 and #FCF430

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9C562 shade: #C9C563, #B8B674, #A7A685, #969695 and #8687A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9C562 shade: #C98D63, #C9A963, #C9C463, #B3C963 and #98C963

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9C562 shade: #A29E37, #BFBA44, #C9C563, #D4D181 and #DEDCA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9C562 shade: #C9C562, #63C972 and #9B63C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9C562 shade: #C9C562, #63C9C4 and #C463C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9C562 shade: #C9C562, #63C972, #6368C9 and #C963BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9C562 shade: #C9C562, #63C991, #6368C9 and #C9639B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 51 / 21

HEX #C9C562

RGB 201 197 98

HSL 57.67, 0.49%, 0.59%

LAB 78.01, -11.93, 49.56

 

Complementary color

CMYK 66 / 63 / 0 / 38

HEX #363A9D

RGB 54 58 157

HSL 237.67, 0.49%, 0.41%

LAB 30.02, 30.54, -54.48

 

CMYK 0 / 4 / 55 / 19

HEX #CEC55D

RGB 206 197 93

HSL 55.22, 0.54%, 0.59%

LAB 78.37, -10.28, 52.44

 

CMYK 0 / 4 / 50 / 13

HEX #DFD770

RGB 223 215 112

HSL 55.68, 0.63%, 0.66%

LAB 84.72, -10.88, 51.31

 

CMYK 0 / 3 / 45 / 6

HEX #F0E983

RGB 240 233 131

HSL 56.15, 0.78%, 0.73%

LAB 90.98, -11.38, 50.15

 

CMYK 0 / 2 / 41 / 0

HEX #FFFB96

RGB 255 251 150

HSL 57.71, 1%, 0.79%

LAB 97.01, -12.58, 48.77

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 2 / 51 / 21

HEX #C9C562

RGB 201 197 98

HSL 57.67, 0.49%, 0.59%

LAB 78.01, -11.93, 49.56

 

CMYK 0 / 3 / 57 / 28

HEX #B8B34F

RGB 184 179 79

HSL 57.14, 0.43%, 0.52%

LAB 71.55, -11.32, 50.66

 

CMYK 0 / 4 / 64 / 35

HEX #A7A13C

RGB 167 161 60

HSL 56.64, 0.47%, 0.45%

LAB 64.99, -10.57, 51.59

 

CMYK 0 / 5 / 73 / 41

HEX #968F29

RGB 150 143 41

HSL 56.15, 0.57%, 0.37%

LAB 58.31, -9.63, 52.14

 

CMYK 0 / 6 / 83 / 48

HEX #857D16

RGB 133 125 22

HSL 55.68, 0.72%, 0.3%

LAB 51.51, -8.44, 51.85

 

CMYK 0 / 2 / 51 / 21

HEX #C9C563

RGB 201 197 99

HSL 57.65, 0.49%, 0.59%

LAB 78.02, -11.84, 49.1

 

CMYK 0 / 15 / 51 / 21

HEX #C9AA63

RGB 201 170 99

HSL 41.76, 0.49%, 0.59%

LAB 70.92, 2.27, 40.54

 

CMYK 0 / 29 / 51 / 21

HEX #C98E63

RGB 201 142 99

HSL 25.29, 0.49%, 0.59%

LAB 63.89, 17.46, 31.74

 

CMYK 0 / 43 / 51 / 21

HEX #C97263

RGB 201 114 99

HSL 8.82, 0.49%, 0.59%

LAB 57.42, 32.67, 23.31

 

CMYK 0 / 51 / 51 / 21

HEX #C96363

RGB 201 99 99

HSL 0, 0.49%, 0.59%

LAB 54.28, 40.49, 19.11

 

CMYK 0 / 2 / 51 / 21

HEX #C9C563

RGB 201 197 99

HSL 57.65, 0.49%, 0.59%

LAB 78.02, -11.84, 49.1

 

CMYK 11 / 0 / 51 / 21

HEX #B2C963

RGB 178 201 99

HSL 73.53, 0.49%, 0.59%

LAB 77.36, -23.11, 47.89

 

CMYK 25 / 0 / 51 / 21

HEX #96C963

RGB 150 201 99

HSL 90, 0.49%, 0.59%

LAB 75.55, -33.8, 45.28

 

CMYK 39 / 0 / 51 / 21

HEX #7AC963

RGB 122 201 99

HSL 106.47, 0.49%, 0.59%

LAB 74.07, -43.45, 43.14

 

CMYK 51 / 0 / 49 / 21

HEX #63C967

RGB 99 201 103

HSL 122.35, 0.49%, 0.59%

LAB 73.16, -49.72, 39.85

 

CMYK 0 / 2 / 51 / 21

HEX #C9C563

RGB 201 197 99

HSL 57.65, 0.49%, 0.59%

LAB 78.02, -11.84, 49.1

 

CMYK 0 / 2 / 62 / 15

HEX #DAD552

RGB 218 213 82

HSL 57.79, 0.65%, 0.59%

LAB 83.5, -14.16, 63.21

 

CMYK 0 / 3 / 72 / 8

HEX #EBE441

RGB 235 228 65

HSL 57.53, 0.81%, 0.59%

LAB 88.7, -15.44, 75.25

 

CMYK 0 / 3 / 81 / 1

HEX #FCF430

RGB 252 244 48

HSL 57.65, 0.97%, 0.59%

LAB 94.15, -16.81, 85.54

 

CMYK 0 / 2 / 51 / 21

HEX #C9C563

RGB 201 197 99

HSL 57.65, 0.49%, 0.59%

LAB 78.02, -11.84, 49.1

 

CMYK 0 / 1 / 37 / 28

HEX #B8B674

RGB 184 182 116

HSL 58.24, 0.32%, 0.59%

LAB 72.83, -9.3, 33.87

 

CMYK 0 / 1 / 20 / 35

HEX #A7A685

RGB 167 166 133

HSL 58.24, 0.16%, 0.59%

LAB 67.41, -5.28, 17.26

 

CMYK 0 / 0 / 1 / 41

HEX #969695

RGB 150 150 149

HSL 60, 0%, 0.59%

LAB 62.05, -0.19, 0.52

 

CMYK 19 / 19 / 0 / 35

HEX #8687A6

RGB 134 135 166

HSL 238.13, 0.15%, 0.59%

LAB 57.22, 6.36, -16.51

 

CMYK 0 / 30 / 51 / 21

HEX #C98D63

RGB 201 141 99

HSL 24.71, 0.49%, 0.59%

LAB 63.65, 18.01, 31.43

 

CMYK 0 / 16 / 51 / 21

HEX #C9A963

RGB 201 169 99

HSL 41.18, 0.49%, 0.59%

LAB 70.66, 2.8, 40.23

 

CMYK 0 / 2 / 51 / 21

HEX #C9C463

RGB 201 196 99

HSL 57.06, 0.49%, 0.59%

LAB 77.76, -11.33, 48.79

 

CMYK 11 / 0 / 51 / 21

HEX #B3C963

RGB 179 201 99

HSL 72.94, 0.49%, 0.59%

LAB 77.43, -22.72, 47.99

 

CMYK 24 / 0 / 51 / 21

HEX #98C963

RGB 152 201 99

HSL 88.82, 0.49%, 0.59%

LAB 75.67, -33.06, 45.45

 

CMYK 0 / 2 / 66 / 36

HEX #A29E37

RGB 162 158 55

HSL 57.76, 0.49%, 0.43%

LAB 63.68, -11.49, 52.23

 

CMYK 0 / 3 / 64 / 25

HEX #BFBA44

RGB 191 186 68

HSL 57.56, 0.49%, 0.51%

LAB 73.94, -12.71, 58.25

 

CMYK 0 / 2 / 51 / 21

HEX #C9C563

RGB 201 197 99

HSL 57.65, 0.49%, 0.59%

LAB 78.02, -11.84, 49.1

 

CMYK 0 / 1 / 39 / 17

HEX #D4D181

RGB 212 209 129

HSL 57.83, 0.49%, 0.67%

LAB 82.48, -10.57, 40.03

 

CMYK 0 / 1 / 28 / 13

HEX #DEDCA0

RGB 222 220 160

HSL 58.06, 0.48%, 0.75%

LAB 86.63, -8.59, 29.81

 

CMYK 0 / 2 / 51 / 21

HEX #C9C562

RGB 201 197 98

HSL 57.67, 0.49%, 0.59%

LAB 78.01, -11.93, 49.56

 

CMYK 51 / 0 / 43 / 21

HEX #63C972

RGB 99 201 114

HSL 128.82, 0.49%, 0.59%

LAB 73.31, -48.09, 34.54

 

CMYK 23 / 51 / 0 / 21

HEX #9B63C9

RGB 155 99 201

HSL 272.94, 0.49%, 0.59%

LAB 51.96, 41.81, -44.61

 

CMYK 0 / 2 / 51 / 21

HEX #C9C562

RGB 201 197 98

HSL 57.67, 0.49%, 0.59%

LAB 78.01, -11.93, 49.56

 

CMYK 51 / 0 / 2 / 21

HEX #63C9C4

RGB 99 201 196

HSL 177.06, 0.49%, 0.59%

LAB 75.08, -30.85, -6.63

 

CMYK 2 / 51 / 0 / 21

HEX #C463C9

RGB 196 99 201

HSL 297.06, 0.49%, 0.59%

LAB 56.95, 53.14, -36.41

 

CMYK 0 / 2 / 51 / 21

HEX #C9C562

RGB 201 197 98

HSL 57.67, 0.49%, 0.59%

LAB 78.01, -11.93, 49.56

 

CMYK 51 / 0 / 43 / 21

HEX #63C972

RGB 99 201 114

HSL 128.82, 0.49%, 0.59%

LAB 73.31, -48.09, 34.54

 

CMYK 51 / 48 / 0 / 21

HEX #6368C9

RGB 99 104 201

HSL 237.06, 0.49%, 0.59%

LAB 47.97, 24.8, -51.28

 

CMYK 0 / 51 / 7 / 21

HEX #C963BA

RGB 201 99 186

HSL 308.82, 0.49%, 0.59%

LAB 56.96, 51.93, -27.76

 

CMYK 0 / 2 / 51 / 21

HEX #C9C562

RGB 201 197 98

HSL 57.67, 0.49%, 0.59%

LAB 78.01, -11.93, 49.56

 

CMYK 51 / 0 / 28 / 21

HEX #63C991

RGB 99 201 145

HSL 147.06, 0.49%, 0.59%

LAB 73.85, -42.58, 19.07

 

CMYK 51 / 48 / 0 / 21

HEX #6368C9

RGB 99 104 201

HSL 237.06, 0.49%, 0.59%

LAB 47.97, 24.8, -51.28

 

CMYK 0 / 51 / 23 / 21

HEX #C9639B

RGB 201 99 155

HSL 327.06, 0.49%, 0.59%

LAB 55.79, 47.09, -11.6

 

Description

Color code: HEX #C9C562 | qconv.com Color code: HEX #C9C562 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 197 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 197 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 51 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 51% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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