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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9D7DD it is the complementary color #362822. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9D7DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9D7DD shade: #CED7D8, #DFE9EB and #F0FBFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9D7DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9D7DD shade: #C9D7DD, #B8C5CA, #A7B3B7, #96A1A4 and #858F91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9D7DD shade: #C9D7DD, #C9D2DD, #C9CCDD, #CBC9DD and #D1C9DD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9D7DD shade: #C9D7DD, #C9D2DD, #C9CCDD and #C9C9DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9D7DD shade matches the following richer shades: #C9D7DD, #C2DAE4, #BBDDEB, #B4E0F2 and #ADE2F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9D7DD shade: #C9D7DD, #D0D4D6, #D7D2CF, #DECFC8 and #E5CCC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9D7DD shade: #C9DDD8, #C9DCDD, #C9D7DD, #C9D2DD and #C9CDDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9D7DD shade: #96B2BD, #B0C4CD, #C9D7DD, #E3EAED and #FCFDFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9D7DD shade: #C9D7DD, #D3C9DD and #DDDBC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9D7DD shade: #C9D7DD, #DDC9D7 and #D7DDC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9D7DD shade: #C9D7DD, #D3C9DD, #DDCFC9 and #D3DDC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9D7DD shade: #C9D7DD, #D9C9DD, #DDCFC9 and #CDDDC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 3 / 0 / 13

HEX #C9D7DD

RGB 201 215 221

HSL 198, 0.23%, 0.83%

LAB 85.12, -3.53, -4.58

 

Complementary color

CMYK 0 / 26 / 37 / 79

HEX #362822

RGB 54 40 34

HSL 18, 0.23%, 0.17%

LAB 17.54, 5.48, 6.46

 

CMYK 5 / 0 / 0 / 15

HEX #CED7D8

RGB 206 215 216

HSL 186, 0.11%, 0.83%

LAB 85.34, -2.84, -1.56

 

CMYK 5 / 1 / 0 / 8

HEX #DFE9EB

RGB 223 233 235

HSL 190, 0.23%, 0.9%

LAB 91.67, -2.94, -2.13

 

CMYK 6 / 1 / 0 / 0

HEX #F0FBFE

RGB 240 251 254

HSL 192.86, 0.88%, 0.97%

LAB 97.9, -3.05, -2.69

 

CMYK 9 / 3 / 0 / 13

HEX #C9D7DD

RGB 201 215 221

HSL 198, 0.23%, 0.83%

LAB 85.12, -3.53, -4.58

 

CMYK 9 / 2 / 0 / 21

HEX #B8C5CA

RGB 184 197 202

HSL 196.67, 0.15%, 0.76%

LAB 78.69, -3.45, -4.04

 

CMYK 9 / 2 / 0 / 28

HEX #A7B3B7

RGB 167 179 183

HSL 195, 0.1%, 0.69%

LAB 72.14, -3.36, -3.48

 

CMYK 9 / 2 / 0 / 36

HEX #96A1A4

RGB 150 161 164

HSL 192.86, 0.07%, 0.62%

LAB 65.48, -3.28, -2.91

 

CMYK 8 / 1 / 0 / 43

HEX #858F91

RGB 133 143 145

HSL 190, 0.05%, 0.55%

LAB 58.67, -3.2, -2.31

 

CMYK 9 / 3 / 0 / 13

HEX #C9D7DD

RGB 201 215 221

HSL 198, 0.23%, 0.83%

LAB 85.12, -3.53, -4.58

 

CMYK 9 / 5 / 0 / 13

HEX #C9D2DD

RGB 201 210 221

HSL 213, 0.23%, 0.83%

LAB 83.83, -0.92, -6.49

 

CMYK 9 / 8 / 0 / 13

HEX #C9CCDD

RGB 201 204 221

HSL 231, 0.23%, 0.83%

LAB 82.28, 2.24, -8.77

 

CMYK 8 / 9 / 0 / 13

HEX #CBC9DD

RGB 203 201 221

HSL 246, 0.23%, 0.83%

LAB 81.67, 4.48, -9.67

 

CMYK 5 / 9 / 0 / 13

HEX #D1C9DD

RGB 209 201 221

HSL 264, 0.23%, 0.83%

LAB 82.14, 6.47, -8.92

 

CMYK 9 / 3 / 0 / 13

HEX #C9D7DD

RGB 201 215 221

HSL 198, 0.23%, 0.83%

LAB 85.12, -3.53, -4.58

 

CMYK 9 / 5 / 0 / 13

HEX #C9D2DD

RGB 201 210 221

HSL 213, 0.23%, 0.83%

LAB 83.83, -0.92, -6.49

 

CMYK 9 / 8 / 0 / 13

HEX #C9CCDD

RGB 201 204 221

HSL 231, 0.23%, 0.83%

LAB 82.28, 2.24, -8.77

 

CMYK 9 / 9 / 0 / 13

HEX #C9C9DD

RGB 201 201 221

HSL 240, 0.23%, 0.83%

LAB 81.52, 3.83, -9.91

 

CMYK 9 / 3 / 0 / 13

HEX #C9D7DD

RGB 201 215 221

HSL 198, 0.23%, 0.83%

LAB 85.12, -3.53, -4.58

 

CMYK 15 / 4 / 0 / 11

HEX #C2DAE4

RGB 194 218 228

HSL 197.65, 0.39%, 0.83%

LAB 85.61, -5.93, -7.61

 

CMYK 20 / 6 / 0 / 8

HEX #BBDDEB

RGB 187 221 235

HSL 197.5, 0.55%, 0.83%

LAB 86.14, -8.18, -10.57

 

CMYK 26 / 7 / 0 / 5

HEX #B4E0F2

RGB 180 224 242

HSL 197.42, 0.7%, 0.83%

LAB 86.71, -10.26, -13.45

 

CMYK 31 / 9 / 0 / 2

HEX #ADE2F9

RGB 173 226 249

HSL 198.16, 0.86%, 0.83%

LAB 87.05, -11.67, -16.67

 

CMYK 9 / 3 / 0 / 13

HEX #C9D7DD

RGB 201 215 221

HSL 198, 0.23%, 0.83%

LAB 85.12, -3.53, -4.58

 

CMYK 3 / 1 / 0 / 16

HEX #D0D4D6

RGB 208 212 214

HSL 200, 0.07%, 0.83%

LAB 84.66, -0.98, -1.47

 

CMYK 0 / 2 / 4 / 16

HEX #D7D2CF

RGB 215 210 207

HSL 22.5, 0.09%, 0.83%

LAB 84.51, 1.19, 2.08

 

CMYK 0 / 7 / 10 / 13

HEX #DECFC8

RGB 222 207 200

HSL 19.09, 0.25%, 0.83%

LAB 84.13, 4.02, 5.33

 

CMYK 0 / 11 / 16 / 10

HEX #E5CCC1

RGB 229 204 193

HSL 18.33, 0.41%, 0.83%

LAB 83.81, 6.97, 8.66

 

CMYK 9 / 0 / 2 / 13

HEX #C9DDD8

RGB 201 221 216

HSL 165, 0.23%, 0.83%

LAB 86.55, -7.6, 0.16

 

CMYK 9 / 0 / 0 / 13

HEX #C9DCDD

RGB 201 220 221

HSL 183, 0.23%, 0.83%

LAB 86.42, -6.12, -2.67

 

CMYK 9 / 3 / 0 / 13

HEX #C9D7DD

RGB 201 215 221

HSL 198, 0.23%, 0.83%

LAB 85.12, -3.53, -4.58

 

CMYK 9 / 5 / 0 / 13

HEX #C9D2DD

RGB 201 210 221

HSL 213, 0.23%, 0.83%

LAB 83.83, -0.92, -6.49

 

CMYK 9 / 7 / 0 / 13

HEX #C9CDDD

RGB 201 205 221

HSL 228, 0.23%, 0.83%

LAB 82.54, 1.71, -8.39

 

CMYK 21 / 6 / 0 / 26

HEX #96B2BD

RGB 150 178 189

HSL 196.92, 0.23%, 0.66%

LAB 70.87, -7.12, -8.79

 

CMYK 14 / 4 / 0 / 20

HEX #B0C4CD

RGB 176 196 205

HSL 198.62, 0.22%, 0.75%

LAB 77.94, -4.93, -6.81

 

CMYK 9 / 3 / 0 / 13

HEX #C9D7DD

RGB 201 215 221

HSL 198, 0.23%, 0.83%

LAB 85.12, -3.53, -4.58

 

CMYK 4 / 1 / 0 / 7

HEX #E3EAED

RGB 227 234 237

HSL 198, 0.22%, 0.91%

LAB 92.26, -1.77, -2.27

 

CMYK 0 / 0 / 0 / 1

HEX #FCFDFD

RGB 252 253 253

HSL 180, 0.2%, 0.99%

LAB 99.24, -0.32, -0.13

 

CMYK 9 / 3 / 0 / 13

HEX #C9D7DD

RGB 201 215 221

HSL 198, 0.23%, 0.83%

LAB 85.12, -3.53, -4.58

 

CMYK 5 / 9 / 0 / 13

HEX #D3C9DD

RGB 211 201 221

HSL 270, 0.23%, 0.83%

LAB 82.29, 7.14, -8.67

 

CMYK 0 / 1 / 9 / 13

HEX #DDDBC9

RGB 221 219 201

HSL 54, 0.23%, 0.83%

LAB 87.12, -2.41, 9.08

 

CMYK 9 / 3 / 0 / 13

HEX #C9D7DD

RGB 201 215 221

HSL 198, 0.23%, 0.83%

LAB 85.12, -3.53, -4.58

 

CMYK 0 / 9 / 3 / 13

HEX #DDC9D7

RGB 221 201 215

HSL 318, 0.23%, 0.83%

LAB 82.94, 9.41, -4.42

 

CMYK 3 / 0 / 9 / 13

HEX #D7DDC9

RGB 215 221 201

HSL 78, 0.23%, 0.83%

LAB 87.18, -5.54, 9.11

 

CMYK 9 / 3 / 0 / 13

HEX #C9D7DD

RGB 201 215 221

HSL 198, 0.23%, 0.83%

LAB 85.12, -3.53, -4.58

 

CMYK 5 / 9 / 0 / 13

HEX #D3C9DD

RGB 211 201 221

HSL 270, 0.23%, 0.83%

LAB 82.29, 7.14, -8.67

 

CMYK 0 / 6 / 9 / 13

HEX #DDCFC9

RGB 221 207 201

HSL 18, 0.23%, 0.83%

LAB 84.08, 3.83, 4.71

 

CMYK 5 / 0 / 9 / 13

HEX #D3DDC9

RGB 211 221 201

HSL 90, 0.23%, 0.83%

LAB 86.89, -6.93, 8.65

 

CMYK 9 / 3 / 0 / 13

HEX #C9D7DD

RGB 201 215 221

HSL 198, 0.23%, 0.83%

LAB 85.12, -3.53, -4.58

 

CMYK 2 / 9 / 0 / 13

HEX #D9C9DD

RGB 217 201 221

HSL 288, 0.23%, 0.83%

LAB 82.78, 9.15, -7.9

 

CMYK 0 / 6 / 9 / 13

HEX #DDCFC9

RGB 221 207 201

HSL 18, 0.23%, 0.83%

LAB 84.08, 3.83, 4.71

 

CMYK 7 / 0 / 9 / 13

HEX #CDDDC9

RGB 205 221 201

HSL 108, 0.23%, 0.83%

LAB 86.46, -8.99, 7.98

 

Description

Color code: HEX #C9D7DD | qconv.com Color code: HEX #C9D7DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 215 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 215 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 3 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 3% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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