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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9D349 it is the complementary color #362CB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9D349. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9D349 shade: #CED344, #DFE557, #F0F76A, #FFFF7D and #FFFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9D349. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9D349 shade: #C9D349, #B8C136, #A7AF23, #969D10 and #858B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9D349 shade: #C9D34A, #D3B84A, #D3934A, #D36E4A and #D34A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9D349 shade: #C9D34A, #A4D34A, #7FD34A, #5AD34A and #4AD35F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9D349 shade matches the following richer shades: #C9D34A, #D8E538 and #E8F726

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9D349 shade: #C9D34A, #B9C15C, #AAAE6E, #9A9C80 and #8B8A92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9D349 shade: #D3934A, #D3B74A, #CAD34A, #A5D34A and #81D34A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9D349 shade: #9AA327, #B9C42F, #C9D34A, #D3DB6B and #DDE38C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9D349 shade: #C9D349, #4AD36E and #A54AD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9D349 shade: #C9D349, #4ACAD3 and #D34ACA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9D349 shade: #C9D349, #4AD36E, #534AD3 and #D34AAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9D349 shade: #C9D349, #4AD397, #534AD3 and #D34A85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 65 / 17

HEX #C9D349

RGB 201 211 73

HSL 64.35, 0.61%, 0.56%

LAB 81.56, -20.73, 64.4

 

Complementary color

CMYK 70 / 76 / 0 / 29

HEX #362CB6

RGB 54 44 182

HSL 244.35, 0.61%, 0.44%

LAB 29.32, 47.32, -70.66

 

CMYK 2 / 0 / 68 / 17

HEX #CED344

RGB 206 211 68

HSL 62.1, 0.62%, 0.55%

LAB 81.91, -18.95, 66.79

 

CMYK 3 / 0 / 62 / 10

HEX #DFE557

RGB 223 229 87

HSL 62.54, 0.73%, 0.62%

LAB 88.17, -19.67, 66.25

 

CMYK 3 / 0 / 57 / 3

HEX #F0F76A

RGB 240 247 106

HSL 62.98, 0.9%, 0.69%

LAB 94.35, -20.28, 65.44

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 5 / 0 / 65 / 17

HEX #C9D349

RGB 201 211 73

HSL 64.35, 0.61%, 0.56%

LAB 81.56, -20.73, 64.4

 

CMYK 5 / 0 / 72 / 24

HEX #B8C136

RGB 184 193 54

HSL 63.88, 0.56%, 0.48%

LAB 75.2, -19.97, 64.69

 

CMYK 5 / 0 / 80 / 31

HEX #A7AF23

RGB 167 175 35

HSL 63.43, 0.67%, 0.41%

LAB 68.75, -19.03, 64.3

 

CMYK 4 / 0 / 90 / 38

HEX #969D10

RGB 150 157 16

HSL 62.98, 0.82%, 0.34%

LAB 62.2, -17.87, 62.73

 

CMYK 4 / 0 / 100 / 45

HEX #858B00

RGB 133 139 0

HSL 62.59, 1%, 0.27%

LAB 55.53, -16.47, 59.56

 

CMYK 5 / 0 / 65 / 17

HEX #C9D34A

RGB 201 211 74

HSL 64.38, 0.61%, 0.56%

LAB 81.57, -20.67, 64.01

 

CMYK 0 / 13 / 65 / 17

HEX #D3B84A

RGB 211 184 74

HSL 48.18, 0.61%, 0.56%

LAB 75.22, -2.79, 57.59

 

CMYK 0 / 30 / 65 / 17

HEX #D3934A

RGB 211 147 74

HSL 31.97, 0.61%, 0.56%

LAB 65.91, 16.99, 47.4

 

CMYK 0 / 48 / 65 / 17

HEX #D36E4A

RGB 211 110 74

HSL 15.77, 0.61%, 0.56%

LAB 57.55, 36.76, 37.73

 

CMYK 0 / 65 / 65 / 17

HEX #D34A4A

RGB 211 74 74

HSL 0, 0.61%, 0.56%

LAB 50.97, 53.84, 29.71

 

CMYK 5 / 0 / 65 / 17

HEX #C9D34A

RGB 201 211 74

HSL 64.38, 0.61%, 0.56%

LAB 81.57, -20.67, 64.01

 

CMYK 22 / 0 / 65 / 17

HEX #A4D34A

RGB 164 211 74

HSL 80.58, 0.61%, 0.56%

LAB 79.03, -35.41, 60.57

 

CMYK 40 / 0 / 65 / 17

HEX #7FD34A

RGB 127 211 74

HSL 96.79, 0.61%, 0.56%

LAB 77.04, -48.6, 57.85

 

CMYK 57 / 0 / 65 / 17

HEX #5AD34A

RGB 90 211 74

HSL 112.99, 0.61%, 0.56%

LAB 75.61, -59.25, 55.88

 

CMYK 65 / 0 / 55 / 17

HEX #4AD35F

RGB 74 211 95

HSL 129.2, 0.61%, 0.56%

LAB 75.37, -60.42, 46.22

 

CMYK 5 / 0 / 65 / 17

HEX #C9D34A

RGB 201 211 74

HSL 64.38, 0.61%, 0.56%

LAB 81.57, -20.67, 64.01

 

CMYK 6 / 0 / 76 / 10

HEX #D8E538

RGB 216 229 56

HSL 64.51, 0.77%, 0.56%

LAB 87.45, -24.12, 76.4

 

CMYK 6 / 0 / 85 / 3

HEX #E8F726

RGB 232 247 38

HSL 64.31, 0.93%, 0.56%

LAB 93.37, -26.68, 86.47

 

CMYK 5 / 0 / 65 / 17

HEX #C9D34A

RGB 201 211 74

HSL 64.38, 0.61%, 0.56%

LAB 81.57, -20.67, 64.01

 

CMYK 4 / 0 / 52 / 24

HEX #B9C15C

RGB 185 193 92

HSL 64.75, 0.45%, 0.56%

LAB 75.59, -16.97, 49.25

 

CMYK 2 / 0 / 37 / 32

HEX #AAAE6E

RGB 170 174 110

HSL 63.75, 0.28%, 0.56%

LAB 69.43, -11.47, 32.4

 

CMYK 1 / 0 / 18 / 39

HEX #9A9C80

RGB 154 156 128

HSL 64.29, 0.12%, 0.56%

LAB 63.51, -5.69, 14.45

 

CMYK 5 / 5 / 0 / 43

HEX #8B8A92

RGB 139 138 146

HSL 247.5, 0.04%, 0.56%

LAB 57.79, 1.97, -4.13

 

CMYK 0 / 30 / 65 / 17

HEX #D3934A

RGB 211 147 74

HSL 31.97, 0.61%, 0.56%

LAB 65.91, 16.99, 47.4

 

CMYK 0 / 13 / 65 / 17

HEX #D3B74A

RGB 211 183 74

HSL 47.74, 0.61%, 0.56%

LAB 74.96, -2.26, 57.31

 

CMYK 4 / 0 / 65 / 17

HEX #CAD34A

RGB 202 211 74

HSL 63.94, 0.61%, 0.56%

LAB 81.64, -20.26, 64.11

 

CMYK 22 / 0 / 65 / 17

HEX #A5D34A

RGB 165 211 74

HSL 80.15, 0.61%, 0.56%

LAB 79.09, -35.02, 60.65

 

CMYK 39 / 0 / 65 / 17

HEX #81D34A

RGB 129 211 74

HSL 95.91, 0.61%, 0.56%

LAB 77.13, -47.95, 57.98

 

CMYK 6 / 0 / 76 / 36

HEX #9AA327

RGB 154 163 39

HSL 64.35, 0.61%, 0.4%

LAB 64.33, -18.43, 58.7

 

CMYK 6 / 0 / 76 / 23

HEX #B9C42F

RGB 185 196 47

HSL 64.43, 0.61%, 0.48%

LAB 76.07, -21.34, 67.85

 

CMYK 5 / 0 / 65 / 17

HEX #C9D34A

RGB 201 211 74

HSL 64.38, 0.61%, 0.56%

LAB 81.57, -20.67, 64.01

 

CMYK 4 / 0 / 51 / 14

HEX #D3DB6B

RGB 211 219 107

HSL 64.29, 0.61%, 0.64%

LAB 84.78, -18.11, 53.49

 

CMYK 3 / 0 / 38 / 11

HEX #DDE38C

RGB 221 227 140

HSL 64.14, 0.61%, 0.72%

LAB 88.07, -14.88, 41.8

 

CMYK 5 / 0 / 65 / 17

HEX #C9D349

RGB 201 211 73

HSL 64.35, 0.61%, 0.56%

LAB 81.56, -20.73, 64.4

 

CMYK 65 / 0 / 48 / 17

HEX #4AD36E

RGB 74 211 110

HSL 135.77, 0.61%, 0.56%

LAB 75.56, -58.3, 39.24

 

CMYK 22 / 65 / 0 / 17

HEX #A54AD3

RGB 165 74 211

HSL 279.85, 0.61%, 0.56%

LAB 49.01, 59.18, -54.98

 

CMYK 5 / 0 / 65 / 17

HEX #C9D349

RGB 201 211 73

HSL 64.35, 0.61%, 0.56%

LAB 81.56, -20.73, 64.4

 

CMYK 65 / 4 / 0 / 17

HEX #4ACAD3

RGB 74 202 211

HSL 183.94, 0.61%, 0.56%

LAB 75.08, -31.81, -14.83

 

CMYK 0 / 65 / 4 / 17

HEX #D34ACA

RGB 211 74 202

HSL 303.94, 0.61%, 0.56%

LAB 55.08, 68.22, -39.77

 

CMYK 5 / 0 / 65 / 17

HEX #C9D349

RGB 201 211 73

HSL 64.35, 0.61%, 0.56%

LAB 81.56, -20.73, 64.4

 

CMYK 65 / 0 / 48 / 17

HEX #4AD36E

RGB 74 211 110

HSL 135.77, 0.61%, 0.56%

LAB 75.56, -58.3, 39.24

 

CMYK 61 / 65 / 0 / 17

HEX #534AD3

RGB 83 74 211

HSL 243.94, 0.61%, 0.56%

LAB 40.31, 43.2, -69.48

 

CMYK 0 / 65 / 18 / 17

HEX #D34AAE

RGB 211 74 174

HSL 316.2, 0.61%, 0.56%

LAB 53.82, 63.99, -25.57

 

CMYK 5 / 0 / 65 / 17

HEX #C9D349

RGB 201 211 73

HSL 64.35, 0.61%, 0.56%

LAB 81.56, -20.73, 64.4

 

CMYK 65 / 0 / 28 / 17

HEX #4AD397

RGB 74 211 151

HSL 153.72, 0.61%, 0.56%

LAB 76.24, -50.83, 19.08

 

CMYK 61 / 65 / 0 / 17

HEX #534AD3

RGB 83 74 211

HSL 243.94, 0.61%, 0.56%

LAB 40.31, 43.2, -69.48

 

CMYK 0 / 65 / 37 / 17

HEX #D34A85

RGB 211 74 133

HSL 334.16, 0.61%, 0.56%

LAB 52.33, 58.82, -3.61

 

Description

Color code: HEX #C9D349 | qconv.com Color code: HEX #C9D349 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 211 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 211 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 65 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 65% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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