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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9D55D it is the complementary color #362AA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9D55D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9D55D shade: #CED558, #DFE76B, #F0F97E, #FFFF91 and #FFFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9D55D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9D55D shade: #C9D55D, #B8C34A, #A7B137, #969F24 and #858D11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9D55D shade: #C9D55C, #D5C05C, #D5A05C, #D57F5C and #D55F5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9D55D shade: #C9D55C, #A8D55C, #88D55C, #67D55C and #5CD572

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9D55D shade matches the following richer shades: #C9D55C, #D6E54C and #E3F63B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9D55D shade: #C9D55C, #BBC46D, #AEB47D, #A1A38E and #94939E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9D55D shade: #D5A15C, #D5C15C, #C9D55C, #A9D55C and #88D55C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9D55D shade: #A4B12D, #BECC3C, #C9D55C, #D4DD7D and #DEE69E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9D55D shade: #C9D55D, #5CD580 and #B15CD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9D55D shade: #C9D55D, #5CC9D5 and #D55CC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9D55D shade: #C9D55D, #5CD580, #685CD5 and #D55CB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9D55D shade: #C9D55D, #5CD5A5, #685CD5 and #D55C8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 56 / 16

HEX #C9D55D

RGB 201 213 93

HSL 66, 0.59%, 0.6%

LAB 82.27, -20.33, 56.77

 

Complementary color

CMYK 67 / 74 / 0 / 36

HEX #362AA2

RGB 54 42 162

HSL 246, 0.59%, 0.4%

LAB 26.87, 42, -62.68

 

CMYK 3 / 0 / 59 / 16

HEX #CED558

RGB 206 213 88

HSL 63.36, 0.6%, 0.59%

LAB 82.6, -18.68, 59.43

 

CMYK 3 / 0 / 54 / 9

HEX #DFE76B

RGB 223 231 107

HSL 63.87, 0.72%, 0.66%

LAB 88.88, -19.21, 58.48

 

CMYK 4 / 0 / 49 / 2

HEX #F0F97E

RGB 240 249 126

HSL 64.39, 0.91%, 0.74%

LAB 95.07, -19.65, 57.42

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 6 / 0 / 56 / 16

HEX #C9D55D

RGB 201 213 93

HSL 66, 0.59%, 0.6%

LAB 82.27, -20.33, 56.77

 

CMYK 6 / 0 / 62 / 24

HEX #B8C34A

RGB 184 195 74

HSL 65.45, 0.5%, 0.53%

LAB 75.89, -19.79, 57.64

 

CMYK 6 / 0 / 69 / 31

HEX #A7B137

RGB 167 177 55

HSL 64.92, 0.53%, 0.45%

LAB 69.42, -19.11, 58.21

 

CMYK 6 / 0 / 77 / 38

HEX #969F24

RGB 150 159 36

HSL 64.39, 0.63%, 0.38%

LAB 62.85, -18.26, 58.19

 

CMYK 6 / 0 / 88 / 45

HEX #858D11

RGB 133 141 17

HSL 63.87, 0.78%, 0.31%

LAB 56.16, -17.18, 57.06

 

CMYK 6 / 0 / 57 / 16

HEX #C9D55C

RGB 201 213 92

HSL 65.95, 0.59%, 0.6%

LAB 82.26, -20.41, 57.2

 

CMYK 0 / 10 / 57 / 16

HEX #D5C05C

RGB 213 192 92

HSL 49.59, 0.59%, 0.6%

LAB 77.65, -4.87, 52.23

 

CMYK 0 / 25 / 57 / 16

HEX #D5A05C

RGB 213 160 92

HSL 33.72, 0.59%, 0.6%

LAB 69.51, 12.08, 42.68

 

CMYK 0 / 40 / 57 / 16

HEX #D57F5C

RGB 213 127 92

HSL 17.36, 0.59%, 0.6%

LAB 61.74, 29.88, 33.12

 

CMYK 0 / 55 / 57 / 16

HEX #D55F5C

RGB 213 95 92

HSL 1.49, 0.59%, 0.6%

LAB 55.18, 46.26, 24.69

 

CMYK 6 / 0 / 57 / 16

HEX #C9D55C

RGB 201 213 92

HSL 65.95, 0.59%, 0.6%

LAB 82.26, -20.41, 57.2

 

CMYK 21 / 0 / 57 / 16

HEX #A8D55C

RGB 168 213 92

HSL 82.31, 0.59%, 0.6%

LAB 80, -33.35, 54.04

 

CMYK 36 / 0 / 57 / 16

HEX #88D55C

RGB 136 213 92

HSL 98.18, 0.59%, 0.6%

LAB 78.23, -44.78, 51.53

 

CMYK 52 / 0 / 57 / 16

HEX #67D55C

RGB 103 213 92

HSL 114.55, 0.59%, 0.6%

LAB 76.83, -54.76, 49.54

 

CMYK 57 / 0 / 46 / 16

HEX #5CD572

RGB 92 213 114

HSL 130.91, 0.59%, 0.6%

LAB 76.73, -54.61, 38.84

 

CMYK 6 / 0 / 57 / 16

HEX #C9D55C

RGB 201 213 92

HSL 65.95, 0.59%, 0.6%

LAB 82.26, -20.41, 57.2

 

CMYK 7 / 0 / 67 / 10

HEX #D6E54C

RGB 214 229 76

HSL 65.88, 0.75%, 0.6%

LAB 87.42, -23.97, 69.55

 

CMYK 8 / 0 / 76 / 4

HEX #E3F63B

RGB 227 246 59

HSL 66.1, 0.91%, 0.6%

LAB 92.82, -27.58, 80.73

 

CMYK 6 / 0 / 57 / 16

HEX #C9D55C

RGB 201 213 92

HSL 65.95, 0.59%, 0.6%

LAB 82.26, -20.41, 57.2

 

CMYK 5 / 0 / 44 / 23

HEX #BBC46D

RGB 187 196 109

HSL 66.21, 0.42%, 0.6%

LAB 76.77, -16.05, 42.45

 

CMYK 3 / 0 / 31 / 29

HEX #AEB47D

RGB 174 180 125

HSL 66.55, 0.27%, 0.6%

LAB 71.64, -11.1, 27.42

 

CMYK 1 / 0 / 13 / 36

HEX #A1A38E

RGB 161 163 142

HSL 65.71, 0.1%, 0.6%

LAB 66.31, -4.51, 10.67

 

CMYK 6 / 7 / 0 / 38

HEX #94939E

RGB 148 147 158

HSL 245.45, 0.05%, 0.6%

LAB 61.34, 2.56, -5.66

 

CMYK 0 / 24 / 57 / 16

HEX #D5A15C

RGB 213 161 92

HSL 34.21, 0.59%, 0.6%

LAB 69.76, 11.54, 42.97

 

CMYK 0 / 9 / 57 / 16

HEX #D5C15C

RGB 213 193 92

HSL 50.08, 0.59%, 0.6%

LAB 77.91, -5.39, 52.53

 

CMYK 6 / 0 / 57 / 16

HEX #C9D55C

RGB 201 213 92

HSL 65.95, 0.59%, 0.6%

LAB 82.26, -20.41, 57.2

 

CMYK 21 / 0 / 57 / 16

HEX #A9D55C

RGB 169 213 92

HSL 81.82, 0.59%, 0.6%

LAB 80.06, -32.97, 54.12

 

CMYK 36 / 0 / 57 / 16

HEX #88D55C

RGB 136 213 92

HSL 98.18, 0.59%, 0.6%

LAB 78.23, -44.78, 51.53

 

CMYK 7 / 0 / 75 / 31

HEX #A4B12D

RGB 164 177 45

HSL 65.91, 0.59%, 0.44%

LAB 69.13, -20.91, 61.46

 

CMYK 7 / 0 / 71 / 20

HEX #BECC3C

RGB 190 204 60

HSL 65.83, 0.59%, 0.52%

LAB 78.73, -22.57, 66.16

 

CMYK 6 / 0 / 57 / 16

HEX #C9D55C

RGB 201 213 92

HSL 65.95, 0.59%, 0.6%

LAB 82.26, -20.41, 57.2

 

CMYK 4 / 0 / 43 / 13

HEX #D4DD7D

RGB 212 221 125

HSL 65.63, 0.59%, 0.68%

LAB 85.6, -17, 45.93

 

CMYK 3 / 0 / 31 / 10

HEX #DEE69E

RGB 222 230 158

HSL 66.67, 0.59%, 0.76%

LAB 89.2, -13.86, 34.26

 

CMYK 6 / 0 / 56 / 16

HEX #C9D55D

RGB 201 213 93

HSL 66, 0.59%, 0.6%

LAB 82.27, -20.33, 56.77

 

CMYK 57 / 0 / 40 / 16

HEX #5CD580

RGB 92 213 128

HSL 137.85, 0.59%, 0.6%

LAB 76.93, -52.37, 32.06

 

CMYK 17 / 57 / 0 / 16

HEX #B15CD5

RGB 177 92 213

HSL 282.15, 0.59%, 0.6%

LAB 53.82, 53.88, -48.34

 

CMYK 6 / 0 / 56 / 16

HEX #C9D55D

RGB 201 213 93

HSL 66, 0.59%, 0.6%

LAB 82.27, -20.33, 56.77

 

CMYK 57 / 6 / 0 / 16

HEX #5CC9D5

RGB 92 201 213

HSL 185.95, 0.59%, 0.6%

LAB 75.36, -27.69, -15.44

 

CMYK 0 / 57 / 6 / 16

HEX #D55CC9

RGB 213 92 201

HSL 305.95, 0.59%, 0.6%

LAB 58.05, 61.07, -34.52

 

CMYK 6 / 0 / 56 / 16

HEX #C9D55D

RGB 201 213 93

HSL 66, 0.59%, 0.6%

LAB 82.27, -20.33, 56.77

 

CMYK 57 / 0 / 40 / 16

HEX #5CD580

RGB 92 213 128

HSL 137.85, 0.59%, 0.6%

LAB 76.93, -52.37, 32.06

 

CMYK 51 / 57 / 0 / 16

HEX #685CD5

RGB 104 92 213

HSL 245.95, 0.59%, 0.6%

LAB 46.18, 36.86, -61.01

 

CMYK 0 / 57 / 17 / 16

HEX #D55CB1

RGB 213 92 177

HSL 317.85, 0.59%, 0.6%

LAB 57.05, 57.32, -22.3

 

CMYK 6 / 0 / 56 / 16

HEX #C9D55D

RGB 201 213 93

HSL 66, 0.59%, 0.6%

LAB 82.27, -20.33, 56.77

 

CMYK 57 / 0 / 23 / 16

HEX #5CD5A5

RGB 92 213 165

HSL 156.2, 0.59%, 0.6%

LAB 77.63, -45.18, 13.67

 

CMYK 51 / 57 / 0 / 16

HEX #685CD5

RGB 104 92 213

HSL 245.95, 0.59%, 0.6%

LAB 46.18, 36.86, -61.01

 

CMYK 0 / 57 / 34 / 16

HEX #D55C8C

RGB 213 92 140

HSL 336.2, 0.59%, 0.6%

LAB 55.78, 52.37, -2.64

 

Description

Color code: HEX #C9D55D | qconv.com Color code: HEX #C9D55D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 213 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 213 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 56 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 56% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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