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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9C263 it is the complementary color #363D9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9C263. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9C263 shade: #CEC25E, #DFD471, #F0E684, #FFF897 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9C263. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9C263 shade: #C9C263, #B8B050, #A79E3D, #968C2A and #857A17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9C263 shade: #C9C263, #C9A763, #C98B63, #C96F63 and #C96363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9C263 shade: #C9C263, #B5C963, #99C963, #7DC963 and #63C964

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9C263 shade matches the following richer shades: #C9C263, #DAD152, #EBDF41 and #FCEE30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9C263 shade: #C9C263, #B8B474, #A7A585, #969695 and #8688A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9C263 shade: #C98A63, #C9A563, #C9C163, #B6C963 and #9BC963

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9C263 shade: #A29B37, #BFB644, #C9C263, #D4CE81 and #DEDAA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9C263 shade: #C9C263, #63C96F and #9863C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9C263 shade: #C9C263, #63C9C1 and #C163C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9C263 shade: #C9C263, #63C96F, #636BC9 and #C963BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9C263 shade: #C9C263, #63C98D, #636BC9 and #C9639E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 51 / 21

HEX #C9C263

RGB 201 194 99

HSL 55.88, 0.49%, 0.59%

LAB 77.22, -10.31, 48.15

 

Complementary color

CMYK 65 / 61 / 0 / 39

HEX #363D9C

RGB 54 61 156

HSL 235.88, 0.49%, 0.41%

LAB 30.69, 28.23, -52.78

 

CMYK 0 / 6 / 54 / 19

HEX #CEC25E

RGB 206 194 94

HSL 53.57, 0.53%, 0.59%

LAB 77.59, -8.66, 51.06

 

CMYK 0 / 5 / 49 / 13

HEX #DFD471

RGB 223 212 113

HSL 54, 0.63%, 0.66%

LAB 83.95, -9.28, 49.91

 

CMYK 0 / 4 / 45 / 6

HEX #F0E684

RGB 240 230 132

HSL 54.44, 0.78%, 0.73%

LAB 90.22, -9.8, 48.74

 

CMYK 0 / 3 / 41 / 0

HEX #FFF897

RGB 255 248 151

HSL 55.96, 1%, 0.8%

LAB 96.26, -11.01, 47.34

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 3 / 51 / 21

HEX #C9C263

RGB 201 194 99

HSL 55.88, 0.49%, 0.59%

LAB 77.22, -10.31, 48.15

 

CMYK 0 / 4 / 57 / 28

HEX #B8B050

RGB 184 176 80

HSL 55.38, 0.42%, 0.52%

LAB 70.75, -9.68, 49.28

 

CMYK 0 / 5 / 63 / 35

HEX #A79E3D

RGB 167 158 61

HSL 54.91, 0.46%, 0.45%

LAB 64.17, -8.91, 50.27

 

CMYK 0 / 7 / 72 / 41

HEX #968C2A

RGB 150 140 42

HSL 54.44, 0.56%, 0.38%

LAB 57.47, -7.96, 50.92

 

CMYK 0 / 8 / 83 / 48

HEX #857A17

RGB 133 122 23

HSL 54, 0.71%, 0.31%

LAB 50.65, -6.75, 50.8

 

CMYK 0 / 3 / 51 / 21

HEX #C9C263

RGB 201 194 99

HSL 55.88, 0.49%, 0.59%

LAB 77.22, -10.31, 48.15

 

CMYK 0 / 17 / 51 / 21

HEX #C9A763

RGB 201 167 99

HSL 40, 0.49%, 0.59%

LAB 70.14, 3.87, 39.59

 

CMYK 0 / 31 / 51 / 21

HEX #C98B63

RGB 201 139 99

HSL 23.53, 0.49%, 0.59%

LAB 63.16, 19.1, 30.81

 

CMYK 0 / 45 / 51 / 21

HEX #C96F63

RGB 201 111 99

HSL 7.06, 0.49%, 0.59%

LAB 56.77, 34.26, 22.44

 

CMYK 0 / 51 / 51 / 21

HEX #C96363

RGB 201 99 99

HSL 0, 0.49%, 0.59%

LAB 54.28, 40.49, 19.11

 

CMYK 0 / 3 / 51 / 21

HEX #C9C263

RGB 201 194 99

HSL 55.88, 0.49%, 0.59%

LAB 77.22, -10.31, 48.15

 

CMYK 10 / 0 / 51 / 21

HEX #B5C963

RGB 181 201 99

HSL 71.76, 0.49%, 0.59%

LAB 77.58, -21.93, 48.2

 

CMYK 24 / 0 / 51 / 21

HEX #99C963

RGB 153 201 99

HSL 88.24, 0.49%, 0.59%

LAB 75.73, -32.7, 45.54

 

CMYK 38 / 0 / 51 / 21

HEX #7DC963

RGB 125 201 99

HSL 104.71, 0.49%, 0.59%

LAB 74.21, -42.48, 43.35

 

CMYK 51 / 0 / 50 / 21

HEX #63C964

RGB 99 201 100

HSL 120.59, 0.49%, 0.59%

LAB 73.12, -50.13, 41.28

 

CMYK 0 / 3 / 51 / 21

HEX #C9C263

RGB 201 194 99

HSL 55.88, 0.49%, 0.59%

LAB 77.22, -10.31, 48.15

 

CMYK 0 / 4 / 62 / 15

HEX #DAD152

RGB 218 209 82

HSL 56.03, 0.65%, 0.59%

LAB 82.44, -12.16, 62.09

 

CMYK 0 / 5 / 72 / 8

HEX #EBDF41

RGB 235 223 65

HSL 55.76, 0.81%, 0.59%

LAB 87.4, -12.97, 74.01

 

CMYK 0 / 6 / 81 / 1

HEX #FCEE30

RGB 252 238 48

HSL 55.88, 0.97%, 0.59%

LAB 92.6, -13.89, 84.23

 

CMYK 0 / 3 / 51 / 21

HEX #C9C263

RGB 201 194 99

HSL 55.88, 0.49%, 0.59%

LAB 77.22, -10.31, 48.15

 

CMYK 0 / 2 / 37 / 28

HEX #B8B474

RGB 184 180 116

HSL 56.47, 0.32%, 0.59%

LAB 72.29, -8.26, 33.17

 

CMYK 0 / 1 / 20 / 35

HEX #A7A585

RGB 167 165 133

HSL 56.47, 0.16%, 0.59%

LAB 67.14, -4.74, 16.89

 

CMYK 0 / 0 / 1 / 41

HEX #969695

RGB 150 150 149

HSL 60, 0%, 0.59%

LAB 62.05, -0.19, 0.52

 

CMYK 19 / 18 / 0 / 35

HEX #8688A6

RGB 134 136 166

HSL 236.25, 0.15%, 0.59%

LAB 57.49, 5.78, -16.1

 

CMYK 0 / 31 / 51 / 21

HEX #C98A63

RGB 201 138 99

HSL 22.94, 0.49%, 0.59%

LAB 62.92, 19.65, 30.5

 

CMYK 0 / 18 / 51 / 21

HEX #C9A563

RGB 201 165 99

HSL 38.82, 0.49%, 0.59%

LAB 69.63, 4.95, 38.96

 

CMYK 0 / 4 / 51 / 21

HEX #C9C163

RGB 201 193 99

HSL 55.29, 0.49%, 0.59%

LAB 76.96, -9.8, 47.84

 

CMYK 9 / 0 / 51 / 21

HEX #B6C963

RGB 182 201 99

HSL 71.18, 0.49%, 0.59%

LAB 77.65, -21.53, 48.3

 

CMYK 23 / 0 / 51 / 21

HEX #9BC963

RGB 155 201 99

HSL 87.06, 0.49%, 0.59%

LAB 75.85, -31.95, 45.72

 

CMYK 0 / 4 / 66 / 36

HEX #A29B37

RGB 162 155 55

HSL 56.07, 0.49%, 0.43%

LAB 62.84, -9.9, 51.36

 

CMYK 0 / 5 / 64 / 25

HEX #BFB644

RGB 191 182 68

HSL 55.61, 0.49%, 0.51%

LAB 72.86, -10.65, 57.11

 

CMYK 0 / 3 / 51 / 21

HEX #C9C263

RGB 201 194 99

HSL 55.88, 0.49%, 0.59%

LAB 77.22, -10.31, 48.15

 

CMYK 0 / 3 / 39 / 17

HEX #D4CE81

RGB 212 206 129

HSL 55.66, 0.49%, 0.67%

LAB 81.69, -9.05, 39.02

 

CMYK 0 / 2 / 28 / 13

HEX #DEDAA0

RGB 222 218 160

HSL 56.13, 0.48%, 0.75%

LAB 86.11, -7.58, 29.12

 

CMYK 0 / 3 / 51 / 21

HEX #C9C263

RGB 201 194 99

HSL 55.88, 0.49%, 0.59%

LAB 77.22, -10.31, 48.15

 

CMYK 51 / 0 / 45 / 21

HEX #63C96F

RGB 99 201 111

HSL 127.06, 0.49%, 0.59%

LAB 73.27, -48.55, 36

 

CMYK 24 / 51 / 0 / 21

HEX #9863C9

RGB 152 99 201

HSL 271.18, 0.49%, 0.59%

LAB 51.63, 41, -45.16

 

CMYK 0 / 3 / 51 / 21

HEX #C9C263

RGB 201 194 99

HSL 55.88, 0.49%, 0.59%

LAB 77.22, -10.31, 48.15

 

CMYK 51 / 0 / 4 / 21

HEX #63C9C1

RGB 99 201 193

HSL 175.29, 0.49%, 0.59%

LAB 75, -31.62, -5.13

 

CMYK 4 / 51 / 0 / 21

HEX #C163C9

RGB 193 99 201

HSL 295.29, 0.49%, 0.59%

LAB 56.56, 52.3, -37.05

 

CMYK 0 / 3 / 51 / 21

HEX #C9C263

RGB 201 194 99

HSL 55.88, 0.49%, 0.59%

LAB 77.22, -10.31, 48.15

 

CMYK 51 / 0 / 45 / 21

HEX #63C96F

RGB 99 201 111

HSL 127.06, 0.49%, 0.59%

LAB 73.27, -48.55, 36

 

CMYK 51 / 47 / 0 / 21

HEX #636BC9

RGB 99 107 201

HSL 235.29, 0.49%, 0.59%

LAB 48.74, 22.95, -50.04

 

CMYK 0 / 51 / 6 / 21

HEX #C963BD

RGB 201 99 189

HSL 307.06, 0.49%, 0.59%

LAB 57.09, 52.44, -29.29

 

CMYK 0 / 3 / 51 / 21

HEX #C9C263

RGB 201 194 99

HSL 55.88, 0.49%, 0.59%

LAB 77.22, -10.31, 48.15

 

CMYK 51 / 0 / 30 / 21

HEX #63C98D

RGB 99 201 141

HSL 144.71, 0.49%, 0.59%

LAB 73.77, -43.37, 21.09

 

CMYK 51 / 47 / 0 / 21

HEX #636BC9

RGB 99 107 201

HSL 235.29, 0.49%, 0.59%

LAB 48.74, 22.95, -50.04

 

CMYK 0 / 51 / 21 / 21

HEX #C9639E

RGB 201 99 158

HSL 325.29, 0.49%, 0.59%

LAB 55.9, 47.53, -13.19

 

Description

Color code: HEX #C9C263 | qconv.com Color code: HEX #C9C263 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 194 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 194 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 51 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 51% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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