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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9EDDA it is the complementary color #361225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9EDDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9EDDA shade: #CEEDD5, #DFFFE8 and #F0FFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9EDDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9EDDA shade: #C9EDDA, #B8DBC7, #A7C9B4, #96B7A1 and #85A58E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9EDDA shade: #C9EDDA, #C9EDD0, #CBEDC9, #D5EDC9 and #DFEDC9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9EDDA shade: #C9EDDA, #C9EDE3, #C9ECED, #C9E3ED and #C9D9ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9EDDA shade matches the following richer shades: #C9EDDA, #C3F2D9, #BDF8D9 and #B8FED9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9EDDA shade: #C9EDDA, #CFE7DA, #D5E1DA, #DADBDB and #E0D6DB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9EDDA shade: #CBEDC9, #C9EDD0, #C9EDDA, #C9EDE3 and #C9EDED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9EDDA shade: #8BD8AF, #AAE2C5, #C9EDDA and #E8F7EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9EDDA shade: #C9EDDA, #C9D5ED and #EDCBC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9EDDA shade: #C9EDDA, #DAC9ED and #EDDAC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9EDDA shade: #C9EDDA, #C9D5ED, #EDC9DC and #EDE1C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9EDDA shade: #C9EDDA, #C9CAED, #EDC9DC and #EDEBC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 8 / 7

HEX #C9EDDA

RGB 201 237 218

HSL 148.33, 0.5%, 0.86%

LAB 90.8, -15.31, 5.29

 

Complementary color

CMYK 0 / 67 / 31 / 79

HEX #361225

RGB 54 18 37

HSL 328.33, 0.5%, 0.14%

LAB 11.62, 20.6, -4.26

 

CMYK 13 / 0 / 10 / 7

HEX #CEEDD5

RGB 206 237 213

HSL 133.55, 0.46%, 0.87%

LAB 91, -14.59, 8.23

 

CMYK 13 / 0 / 9 / 0

HEX #DFFFE8

RGB 223 255 232

HSL 136.88, 1%, 0.94%

LAB 97.24, -14.54, 7.52

 

CMYK 6 / 0 / 2 / 0

HEX #F0FFFB

RGB 240 255 251

HSL 164, 1%, 0.97%

LAB 98.83, -5.61, 0.21

 

CMYK 15 / 0 / 8 / 7

HEX #C9EDDA

RGB 201 237 218

HSL 148.33, 0.5%, 0.86%

LAB 90.8, -15.31, 5.29

 

CMYK 16 / 0 / 9 / 14

HEX #B8DBC7

RGB 184 219 199

HSL 145.71, 0.33%, 0.79%

LAB 84.47, -15.39, 6

 

CMYK 17 / 0 / 10 / 21

HEX #A7C9B4

RGB 167 201 180

HSL 142.94, 0.24%, 0.72%

LAB 78.04, -15.48, 6.73

 

CMYK 18 / 0 / 12 / 28

HEX #96B7A1

RGB 150 183 161

HSL 140, 0.19%, 0.65%

LAB 71.5, -15.59, 7.5

 

CMYK 19 / 0 / 14 / 35

HEX #85A58E

RGB 133 165 142

HSL 136.88, 0.15%, 0.58%

LAB 64.84, -15.73, 8.31

 

CMYK 15 / 0 / 8 / 7

HEX #C9EDDA

RGB 201 237 218

HSL 148.33, 0.5%, 0.86%

LAB 90.8, -15.31, 5.29

 

CMYK 15 / 0 / 12 / 7

HEX #C9EDD0

RGB 201 237 208

HSL 131.67, 0.5%, 0.86%

LAB 90.57, -17.13, 10.17

 

CMYK 14 / 0 / 15 / 7

HEX #CBEDC9

RGB 203 237 201

HSL 116.67, 0.5%, 0.86%

LAB 90.54, -17.69, 13.78

 

CMYK 10 / 0 / 15 / 7

HEX #D5EDC9

RGB 213 237 201

HSL 100, 0.5%, 0.86%

LAB 91.2, -14.31, 14.81

 

CMYK 6 / 0 / 15 / 7

HEX #DFEDC9

RGB 223 237 201

HSL 83.33, 0.5%, 0.86%

LAB 91.9, -10.85, 15.89

 

CMYK 15 / 0 / 8 / 7

HEX #C9EDDA

RGB 201 237 218

HSL 148.33, 0.5%, 0.86%

LAB 90.8, -15.31, 5.29

 

CMYK 15 / 0 / 4 / 7

HEX #C9EDE3

RGB 201 237 227

HSL 163.33, 0.5%, 0.86%

LAB 91.02, -13.59, 0.92

 

CMYK 15 / 0 / 0 / 7

HEX #C9ECED

RGB 201 236 237

HSL 181.67, 0.5%, 0.86%

LAB 91.02, -11.11, -4.3

 

CMYK 15 / 4 / 0 / 7

HEX #C9E3ED

RGB 201 227 237

HSL 196.67, 0.5%, 0.86%

LAB 88.67, -6.53, -7.77

 

CMYK 15 / 8 / 0 / 7

HEX #C9D9ED

RGB 201 217 237

HSL 213.33, 0.5%, 0.86%

LAB 86.09, -1.35, -11.61

 

CMYK 15 / 0 / 8 / 7

HEX #C9EDDA

RGB 201 237 218

HSL 148.33, 0.5%, 0.86%

LAB 90.8, -15.31, 5.29

 

CMYK 19 / 0 / 10 / 5

HEX #C3F2D9

RGB 195 242 217

HSL 148.09, 0.64%, 0.86%

LAB 91.74, -19.88, 7.11

 

CMYK 24 / 0 / 13 / 3

HEX #BDF8D9

RGB 189 248 217

HSL 148.47, 0.81%, 0.86%

LAB 93, -24.66, 8.88

 

CMYK 28 / 0 / 15 / 0

HEX #B8FED9

RGB 184 254 217

HSL 148.29, 0.97%, 0.86%

LAB 94.35, -29.03, 10.77

 

CMYK 15 / 0 / 8 / 7

HEX #C9EDDA

RGB 201 237 218

HSL 148.33, 0.5%, 0.86%

LAB 90.8, -15.31, 5.29

 

CMYK 10 / 0 / 6 / 9

HEX #CFE7DA

RGB 207 231 218

HSL 147.5, 0.33%, 0.86%

LAB 89.62, -10.34, 3.63

 

CMYK 5 / 0 / 3 / 12

HEX #D5E1DA

RGB 213 225 218

HSL 145, 0.17%, 0.86%

LAB 88.48, -5.29, 2.02

 

CMYK 0 / 0 / 0 / 14

HEX #DADBDB

RGB 218 219 219

HSL 180, 0.01%, 0.86%

LAB 87.33, -0.33, -0.13

 

CMYK 0 / 4 / 2 / 12

HEX #E0D6DB

RGB 224 214 219

HSL 330, 0.14%, 0.86%

LAB 86.53, 4.31, -1.24

 

CMYK 14 / 0 / 15 / 7

HEX #CBEDC9

RGB 203 237 201

HSL 116.67, 0.5%, 0.86%

LAB 90.54, -17.69, 13.78

 

CMYK 15 / 0 / 12 / 7

HEX #C9EDD0

RGB 201 237 208

HSL 131.67, 0.5%, 0.86%

LAB 90.57, -17.13, 10.17

 

CMYK 15 / 0 / 8 / 7

HEX #C9EDDA

RGB 201 237 218

HSL 148.33, 0.5%, 0.86%

LAB 90.8, -15.31, 5.29

 

CMYK 15 / 0 / 4 / 7

HEX #C9EDE3

RGB 201 237 227

HSL 163.33, 0.5%, 0.86%

LAB 91.02, -13.59, 0.92

 

CMYK 15 / 0 / 0 / 7

HEX #C9EDED

RGB 201 237 237

HSL 180, 0.5%, 0.86%

LAB 91.28, -11.62, -3.92

 

CMYK 36 / 0 / 19 / 15

HEX #8BD8AF

RGB 139 216 175

HSL 148.05, 0.5%, 0.7%

LAB 80.57, -32.59, 12.79

 

CMYK 25 / 0 / 13 / 11

HEX #AAE2C5

RGB 170 226 197

HSL 148.93, 0.49%, 0.78%

LAB 85.49, -23.71, 8.4

 

CMYK 15 / 0 / 8 / 7

HEX #C9EDDA

RGB 201 237 218

HSL 148.33, 0.5%, 0.86%

LAB 90.8, -15.31, 5.29

 

CMYK 6 / 0 / 3 / 3

HEX #E8F7EF

RGB 232 247 239

HSL 148, 0.48%, 0.94%

LAB 95.96, -6.36, 2.13

 

CMYK 15 / 0 / 8 / 7

HEX #C9EDDA

RGB 201 237 218

HSL 148.33, 0.5%, 0.86%

LAB 90.8, -15.31, 5.29

 

CMYK 15 / 10 / 0 / 7

HEX #C9D5ED

RGB 201 213 237

HSL 220, 0.5%, 0.86%

LAB 85.06, 0.74, -13.15

 

CMYK 0 / 14 / 15 / 7

HEX #EDCBC9

RGB 237 203 201

HSL 3.33, 0.5%, 0.86%

LAB 84.45, 11.63, 5.42

 

CMYK 15 / 0 / 8 / 7

HEX #C9EDDA

RGB 201 237 218

HSL 148.33, 0.5%, 0.86%

LAB 90.8, -15.31, 5.29

 

CMYK 8 / 15 / 0 / 7

HEX #DAC9ED

RGB 218 201 237

HSL 268.33, 0.5%, 0.86%

LAB 83.33, 12.55, -15.6

 

CMYK 0 / 8 / 15 / 7

HEX #EDDAC9

RGB 237 218 201

HSL 28.33, 0.5%, 0.86%

LAB 88.14, 3.79, 10.72

 

CMYK 15 / 0 / 8 / 7

HEX #C9EDDA

RGB 201 237 218

HSL 148.33, 0.5%, 0.86%

LAB 90.8, -15.31, 5.29

 

CMYK 15 / 10 / 0 / 7

HEX #C9D5ED

RGB 201 213 237

HSL 220, 0.5%, 0.86%

LAB 85.06, 0.74, -13.15

 

CMYK 0 / 15 / 7 / 7

HEX #EDC9DC

RGB 237 201 220

HSL 328.33, 0.5%, 0.86%

LAB 84.46, 15.79, -4.7

 

CMYK 0 / 5 / 15 / 7

HEX #EDE1C9

RGB 237 225 201

HSL 40, 0.5%, 0.86%

LAB 89.89, 0.19, 13.2

 

CMYK 15 / 0 / 8 / 7

HEX #C9EDDA

RGB 201 237 218

HSL 148.33, 0.5%, 0.86%

LAB 90.8, -15.31, 5.29

 

CMYK 15 / 15 / 0 / 7

HEX #C9CAED

RGB 201 202 237

HSL 238.33, 0.5%, 0.86%

LAB 82.26, 6.57, -17.35

 

CMYK 0 / 15 / 7 / 7

HEX #EDC9DC

RGB 237 201 220

HSL 328.33, 0.5%, 0.86%

LAB 84.46, 15.79, -4.7

 

CMYK 0 / 1 / 15 / 7

HEX #EDEBC9

RGB 237 235 201

HSL 56.67, 0.5%, 0.86%

LAB 92.41, -4.91, 16.76

 

Description

Color code: HEX #C9EDDA | qconv.com Color code: HEX #C9EDDA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 237 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 237 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 8 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 8% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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