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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9E037 it is the complementary color #361FC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9E037. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9E037 shade: #CEE032, #DFF245, #F0FF58, #FFFF6B and #FFFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9E037. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9E037 shade: #C9E037, #B8CE24, #A7BC11, #96AA00 and #859800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9E037 shade: #C9E038, #E0C938, #E09C38, #E06F38 and #E04238

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9E037 shade: #C9E038, #9CE038, #6EE038, #41E038 and #38E05C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9E037 shade matches the following richer shades: #C9E038 and #D6F225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9E037 shade: #C9E038, #BBCD4B, #AEBA5D, #A0A870 and #939582

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9E037 shade: #E09D38, #E0C938, #C9E038, #9DE038 and #70E038

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9E037 shade: #97AB1A, #B7CE20, #C9E038, #D2E55C and #DCEB7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9E037 shade: #C9E037, #38E070 and #B338E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9E037 shade: #C9E037, #38C9E0 and #E038C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9E037 shade: #C9E037, #38E070, #4E38E0 and #E038A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9E037 shade: #C9E037, #38E0A2, #4E38E0 and #E03875

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 75 / 12

HEX #C9E037

RGB 201 224 55

HSL 68.17, 0.73%, 0.55%

LAB 85, -27.89, 74.05

 

Complementary color

CMYK 73 / 85 / 0 / 22

HEX #361FC8

RGB 54 31 200

HSL 248.17, 0.73%, 0.45%

LAB 29.25, 58.81, -81.4

 

CMYK 8 / 0 / 78 / 12

HEX #CEE032

RGB 206 224 50

HSL 66.21, 0.74%, 0.54%

LAB 85.33, -26.06, 75.96

 

CMYK 8 / 0 / 71 / 5

HEX #DFF245

RGB 223 242 69

HSL 66.59, 0.87%, 0.61%

LAB 91.51, -26.88, 76.29

 

CMYK 6 / 0 / 65 / 0

HEX #F0FF58

RGB 240 255 88

HSL 65.39, 1%, 0.67%

LAB 96.31, -25.24, 74.73

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 10 / 0 / 75 / 12

HEX #C9E037

RGB 201 224 55

HSL 68.17, 0.73%, 0.55%

LAB 85, -27.89, 74.05

 

CMYK 11 / 0 / 83 / 19

HEX #B8CE24

RGB 184 206 36

HSL 67.76, 0.7%, 0.47%

LAB 78.73, -27, 73.21

 

CMYK 11 / 0 / 91 / 26

HEX #A7BC11

RGB 167 188 17

HSL 67.37, 0.83%, 0.4%

LAB 72.38, -25.93, 71.23

 

CMYK 12 / 0 / 100 / 33

HEX #96AA00

RGB 150 170 0

HSL 67.06, 1%, 0.33%

LAB 65.93, -24.66, 67.87

 

CMYK 13 / 0 / 100 / 40

HEX #859800

RGB 133 152 0

HSL 67.5, 1%, 0.3%

LAB 59.38, -23.13, 62.42

 

CMYK 10 / 0 / 75 / 12

HEX #C9E038

RGB 201 224 56

HSL 68.21, 0.73%, 0.55%

LAB 85, -27.85, 73.75

 

CMYK 0 / 10 / 75 / 12

HEX #E0C938

RGB 224 201 56

HSL 51.79, 0.73%, 0.55%

LAB 80.69, -6.92, 70.39

 

CMYK 0 / 30 / 75 / 12

HEX #E09C38

RGB 224 156 56

HSL 35.71, 0.73%, 0.55%

LAB 69.41, 16.73, 59.61

 

CMYK 0 / 50 / 75 / 12

HEX #E06F38

RGB 224 111 56

HSL 19.64, 0.73%, 0.55%

LAB 59.44, 40.38, 49.59

 

CMYK 0 / 71 / 75 / 12

HEX #E04238

RGB 224 66 56

HSL 3.57, 0.73%, 0.55%

LAB 51.87, 60.3, 41.56

 

CMYK 10 / 0 / 75 / 12

HEX #C9E038

RGB 201 224 56

HSL 68.21, 0.73%, 0.55%

LAB 85, -27.85, 73.75

 

CMYK 30 / 0 / 75 / 12

HEX #9CE038

RGB 156 224 56

HSL 84.29, 0.73%, 0.55%

LAB 82.2, -45.23, 70.11

 

CMYK 51 / 0 / 75 / 12

HEX #6EE038

RGB 110 224 56

HSL 100.71, 0.73%, 0.55%

LAB 80.13, -60.12, 67.4

 

CMYK 71 / 0 / 75 / 12

HEX #41E038

RGB 65 224 56

HSL 116.79, 0.73%, 0.55%

LAB 78.88, -70.25, 65.75

 

CMYK 75 / 0 / 59 / 12

HEX #38E05C

RGB 56 224 92

HSL 132.86, 0.73%, 0.55%

LAB 79, -68.22, 51.77

 

CMYK 10 / 0 / 75 / 12

HEX #C9E038

RGB 201 224 56

HSL 68.21, 0.73%, 0.55%

LAB 85, -27.85, 73.75

 

CMYK 12 / 0 / 85 / 5

HEX #D6F225

RGB 214 242 37

HSL 68.2, 0.89%, 0.55%

LAB 90.75, -31.65, 83.98

 

CMYK 10 / 0 / 75 / 12

HEX #C9E038

RGB 201 224 56

HSL 68.21, 0.73%, 0.55%

LAB 85, -27.85, 73.75

 

CMYK 9 / 0 / 63 / 20

HEX #BBCD4B

RGB 187 205 75

HSL 68.31, 0.57%, 0.55%

LAB 78.89, -23.4, 60.48

 

CMYK 6 / 0 / 50 / 27

HEX #AEBA5D

RGB 174 186 93

HSL 67.74, 0.4%, 0.55%

LAB 72.83, -17.84, 45.31

 

CMYK 5 / 0 / 33 / 34

HEX #A0A870

RGB 160 168 112

HSL 68.57, 0.24%, 0.55%

LAB 67.01, -12.08, 28.04

 

CMYK 1 / 0 / 13 / 42

HEX #939582

RGB 147 149 130

HSL 66.32, 0.08%, 0.55%

LAB 61.05, -4.22, 9.79

 

CMYK 0 / 30 / 75 / 12

HEX #E09D38

RGB 224 157 56

HSL 36.07, 0.73%, 0.55%

LAB 69.64, 16.19, 59.85

 

CMYK 0 / 10 / 75 / 12

HEX #E0C938

RGB 224 201 56

HSL 51.79, 0.73%, 0.55%

LAB 80.69, -6.92, 70.39

 

CMYK 10 / 0 / 75 / 12

HEX #C9E038

RGB 201 224 56

HSL 68.21, 0.73%, 0.55%

LAB 85, -27.85, 73.75

 

CMYK 30 / 0 / 75 / 12

HEX #9DE038

RGB 157 224 56

HSL 83.93, 0.73%, 0.55%

LAB 82.25, -44.87, 70.18

 

CMYK 50 / 0 / 75 / 12

HEX #70E038

RGB 112 224 56

HSL 100, 0.73%, 0.55%

LAB 80.2, -59.55, 67.49

 

CMYK 12 / 0 / 85 / 33

HEX #97AB1A

RGB 151 171 26

HSL 68.28, 0.74%, 0.39%

LAB 66.35, -24.21, 64.09

 

CMYK 11 / 0 / 84 / 19

HEX #B7CE20

RGB 183 206 32

HSL 67.93, 0.73%, 0.47%

LAB 78.64, -27.53, 74.03

 

CMYK 10 / 0 / 75 / 12

HEX #C9E038

RGB 201 224 56

HSL 68.21, 0.73%, 0.55%

LAB 85, -27.85, 73.75

 

CMYK 8 / 0 / 60 / 10

HEX #D2E55C

RGB 210 229 92

HSL 68.32, 0.72%, 0.63%

LAB 87.25, -24.55, 62.91

 

CMYK 6 / 0 / 46 / 8

HEX #DCEB7F

RGB 220 235 127

HSL 68.33, 0.73%, 0.71%

LAB 89.94, -20.54, 50.43

 

CMYK 10 / 0 / 75 / 12

HEX #C9E037

RGB 201 224 55

HSL 68.17, 0.73%, 0.55%

LAB 85, -27.89, 74.05

 

CMYK 75 / 0 / 50 / 12

HEX #38E070

RGB 56 224 112

HSL 140, 0.73%, 0.55%

LAB 79.23, -65.5, 42.77

 

CMYK 20 / 75 / 0 / 12

HEX #B338E0

RGB 179 56 224

HSL 283.93, 0.73%, 0.55%

LAB 49.25, 71.81, -61.91

 

CMYK 10 / 0 / 75 / 12

HEX #C9E037

RGB 201 224 55

HSL 68.17, 0.73%, 0.55%

LAB 85, -27.89, 74.05

 

CMYK 75 / 10 / 0 / 12

HEX #38C9E0

RGB 56 201 224

HSL 188.21, 0.73%, 0.55%

LAB 74.82, -29.81, -22.28

 

CMYK 0 / 75 / 10 / 12

HEX #E038C9

RGB 224 56 201

HSL 308.21, 0.73%, 0.55%

LAB 54.96, 77.06, -39.24

 

CMYK 10 / 0 / 75 / 12

HEX #C9E037

RGB 201 224 55

HSL 68.17, 0.73%, 0.55%

LAB 85, -27.89, 74.05

 

CMYK 75 / 0 / 50 / 12

HEX #38E070

RGB 56 224 112

HSL 140, 0.73%, 0.55%

LAB 79.23, -65.5, 42.77

 

CMYK 65 / 75 / 0 / 12

HEX #4E38E0

RGB 78 56 224

HSL 247.86, 0.73%, 0.55%

LAB 37.54, 56.43, -81.51

 

CMYK 0 / 75 / 25 / 12

HEX #E038A8

RGB 224 56 168

HSL 320, 0.73%, 0.55%

LAB 53.5, 72.7, -22.37

 

CMYK 10 / 0 / 75 / 12

HEX #C9E037

RGB 201 224 55

HSL 68.17, 0.73%, 0.55%

LAB 85, -27.89, 74.05

 

CMYK 75 / 0 / 28 / 12

HEX #38E0A2

RGB 56 224 162

HSL 157.86, 0.73%, 0.55%

LAB 80.04, -56.26, 18.52

 

CMYK 65 / 75 / 0 / 12

HEX #4E38E0

RGB 78 56 224

HSL 247.86, 0.73%, 0.55%

LAB 37.54, 56.43, -81.51

 

CMYK 0 / 75 / 48 / 12

HEX #E03875

RGB 224 56 117

HSL 338.21, 0.73%, 0.55%

LAB 51.79, 67.42, 5.48

 

Description

Color code: HEX #C9E037 | qconv.com Color code: HEX #C9E037 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 224 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 224 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 75 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 75% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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