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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9E80C it is the complementary color #3617F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9E80C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9E80C shade: #CEE807, #DFFA1A, #F0FF2D, #FFFF40 and #FFFF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9E80C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9E80C shade: #C9E80C, #B8D600, #A7C400, #96B200 and #85A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9E80C shade: #C9E80C, #E8CC0C, #E8900C, #E8550C and #E8190C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9E80C shade: #C9E80C, #8EE80C, #52E80C, #17E80C and #0CE83C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9E80C shade matches the following richer shades: #C9E80C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9E80C shade: #C9E80C, #BBD420, #ADC033, #9EAD47 and #90995B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9E80C shade: #E8900C, #E8CB0C, #CBE80C, #90E80C and #55E80C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9E80C shade: #859A08, #A7C10A, #C9E80C, #D7F32A and #DEF551

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9E80C shade: #C9E80C, #0CE855 and #AD0CE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9E80C shade: #C9E80C, #0CCBE8 and #E80CCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9E80C shade: #C9E80C, #0CE855, #290CE8 and #E80C9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9E80C shade: #C9E80C, #0CE897, #290CE8 and #E80C5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 95 / 9

HEX #C9E80C

RGB 201 232 12

HSL 68.45, 0.9%, 0.48%

LAB 87.07, -32.71, 84.3

 

Complementary color

CMYK 78 / 91 / 0 / 5

HEX #3617F3

RGB 54 23 243

HSL 248.45, 0.9%, 0.52%

LAB 33.71, 72.91, -98.72

 

CMYK 11 / 0 / 97 / 9

HEX #CEE807

RGB 206 232 7

HSL 66.93, 0.94%, 0.47%

LAB 87.41, -30.74, 85.11

 

CMYK 11 / 0 / 90 / 2

HEX #DFFA1A

RGB 223 250 26

HSL 67.23, 0.96%, 0.54%

LAB 93.51, -31.95, 88.34

 

CMYK 6 / 0 / 82 / 0

HEX #F0FF2D

RGB 240 255 45

HSL 64.29, 1%, 0.59%

LAB 96.09, -27.01, 87.52

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF40

RGB 255 255 64

HSL 60, 1%, 0.63%

LAB 97.29, -20.34, 84.11

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF53

RGB 255 255 83

HSL 60, 1%, 0.66%

LAB 97.39, -19.52, 78.02

 

CMYK 13 / 0 / 95 / 9

HEX #C9E80C

RGB 201 232 12

HSL 68.45, 0.9%, 0.48%

LAB 87.07, -32.71, 84.3

 

CMYK 14 / 0 / 100 / 16

HEX #B8D600

RGB 184 214 0

HSL 68.41, 1%, 0.42%

LAB 80.9, -31.41, 80.13

 

CMYK 15 / 0 / 100 / 23

HEX #A7C400

RGB 167 196 0

HSL 68.88, 1%, 0.38%

LAB 74.63, -29.98, 74.92

 

CMYK 16 / 0 / 100 / 30

HEX #96B200

RGB 150 178 0

HSL 69.44, 1%, 0.35%

LAB 68.26, -28.53, 69.61

 

CMYK 17 / 0 / 100 / 37

HEX #85A000

RGB 133 160 0

HSL 70.13, 1%, 0.31%

LAB 61.76, -27.07, 64.2

 

CMYK 13 / 0 / 95 / 9

HEX #C9E80C

RGB 201 232 12

HSL 68.45, 0.9%, 0.48%

LAB 87.07, -32.71, 84.3

 

CMYK 0 / 12 / 95 / 9

HEX #E8CC0C

RGB 232 204 12

HSL 52.36, 0.9%, 0.48%

LAB 82.04, -6.08, 81.57

 

CMYK 0 / 38 / 95 / 9

HEX #E8900C

RGB 232 144 12

HSL 36, 0.9%, 0.48%

LAB 67.37, 25.41, 71.04

 

CMYK 0 / 63 / 95 / 9

HEX #E8550C

RGB 232 85 12

HSL 19.91, 0.9%, 0.48%

LAB 55.77, 54.41, 63.4

 

CMYK 0 / 89 / 95 / 9

HEX #E8190C

RGB 232 25 12

HSL 3.55, 0.9%, 0.48%

LAB 49.35, 72.19, 59.7

 

CMYK 13 / 0 / 95 / 9

HEX #C9E80C

RGB 201 232 12

HSL 68.45, 0.9%, 0.48%

LAB 87.07, -32.71, 84.3

 

CMYK 39 / 0 / 95 / 9

HEX #8EE80C

RGB 142 232 12

HSL 84.55, 0.9%, 0.48%

LAB 83.7, -54.8, 80.21

 

CMYK 65 / 0 / 95 / 9

HEX #52E80C

RGB 82 232 12

HSL 100.91, 0.9%, 0.48%

LAB 81.58, -71.33, 77.62

 

CMYK 90 / 0 / 95 / 9

HEX #17E80C

RGB 23 232 12

HSL 117, 0.9%, 0.48%

LAB 80.7, -79.12, 76.53

 

CMYK 95 / 0 / 74 / 9

HEX #0CE83C

RGB 12 232 60

HSL 133.09, 0.9%, 0.48%

LAB 80.8, -77.49, 66.15

 

CMYK 13 / 0 / 95 / 9

HEX #C9E80C

RGB 201 232 12

HSL 68.45, 0.9%, 0.48%

LAB 87.07, -32.71, 84.3

 

CMYK 13 / 0 / 95 / 9

HEX #C9E80C

RGB 201 232 12

HSL 68.45, 0.9%, 0.48%

LAB 87.07, -32.71, 84.3

 

CMYK 12 / 0 / 85 / 17

HEX #BBD420

RGB 187 212 32

HSL 68.33, 0.74%, 0.48%

LAB 80.6, -28.73, 75.78

 

CMYK 10 / 0 / 73 / 25

HEX #ADC033

RGB 173 192 51

HSL 68.09, 0.58%, 0.48%

LAB 74.08, -24.23, 64.36

 

CMYK 9 / 0 / 59 / 32

HEX #9EAD47

RGB 158 173 71

HSL 68.82, 0.42%, 0.48%

LAB 67.73, -19.8, 49.47

 

CMYK 6 / 0 / 41 / 40

HEX #90995B

RGB 144 153 91

HSL 68.71, 0.25%, 0.48%

LAB 61.19, -13.3, 31.48

 

CMYK 0 / 38 / 95 / 9

HEX #E8900C

RGB 232 144 12

HSL 36, 0.9%, 0.48%

LAB 67.37, 25.41, 71.04

 

CMYK 0 / 13 / 95 / 9

HEX #E8CB0C

RGB 232 203 12

HSL 52.09, 0.9%, 0.48%

LAB 81.78, -5.57, 81.38

 

CMYK 13 / 0 / 95 / 9

HEX #CBE80C

RGB 203 232 12

HSL 67.91, 0.9%, 0.48%

LAB 87.21, -31.91, 84.46

 

CMYK 38 / 0 / 95 / 9

HEX #90E80C

RGB 144 232 12

HSL 84, 0.9%, 0.48%

LAB 83.79, -54.13, 80.32

 

CMYK 63 / 0 / 95 / 9

HEX #55E80C

RGB 85 232 12

HSL 100.09, 0.9%, 0.48%

LAB 81.66, -70.7, 77.71

 

CMYK 14 / 0 / 95 / 40

HEX #859A08

RGB 133 154 8

HSL 68.63, 0.9%, 0.32%

LAB 59.99, -23.98, 61.69

 

CMYK 13 / 0 / 95 / 24

HEX #A7C10A

RGB 167 193 10

HSL 68.52, 0.9%, 0.4%

LAB 73.79, -28.43, 73.22

 

CMYK 13 / 0 / 95 / 9

HEX #C9E80C

RGB 201 232 12

HSL 68.45, 0.9%, 0.48%

LAB 87.07, -32.71, 84.3

 

CMYK 12 / 0 / 83 / 5

HEX #D7F32A

RGB 215 243 42

HSL 68.36, 0.89%, 0.56%

LAB 91.11, -31.57, 83.25

 

CMYK 9 / 0 / 67 / 4

HEX #DEF551

RGB 222 245 81

HSL 68.41, 0.89%, 0.64%

LAB 92.32, -28.06, 72.86

 

CMYK 13 / 0 / 95 / 9

HEX #C9E80C

RGB 201 232 12

HSL 68.45, 0.9%, 0.48%

LAB 87.07, -32.71, 84.3

 

CMYK 95 / 0 / 63 / 9

HEX #0CE855

RGB 12 232 85

HSL 139.91, 0.9%, 0.48%

LAB 80.99, -75.18, 56.93

 

CMYK 25 / 95 / 0 / 9

HEX #AD0CE8

RGB 173 12 232

HSL 283.91, 0.9%, 0.48%

LAB 45.6, 82.08, -72.41

 

CMYK 13 / 0 / 95 / 9

HEX #C9E80C

RGB 201 232 12

HSL 68.45, 0.9%, 0.48%

LAB 87.07, -32.71, 84.3

 

CMYK 95 / 13 / 0 / 9

HEX #0CCBE8

RGB 12 203 232

HSL 187.91, 0.9%, 0.48%

LAB 75.21, -31.15, -26.04

 

CMYK 0 / 95 / 13 / 9

HEX #E80CCB

RGB 232 12 203

HSL 307.91, 0.9%, 0.48%

LAB 53.74, 86.74, -42.22

 

CMYK 13 / 0 / 95 / 9

HEX #C9E80C

RGB 201 232 12

HSL 68.45, 0.9%, 0.48%

LAB 87.07, -32.71, 84.3

 

CMYK 95 / 0 / 63 / 9

HEX #0CE855

RGB 12 232 85

HSL 139.91, 0.9%, 0.48%

LAB 80.99, -75.18, 56.93

 

CMYK 82 / 95 / 0 / 9

HEX #290CE8

RGB 41 12 232

HSL 247.91, 0.9%, 0.48%

LAB 30.78, 72.17, -97.36

 

CMYK 0 / 95 / 31 / 9

HEX #E80C9F

RGB 232 12 159

HSL 319.91, 0.9%, 0.48%

LAB 51.75, 81.63, -19.61

 

CMYK 13 / 0 / 95 / 9

HEX #C9E80C

RGB 201 232 12

HSL 68.45, 0.9%, 0.48%

LAB 87.07, -32.71, 84.3

 

CMYK 95 / 0 / 35 / 9

HEX #0CE897

RGB 12 232 151

HSL 157.91, 0.9%, 0.48%

LAB 81.85, -64.79, 26.63

 

CMYK 82 / 95 / 0 / 9

HEX #290CE8

RGB 41 12 232

HSL 247.91, 0.9%, 0.48%

LAB 30.78, 72.17, -97.36

 

CMYK 0 / 95 / 60 / 9

HEX #E80C5D

RGB 232 12 93

HSL 337.91, 0.9%, 0.48%

LAB 49.75, 76.3, 17.46

 

Description

Color code: HEX #C9E80C | qconv.com Color code: HEX #C9E80C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 232 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 232 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 95 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 95% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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