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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9F960 it is the complementary color #36069F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9F960. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9F960 shade: #CEF95B, #DFFF6E, #F0FF81, #FFFF94 and #FFFFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9F960. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9F960 shade: #C9F960, #B8E74D, #A7D53A, #96C327 and #85B114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9F960 shade: #C9F961, #F2F961, #F9D761, #F9AE61 and #F98561

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9F960 shade: #C9F961, #A0F961, #77F961, #61F974 and #61F99D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9F960 shade matches the following richer shades: #C9F961

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9F960 shade: #C9F961, #C4EC6E, #BFDE7B, #BAD189 and #B5C496

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9F960 shade: #F9D561, #F4F961, #CBF961, #A3F961 and #7AF961

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9F960 shade: #AEF611, #BCF739, #C9F961, #D7FA89 and #E4FCB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9F960 shade: #C9F960, #61F9AD and #EA61F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9F960 shade: #C9F960, #61CBF9 and #F961CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9F960 shade: #C9F960, #61F9AD, #8F61F9 and #F961AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9F960 shade: #C9F960, #61F9DA, #8F61F9 and #F9617F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 61 / 2

HEX #C9F960

RGB 201 249 96

HSL 78.82, 0.93%, 0.68%

LAB 92.14, -37.02, 66.41

 

Complementary color

CMYK 66 / 96 / 0 / 38

HEX #36069F

RGB 54 6 159

HSL 258.82, 0.93%, 0.32%

LAB 21.64, 55.43, -69.5

 

CMYK 17 / 0 / 63 / 2

HEX #CEF95B

RGB 206 249 91

HSL 76.33, 0.93%, 0.67%

LAB 92.41, -35.49, 68.8

 

CMYK 13 / 0 / 57 / 0

HEX #DFFF6E

RGB 223 255 110

HSL 73.24, 1%, 0.72%

LAB 95.3, -30.36, 64.47

 

CMYK 6 / 0 / 49 / 0

HEX #F0FF81

RGB 240 255 129

HSL 67.14, 1%, 0.75%

LAB 96.67, -22.26, 57.95

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 19 / 0 / 61 / 2

HEX #C9F960

RGB 201 249 96

HSL 78.82, 0.93%, 0.68%

LAB 92.14, -37.02, 66.41

 

CMYK 20 / 0 / 67 / 9

HEX #B8E74D

RGB 184 231 77

HSL 78.31, 0.76%, 0.6%

LAB 85.95, -36.65, 67.02

 

CMYK 22 / 0 / 73 / 16

HEX #A7D53A

RGB 167 213 58

HSL 77.81, 0.65%, 0.53%

LAB 79.68, -36.17, 67.24

 

CMYK 23 / 0 / 80 / 24

HEX #96C327

RGB 150 195 39

HSL 77.31, 0.67%, 0.46%

LAB 73.32, -35.53, 66.82

 

CMYK 25 / 0 / 89 / 31

HEX #85B114

RGB 133 177 20

HSL 76.82, 0.8%, 0.39%

LAB 66.89, -34.7, 65.31

 

CMYK 19 / 0 / 61 / 2

HEX #C9F961

RGB 201 249 97

HSL 78.95, 0.93%, 0.68%

LAB 92.15, -36.94, 66.01

 

CMYK 3 / 0 / 61 / 2

HEX #F2F961

RGB 242 249 97

HSL 62.76, 0.93%, 0.68%

LAB 94.95, -21.05, 69.86

 

CMYK 0 / 14 / 61 / 2

HEX #F9D761

RGB 249 215 97

HSL 46.58, 0.93%, 0.68%

LAB 86.8, -1.41, 61.16

 

CMYK 0 / 30 / 61 / 2

HEX #F9AE61

RGB 249 174 97

HSL 30.39, 0.93%, 0.68%

LAB 76.85, 19.87, 49.83

 

CMYK 0 / 47 / 61 / 2

HEX #F98561

RGB 249 133 97

HSL 14.21, 0.93%, 0.68%

LAB 67.86, 41.13, 39.07

 

CMYK 19 / 0 / 61 / 2

HEX #C9F961

RGB 201 249 97

HSL 78.95, 0.93%, 0.68%

LAB 92.15, -36.94, 66.01

 

CMYK 36 / 0 / 61 / 2

HEX #A0F961

RGB 160 249 97

HSL 95.13, 0.93%, 0.68%

LAB 89.9, -51.42, 62.9

 

CMYK 52 / 0 / 61 / 2

HEX #77F961

RGB 119 249 97

HSL 111.32, 0.93%, 0.68%

LAB 88.23, -63.52, 60.57

 

CMYK 61 / 0 / 53 / 2

HEX #61F974

RGB 97 249 116

HSL 127.5, 0.93%, 0.68%

LAB 87.75, -66.5, 51.52

 

CMYK 61 / 0 / 37 / 2

HEX #61F99D

RGB 97 249 157

HSL 143.68, 0.93%, 0.68%

LAB 88.32, -60.26, 32.48

 

CMYK 19 / 0 / 61 / 2

HEX #C9F961

RGB 201 249 97

HSL 78.95, 0.93%, 0.68%

LAB 92.15, -36.94, 66.01

 

CMYK 19 / 0 / 61 / 2

HEX #C9F961

RGB 201 249 97

HSL 78.95, 0.93%, 0.68%

LAB 92.15, -36.94, 66.01

 

CMYK 17 / 0 / 53 / 7

HEX #C4EC6E

RGB 196 236 110

HSL 79.05, 0.77%, 0.68%

LAB 88.38, -31.8, 56.06

 

CMYK 14 / 0 / 45 / 13

HEX #BFDE7B

RGB 191 222 123

HSL 78.79, 0.6%, 0.68%

LAB 84.35, -25.78, 45.03

 

CMYK 11 / 0 / 34 / 18

HEX #BAD189

RGB 186 209 137

HSL 79.17, 0.44%, 0.68%

LAB 80.65, -19.64, 33.22

 

CMYK 8 / 0 / 23 / 23

HEX #B5C496

RGB 181 196 150

HSL 79.57, 0.28%, 0.68%

LAB 76.98, -13.12, 21.43

 

CMYK 0 / 14 / 61 / 2

HEX #F9D561

RGB 249 213 97

HSL 45.79, 0.93%, 0.68%

LAB 86.3, -0.4, 60.6

 

CMYK 2 / 0 / 61 / 2

HEX #F4F961

RGB 244 249 97

HSL 61.97, 0.93%, 0.68%

LAB 95.1, -20.26, 70.07

 

CMYK 18 / 0 / 61 / 2

HEX #CBF961

RGB 203 249 97

HSL 78.16, 0.93%, 0.68%

LAB 92.27, -36.19, 66.18

 

CMYK 35 / 0 / 61 / 2

HEX #A3F961

RGB 163 249 97

HSL 93.95, 0.93%, 0.68%

LAB 90.05, -50.43, 63.11

 

CMYK 51 / 0 / 61 / 2

HEX #7AF961

RGB 122 249 97

HSL 110.13, 0.93%, 0.68%

LAB 88.33, -62.73, 60.72

 

CMYK 29 / 0 / 93 / 4

HEX #AEF611

RGB 174 246 17

HSL 78.86, 0.93%, 0.52%

LAB 89.37, -49.18, 84.9

 

CMYK 24 / 0 / 77 / 3

HEX #BCF739

RGB 188 247 57

HSL 78.63, 0.92%, 0.6%

LAB 90.56, -43.29, 78.29

 

CMYK 19 / 0 / 61 / 2

HEX #C9F961

RGB 201 249 97

HSL 78.95, 0.93%, 0.68%

LAB 92.15, -36.94, 66.01

 

CMYK 14 / 0 / 45 / 2

HEX #D7FA89

RGB 215 250 137

HSL 78.58, 0.92%, 0.76%

LAB 93.72, -28.56, 50.26

 

CMYK 10 / 0 / 30 / 1

HEX #E4FCB1

RGB 228 252 177

HSL 79.2, 0.93%, 0.84%

LAB 95.7, -19.96, 33.41

 

CMYK 19 / 0 / 61 / 2

HEX #C9F960

RGB 201 249 96

HSL 78.82, 0.93%, 0.68%

LAB 92.14, -37.02, 66.41

 

CMYK 61 / 0 / 31 / 2

HEX #61F9AD

RGB 97 249 173

HSL 150, 0.93%, 0.68%

LAB 88.6, -57.29, 24.77

 

CMYK 6 / 61 / 0 / 2

HEX #EA61F9

RGB 234 97 249

HSL 294.08, 0.93%, 0.68%

LAB 64.06, 72.32, -51.75

 

CMYK 19 / 0 / 61 / 2

HEX #C9F960

RGB 201 249 96

HSL 78.82, 0.93%, 0.68%

LAB 92.14, -37.02, 66.41

 

CMYK 61 / 18 / 0 / 2

HEX #61CBF9

RGB 97 203 249

HSL 198.16, 0.93%, 0.68%

LAB 77.34, -17.33, -31.78

 

CMYK 0 / 61 / 18 / 2

HEX #F961CB

RGB 249 97 203

HSL 318.16, 0.93%, 0.68%

LAB 64.16, 68.9, -25.77

 

CMYK 19 / 0 / 61 / 2

HEX #C9F960

RGB 201 249 96

HSL 78.82, 0.93%, 0.68%

LAB 92.14, -37.02, 66.41

 

CMYK 61 / 0 / 31 / 2

HEX #61F9AD

RGB 97 249 173

HSL 150, 0.93%, 0.68%

LAB 88.6, -57.29, 24.77

 

CMYK 43 / 61 / 0 / 2

HEX #8F61F9

RGB 143 97 249

HSL 258.16, 0.93%, 0.68%

LAB 53.2, 52.09, -69.77

 

CMYK 0 / 61 / 31 / 2

HEX #F961AD

RGB 249 97 173

HSL 330, 0.93%, 0.68%

LAB 63.1, 65.05, -10.33

 

CMYK 19 / 0 / 61 / 2

HEX #C9F960

RGB 201 249 96

HSL 78.82, 0.93%, 0.68%

LAB 92.14, -37.02, 66.41

 

CMYK 61 / 0 / 12 / 2

HEX #61F9DA

RGB 97 249 218

HSL 167.76, 0.93%, 0.68%

LAB 89.56, -47.48, 2.92

 

CMYK 43 / 61 / 0 / 2

HEX #8F61F9

RGB 143 97 249

HSL 258.16, 0.93%, 0.68%

LAB 53.2, 52.09, -69.77

 

CMYK 0 / 61 / 49 / 2

HEX #F9617F

RGB 249 97 127

HSL 348.16, 0.93%, 0.68%

LAB 61.84, 60.33, 14.37

 

Description

Color code: HEX #C9F960 | qconv.com Color code: HEX #C9F960 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 249 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 249 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 61 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 61% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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