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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9EDBA it is the complementary color #361245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9EDBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9EDBA shade: #CEEDB5, #DFFFC8, #F0FFDB and #FFFFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9EDBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9EDBA shade: #C9EDBA, #B8DBA7, #A7C994, #96B781 and #85A56E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9EDBA shade: #C9EDBA, #D6EDBA, #E4EDBA, #EDE7BA and #EDDABA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9EDBA shade: #C9EDBA, #BBEDBA, #BAEDC6, #BAEDD4 and #BAEDE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9EDBA shade matches the following richer shades: #C9EDBA, #C6F4B3 and #C3FBAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9EDBA shade: #C9EDBA, #CCE6C1, #CEDFC8, #D1D8CF and #D4D1D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9EDBA shade: #E4EDBA, #D7EDBA, #C9EDBA, #BBEDBA and #BAEDC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9EDBA shade: #95DC78, #AFE499, #C9EDBA, #E2F5DA and #FCFEFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9EDBA shade: #C9EDBA, #BAEDE8 and #EDBADD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9EDBA shade: #C9EDBA, #BAC9ED and #EDBAC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9EDBA shade: #C9EDBA, #BAEDE8, #DDBAED and #EDBABF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9EDBA shade: #C9EDBA, #BAE2ED, #DDBAED and #EDC4BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 22 / 7

HEX #C9EDBA

RGB 201 237 186

HSL 102.35, 0.59%, 0.83%

LAB 90.11, -20.86, 20.91

 

Complementary color

CMYK 22 / 74 / 0 / 73

HEX #361245

RGB 54 18 69

HSL 282.35, 0.59%, 0.17%

LAB 13.51, 27.44, -24.37

 

CMYK 13 / 0 / 24 / 7

HEX #CEEDB5

RGB 206 237 181

HSL 93.21, 0.61%, 0.82%

LAB 90.33, -19.91, 23.85

 

CMYK 13 / 0 / 22 / 0

HEX #DFFFC8

RGB 223 255 200

HSL 94.91, 1%, 0.89%

LAB 96.57, -19.86, 22.92

 

CMYK 6 / 0 / 14 / 0

HEX #F0FFDB

RGB 240 255 219

HSL 85, 1%, 0.93%

LAB 98.1, -11.06, 15.55

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEE

RGB 255 255 238

HSL 60, 1%, 0.97%

LAB 99.59, -2.88, 8.11

 

CMYK 15 / 0 / 22 / 7

HEX #C9EDBA

RGB 201 237 186

HSL 102.35, 0.59%, 0.83%

LAB 90.11, -20.86, 20.91

 

CMYK 16 / 0 / 24 / 14

HEX #B8DBA7

RGB 184 219 167

HSL 100.38, 0.42%, 0.76%

LAB 83.78, -20.95, 21.86

 

CMYK 17 / 0 / 26 / 21

HEX #A7C994

RGB 167 201 148

HSL 98.49, 0.33%, 0.68%

LAB 77.36, -21.05, 22.85

 

CMYK 18 / 0 / 30 / 28

HEX #96B781

RGB 150 183 129

HSL 96.67, 0.27%, 0.61%

LAB 70.83, -21.16, 23.9

 

CMYK 19 / 0 / 33 / 35

HEX #85A56E

RGB 133 165 110

HSL 94.91, 0.23%, 0.54%

LAB 64.18, -21.26, 25.01

 

CMYK 15 / 0 / 22 / 7

HEX #C9EDBA

RGB 201 237 186

HSL 102.35, 0.59%, 0.83%

LAB 90.11, -20.86, 20.91

 

CMYK 10 / 0 / 22 / 7

HEX #D6EDBA

RGB 214 237 186

HSL 87.06, 0.59%, 0.83%

LAB 90.97, -16.34, 22.24

 

CMYK 4 / 0 / 22 / 7

HEX #E4EDBA

RGB 228 237 186

HSL 70.59, 0.59%, 0.83%

LAB 91.96, -11.36, 23.76

 

CMYK 0 / 3 / 22 / 7

HEX #EDE7BA

RGB 237 231 186

HSL 52.94, 0.59%, 0.83%

LAB 91.1, -5.07, 22.68

 

CMYK 0 / 8 / 22 / 7

HEX #EDDABA

RGB 237 218 186

HSL 37.65, 0.59%, 0.83%

LAB 87.82, 1.57, 18.13

 

CMYK 15 / 0 / 22 / 7

HEX #C9EDBA

RGB 201 237 186

HSL 102.35, 0.59%, 0.83%

LAB 90.11, -20.86, 20.91

 

CMYK 21 / 0 / 22 / 7

HEX #BBEDBA

RGB 187 237 186

HSL 118.82, 0.59%, 0.83%

LAB 89.24, -25.57, 19.58

 

CMYK 22 / 0 / 16 / 7

HEX #BAEDC6

RGB 186 237 198

HSL 134.12, 0.59%, 0.83%

LAB 89.43, -23.81, 13.62

 

CMYK 22 / 0 / 11 / 7

HEX #BAEDD4

RGB 186 237 212

HSL 150.59, 0.59%, 0.83%

LAB 89.75, -21.21, 6.78

 

CMYK 22 / 0 / 5 / 7

HEX #BAEDE2

RGB 186 237 226

HSL 167.06, 0.59%, 0.83%

LAB 90.09, -18.44, -0.03

 

CMYK 15 / 0 / 22 / 7

HEX #C9EDBA

RGB 201 237 186

HSL 102.35, 0.59%, 0.83%

LAB 90.11, -20.86, 20.91

 

CMYK 19 / 0 / 27 / 4

HEX #C6F4B3

RGB 198 244 179

HSL 102.46, 0.75%, 0.83%

LAB 91.67, -26.35, 26.62

 

CMYK 22 / 0 / 31 / 2

HEX #C3FBAC

RGB 195 251 172

HSL 102.53, 0.91%, 0.83%

LAB 93.27, -31.7, 32.29

 

CMYK 15 / 0 / 22 / 7

HEX #C9EDBA

RGB 201 237 186

HSL 102.35, 0.59%, 0.83%

LAB 90.11, -20.86, 20.91

 

CMYK 11 / 0 / 16 / 10

HEX #CCE6C1

RGB 204 230 193

HSL 102.16, 0.43%, 0.83%

LAB 88.58, -15.24, 15.18

 

CMYK 8 / 0 / 10 / 13

HEX #CEDFC8

RGB 206 223 200

HSL 104.35, 0.26%, 0.83%

LAB 87.03, -9.84, 9.33

 

CMYK 3 / 0 / 4 / 15

HEX #D1D8CF

RGB 209 216 207

HSL 106.67, 0.1%, 0.83%

LAB 85.59, -4, 3.6

 

CMYK 1 / 2 / 0 / 16

HEX #D4D1D6

RGB 212 209 214

HSL 276, 0.06%, 0.83%

LAB 84.2, 1.94, -2.11

 

CMYK 4 / 0 / 22 / 7

HEX #E4EDBA

RGB 228 237 186

HSL 70.59, 0.59%, 0.83%

LAB 91.96, -11.36, 23.76

 

CMYK 9 / 0 / 22 / 7

HEX #D7EDBA

RGB 215 237 186

HSL 85.88, 0.59%, 0.83%

LAB 91.04, -15.99, 22.34

 

CMYK 15 / 0 / 22 / 7

HEX #C9EDBA

RGB 201 237 186

HSL 102.35, 0.59%, 0.83%

LAB 90.11, -20.86, 20.91

 

CMYK 21 / 0 / 22 / 7

HEX #BBEDBA

RGB 187 237 186

HSL 118.82, 0.59%, 0.83%

LAB 89.24, -25.57, 19.58

 

CMYK 22 / 0 / 16 / 7

HEX #BAEDC6

RGB 186 237 198

HSL 134.12, 0.59%, 0.83%

LAB 89.43, -23.81, 13.62

 

CMYK 32 / 0 / 45 / 14

HEX #95DC78

RGB 149 220 120

HSL 102.6, 0.59%, 0.67%

LAB 81.25, -40.25, 42.09

 

CMYK 23 / 0 / 33 / 11

HEX #AFE499

RGB 175 228 153

HSL 102.4, 0.58%, 0.75%

LAB 85.45, -30.54, 31.26

 

CMYK 15 / 0 / 22 / 7

HEX #C9EDBA

RGB 201 237 186

HSL 102.35, 0.59%, 0.83%

LAB 90.11, -20.86, 20.91

 

CMYK 8 / 0 / 11 / 4

HEX #E2F5DA

RGB 226 245 218

HSL 102.22, 0.57%, 0.91%

LAB 94.54, -11.02, 10.88

 

CMYK 1 / 0 / 1 / 0

HEX #FCFEFB

RGB 252 254 251

HSL 100, 0.6%, 0.99%

LAB 99.43, -1.18, 1.19

 

CMYK 15 / 0 / 22 / 7

HEX #C9EDBA

RGB 201 237 186

HSL 102.35, 0.59%, 0.83%

LAB 90.11, -20.86, 20.91

 

CMYK 22 / 0 / 2 / 7

HEX #BAEDE8

RGB 186 237 232

HSL 174.12, 0.59%, 0.83%

LAB 90.25, -17.21, -2.93

 

CMYK 0 / 22 / 7 / 7

HEX #EDBADD

RGB 237 186 221

HSL 318.82, 0.59%, 0.83%

LAB 80.93, 23.92, -10.46

 

CMYK 15 / 0 / 22 / 7

HEX #C9EDBA

RGB 201 237 186

HSL 102.35, 0.59%, 0.83%

LAB 90.11, -20.86, 20.91

 

CMYK 22 / 15 / 0 / 7

HEX #BAC9ED

RGB 186 201 237

HSL 222.35, 0.59%, 0.83%

LAB 80.92, 2.46, -19.48

 

CMYK 0 / 22 / 15 / 7

HEX #EDBAC9

RGB 237 186 201

HSL 342.35, 0.59%, 0.83%

LAB 80.37, 20.62, -0.51

 

CMYK 15 / 0 / 22 / 7

HEX #C9EDBA

RGB 201 237 186

HSL 102.35, 0.59%, 0.83%

LAB 90.11, -20.86, 20.91

 

CMYK 22 / 0 / 2 / 7

HEX #BAEDE8

RGB 186 237 232

HSL 174.12, 0.59%, 0.83%

LAB 90.25, -17.21, -2.93

 

CMYK 7 / 22 / 0 / 7

HEX #DDBAED

RGB 221 186 237

HSL 281.18, 0.59%, 0.83%

LAB 79.96, 21.57, -20.67

 

CMYK 0 / 22 / 19 / 7

HEX #EDBABF

RGB 237 186 191

HSL 354.12, 0.59%, 0.83%

LAB 80.11, 19.08, 4.52

 

CMYK 15 / 0 / 22 / 7

HEX #C9EDBA

RGB 201 237 186

HSL 102.35, 0.59%, 0.83%

LAB 90.11, -20.86, 20.91

 

CMYK 22 / 5 / 0 / 7

HEX #BAE2ED

RGB 186 226 237

HSL 192.94, 0.59%, 0.83%

LAB 87.46, -10.61, -9.67

 

CMYK 7 / 22 / 0 / 7

HEX #DDBAED

RGB 221 186 237

HSL 281.18, 0.59%, 0.83%

LAB 79.96, 21.57, -20.67

 

CMYK 0 / 17 / 22 / 7

HEX #EDC4BA

RGB 237 196 186

HSL 11.76, 0.59%, 0.83%

LAB 82.39, 13.05, 10.47

 

Description

Color code: HEX #C9EDBA | qconv.com Color code: HEX #C9EDBA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 237 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 237 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 22 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 22% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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