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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9E669 it is the complementary color #361996. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9E669. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9E669 shade: #CEE664, #DFF877, #F0FF8A, #FFFF9D and #FFFFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9E669. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9E669 shade: #C9E669, #B8D456, #A7C243, #96B030 and #859E1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9E669 shade: #C9E56A, #E5E16A, #E5C06A, #E59E6A and #E57D6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9E669 shade: #C9E56A, #A8E56A, #86E56A, #6AE56F and #6AE590

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9E669 shade matches the following richer shades: #C9E56A and #D0F35C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9E669 shade: #C9E56A, #C1D778, #BAC986, #B2BB94 and #ABADA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9E669 shade: #E5BE6A, #E5DF6A, #CBE56A, #AAE56A and #89E56A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9E669 shade: #AFD924, #BCDF47, #C9E56A, #D6EB8E and #E2F1B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9E669 shade: #C9E669, #6AE59E and #CF6AE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9E669 shade: #C9E669, #6ACBE5 and #E56ACB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9E669 shade: #C9E669, #6AE59E, #856AE5 and #E56AB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9E669 shade: #C9E669, #6AE5C2, #856AE5 and #E56A8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 54 / 10

HEX #C9E669

RGB 201 230 105

HSL 73.92, 0.71%, 0.66%

LAB 87.01, -27.53, 56.82

 

Complementary color

CMYK 64 / 83 / 0 / 41

HEX #361996

RGB 54 25 150

HSL 253.92, 0.71%, 0.34%

LAB 22.59, 46.92, -62.41

 

CMYK 10 / 0 / 57 / 10

HEX #CEE664

RGB 206 230 100

HSL 71.08, 0.72%, 0.65%

LAB 87.31, -26, 59.46

 

CMYK 10 / 0 / 52 / 3

HEX #DFF877

RGB 223 248 119

HSL 71.63, 0.9%, 0.72%

LAB 93.52, -26.34, 58.47

 

CMYK 6 / 0 / 46 / 0

HEX #F0FF8A

RGB 240 255 138

HSL 67.69, 1%, 0.77%

LAB 96.77, -21.43, 53.92

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9D

RGB 255 255 157

HSL 60, 1%, 0.81%

LAB 98.12, -13.81, 46.8

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 13 / 0 / 54 / 10

HEX #C9E669

RGB 201 230 105

HSL 73.92, 0.71%, 0.66%

LAB 87.01, -27.53, 56.82

 

CMYK 13 / 0 / 59 / 17

HEX #B8D456

RGB 184 212 86

HSL 73.33, 0.59%, 0.58%

LAB 80.71, -27.19, 57.76

 

CMYK 14 / 0 / 65 / 24

HEX #A7C243

RGB 167 194 67

HSL 72.76, 0.51%, 0.51%

LAB 74.32, -26.74, 58.49

 

CMYK 15 / 0 / 73 / 31

HEX #96B030

RGB 150 176 48

HSL 72.19, 0.57%, 0.44%

LAB 67.83, -26.16, 58.82

 

CMYK 16 / 0 / 82 / 38

HEX #859E1D

RGB 133 158 29

HSL 71.63, 0.69%, 0.37%

LAB 61.25, -25.4, 58.38

 

CMYK 12 / 0 / 54 / 10

HEX #C9E56A

RGB 201 229 106

HSL 73.66, 0.7%, 0.66%

LAB 86.75, -26.97, 56.06

 

CMYK 0 / 2 / 54 / 10

HEX #E5E16A

RGB 229 225 106

HSL 58.05, 0.7%, 0.66%

LAB 87.75, -13.94, 57.76

 

CMYK 0 / 16 / 54 / 10

HEX #E5C06A

RGB 229 192 106

HSL 41.95, 0.7%, 0.66%

LAB 79.27, 2.87, 47.8

 

CMYK 0 / 31 / 54 / 10

HEX #E59E6A

RGB 229 158 106

HSL 25.37, 0.7%, 0.66%

LAB 70.98, 20.89, 37.64

 

CMYK 0 / 45 / 54 / 10

HEX #E57D6A

RGB 229 125 106

HSL 9.27, 0.7%, 0.66%

LAB 63.64, 38.29, 28.25

 

CMYK 12 / 0 / 54 / 10

HEX #C9E56A

RGB 201 229 106

HSL 73.66, 0.7%, 0.66%

LAB 86.75, -26.97, 56.06

 

CMYK 27 / 0 / 54 / 10

HEX #A8E56A

RGB 168 229 106

HSL 89.76, 0.7%, 0.66%

LAB 84.69, -39.28, 53.14

 

CMYK 41 / 0 / 54 / 10

HEX #86E56A

RGB 134 229 106

HSL 106.34, 0.7%, 0.66%

LAB 82.99, -50.59, 50.71

 

CMYK 54 / 0 / 52 / 10

HEX #6AE56F

RGB 106 229 111

HSL 122.44, 0.7%, 0.66%

LAB 81.97, -57.77, 46.9

 

CMYK 54 / 0 / 37 / 10

HEX #6AE590

RGB 106 229 144

HSL 138.54, 0.7%, 0.66%

LAB 82.44, -52.78, 31.27

 

CMYK 12 / 0 / 54 / 10

HEX #C9E56A

RGB 201 229 106

HSL 73.66, 0.7%, 0.66%

LAB 86.75, -26.97, 56.06

 

CMYK 14 / 0 / 62 / 5

HEX #D0F35C

RGB 208 243 92

HSL 73.91, 0.86%, 0.66%

LAB 90.91, -31.91, 66.84

 

CMYK 12 / 0 / 54 / 10

HEX #C9E56A

RGB 201 229 106

HSL 73.66, 0.7%, 0.66%

LAB 86.75, -26.97, 56.06

 

CMYK 10 / 0 / 44 / 16

HEX #C1D778

RGB 193 215 120

HSL 73.89, 0.54%, 0.66%

LAB 82.54, -21.96, 44.27

 

CMYK 7 / 0 / 33 / 21

HEX #BAC986

RGB 186 201 134

HSL 73.43, 0.38%, 0.66%

LAB 78.42, -16.03, 31.84

 

CMYK 5 / 0 / 21 / 27

HEX #B2BB94

RGB 178 187 148

HSL 73.85, 0.22%, 0.66%

LAB 74.28, -9.9, 18.74

 

CMYK 1 / 0 / 6 / 32

HEX #ABADA2

RGB 171 173 162

HSL 70.91, 0.06%, 0.66%

LAB 70.28, -2.73, 5.39

 

CMYK 0 / 17 / 54 / 10

HEX #E5BE6A

RGB 229 190 106

HSL 40.98, 0.7%, 0.66%

LAB 78.77, 3.91, 47.2

 

CMYK 0 / 3 / 54 / 10

HEX #E5DF6A

RGB 229 223 106

HSL 57.07, 0.7%, 0.66%

LAB 87.23, -12.95, 57.16

 

CMYK 11 / 0 / 54 / 10

HEX #CBE56A

RGB 203 229 106

HSL 72.68, 0.7%, 0.66%

LAB 86.89, -26.19, 56.26

 

CMYK 26 / 0 / 54 / 10

HEX #AAE56A

RGB 170 229 106

HSL 88.78, 0.7%, 0.66%

LAB 84.8, -38.56, 53.3

 

CMYK 40 / 0 / 54 / 10

HEX #89E56A

RGB 137 229 106

HSL 104.88, 0.7%, 0.66%

LAB 83.12, -49.66, 50.9

 

CMYK 19 / 0 / 83 / 15

HEX #AFD924

RGB 175 217 36

HSL 73.92, 0.72%, 0.5%

LAB 81.22, -35.77, 75.11

 

CMYK 16 / 0 / 68 / 13

HEX #BCDF47

RGB 188 223 71

HSL 73.82, 0.7%, 0.58%

LAB 83.92, -31.81, 67.28

 

CMYK 12 / 0 / 54 / 10

HEX #C9E56A

RGB 201 229 106

HSL 73.66, 0.7%, 0.66%

LAB 86.75, -26.97, 56.06

 

CMYK 9 / 0 / 40 / 8

HEX #D6EB8E

RGB 214 235 142

HSL 73.55, 0.7%, 0.74%

LAB 89.7, -21.24, 42.79

 

CMYK 6 / 0 / 27 / 5

HEX #E2F1B1

RGB 226 241 177

HSL 74.06, 0.7%, 0.82%

LAB 92.69, -15.33, 29.33

 

CMYK 13 / 0 / 54 / 10

HEX #C9E669

RGB 201 230 105

HSL 73.92, 0.71%, 0.66%

LAB 87.01, -27.53, 56.82

 

CMYK 54 / 0 / 31 / 10

HEX #6AE59E

RGB 106 229 158

HSL 145.37, 0.7%, 0.66%

LAB 82.68, -50.25, 24.42

 

CMYK 10 / 54 / 0 / 10

HEX #CF6AE5

RGB 207 106 229

HSL 289.27, 0.7%, 0.66%

LAB 60.98, 57.95, -45.76

 

CMYK 13 / 0 / 54 / 10

HEX #C9E669

RGB 201 230 105

HSL 73.92, 0.71%, 0.66%

LAB 87.01, -27.53, 56.82

 

CMYK 54 / 11 / 0 / 10

HEX #6ACBE5

RGB 106 203 229

HSL 192.68, 0.7%, 0.66%

LAB 76.94, -21.46, -21.63

 

CMYK 0 / 54 / 11 / 10

HEX #E56ACB

RGB 229 106 203

HSL 312.68, 0.7%, 0.66%

LAB 62.74, 59.45, -28.2

 

CMYK 13 / 0 / 54 / 10

HEX #C9E669

RGB 201 230 105

HSL 73.92, 0.71%, 0.66%

LAB 87.01, -27.53, 56.82

 

CMYK 54 / 0 / 31 / 10

HEX #6AE59E

RGB 106 229 158

HSL 145.37, 0.7%, 0.66%

LAB 82.68, -50.25, 24.42

 

CMYK 42 / 54 / 0 / 10

HEX #856AE5

RGB 133 106 229

HSL 253.17, 0.7%, 0.66%

LAB 52.9, 39.52, -59.13

 

CMYK 0 / 54 / 22 / 10

HEX #E56AB2

RGB 229 106 178

HSL 324.88, 0.7%, 0.66%

LAB 61.81, 55.76, -15.42

 

CMYK 13 / 0 / 54 / 10

HEX #C9E669

RGB 201 230 105

HSL 73.92, 0.71%, 0.66%

LAB 87.01, -27.53, 56.82

 

CMYK 54 / 0 / 15 / 10

HEX #6AE5C2

RGB 106 229 194

HSL 162.93, 0.7%, 0.66%

LAB 83.44, -42.72, 6.67

 

CMYK 42 / 54 / 0 / 10

HEX #856AE5

RGB 133 106 229

HSL 253.17, 0.7%, 0.66%

LAB 52.9, 39.52, -59.13

 

CMYK 0 / 54 / 38 / 10

HEX #E56A8D

RGB 229 106 141

HSL 342.93, 0.7%, 0.66%

LAB 60.68, 51.13, 4.21

 

Description

Color code: HEX #C9E669 | qconv.com Color code: HEX #C9E669 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 230 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 230 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 54 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 54% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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