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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9EB93 it is the complementary color #36146C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9EB93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9EB93 shade: #CEEB8E, #DFFDA1, #F0FFB4, #FFFFC7 and #FFFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9EB93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9EB93 shade: #C9EB93, #B8D980, #A7C76D, #96B55A and #85A347

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9EB93 shade: #C9EB93, #E0EB93, #EBDD93, #EBC693 and #EBAE93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9EB93 shade: #C9EB93, #B1EB93, #99EB93, #93EBA4 and #93EBBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9EB93 shade matches the following richer shades: #C9EB93 and #CBF588

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9EB93 shade: #C9EB93, #C6E09D, #C4D6A7, #C2CCB2 and #BFC1BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9EB93 shade: #EBDE93, #E0EB93, #C9EB93, #B2EB93 and #9AEB93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9EB93 shade: #A6DE4D, #B7E470, #C9EB93, #DAF1B6 and #ECF8D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9EB93 shade: #C9EB93, #93EBC6 and #E993EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9EB93 shade: #C9EB93, #93C9EB and #EB93C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9EB93 shade: #C9EB93, #93EBC6, #B493EB and #EB93B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9EB93 shade: #C9EB93, #93EBE0, #B493EB and #EB939D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 37 / 8

HEX #C9EB93

RGB 201 235 147

HSL 83.18, 0.69%, 0.75%

LAB 88.89, -25.46, 39.11

 

Complementary color

CMYK 50 / 81 / 0 / 58

HEX #36146C

RGB 54 20 108

HSL 263.18, 0.69%, 0.25%

LAB 17.31, 37.02, -44.49

 

CMYK 12 / 0 / 40 / 8

HEX #CEEB8E

RGB 206 235 142

HSL 78.71, 0.7%, 0.74%

LAB 89.15, -24.23, 41.98

 

CMYK 12 / 0 / 36 / 1

HEX #DFFDA1

RGB 223 253 161

HSL 79.57, 0.96%, 0.81%

LAB 95.38, -24.3, 40.87

 

CMYK 6 / 0 / 29 / 0

HEX #F0FFB4

RGB 240 255 180

HSL 72, 1%, 0.85%

LAB 97.37, -16.69, 34.28

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 14 / 0 / 37 / 8

HEX #C9EB93

RGB 201 235 147

HSL 83.18, 0.69%, 0.75%

LAB 88.89, -25.46, 39.11

 

CMYK 15 / 0 / 41 / 15

HEX #B8D980

RGB 184 217 128

HSL 82.25, 0.54%, 0.68%

LAB 82.58, -25.43, 40.24

 

CMYK 16 / 0 / 45 / 22

HEX #A7C76D

RGB 167 199 109

HSL 81.33, 0.45%, 0.6%

LAB 76.17, -25.36, 41.4

 

CMYK 17 / 0 / 50 / 29

HEX #96B55A

RGB 150 181 90

HSL 80.44, 0.38%, 0.53%

LAB 69.66, -25.25, 42.56

 

CMYK 18 / 0 / 56 / 36

HEX #85A347

RGB 133 163 71

HSL 79.57, 0.39%, 0.46%

LAB 63.04, -25.07, 43.68

 

CMYK 14 / 0 / 37 / 8

HEX #C9EB93

RGB 201 235 147

HSL 83.18, 0.69%, 0.75%

LAB 88.89, -25.46, 39.11

 

CMYK 5 / 0 / 37 / 8

HEX #E0EB93

RGB 224 235 147

HSL 67.5, 0.69%, 0.75%

LAB 90.49, -16.89, 41.48

 

CMYK 0 / 6 / 37 / 8

HEX #EBDD93

RGB 235 221 147

HSL 50.45, 0.69%, 0.75%

LAB 87.72, -5.68, 38.07

 

CMYK 0 / 16 / 37 / 8

HEX #EBC693

RGB 235 198 147

HSL 34.77, 0.69%, 0.75%

LAB 81.92, 6.17, 30.45

 

CMYK 0 / 26 / 37 / 8

HEX #EBAE93

RGB 235 174 147

HSL 18.41, 0.69%, 0.75%

LAB 76.09, 18.85, 22.59

 

CMYK 14 / 0 / 37 / 8

HEX #C9EB93

RGB 201 235 147

HSL 83.18, 0.69%, 0.75%

LAB 88.89, -25.46, 39.11

 

CMYK 25 / 0 / 37 / 8

HEX #B1EB93

RGB 177 235 147

HSL 99.55, 0.69%, 0.75%

LAB 87.42, -33.97, 36.91

 

CMYK 35 / 0 / 37 / 8

HEX #99EB93

RGB 153 235 147

HSL 115.91, 0.69%, 0.75%

LAB 86.15, -41.84, 35.01

 

CMYK 37 / 0 / 30 / 8

HEX #93EBA4

RGB 147 235 164

HSL 131.59, 0.69%, 0.75%

LAB 86.16, -40.94, 26.33

 

CMYK 37 / 0 / 20 / 8

HEX #93EBBC

RGB 147 235 188

HSL 147.95, 0.69%, 0.75%

LAB 86.63, -36.55, 14.57

 

CMYK 14 / 0 / 37 / 8

HEX #C9EB93

RGB 201 235 147

HSL 83.18, 0.69%, 0.75%

LAB 88.89, -25.46, 39.11

 

CMYK 17 / 0 / 44 / 4

HEX #CBF588

RGB 203 245 136

HSL 83.12, 0.84%, 0.75%

LAB 91.59, -30.74, 47.92

 

CMYK 14 / 0 / 37 / 8

HEX #C9EB93

RGB 201 235 147

HSL 83.18, 0.69%, 0.75%

LAB 88.89, -25.46, 39.11

 

CMYK 12 / 0 / 30 / 12

HEX #C6E09D

RGB 198 224 157

HSL 83.28, 0.52%, 0.75%

LAB 85.88, -19.9, 30.04

 

CMYK 8 / 0 / 22 / 16

HEX #C4D6A7

RGB 196 214 167

HSL 82.98, 0.36%, 0.75%

LAB 83.24, -14.2, 21.24

 

CMYK 5 / 0 / 13 / 20

HEX #C2CCB2

RGB 194 204 178

HSL 83.08, 0.2%, 0.75%

LAB 80.67, -8.05, 11.8

 

CMYK 1 / 0 / 3 / 24

HEX #BFC1BC

RGB 191 193 188

HSL 84, 0.04%, 0.75%

LAB 77.78, -1.61, 2.26

 

CMYK 0 / 6 / 37 / 8

HEX #EBDE93

RGB 235 222 147

HSL 51.14, 0.69%, 0.75%

LAB 87.97, -6.19, 38.4

 

CMYK 5 / 0 / 37 / 8

HEX #E0EB93

RGB 224 235 147

HSL 67.5, 0.69%, 0.75%

LAB 90.49, -16.89, 41.48

 

CMYK 14 / 0 / 37 / 8

HEX #C9EB93

RGB 201 235 147

HSL 83.18, 0.69%, 0.75%

LAB 88.89, -25.46, 39.11

 

CMYK 24 / 0 / 37 / 8

HEX #B2EB93

RGB 178 235 147

HSL 98.86, 0.69%, 0.75%

LAB 87.48, -33.62, 36.99

 

CMYK 34 / 0 / 37 / 8

HEX #9AEB93

RGB 154 235 147

HSL 115.23, 0.69%, 0.75%

LAB 86.2, -41.53, 35.08

 

CMYK 25 / 0 / 65 / 13

HEX #A6DE4D

RGB 166 222 77

HSL 83.17, 0.69%, 0.59%

LAB 82.32, -39.39, 62.89

 

CMYK 20 / 0 / 51 / 11

HEX #B7E470

RGB 183 228 112

HSL 83.28, 0.68%, 0.67%

LAB 85.36, -32.76, 51.39

 

CMYK 14 / 0 / 37 / 8

HEX #C9EB93

RGB 201 235 147

HSL 83.18, 0.69%, 0.75%

LAB 88.89, -25.46, 39.11

 

CMYK 10 / 0 / 24 / 5

HEX #DAF1B6

RGB 218 241 182

HSL 83.39, 0.68%, 0.83%

LAB 92.22, -17.49, 26.05

 

CMYK 5 / 0 / 13 / 3

HEX #ECF8D8

RGB 236 248 216

HSL 82.5, 0.7%, 0.91%

LAB 95.97, -9.44, 14.03

 

CMYK 14 / 0 / 37 / 8

HEX #C9EB93

RGB 201 235 147

HSL 83.18, 0.69%, 0.75%

LAB 88.89, -25.46, 39.11

 

CMYK 37 / 0 / 16 / 8

HEX #93EBC6

RGB 147 235 198

HSL 154.77, 0.69%, 0.75%

LAB 86.85, -34.54, 9.67

 

CMYK 1 / 37 / 0 / 8

HEX #E993EB

RGB 233 147 235

HSL 298.64, 0.69%, 0.75%

LAB 72.35, 45.76, -31.1

 

CMYK 14 / 0 / 37 / 8

HEX #C9EB93

RGB 201 235 147

HSL 83.18, 0.69%, 0.75%

LAB 88.89, -25.46, 39.11

 

CMYK 37 / 14 / 0 / 8

HEX #93C9EB

RGB 147 201 235

HSL 203.18, 0.69%, 0.75%

LAB 78.45, -9.16, -22.39

 

CMYK 0 / 37 / 14 / 8

HEX #EB93C9

RGB 235 147 201

HSL 323.18, 0.69%, 0.75%

LAB 71.38, 40.61, -13.85

 

CMYK 14 / 0 / 37 / 8

HEX #C9EB93

RGB 201 235 147

HSL 83.18, 0.69%, 0.75%

LAB 88.89, -25.46, 39.11

 

CMYK 37 / 0 / 16 / 8

HEX #93EBC6

RGB 147 235 198

HSL 154.77, 0.69%, 0.75%

LAB 86.85, -34.54, 9.67

 

CMYK 23 / 37 / 0 / 8

HEX #B493EB

RGB 180 147 235

HSL 262.5, 0.69%, 0.75%

LAB 66.95, 29.97, -39.91

 

CMYK 0 / 37 / 22 / 8

HEX #EB93B7

RGB 235 147 183

HSL 335.45, 0.69%, 0.75%

LAB 70.84, 37.88, -4.68

 

CMYK 14 / 0 / 37 / 8

HEX #C9EB93

RGB 201 235 147

HSL 83.18, 0.69%, 0.75%

LAB 88.89, -25.46, 39.11

 

CMYK 37 / 0 / 5 / 8

HEX #93EBE0

RGB 147 235 224

HSL 172.5, 0.69%, 0.75%

LAB 87.49, -28.91, -3.03

 

CMYK 23 / 37 / 0 / 8

HEX #B493EB

RGB 180 147 235

HSL 262.5, 0.69%, 0.75%

LAB 66.95, 29.97, -39.91

 

CMYK 0 / 37 / 33 / 8

HEX #EB939D

RGB 235 147 157

HSL 353.18, 0.69%, 0.75%

LAB 70.15, 34.38, 8.81

 

Description

Color code: HEX #C9EB93 | qconv.com Color code: HEX #C9EB93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 235 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 235 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 37 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 37% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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